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則濟利亞頌.ly
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% Reference:
% http://www.lilypond.org/doc/v2.18/Documentation/learning/solo-verse-and-two_002dpart-refrain
\version "2.18.0"
\header {
title = "則濟利亞頌"
subtitle = "Sancta Cæcilia Patrona Nostra"
composer = "曲:Fr. Guilherme Wilheim Schmid 司馬榮神父"
%arranger = "編:?"
%poet = "詞:佚名?"
% Remove default LilyPond ta gline
%tagline = ##f
}
% #(set-global-staff-size 24)
\paper {
#(set-paper-size "letter")
top-margin = 0.75\in
left-margin = 1.25\in
right-margin = 0.75\in
bottom-margin = 0.5\in
% http://www.lilypond.org/doc/v2.18/Documentation/notation/flexible-vertical-spacing-paper-variables
system-system-spacing #'basic-distance = #14
}
global = {
\key f \major
\numericTimeSignature
\autoBeamOff
\time 3/4
\tempo "Andante maestato"
s2.*8
s2.*4 \break
s2.*8
\bar "|."
}
% Unfinished, incomplete, but removed because it clutters up the choir score.
chordNames = \chordmode {
f2. | c2. | f2/a g4:m | c2. |
f2 f4:7 | bes2./f | f2 g4:m | f2/c bes4 |
f2. | bes2.:maj7
}
solo = \relative c' {
%\global
f2 g8 a | a8 g g4 r8
\set melismaBusyProperties = #'()
\slurDashed
g( | a4)( f)
\slurSolid
\unset melismaBusyProperties
g |
g2 c,4 |
a'2 bes8 c | c8[ bes] bes2 | a4.( f8) bes[ g] | f2 e4 |
f2. |
R2.*11
}
women = \relative c'' {
%\global
R2.*8
% Music follows here.
%f2 g8 a | a8 g g4 r8 g( | a4) f g | g2 c,4 |
%a'2 bes8 c | c8[ bes] bes2 | a4.( f8) bes[ g] | f2 e4 |
a4 a4. bes8 | a8 f d2 | c'4 c4. d8 | d8[ c] c2 |
bes4.( d8) c bes | bes8[ a] a2 |
g4.( bes8) a g | g8[ f] f g a bes | c2( g4) | a4 r8 a bes g |
f2( e4) | f2 r4 |
}
men = \relative c' {
%\global
\clef "treble_8"
R2.*8
R2.*2
r4 r8 a8 a gis | gis8[ a] a2 |
g4 f e | e8[ f] f2 |
f4 d e | e8[ f] f r r4 |
r8 c d e f[ e] | f2
\set melismaBusyProperties = #'()
\slurDashed
d4( | c2.)
\slurSolid
\unset melismaBusyProperties
|
f2 r4 |
}
fpa = \once \override LyricText #'self-alignment-X = #-0.72
soloLyrics = \lyricmode {
聖 女 則 濟 利 \fpa 亞, 我 _ 們 的 主 \fpa 保,
在 天 主 臺 \fpa 前, 為 我 們 祈 \fpa 禱。
}
soloLyricsLatin = \lyricmode {
San -- cta Cæ -- ci -- li -- a, pa -- tro -- _ na no -- bis,
o -- ra pro no -- bis! o -- ra pro no -- bis!
}
womenLyrics = \lyricmode {
%\set stanza = "【女】"
聖 女 則 濟 利 \fpa 亞, 我 們 的 主 \fpa 保,
在 天 主 臺 \fpa 前,
在 天 主 臺 前 為 我 們 祈 \fpa 禱, 為 我 們 祈 \fpa 禱。
}
womenLyricsLatin = \lyricmode {
San -- cta Cæ -- ci -- li -- a, pa -- tro -- na no -- bis,
o -- ra pro no -- bis! o -- ra pro no -- bis!
o -- ra pro no -- bis! o -- ra pro no -- bis!
}
menLyrics = \lyricmode {
%\set stanza = "【男】"
我 們 的 主 \fpa 保,
在 天 主 臺 \fpa 前, 在 天 主 臺 \fpa 前,
為 我 們 祈 \fpa 禱, 祈 _ \fpa 禱。
}
menLyricsLatin = \lyricmode {
pa -- tro -- na no -- bis,
o -- ra pro no -- bis! o -- ra pro no -- bis!
o -- ra pro no -- bis, pro no -- bis!
}
\score {
<<
% \new ChordNames \chordNames
\new Staff \with {
midiInstrument = "choir aahs"
vocalName = "獨唱 "
%shortVocalName = "獨唱"
} \new Voice = "solo" << \global \solo >>
\addlyrics { \soloLyricsLatin }
\addlyrics { \soloLyrics }
\new ChoirStaff <<
\new Staff \with {
midiInstrument = "choir aahs"
shortVocalName = "女 "
} << \global \women >>
\addlyrics { \womenLyricsLatin }
\addlyrics { \womenLyrics }
\new Staff \with {
midiInstrument = "choir aahs"
shortVocalName = "男 "
} << \global \men >>
\addlyrics { \menLyricsLatin }
\addlyrics { \menLyrics }
>>
>>
\layout {
indent = #0
\context { \Staff
% these lines prevent empty staves from being printed
\RemoveEmptyStaves
\override VerticalAxisGroup.remove-first = ##t
}
}
\midi {
\tempo 4=88
}
}