From 16508af40cfbc3100f459df880ec057ca8b4e36e Mon Sep 17 00:00:00 2001 From: JaseMK Date: Thu, 29 Jun 2023 10:00:25 +0100 Subject: [PATCH] Added IMMA catalogue --- dataset_exports/imma_catalogue.json | 360097 +++++++++++++++++++++++++ 1 file changed, 360097 insertions(+) create mode 100644 dataset_exports/imma_catalogue.json diff --git a/dataset_exports/imma_catalogue.json b/dataset_exports/imma_catalogue.json new file mode 100644 index 0000000..9f35200 --- /dev/null +++ b/dataset_exports/imma_catalogue.json @@ -0,0 +1,360097 @@ +[ + { + "_id": "riboud-marc.jsonld", + "@graph": [ + { + "@id": "spice:agent/riboud-marc", + "@type": "foaf:Person", + "description": "French photographer Marc Riboud (born 1923) was born in Lyon and worked as an engineer before leaving his job to become a photographer. In 1953, his work was published in 'Life' magazine and he joined the Magnum agency after meeting Henri Cartier-Bresson and Robert Capa. Riboud was President of Magnum from 1976 until 1979.He has photographed and exhibited all over the world and his 2004 retrospective at the Maison Européenne de la Photographie in Paris was visited by 100,000 people. Riboud has received many awards including the International Centre of Photography Infinity Award and has twice won the Overseas Press Club Award.", + "source": "https://imma.ie/artists/marc-riboud/", + "birthDate": "b.1923", + "url": "https://imma.ie/artists/marc-riboud/", + "label": "Marc Riboud" + }, + { + "@id": "spice:artefact/county-down", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/riboud-marc", + "author": "spice:agent/riboud-marc", + "dateCreated": "1978", + "url": "https://imma.ie/collection/county-down/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/county-down", + "hasTitle": "County Down" + }, + { + "@id": "spice:attribution/county-down", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/riboud-marc" + } + ], + "@context": { + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1676459951, + "_timestamp_year": 2023, + "_timestamp_month": 2, + "_timestamp_day": 15, + "_timestamp_hour": 11, + "_timestamp_minute": 19, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "cianni-vincent.jsonld", + "@graph": [ + { + "@id": "spice:agent/cianni-vincent", + "@type": "foaf:Person", + "description": "Vincent Cianni embraces documentary as a tool for social and political change. He uses photography to investigate specific subcultures and to offer up powerful images to catalyse social change. Holding degrees from Penn State University and SUNY New Paltz, Cianni published ‘We Skate Hardcore’, an award-winning in-depth look at skateboarding culture in 2004. More recently (2014), his ‘Gays in the Military’ was issued by Daylight Books. Cianni’s photographs, interviews and notes are available at Duke University’s Archive for Documentary Arts. The photographer teaches at Parsons, the New School for Design in New York City.", + "source": "https://imma.ie/artists/vincent-cianni/", + "birthDate": "b.1952", + "url": "https://imma.ie/artists/vincent-cianni/", + "label": "Vincent Cianni" + }, + { + "@id": "spice:artefact/shooting-hoops-at-jaimies-metropolitan-avenue-williamsburg-brooklyn", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/cianni-vincent", + "author": "spice:agent/cianni-vincent", + "dateCreated": "1997", + "url": "https://imma.ie/collection/shooting-hoops-at-jaimies-metropolitan-avenue-williamsburg-brooklyn/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/shooting-hoops-at-jaimies-metropolitan-avenue-williamsburg-brooklyn", + "hasTitle": "Shooting Hoops at Jaimie’s, Metropolitan Avenue, Williamsburg, Brooklyn" + }, + { + "@id": "spice:attribution/shooting-hoops-at-jaimies-metropolitan-avenue-williamsburg-brooklyn", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/cianni-vincent" + } + ], + "@context": { + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1676459951, + "_timestamp_year": 2023, + "_timestamp_month": 2, + "_timestamp_day": 15, + "_timestamp_hour": 11, + "_timestamp_minute": 19, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "zak-helena.jsonld", + "@graph": [ + { + "@id": "spice:agent/zak-helena", + "@type": "foaf:Person", + "description": "Helena Zak was born in Stockholm, Sweden and lived in Paris before moving to Ireland in 1976. Zak began working as a full time artist in 1980 and was awarded an Arts Council bursary in 1981. Her first solo exhibition took place at the Triskel Arts Centre, Cork, in the same year. Her work has also been shown at the Exhibition of Visual Art, Limerick, the Oliver Dowling Gallery, Dublin, and Crawford Art Gallery, Cork.", + "source": "https://imma.ie/artists/helena-zak/", + "birthDate": "b.1954", + "url": "https://imma.ie/artists/helena-zak/", + "label": "Helena Zak" + }, + { + "@id": "spice:artefact/seeker-at-the-door", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/zak-helena", + "author": "spice:agent/zak-helena", + "dateCreated": "1980", + "url": "https://imma.ie/collection/seeker-at-the-door/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/seeker-at-the-door", + "hasTitle": "Seeker at the Door" + }, + { + "@id": "spice:attribution/seeker-at-the-door", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/zak-helena" + } + ], + "@context": { + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1676459950, + "_timestamp_year": 2023, + "_timestamp_month": 2, + "_timestamp_day": 15, + "_timestamp_hour": 11, + "_timestamp_minute": 19, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "swanzy-mary.jsonld", + "@graph": [ + { + "@id": "spice:agent/swanzy-mary", + "@type": "foaf:Person", + "description": [ + "Mary Swanzy (1882-1978) is a unique Irish artist. Her level of achievement, world travel and original thinking is unmatched in Irish art, yet this is the first retrospective of her work in 50 years. Born in the late Victorian era, by her early twenties Swanzy had mastered the academic style of painting. She witnessed the birth of Modern art in Paris before the First World War and her work rapidly evolved through the different styles of the day, each of them interpreted and transformed by her in a highly personal way.", + "Mary Swanzy (1882-1978) is a unique Irish artist. Her level of achievement, world travel and original thinking is unmatched in Irish art, yet this is the first retrospective of her work in 50 years. She witnessed the birth of Modern art in Paris before the First World War and her work rapidly evolved through the different styles of the day, each of them interpreted and transformed by her in a highly personal way." + ], + "source": "https://imma.ie/artists/mary-swanzy/", + "birthDate": "1882–1978", + "url": "https://imma.ie/artists/mary-swanzy/", + "label": "Mary Swanzy" + }, + { + "@id": "spice:artefact/the-opera-singer", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/swanzy-mary", + "author": "spice:agent/swanzy-mary", + "dateCreated": "1944", + "url": "https://imma.ie/collection/the-opera-singer/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/the-opera-singer", + "hasTitle": "The Opera Singer" + }, + { + "@id": "spice:attribution/the-opera-singer", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/swanzy-mary" + } + ], + "@context": { + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1676459950, + "_timestamp_year": 2023, + "_timestamp_month": 2, + "_timestamp_day": 15, + "_timestamp_hour": 11, + "_timestamp_minute": 19, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "manna-jumana.jsonld", + "@id": "spice:agent/manna-jumana", + "@type": "foaf:Person", + "description": [ + "Nov – Dec 2018", + "Jumana Manna makes films and sculptures that explore the ways in which social, political and interpersonal forms of power interact with the human body. Her films weave together fact and fiction, biographical and archival materials, to investigate constructions of national and historical narratives. Her sculptures, more abstract by comparison, take interest in the calcifications of memory, as represented by the artefact real or forged.", + "Jumana Manna makes films and sculptures that explore the ways in which social, political and interpersonal forms of power interact with the human body. 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Portraits and animated walking figures, rendered with minimal detail, are hallmarks of Opie’s style. He has exhibited widely in Europe and the US. 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Themes in his work include boxers, young athletes and the human psyche. 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He first visited Ireland in 1956 and settled here permanently in 1959. Brady was best known as a painter of everyday objects in an understated manner, usually on a modest scale. 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Fingleton is an elected member of Aosdána.", + "source": "https://imma.ie/artists/sean-fingleton/", + "birthDate": "b.1950", + "url": "https://imma.ie/artists/sean-fingleton/", + "label": "Sean Fingleton" + }, + { + "@id": "spice:artefact/mucky-field", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/fingleton-sean", + "author": "spice:agent/fingleton-sean", + "dateCreated": "1989", + "url": "https://imma.ie/collection/mucky-field/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/mucky-field", + "hasTitle": "Mucky Field" + }, + { + "@id": "spice:artefact/untitled-66", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/fingleton-sean", + "author": "spice:agent/fingleton-sean", + "dateCreated": "1989", + "url": "https://imma.ie/collection/untitled-66/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/untitled-66", + "hasTitle": "Untitled" + }, + { + "@id": "spice:attribution/mucky-field", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/fingleton-sean" + }, + { + "@id": "spice:attribution/untitled-66", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/fingleton-sean" + } + ], + "@context": { + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1676459948, + "_timestamp_year": 2023, + "_timestamp_month": 2, + "_timestamp_day": 15, + "_timestamp_hour": 11, + "_timestamp_minute": 19, + "_timestamp_second": 8, + "_updated": true + }, + { + "_id": "frohlich-fritz.jsonld", + "@graph": [ + { + "@id": "spice:agent/frohlich-fritz", + "@type": "foaf:Person", + "description": "Austrian artist Fritz Fröhlich studied at the Academy of Fine Arts in Vienna. 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Kosuth has been represented in major exhibitions since the late 1960s, including Documenta V, VI, VII and IX, and the Venice Biennale in 1976, 1993 and 1999.", + "source": "https://imma.ie/artists/joseph-kosuth/", + "birthDate": "b.1945", + "url": "https://imma.ie/artists/joseph-kosuth/", + "label": "Joseph Kosuth" + }, + { + "@id": "spice:artefact/guests-and-foreigners-rules-and-meanings-say-i-do-not-know", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/kosuth-joseph", + "author": "spice:agent/kosuth-joseph", + "dateCreated": "1997", + "url": "https://imma.ie/collection/guests-and-foreigners-rules-and-meanings-say-i-do-not-know/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/guests-and-foreigners-rules-and-meanings-say-i-do-not-know", + "hasTitle": "Guests and Foreigners, Rules and Meanings -SAY I DO NOT KNOW-" + }, + { + "@id": "spice:artefact/three-titled-meanings-a-a-i-a-i", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/kosuth-joseph", + "author": "spice:agent/kosuth-joseph", + "dateCreated": "1967", + "url": "https://imma.ie/collection/three-titled-meanings-a-a-i-a-i/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/three-titled-meanings-a-a-i-a-i", + "hasTitle": "Three Titled Meanings (A.A.I.A.I)" + }, + { + "@id": "spice:attribution/guests-and-foreigners-rules-and-meanings-say-i-do-not-know", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/kosuth-joseph" + }, + { + "@id": "spice:attribution/three-titled-meanings-a-a-i-a-i", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/kosuth-joseph" + } + ], + "@context": { + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1676459946, + "_timestamp_year": 2023, + "_timestamp_month": 2, + "_timestamp_day": 15, + "_timestamp_hour": 11, + "_timestamp_minute": 19, + "_timestamp_second": 6, + "_updated": true + }, + { + "_id": "taylor-jessica-elizabeth-lauren.jsonld", + "@id": "spice:agent/taylor-jessica-elizabeth-lauren", + "@type": "foaf:Person", + "description": [ + "Jessica Lauren Elizabeth Taylor is an artist, filmmaker, archivist and community organizer. 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A recent graduate from IADT Dún Laoghaire with a BA (Hons) in Art, Chooramun is currently completing a MA in Art Research and collaboration (ARC).  Chooramun was awarded the RHA Graduate Studio Award, at the RDS Visual Arts Awards, 2018.", + "Anishta Chooramun’s work is informed by the diverse components that create our society and her work explores themes of culture, perception and identity through materiality. Chooramun examines how people co-exist and how one completes the other. The artist’s sculptures create an abstract jigsaw puzzle. Audiences are invited to move through the installed work and visually piece together the fragments of the puzzle. Born in Mauritius, Anishta Chooramun currently lives, works and studies in Dublin. A recent graduate from IADT Dún Laoghaire with a BA (Hons) in Art, Chooramun is currently completing an MA in Art Research and collaboration (ARC).  Chooramun was awarded the RHA Graduate Studio Award, at the RDS Visual Arts Awards, 2018.  " + ], + "source": "https://imma.ie/artists/anishta-chooramun/", + "url": "https://imma.ie/artists/anishta-chooramun/", + "label": "Anishta Chooramun" + }, + { + "@id": "spice:artefact/kathakers-take-a-bow-i", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/chooramun-anishta", + "author": "spice:agent/chooramun-anishta", + "dateCreated": "2019", + "url": "https://imma.ie/collection/kathakers-take-a-bow-i/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/kathakers-take-a-bow-i", + "hasTitle": "Kathakers: Take a Bow I " + }, + { + "@id": "spice:artefact/the-kathakers-038-011-storytellers", + "@type": [ + "schema:CreativeWork", + 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He served as a cartographer in the US Army during World War II and attended the School of the Art Institute of Chicago under the GI Bill. In opposition to the American Abstract Expressionist movement of the 1950s, Golub, together with his wife and collaborator Nancy Spero, pursued an overtly political position based on figuration. His work has been exhibited extensively and is represented in significant collections worldwide.", + "source": "https://imma.ie/artists/leon-golub/", + "birthDate": "1922–2004", + "url": "https://imma.ie/artists/leon-golub/", + "label": "Leon Golub", + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1676459941, + "_timestamp_year": 2023, + "_timestamp_month": 2, + "_timestamp_day": 15, + "_timestamp_hour": 11, + "_timestamp_minute": 19, + "_timestamp_second": 1, + "_updated": true + }, + { + "_id": "henry-grace.jsonld", + "@graph": [ + { + "@id": "spice:agent/henry-grace", + "@type": "foaf:Person", + "description": "Scottish painter Grace Henry studied at Blanc Garrins Academy, Brussels, and the Delecluse Academy, Paris. 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Henry was made an honorary member of the RHA in 1949.", + "source": "https://imma.ie/artists/grace-henry/", + "birthDate": "1868–1953", + "url": "https://imma.ie/artists/grace-henry/", + "label": "Grace Henry" + }, + { + "@id": "spice:artefact/les-maisons-des-humbles", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/henry-grace", + "author": "spice:agent/henry-grace", + "dateCreated": "1930", + "url": "https://imma.ie/collection/les-maisons-des-humbles/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/les-maisons-des-humbles", + "hasTitle": "Les Maisons des Humbles" + }, + { + "@id": "spice:attribution/les-maisons-des-humbles", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/henry-grace" + } + ], + "@context": { + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1676459941, + "_timestamp_year": 2023, + "_timestamp_month": 2, + "_timestamp_day": 15, + "_timestamp_hour": 11, + "_timestamp_minute": 19, + "_timestamp_second": 1, + "_updated": true + }, + { + "_id": "omalley-jane.jsonld", + "@id": "spice:agent/omalley-jane", + "@type": "foaf:Person", + "description": "Painter Jane O’Malley (born 1944) was born in Montreal, Canada. 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Her work can be found in numerous collections including that of the Arts Council of Ireland; the Office of Public Works; and Dublin City University.", + "source": "https://imma.ie/artists/jane-omalley/", + "birthDate": "b.1944", + "url": "https://imma.ie/artists/jane-omalley/", + "label": "Jane O’Malley", + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1676459941, + "_timestamp_year": 2023, + "_timestamp_month": 2, + "_timestamp_day": 15, + "_timestamp_hour": 11, + "_timestamp_minute": 19, + "_timestamp_second": 1, + "_updated": true + }, + { + "_id": "malani-nalini.jsonld", + "@graph": [ + { + "@id": "spice:agent/malani-nalini", + "@type": "foaf:Person", + "description": "Indian artist Nalini Malani trained at the Sir Jamshedjee Jeejeebhoy School of Art, Bombay. Her multi-layered work mixes universal concepts with specific historical and personal details, often referencing female figures from Indian and European traditions. Malani has exhibited internationally since the 1980s. A solo exhibition of her work was presented at IMMA in 2007.", + "source": "https://imma.ie/artists/nalini-malani/", + "birthDate": "b.1946", + "url": "https://imma.ie/artists/nalini-malani/", + "label": "Nalini Malani" + }, + { + "@id": "spice:artefact/stains", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/malani-nalini", + "author": "spice:agent/malani-nalini", + "dateCreated": "2000", + "url": "https://imma.ie/collection/stains/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/stains", + "hasTitle": "Stains" + }, + { + "@id": "spice:attribution/stains", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/malani-nalini" + } + ], + "@context": { + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1676459941, + "_timestamp_year": 2023, + "_timestamp_month": 2, + "_timestamp_day": 15, + "_timestamp_hour": 11, + "_timestamp_minute": 19, + "_timestamp_second": 1, + "_updated": true + }, + { + "_id": "ahearn-john.jsonld", + "@graph": [ + { + "@id": "spice:agent/ahearn-john", + "@type": "foaf:Person", + "description": "Born in New York, John Ahearn works with community groups whose access to fine art and museum culture has been limited. During the 1980s and 1990s, Ahearn executed outdoor murals in New York and collaborated on public projects in North America and Europe. He participated in the Artist’s Residency Programme at IMMA in 1994. From 2000 he has worked in Taiwan and Brazil.", + "source": "https://imma.ie/artists/john-ahearn/", + "birthDate": "b.1951", + "url": "https://imma.ie/artists/john-ahearn/", + "label": "John Ahearn" + }, + { + "@id": "spice:artefact/neil", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/ahearn-john", + "author": "spice:agent/ahearn-john", + "dateCreated": "1994", + "url": "https://imma.ie/collection/neil/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/neil", + "hasTitle": "Neil" + }, + { + "@id": "spice:artefact/st-francis-street-boys-1994", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/ahearn-john", + "author": "spice:agent/ahearn-john", + "dateCreated": "1994", + "url": "https://imma.ie/collection/st-francis-street-boys-1994/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/st-francis-street-boys-1994", + "hasTitle": "St.Francis Street Boys 1994" + }, + { + "@id": "spice:attribution/neil", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/ahearn-john" + }, + { + "@id": "spice:attribution/st-francis-street-boys-1994", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/ahearn-john" + } + ], + "@context": { + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1676459941, + "_timestamp_year": 2023, + "_timestamp_month": 2, + "_timestamp_day": 15, + "_timestamp_hour": 11, + "_timestamp_minute": 19, + "_timestamp_second": 1, + "_updated": true + }, + { + "_id": "mccarthy-caroline.jsonld", + "@graph": [ + { + "@id": "spice:agent/mccarthy-caroline", + "@type": "foaf:Person", + "description": "Irish artist Caroline McCarthy studied at the National College of Art and Design and Goldsmith’s College, London. 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She has undertaken artist residencies in China, Iceland, France, the Netherlands and at IMMA in 1997.", + "source": "https://imma.ie/artists/caroline-mccarthy/", + "birthDate": "b.1971", + "url": "https://imma.ie/artists/caroline-mccarthy/", + "label": "Caroline McCarthy" + }, + { + "@id": "spice:artefact/greetings", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/mccarthy-caroline", + "author": "spice:agent/mccarthy-caroline", + "dateCreated": "1996", + "url": "https://imma.ie/collection/greetings/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/greetings", + "hasTitle": "Greetings" + }, + { + "@id": "spice:artefact/promise", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/mccarthy-caroline", + "author": "spice:agent/mccarthy-caroline", + "dateCreated": "2003", + "url": "https://imma.ie/collection/promise/", + 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The Kathakars communicate stories through rhythmic foot movements, hand gestures, facial expressions, and eye work, as a form of sign language. Chooramun incorporated these expressive dance movements into the sculptures. ", + "source": "https://imma.ie/collection/the-kathakers-038-011-storytellers/", + "creditText": "IMMA Collection: Purchase, 2021, 2021", + "image": "spice:documentation/the-kathakers-038-011-storytellers", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "concrete fabric, birch ply, steel, copper, corrugated paper, glass", + "size": "195 x 70 x 60 cm", + "hasInventory": "IMMA.4225" + }, + { + "@id": "spice:documentation/the-kathakers-038-011-storytellers", + "@type": "schema:ImageObject", + "caption": "Anishta Chooramun, The Kathakers 0:38 – 0:11 (storytellers),, 2019, concrete fabric, birch ply, steel, copper, corrugated paper, glass, 195 x 70 x 60 cm, Collection Irish Museum of Modern Art, Purchase, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9526.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368502, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 42, + "_updated": true + }, + { + "_id": "even-now.jsonld", + "@graph": [ + { + "@id": "spice:artefact/even-now", + "@type": "schema:CreativeWork", + "description": "Even Now, 2012, is a solo performance originally performed as part of PRESENT: THE ART OF ENCOUNTER commissioned by The Naughton Gallery at Queen’s University & Bbeyond, Belfast. The work consists of still images taken by Jordan Hutchings and 2 original English press photographs of the emergency services at the scene of the bombing at La Mon House. These are examples of wire or line photos that were sent by telecommunication lines back to various Press offices where the image was then developed in the office. These two photographs contain the press message attached and were taken by Malcom Croft.", + "source": "https://imma.ie/collection/even-now/", + "creditText": "IMMA Collection: Purchase, 2021, 2021", + "image": "spice:documentation/even-now", + "maintainer": "https://w3id.org/spice/institute/imma", + "hasInventory": "IMMA.4218" + }, + { + "@id": "spice:documentation/even-now", + "@type": "schema:ImageObject", + "caption": "Sandra Johnston, Even Now, 2012, Collection Irish Museum of Modern Art, Purchase, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2021/04/9512.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368502, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 42, + "_updated": true + }, + { + "_id": "the-only-good-one-is-a-dead-one-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-only-good-one-is-a-dead-one-2", + "@type": "schema:CreativeWork", + "description": "‘The Only Good One is a Dead One’ is a double screen video projection installed in such a way that two constantly repeated sequences cannot be seen simultaneously. One is a shot from the driver’s perspective of a journey down a winding country road on the edge of the city; the other is from inside a stationary car observing the pedestrian and traffic movements at a street corner. These are accompanied by a male voice-over narrating on interior monologue that switches between the speculation of a man stalking a target whose life he has intimately observed, and those of one who fears himself to be the same object of another’s scrutiny. According to Doherty, ‘one of the most important things that I could contribute with this work to the whole discussion about sectarian violence, the nature of sectarian violence and how it victimises the population, was to propose that it was possible to imagine oneself in both the role of victim and the role of perpetrator and, I suppose, to look at their mutual dependency. The physical set up of the piece is crucial in that it directly mirrors that relationship and forces the viewer in the space to bridge that gap and move around and move between those polarities (of victim and perpetrator)’.", + "source": "https://imma.ie/collection/the-only-good-one-is-a-dead-one-2/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1995", + "image": "spice:documentation/the-only-good-one-is-a-dead-one-2", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Video projection", + "hasInventory": "L.593 LW" + }, + { + "@id": "spice:documentation/the-only-good-one-is-a-dead-one-2", + "@type": "schema:ImageObject", + "caption": "Willie Doherty, The Only Good One is a Dead One, 1993, Video projection, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1995 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368502, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 42, + "_updated": true + }, + { + "_id": "orange-oak.jsonld", + "@graph": [ + { + "@id": "spice:artefact/orange-oak", + "@type": "schema:CreativeWork", + "description": "Orange Oak is a 1970 work by Noel Sheridan. ", + "source": "https://imma.ie/collection/orange-oak/", + "creditText": "IMMA Collection: Heritage Gift, 2002", + "image": "spice:documentation/orange-oak", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Mixed media on canvas", + "size": "200 x 200 cm", + "hasInventory": "IMMA.2646" + }, + { + "@id": "spice:documentation/orange-oak", + "@type": "schema:ImageObject", + "caption": "Noel Sheridan, Orange Oak, 1970, Mixed media on canvas, 200 x 200 cm, Collection Irish Museum of Modern Art, Heritage Gift, 2002 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/3583.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368501, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 41, + "_updated": true + }, + { + "_id": "incident.jsonld", + "@graph": [ + { + "@id": "spice:artefact/incident", + "@type": "schema:CreativeWork", + "description": "‘Incident’, together with ‘Border Incident’ by Willie Doherty, demonstrates the way our understanding of photographs is informed by the context in which they are viewed and how language supplements the image in the form of title and/or caption. Both images are large, detailed, close-ups of burnt out cars abandoned in the landscape. The straight on camera angle in the photographs adds to the sense that we are being presented with a factual description. Both works are given a political charge because of the use of the words ‘border’ and ‘incident’ in the titles, immediately evoking the violence of Northern Ireland’s recent past and suggesting that we are looking at the aftermath of conflict. However, one of the two images depicts a car that has simply been illegally dumped. Typically for Doherty’s work the signposts offered by the titles misdirect rather than guide.", + "source": "https://imma.ie/collection/incident/", + "creditText": "IMMA Collection: Purchase, 1994", + "image": "spice:documentation/incident", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Cibachrome mounted on aluminum", + "size": "122 x 183 cm", + "version": "Edition 1/3", + "hasInventory": "IMMA.450" + }, + { + "@id": "spice:documentation/incident", + "@type": "schema:ImageObject", + "caption": "Willie Doherty, Incident, 1993, Cibachrome mounted on aluminum, 122 x 183 cm, Collection Irish Museum of Modern Art, Purchase, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/257.jpg" + } + ], + "@context": { + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "size": { + "@id": "http://schema.org/size" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368501, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 41, + "_updated": true + }, + { + "_id": "cuauhtli-totem-del-cuauhpilli.jsonld", + "@graph": [ + { + "@id": "spice:artefact/cuauhtli-totem-del-cuauhpilli", + "@type": "schema:CreativeWork", + "description": "Cuauhtli Tótem del Cuauhpilli is a 2010 work by Flor Minor. ", + "source": "https://imma.ie/collection/cuauhtli-totem-del-cuauhpilli/", + "creditText": "IMMA Collection: Diplomatic gift of the Federal Government of Mexico, 2011", + "image": "spice:documentation/cuauhtli-totem-del-cuauhpilli", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching, aquatint, softground, tusche (spitbite)", + "size": "Sheet: 116 x 95 cm Plate: 100.1 x 79 cm", + "hasInventory": "IMMA.3767" + }, + { + "@id": "spice:documentation/cuauhtli-totem-del-cuauhpilli", + "@type": "schema:ImageObject", + "caption": "Flor Minor, Cuauhtli Tótem del Cuauhpilli, 2010, Etching, aquatint, softground, tusche (spitbite), Sheet: 116 x 95 cm Plate: 100.1 x 79 cm, Collection Irish Museum of Modern Art, Diplomatic gift of the Federal Government of Mexico, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368501, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 41, + "_updated": true + }, + { + "_id": "trada.jsonld", + "@graph": [ + { + "@id": "spice:artefact/trada", + "@type": "schema:CreativeWork", + "description": "Trada is a 1972 work by Roy Johnston. 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", + "source": "https://imma.ie/collection/bowl-ceramic-ovoid-body/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/bowl-ceramic-ovoid-body", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Iron glaze and iron oxide on red earthenware", + "size": "21 x 15.6 x 12.5 cm", + "hasInventory": "IMMA.281 GL" + }, + { + "@id": "spice:documentation/bowl-ceramic-ovoid-body", + "@type": "schema:ImageObject", + "caption": "Sonja Landweer, Bowl, Ceramic Ovoid Body, 1959, Iron glaze and iron oxide on red earthenware, 21 x 15.6 x 12.5 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1955.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368501, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 41, + "_updated": true + }, + { + "_id": "yes-folks-its-official.jsonld", + "@graph": [ + { + "@id": "spice:artefact/yes-folks-its-official", + "@type": "schema:CreativeWork", + "description": "Yes Folks, its Official! is a 2002 work by David Godbold. ", + "source": "https://imma.ie/collection/yes-folks-its-official/", + "creditText": "IMMA Collection: Purchase, 2005", + "image": "spice:documentation/yes-folks-its-official", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Ink and pencil on tracing paper over found flip chart notes", + "size": "78 x 58 cm", + "hasInventory": "IMMA.1808" + }, + { + "@id": "spice:documentation/yes-folks-its-official", + "@type": "schema:ImageObject", + "caption": "David Godbold, Yes Folks, its Official!, 2002, Ink and pencil on tracing paper over found flip chart notes, 78 x 58 cm, Collection Irish Museum of Modern Art, Purchase, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/314.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368501, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 41, + "_updated": true + }, + { + "_id": "untitled-110.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-110", + "@type": "schema:CreativeWork", + "description": "Untitled is a 1970 work by Sam Gilliam. ", + "source": "https://imma.ie/collection/untitled-110/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/untitled-110", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Stained paper", + "size": "63 x 83.5 cm", + "hasInventory": "IMMA.217 GL" + }, + { + "@id": "spice:documentation/untitled-110", + "@type": "schema:ImageObject", + "caption": "Sam Gilliam, Untitled, 1970, Stained paper, 63 x 83.5 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368501, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 41, + "_updated": true + }, + { + "_id": "red-yellow-and-blue.jsonld", + "@graph": [ + { + "@id": "spice:artefact/red-yellow-and-blue", + "@type": "schema:CreativeWork", + "description": "Barbara Novak has painted flowers since childhood, long before her immersion in art history. She took watercolour classes at Parsons School of Design, the Art Students League, New York and the Brooklyn Museum. According to Novak:", + "source": "https://imma.ie/collection/red-yellow-and-blue/", + "creditText": "IMMA Collection: Donation, Novak/O'Doherty Collection, 2015", + "image": "spice:documentation/red-yellow-and-blue", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Watercolour on paper", + "size": "49.7 x 45.6 cm Framed: 70.5 x 63.5 cm", + "hasInventory": "IMMA.3932" + }, + { + "@id": "spice:documentation/red-yellow-and-blue", + "@type": "schema:ImageObject", + "caption": "Barbara Novak, Red, Yellow and Blue, 2004, Watercolour on paper, 49.7 x 45.6 cm Framed: 70.5 x 63.5 cm, Collection Irish Museum of Modern Art, Donation, Novak/O'Doherty Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/5202.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368501, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 41, + "_updated": true + }, + { + "_id": "from-nineteen-greys-b.jsonld", + "@graph": [ + { + "@id": "spice:artefact/from-nineteen-greys-b", + "@type": "schema:CreativeWork", + "description": "During the early 1960s, Bridget Riley worked mainly in black and white using repeating patterns of squares, rectangles, ovals, circles and wave-like shapes positioned according to precise mathematical formulae to create a sensation of movement in her painting. 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Seen by fellow printmakers as an outstanding technician, Mara himself saw technique only as a tool for expression, saying “in the hierarchy of fine art, printmaking is usually associated with craft skills – with technique. My work was always about the ideas, more than the medium”.*", + "source": "https://imma.ie/collection/power-cuts-imminent/", + "creditText": "IMMA Collection: Donated by the artist's family, 1999", + "image": "spice:documentation/power-cuts-imminent", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint", + "size": "Framed: 99.5 x 124 x 3.2 cm 77 x 97 cm", + "hasInventory": "IMMA.1282" + }, + { + "@id": "spice:documentation/power-cuts-imminent", + "@type": "schema:ImageObject", + "caption": "Tim Mara, Power Cuts Imminent, 1975, Screenprint, Framed: 99.5 x 124 x 3.2 cm 77 x 97 cm, Collection Irish Museum of Modern Art, Donated by the artist's family, 1999 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1326.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368501, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 41, + "_updated": true + }, + { + "_id": "melancholia-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/melancholia-2", + "@type": "schema:CreativeWork", + "description": "Melancholia is a 2005 work by Cecily Brennan. 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Each drawing concentrates on a single architectural motif, which is developed on subtly coloured graph paper with correction fluid, tippex, resin and inks. The artist’s love of texture is highlighted by her drawings media which also have the quality of suggesting past and present states. The drawings are of typical rather than specific architectural motifs. Viewed as such, they provide an opportunity to see the artist’s mind in action, sifting and extracting from the world of experience, prior to making sculpture.", + "source": "https://imma.ie/collection/study-for-floor-ceiling-piece/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/study-for-floor-ceiling-piece", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Correction fluid, ink and watercolour on graph paper", + "size": "45.5 x 30.5cm", + "hasInventory": "L.1253.5" + }, + { + "@id": "spice:documentation/study-for-floor-ceiling-piece", + "@type": "schema:ImageObject", + "caption": "Rachel Whiteread, Study for Floor Ceiling Piece, 1993, Correction fluid, ink and watercolour on graph paper, 45.5 x 30.5cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/02/3466.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368501, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 41, + "_updated": true + }, + { + "_id": "curtain.jsonld", + "@graph": [ + { + "@id": "spice:artefact/curtain", + "@type": "schema:CreativeWork", + "description": "Curtain is a 2005 work by Cecily Brennan. ", + "source": "https://imma.ie/collection/curtain/", + "creditText": "IMMA Collection: Purchase, 2006", + "image": "spice:documentation/curtain", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Watercolour on paper", + "size": "75 x 55 cm", + "hasInventory": "IMMA.1948" + }, + { + "@id": "spice:documentation/curtain", + "@type": "schema:ImageObject", + "caption": "Cecily Brennan, Curtain, 2005, Watercolour on paper, 75 x 55 cm, Collection Irish Museum of Modern Art, Purchase, 2006 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/229.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368501, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 41, + "_updated": true + }, + { + "_id": "the-released-gavrilov-ix.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-released-gavrilov-ix", + "@type": "schema:CreativeWork", + "description": "The Released Gavrilov, IX is a 1972 work by Ilya Kabakov. 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", + "source": "https://imma.ie/collection/steps-prague/", + "creditText": "IMMA Collection: Donation, David Kronn Collection, 2015", + "image": "spice:documentation/steps-prague", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gelatin silver print", + "size": "22.9 x 17 cm", + "hasInventory": "IMMA.3987" + }, + { + "@id": "spice:documentation/steps-prague", + "@type": "schema:ImageObject", + "caption": "Tuig, Steps Prague, 1997, Gelatin silver print, 22.9 x 17 cm, Collection Irish Museum of Modern Art, Donation, David Kronn Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/7527.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368501, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 41, + "_updated": true + }, + { + "_id": "end-morraine.jsonld", + "@graph": [ + { + "@id": "spice:artefact/end-morraine", + "@type": "schema:CreativeWork", + "description": "End Morraine is a 1992 work by Cecily Brennan. 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From his ‘In the News Series’, the title of this work changes each time it is exhibited. This highlights how photographic media at once captures the zeitgeist, and is simultaneously subject to time and obsolescence; evidenced by the self-dated magazines in the scene. This series comments on the dissemination of information, photography and reality – and truth.", + "source": "https://imma.ie/collection/eight-years-and-three-days-ago/", + "creditText": "IMMA Collection: Donation, 2011", + "image": "spice:documentation/eight-years-and-three-days-ago", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Silver gelatin print", + "size": "125 x 157.7 cm", + "version": "Unique print", + "hasInventory": "IMMA.3619" + }, + { + "@id": "spice:documentation/eight-years-and-three-days-ago", + "@type": "schema:ImageObject", + "caption": "Gerard Byrne, Eight years and three days ago, 2007, Silver gelatin print, 125 x 157.7 cm, Collection Irish Museum of Modern Art, Donation, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/5557.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "schema": "http://schema.org/", + "arco-core": "https://w3id.org/arco/ontology/core/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368501, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 41, + "_updated": true + }, + { + "_id": "print-collage.jsonld", + "@graph": [ + { + "@id": "spice:artefact/print-collage", + "@type": "schema:CreativeWork", + "description": "Print Collage is a 1966 work by Charles Hinman. ", + "source": "https://imma.ie/collection/print-collage/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/print-collage", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Mixed Media", + "size": "56 x 43.2 cm Framed: 71.5 x 57.5 cm", + "version": "Edition 177/225", + "hasInventory": "IMMA.250 GL" + }, + { + "@id": "spice:documentation/print-collage", + "@type": "schema:ImageObject", + "caption": "Charles Hinman, Print Collage, 1966, Mixed Media, 56 x 43.2 cm Framed: 71.5 x 57.5 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1936.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "material": { + "@id": "http://schema.org/material" + }, + "size": { + "@id": "http://schema.org/size" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368501, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 41, + "_updated": true + }, + { + "_id": "hats-off-for-camille.jsonld", + "@graph": [ + { + "@id": "spice:artefact/hats-off-for-camille", + "@type": "schema:CreativeWork", + "description": "‘Hats Off for Camille’ shows Scott’s love of geometry and the reduction of everything, even playful portraits of friends, to formal patterns. It is interesting to compare Scott’s portrait of his contemporary and fellow painter, Camille Souter to that by Muiris Moynihan, also in the IMMA collection. Both artists respect the sitter’s reluctance to be represented more conventionally using Souter’s trademark beret as the signifier.", + "source": "https://imma.ie/collection/hats-off-for-camille/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/hats-off-for-camille", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil on coloured paper", + "size": "32.5 x 46.5 cm", + "hasInventory": "IMMA.374 GL" + }, + { + "@id": "spice:documentation/hats-off-for-camille", + "@type": "schema:ImageObject", + "caption": "Patrick Scott, Hats off for Camille, 1976, Pencil on coloured paper, 32.5 x 46.5 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/188.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368501, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 41, + "_updated": true + }, + { + "_id": "between-the-eyes-t31.jsonld", + "@graph": [ + { + "@id": "spice:artefact/between-the-eyes-t31", + "@type": "schema:CreativeWork", + "description": "Between the Eyes, T31 is a 1988 work by Richard Deacon. 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The contoured layout created by the overlay of white on white in ‘Swarms the Moth’ creates a meshwork whereupon the artist transposes his memories. A strong linearity to the work also speaks of timelines and the immediacy of painting.", + "source": "https://imma.ie/collection/swarms-the-moth/", + "creditText": "IMMA Collection: Purchase, 2010", + "image": "spice:documentation/swarms-the-moth", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil and collage on linen", + "size": "160 x 180 cm", + "hasInventory": "IMMA.3314" + }, + { + "@id": "spice:documentation/swarms-the-moth", + "@type": "schema:ImageObject", + "caption": "Patrick Michael Fitzgerald, Swarms the Moth, 2010, Oil and collage on linen, 160 x 180 cm, Collection Irish Museum of Modern Art, Purchase, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5554.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368500, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 40, + "_updated": true + }, + { + "_id": "cape-siren.jsonld", + "@graph": [ + { + "@id": "spice:artefact/cape-siren", + "@type": "schema:CreativeWork", + "description": "‘Cape Siren’ is the fourth in a series of works by Taaffe with imaginary capes in the title. ‘Cape Siren’ features decorative motifs used by the native population of western Canada, where capes are a dominant geographical feature. Forms from this shamanic culture are alternated with Chinese heads and heads of mermaids and sirens of Greco-Roman origin. This work was donated as a heritage gift to IMMA’s collection in 2008.", + "source": "https://imma.ie/collection/cape-siren/", + "creditText": "IMMA Collection: Heritage Gift by Lochlann and Brenda Quinn, 2008", + "image": "spice:documentation/cape-siren", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Mixed media on linen", + "size": "297.8 x 246.7 cm", + "hasInventory": "IMMA.2221" + }, + { + "@id": "spice:documentation/cape-siren", + "@type": "schema:ImageObject", + "caption": "Philip Taaffe, Cape Siren, 2008, Mixed media on linen, 297.8 x 246.7 cm, Collection Irish Museum of Modern Art, Heritage Gift by Lochlann and Brenda Quinn, 2008 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/70.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368500, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 40, + "_updated": true + }, + { + "_id": "scraping-the-surface.jsonld", + "@graph": [ + { + "@id": "spice:artefact/scraping-the-surface", + "@type": "schema:CreativeWork", + "description": "‘Scraping the Surface’ was part of a series which Kindness made during his residency at PS1 in New York in 1991. Kindness has said that he is interested in the detritus of human life. In this work he has etched a familiar New York taxicab door that he found abandoned in the street. The yellow paint of the door was scraped away and then darkened with a metal oxide resulting in a black image on a yellow background – deliberately reminiscent of classical Greek vases. The work parodies contemporary values and notions of the hero.", + "source": "https://imma.ie/collection/scraping-the-surface/", + "creditText": "IMMA Collection: Purchase, 1991", + "image": "spice:documentation/scraping-the-surface", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etched painted steel", + "size": "112.5 x 87.5 cm", + "hasInventory": "IMMA.14" + }, + { + "@id": "spice:documentation/scraping-the-surface", + "@type": "schema:ImageObject", + "caption": "John Kindness, Scraping the Surface, 1990, Etched painted steel, 112.5 x 87.5 cm, Collection Irish Museum of Modern Art, Purchase, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2021/09/302.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368500, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 40, + "_updated": true + }, + { + "_id": "crucifixion-study.jsonld", + "@graph": [ + { + "@id": "spice:artefact/crucifixion-study", + "@type": "schema:CreativeWork", + "description": "Crucifixion Study is a 1994 work by Hughie O'Donoghue. 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The demolished documents focus on the destruction of tower blocks in three different housing estates in Hackney, East London, between 1993 and 1995. These prints continue an examination of the themes underlying Whiteread’s celebrated work ‘House’, 1993, a concrete cast of the space inside a terraced house scheduled for demolition in Bow, East London, which came to stand as a monument to a lost community, destroyed by increasing gentrification.", + "source": "https://imma.ie/collection/demolished-printportfolio/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/demolished-printportfolio", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Duo-tone screenprint", + "size": "48.5 x 74 cm", + "version": "Edition 19/35", + "hasInventory": "L.1241 LW" + }, + { + "@id": "spice:documentation/demolished-printportfolio", + "@type": "schema:ImageObject", + "caption": "Rachel Whiteread, Demolished printportfolio, 1996, Duo-tone screenprint, 48.5 x 74 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1083.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "version": { + "@id": "http://schema.org/version" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "size": { + "@id": "http://schema.org/size" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368499, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 39, + "_updated": true + }, + { + "_id": "three-steps.jsonld", + "@graph": [ + { + "@id": "spice:artefact/three-steps", + "@type": "schema:CreativeWork", + "description": "Three Steps is a 1994 work by William E. 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Davis, Three Steps, 1994, Gelatin silver print, 16.8 x 24 cm, Collection Irish Museum of Modern Art, Donation, David Kronn Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/7505.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368499, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 39, + "_updated": true + }, + { + "_id": "naked-portrait-fragment.jsonld", + "@graph": [ + { + "@id": "spice:artefact/naked-portrait-fragment", + "@type": "schema:CreativeWork", + "description": "Naked Portrait, Fragment is a 2001 work by Lucian Freud. 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", + "source": "https://imma.ie/collection/heart/", + "creditText": "IMMA Collection: Heritage Gift, Kerlin Gallery Collection, 2018, 2018", + "image": "spice:documentation/heart", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "MDF, American walnut veneer, audio equipment", + "size": "146 x 110 x 16.5 cm", + "hasInventory": "IMMA.4061" + }, + { + "@id": "spice:documentation/heart", + "@type": "schema:ImageObject", + "caption": "Siobhán Hapaska, Heart, 1993, MDF, American walnut veneer, audio equipment, 146 x 110 x 16.5 cm, Collection Irish Museum of Modern Art, Heritage Gift, Kerlin Gallery Collection, 2018, 2018 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9080.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368499, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 39, + "_updated": true + }, + { + "_id": "la-imagen-vertical.jsonld", + "@graph": [ + { + "@id": "spice:artefact/la-imagen-vertical", + "@type": "schema:CreativeWork", + "description": "La Imagen Vertical is a 1978 work by Celis Pérez. 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", + "source": "https://imma.ie/collection/between-the-eyes-t23/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/between-the-eyes-t23", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil and ink on paper", + "size": "Framed: 58 x 75.2 cm", + "hasInventory": "L.2008.1.2.23" + }, + { + "@id": "spice:documentation/between-the-eyes-t23", + "@type": "schema:ImageObject", + "caption": "Richard Deacon, Between the Eyes, T23, 1990, Pencil and ink on paper, Framed: 58 x 75.2 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/2762.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368499, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 39, + "_updated": true + }, + { + "_id": "body-soul-portfolio-6-9prints.jsonld", + "@graph": [ + { + "@id": "spice:artefact/body-soul-portfolio-6-9prints", + "@type": "schema:CreativeWork", + "description": "Body & Soul Portfolio (6/9prints) is a 1990 work by Antony Gormley. 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She finds it hard to belong in the changing culture – from rural to urban – of contemporary Ireland.", + "source": "https://imma.ie/collection/greetings/", + "creditText": "IMMA Collection: Purchase, 1996", + "image": "spice:documentation/greetings", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Two-channel video", + "hasInventory": "IMMA.735" + }, + { + "@id": "spice:documentation/greetings", + "@type": "schema:ImageObject", + "caption": "Caroline McCarthy, Greetings, 1996, Two-channel video, Dimensions variable, Collection Irish Museum of Modern Art, Purchase, 1996 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1043.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368498, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 38, + "_updated": true + }, + { + "_id": "jonjemsums.jsonld", + "@graph": [ + { + "@id": "spice:artefact/jonjemsums", + "@type": "schema:CreativeWork", + "description": "Jonjemsums is a 1990 work by Richard Gorman. ", + "source": "https://imma.ie/collection/jonjemsums/", + "creditText": "IMMA Collection: Purchase, 1991", + "image": "spice:documentation/jonjemsums", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "185 x 300 cm", + "hasInventory": "IMMA.11" + }, + { + "@id": "spice:documentation/jonjemsums", + "@type": "schema:ImageObject", + "caption": "Richard Gorman, Jonjemsums, 1990, Oil on canvas, 185 x 300 cm, Collection Irish Museum of Modern Art, Purchase, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368498, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 38, + "_updated": true + }, + { + "_id": "sultry-moon.jsonld", + "@graph": [ + { + "@id": "spice:artefact/sultry-moon", + "@type": "schema:CreativeWork", + "description": "Sultry Moon is a 2008 work by Janaina Tschäpe. ", + "source": "https://imma.ie/collection/sultry-moon/", + "creditText": "IMMA Collection: IMMA Editions, Donated by the artist, 2008", + "image": "spice:documentation/sultry-moon", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Giclée print", + "size": "28 x 40 cm", + "version": "Edition 10/50", + "hasInventory": "IMMA.2630" + }, + { + "@id": "spice:documentation/sultry-moon", + "@type": "schema:ImageObject", + "caption": "Janaina Tschäpe, Sultry Moon, 2008, Giclée print, 28 x 40 cm, Collection Irish Museum of Modern Art, IMMA Editions, Donated by the artist, 2008 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/3567.jpg" + } + ], + "@context": { + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "version": { + "@id": "http://schema.org/version" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "material": { + "@id": "http://schema.org/material" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368498, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 38, + "_updated": true + }, + { + "_id": "study-for-sebastian-1.jsonld", + "@graph": [ + { + "@id": "spice:artefact/study-for-sebastian-1", + "@type": "schema:CreativeWork", + "description": "Study for Sebastian 1 is a 1998 work by Ana Maria Pacheco. ", + "source": "https://imma.ie/collection/study-for-sebastian-1/", + "creditText": "IMMA Collection: Loan, Maire and Maurice Foley, 2004", + "image": "spice:documentation/study-for-sebastian-1", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Drypoint", + "size": "101.6 x 77 cm Framed: 113.3 x 91.2 cm", + "hasInventory": "L.1746" + }, + { + "@id": "spice:documentation/study-for-sebastian-1", + "@type": "schema:ImageObject", + "caption": "Ana Maria Pacheco, Study for Sebastian 1, 1998, Drypoint, 101.6 x 77 cm Framed: 113.3 x 91.2 cm, Collection Irish Museum of Modern Art, Loan, Maire and Maurice Foley, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368498, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 38, + "_updated": true + }, + { + "_id": "arvores.jsonld", + "@graph": [ + { + "@id": "spice:artefact/arvores", + "@type": "schema:CreativeWork", + "description": "Arvores is a 1977 work by Roberto De Lamonica. 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", + "source": "https://imma.ie/collection/brian-and-rachel/", + "creditText": "IMMA Collection: Donated by the artist, 1996", + "image": "spice:documentation/brian-and-rachel", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Laser prints, gold and silver, acrylic on wood", + "size": "244 x 152 cm", + "hasInventory": "IMMA.740" + }, + { + "@id": "spice:documentation/brian-and-rachel", + "@type": "schema:ImageObject", + "caption": "Billy Quinn, Brian and Rachel, 1993, Laser prints, gold and silver, acrylic on wood, 244 x 152 cm, Collection Irish Museum of Modern Art, Donated by the artist, 1996 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368497, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 37, + "_updated": true + }, + { + "_id": "untitled-134.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-134", + "@type": "schema:CreativeWork", + "description": "From 1955-56 Souter stayed for some months in Italy, near Trieste and Milan. 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Souter did not use an easel but placed her work on a table top and moved freely around it, pouring, dripping and spattering paint or brushing it on in loose strokes.", + "source": "https://imma.ie/collection/untitled-134/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/untitled-134", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on newspaper with Italian text", + "size": "Framed: 76.1 x 58.9 x 1.8 cm 55.7 x 40.5 cm", + "hasInventory": "IMMA.387 GL" + }, + { + "@id": "spice:documentation/untitled-134", + "@type": "schema:ImageObject", + "caption": "Camille Souter, Untitled, 1956, Oil on newspaper with Italian text, Framed: 76.1 x 58.9 x 1.8 cm 55.7 x 40.5 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/01/186.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368497, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 37, + "_updated": true + }, + { + "_id": "parallel-windows-ix-original-drawing.jsonld", + "@graph": [ + { + "@id": "spice:artefact/parallel-windows-ix-original-drawing", + "@type": "schema:CreativeWork", + "description": "Parallel Windows IX – original drawing is a 1993 work by Eun-Mo Chung. 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About these works McDonagh has said: “Up until now many depictions of the Travelling community have been sensationalist and stereotypical which tends to fuel the negative relations between both settled and Travelling communities.  As a Traveller myself I want people to see the everyday realities of those who are usually misinterpreted by an outsider’s view, a view which is inaccurate and alarming.  The work that I create aims to be both subtle and contemplative, hoping to draw the viewer in, inviting them to explore and discover for themselves.  I achieve this by capturing images that are hazy and whimsical in their appearance, images that need to be explored and questioned in order to be understood.” In these a slow exposure creates an abstraction taking the focus off the actual person and creating a more general narrative representative of the community.", + "source": "https://imma.ie/collection/macho-men/", + "creditText": "IMMA Collection: Purchase, 2020, 2020", + "image": "spice:documentation/macho-men", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pigment on Hahnemuhle", + "size": "42 x 59.4 cm", + "hasInventory": "IMMA.4182" + }, + { + "@id": "spice:documentation/macho-men", + "@type": "schema:ImageObject", + "caption": "Leanne McDonagh, Macho Men, 2014, Pigment on Hahnemuhle, 42 x 59.4 cm, Collection Irish Museum of Modern Art, Purchase, 2020, 2020 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9475.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368497, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 37, + "_updated": true + }, + { + "_id": "horseman-and-birds.jsonld", + "@graph": [ + { + "@id": "spice:artefact/horseman-and-birds", + "@type": "schema:CreativeWork", + "description": "Horseman and Birds is a 1964 work by Ferenc Martyn. ", + "source": "https://imma.ie/collection/horseman-and-birds/", + "creditText": "IMMA Collection: Donated, 1989", + "image": "spice:documentation/horseman-and-birds", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "India Ink Wash Drawings", + "size": "59 x 44 cm", + "hasInventory": "IMMA.602" + }, + { + "@id": "spice:documentation/horseman-and-birds", + "@type": "schema:ImageObject", + "caption": "Ferenc Martyn, Horseman and Birds, 1964, India Ink Wash Drawings, 59 x 44 cm, Collection Irish Museum of Modern Art, Donated, 1989 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368496, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 36, + "_updated": true + }, + { + "_id": "untitled-5.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-5", + "@type": "schema:CreativeWork", + "description": "Untitled is a 2010 work by Irma Palacios. ", + "source": "https://imma.ie/collection/untitled-5/", + "creditText": "IMMA Collection: Diplomatic gift of the Federal Government of Mexico, 2011", + "image": "spice:documentation/untitled-5", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Aquatint and sugarlift", + "size": "Sheet: 100 x 70 cm Plate: 58.6 x 48.5 cm", + "hasInventory": "IMMA.3770" + }, + { + "@id": "spice:documentation/untitled-5", + "@type": "schema:ImageObject", + "caption": "Irma Palacios, Untitled, 2010, Aquatint and sugarlift, Sheet: 100 x 70 cm Plate: 58.6 x 48.5 cm, Collection Irish Museum of Modern Art, Diplomatic gift of the Federal Government of Mexico, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368496, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 36, + "_updated": true + }, + { + "_id": "inner-boundary.jsonld", + "@graph": [ + { + "@id": "spice:artefact/inner-boundary", + "@type": "schema:CreativeWork", + "description": "Inner Boundary is a 1980 work by Maria Simonds-Gooding. 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The first is a group of 80 cibachrome photographs produced by Levine in 1972 while this suite comprises 18 photo-etchings made in 1979 from photographs taken in 1972. Both bodies of work were donated to IMMA by the artist.", + "source": "https://imma.ie/collection/vanguard-leaders-take-oath-of-allegiance-at-rally-at-ormeau-park-belfast/", + "creditText": "IMMA Collection: Donated by the artist in memory of his sister June Levine, 2010", + "image": "spice:documentation/vanguard-leaders-take-oath-of-allegiance-at-rally-at-ormeau-park-belfast", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etched on zinc; printed in black ink on white German etching paper", + "size": "55.9 x 76.2 cm", + "hasInventory": "IMMA.3303.014" + }, + { + "@id": "spice:documentation/vanguard-leaders-take-oath-of-allegiance-at-rally-at-ormeau-park-belfast", + "@type": "schema:ImageObject", + "caption": "Les Levine, Vanguard leaders take oath of allegiance at Rally at Ormeau Park, Belfast, 1979, Etched on zinc; printed in black ink on white German etching paper, 55.9 x 76.2 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his sister June Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5637.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368496, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 36, + "_updated": true + }, + { + "_id": "ironing-pieces.jsonld", + "@graph": [ + { + "@id": "spice:artefact/ironing-pieces", + "@type": "schema:CreativeWork", + "description": "Maureen Connor is known internationally for her work from the 80s and 90s which combines elements of installation, video, design, and collaborative performance. 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The work draws inspiration from domestic skills such as napkin-folding and dressmaking.", + "source": "https://imma.ie/collection/ironing-pieces/", + "creditText": "IMMA Collection: Donation, Joseph Masheck, 1991", + "image": "spice:documentation/ironing-pieces", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Organdy", + "size": "20 x 20 cm", + "hasInventory": "IMMA.86" + }, + { + "@id": "spice:documentation/ironing-pieces", + "@type": "schema:ImageObject", + "caption": "Maureen Connor, Ironing Pieces, 1980, Organdy, 20 x 20 cm, Collection Irish Museum of Modern Art, Donation, Joseph Masheck, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368496, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 36, + "_updated": true + }, + { + "_id": "untitled-138.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-138", + "@type": "schema:CreativeWork", + "description": "Untitled is a 1948 work by Colin Middleton. 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", + "source": "https://imma.ie/collection/desnudo/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/desnudo", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching", + "size": "75.7 x 74.9 cm", + "version": "Edition 27/150", + "hasInventory": "IMMA.1042 MP" + }, + { + "@id": "spice:documentation/desnudo", + "@type": "schema:ImageObject", + "caption": "Dario Morales, Desnudo, 1983, Etching, 75.7 x 74.9 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368496, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 36, + "_updated": true + }, + { + "_id": "leslie.jsonld", + "@graph": [ + { + "@id": "spice:artefact/leslie", + "@type": "schema:CreativeWork", + "description": "Leslie is a 1985 work by Gene Lambert. 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Rego uses a variety of tones to further intensify the dream-like quality of the works and the dark shadows add a new and terrifying dimension to the familiar nursery rhymes. 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A large hole, 2.4 metres in diameter, pierces through the fabric.", + "source": "https://imma.ie/collection/the-approach/", + "creditText": "IMMA Collection: Donation, 2010", + "image": "spice:documentation/the-approach", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Woolen fabric, silk, Vetiver essential oil", + "hasInventory": "IMMA.3238.3" + }, + { + "@id": "spice:documentation/the-approach", + "@type": "schema:ImageObject", + "caption": "Clodagh Emoe, The Approach, 2009, Woolen fabric, silk, Vetiver essential oil, Collection Irish Museum of Modern Art, Donation, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/5155.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368495, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 35, + "_updated": true + }, + { + "_id": "untitled-126.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-126", + "@type": "schema:CreativeWork", + "description": "Untitled is a 1959 work by Colin Middleton. ", + "source": "https://imma.ie/collection/untitled-126/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004", + "image": "spice:documentation/untitled-126", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Conte and wash on paper", + "size": "18.5 x 18.3 cm", + "hasInventory": "IMMA.1738.8" + }, + { + "@id": "spice:documentation/untitled-126", + "@type": "schema:ImageObject", + "caption": "Colin Middleton, Untitled, 1959, Conte and wash on paper, 18.5 x 18.3 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368495, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 35, + "_updated": true + }, + { + "_id": "abstract-no-4.jsonld", + "@graph": [ + { + "@id": "spice:artefact/abstract-no-4", + "@type": "schema:CreativeWork", + "description": "Abstract No.4 is a 1912 work by Mainie Jellett. ", + "source": "https://imma.ie/collection/abstract-no-4/", + "creditText": "IMMA Collection: Donation 2010, Bank of Ireland Art Collection, 2010", + "image": "spice:documentation/abstract-no-4", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gouache", + "size": "21 x 15 cm", + "hasInventory": "IMMA.3286" + }, + { + "@id": "spice:documentation/abstract-no-4", + "@type": "schema:ImageObject", + "caption": "Mainie Jellett, Abstract No.4, 1912, Gouache, 21 x 15 cm, Collection Irish Museum of Modern Art, Donation 2010, Bank of Ireland Art Collection, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/5585.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368495, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 35, + "_updated": true + }, + { + "_id": "tranquilo.jsonld", + "@graph": [ + { + "@id": "spice:artefact/tranquilo", + "@type": "schema:CreativeWork", + "description": "Tranquilo is a 1973 work by Omar Rayo. ", + "source": "https://imma.ie/collection/tranquilo/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/tranquilo", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Embossed & screenprint", + "size": "76.9 x 56.8 cm", + "version": "Edition 68/150", + "hasInventory": "IMMA.955 MP" + }, + { + "@id": "spice:documentation/tranquilo", + "@type": "schema:ImageObject", + "caption": "Omar Rayo, Tranquilo, 1973, Embossed & screenprint, 76.9 x 56.8 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "size": { + "@id": "http://schema.org/size" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "material": { + "@id": "http://schema.org/material" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368495, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 35, + "_updated": true + }, + { + "_id": "baton-rouge.jsonld", + "@graph": [ + { + "@id": "spice:artefact/baton-rouge", + "@type": "schema:CreativeWork", + "description": "Baton Rouge is a 1947 work by Todd Webb. ", + "source": "https://imma.ie/collection/baton-rouge/", + "creditText": "IMMA Collection: Donation, David Kronn Collection, 2015", + "image": "spice:documentation/baton-rouge", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gelatin silver print", + "size": "23.8 x 33.5 cm", + "hasInventory": "IMMA.3990" + }, + { + "@id": "spice:documentation/baton-rouge", + "@type": "schema:ImageObject", + "caption": "Todd Webb, Baton Rouge, 1947, Gelatin silver print, 23.8 x 33.5 cm, Collection Irish Museum of Modern Art, Donation, David Kronn Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368495, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 35, + "_updated": true + }, + { + "_id": "as-above-so-below.jsonld", + "@graph": [ + { + "@id": "spice:artefact/as-above-so-below", + "@type": "schema:CreativeWork", + "description": "As Above, So Below is a 2017 work by Stephen Dunne. 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In ‘Openings’ Madden presents a dynamic interplay of planes and frames within frames, further developing the idea of a painting as a doorway to another dimension.", + "source": "https://imma.ie/collection/openings/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/openings", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gouache on paper", + "size": "63.3 x 100.3 cm", + "hasInventory": "IMMA.307 GL" + }, + { + "@id": "spice:documentation/openings", + "@type": "schema:ImageObject", + "caption": "Anne Madden, Openings, 1979, Gouache on paper, 63.3 x 100.3 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/173.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368495, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 35, + "_updated": true + }, + { + "_id": "adan.jsonld", + "@graph": [ + { + "@id": "spice:artefact/adan", + "@type": "schema:CreativeWork", + "description": "Adán is a 1977 work by Jorge Pérez Castaño. 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Each animal, (including a fox, squirrel, sheep and cat) has been represented as an outline shape against a different coloured background.", + "source": "https://imma.ie/collection/escaped-animals/", + "creditText": "IMMA Collection: Commissioned by BALTIC, Gateshead and presented by BALTIC, and the artist, 2002", + "image": "spice:documentation/escaped-animals", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Vinyl, aluminium and steel", + "size": "Dimensions variable", + "hasInventory": "IMMA.1517" + }, + { + "@id": "spice:documentation/escaped-animals", + "@type": "schema:ImageObject", + "caption": "Julian Opie, Escaped Animals, 2002, Vinyl, aluminium and steel, Dimensions variable, Collection Irish Museum of Modern Art, Commissioned by BALTIC, Gateshead and presented by BALTIC, and the artist, 2002 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1556.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368493, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 33, + "_updated": true + }, + { + "_id": "group-shows-cut-up-the-group.jsonld", + "@graph": [ + { + "@id": "spice:artefact/group-shows-cut-up-the-group", + "@type": "schema:CreativeWork", + "description": "Les Levine’s conceptual practice is realised in various formats including painting, photography, print, installation and, as exemplified in this work, Mail Art. This modified photograph and the accompanying humorous letter, were sent to colleagues and acquaintances of the artist, denouncing the merits of group exhibitions. The photograph was taken by Levine, and presents legendary artistic and literary collaborators William Burroughs and Brion Gysin. Burroughs and Gysin are noted for having developed the cut-up technique, employing this system to create literary, audio, and visual compositions. Levine adopts various tactics in the dissemination of his artworks and is particularly recognised for his billboard works. Informed by the language of mass advertising, this photograph uses the same aesthetic strategy, with its punchy slogan and solid typeface.", + "source": "https://imma.ie/collection/group-shows-cut-up-the-group/", + "creditText": "IMMA Collection: Donation, Novak/O'Doherty Collection, 2015", + "image": "spice:documentation/group-shows-cut-up-the-group", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Modified photograph reproduced on photographic paper, and printed letter", + "version": "Ed. 37/250", + "hasInventory": "IMMA.3922" + }, + { + "@id": "spice:documentation/group-shows-cut-up-the-group", + "@type": "schema:ImageObject", + "caption": "Les Levine, Group Shows Cut-Up the Group, 1989, Modified photograph reproduced on photographic paper, and printed letter, Collection Irish Museum of Modern Art, Donation, Novak/O'Doherty Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/5088.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368493, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 33, + "_updated": true + }, + { + "_id": "figure-and-poppyfield.jsonld", + "@graph": [ + { + "@id": "spice:artefact/figure-and-poppyfield", + "@type": "schema:CreativeWork", + "description": "Figure and Poppyfield is a 1992 work by Eithne Jordan. 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She was shocked by what she found. “Government policy says that the Traveller way of life is being supported by the provision of a variety of different types of housing: this isn’t true,” Leanne says.", + "source": "https://imma.ie/collection/clogged-channels/", + "creditText": "IMMA Collection: Purchase, 2020, 2020", + "image": "spice:documentation/clogged-channels", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Mixed Media on Arches Oil Paper", + "size": "59.4 x 42 cm", + "hasInventory": "IMMA.4180" + }, + { + "@id": "spice:documentation/clogged-channels", + "@type": "schema:ImageObject", + "caption": "Leanne McDonagh, Clogged Channels, 2016, Mixed Media on Arches Oil Paper, 59.4 x 42 cm, Collection Irish Museum of Modern Art, Purchase, 2020, 2020 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9473.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368493, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 33, + "_updated": true + }, + { + "_id": "the-history-of-tears-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-history-of-tears-2", + "@type": "schema:CreativeWork", + "description": "This specially commissioned cloth handkerchief by Alice Maher was produced on the occasion of her 2012 – 2013 solo exhibition in IMMA.", + "source": "https://imma.ie/collection/the-history-of-tears-2/", + "creditText": "IMMA Collection: IMMA Editions, Donated by the artist, 2013", + "image": "spice:documentation/the-history-of-tears-2", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Silk handkerchief. 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De Chirico made a number of these self-forgeries as a back-lash against criticism of his later style. It builds on ‘St. Sebastian’ and ‘The Martydom of St. Sebastian’, paintings by Antonello da Messina and Andrea Mantegna respectively. The Christian martyr is depicted transitioning between two worlds, strewn with arrows and tied to an architectural column. De Chirico’s figure is part flesh, part articulated artist’s model, and arrows are represented by angular drawing tools.", + "source": "https://imma.ie/collection/il-trovatore/", + "creditText": "IMMA Collection: Heritage Gift, Private Collection, 2008", + "image": "spice:documentation/il-trovatore", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "60 x 48 cm", + "hasInventory": "IMMA.2847" + }, + { + "@id": "spice:documentation/il-trovatore", + "@type": "schema:ImageObject", + "caption": "Giorgio de Chirico, Il Trovatore, 1955, Oil on canvas, 60 x 48 cm, Collection Irish Museum of Modern Art, Heritage Gift, Private Collection, 2008 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/3436.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368492, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 32, + "_updated": true + }, + { + "_id": "studies-for-webs-backlight-series-vii.jsonld", + "@graph": [ + { + "@id": "spice:artefact/studies-for-webs-backlight-series-vii", + "@type": "schema:CreativeWork", + "description": "Studies for Webs (Backlight Series) VII is a 1994 work by Avis Newman. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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Rollins took a different view. Refusing to accept that these disabilities were true, he placed an unwavering faith in the students, expecting and demanding excellence from them. ", + "source": "https://imma.ie/collection/the-red-badge-of-courage/", + "creditText": "IMMA Collection: Donated by the artists, 1993", + "image": "spice:documentation/the-red-badge-of-courage", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on bookpages on linen", + "size": "61 x 92 cm", + "hasInventory": "IMMA.434" + }, + { + "@id": "spice:documentation/the-red-badge-of-courage", + "@type": "schema:ImageObject", + "caption": "Tim Rollins & K.O.S., The Red Badge of Courage, 1988, Oil on bookpages on linen, 61 x 92 cm, Collection Irish Museum of Modern Art, Donated by the artists, 1993 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/642.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368492, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 32, + "_updated": true + }, + { + "_id": "eileen-aroon.jsonld", + "@graph": [ + { + "@id": "spice:artefact/eileen-aroon", + "@type": "schema:CreativeWork", + "description": "Eileen Aroon is a 1953 work by Jack Butler Yeats. 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Although a new medium for Al-Sabah, these continue his ongoing engagement with materials and the hand-made. In many presentations of his work, sculptural objects are presented alongside the CGI films positioning the idea of both as hand-made or crafted. ", + "source": "https://imma.ie/collection/still-in-the-darkness/", + "creditText": "IMMA Collection: Purchase, 2021, 2021", + "image": "spice:documentation/still-in-the-darkness", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Hand tufted rug, 100% Wool on hessian backing", + "size": "approx. 170 x 150 cm", + "hasInventory": "IMMA.4193" + }, + { + "@id": "spice:documentation/still-in-the-darkness", + "@type": "schema:ImageObject", + "caption": "Bassam Al-Sabah, Still, In The Darkness, 2019, Hand tufted rug, 100% Wool on hessian backing, approx. 170 x 150 cm, Collection Irish Museum of Modern Art, Purchase, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9488.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368492, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 32, + "_updated": true + }, + { + "_id": "landscape-with-crow.jsonld", + "@graph": [ + { + "@id": "spice:artefact/landscape-with-crow", + "@type": "schema:CreativeWork", + "description": "Landscape with Crow belongs to a series of paintings made by Jarman the year he left the Slade. 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The artist has not told us what he meant to be understood from these elements (if anything) but they are so unusual they invite further investigation.", + "source": "https://imma.ie/collection/landscape-with-crow/", + "creditText": "IMMA Collection: Purchase, 2020, 2020", + "image": "spice:documentation/landscape-with-crow", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "mixed media on canvas", + "size": "152.4 x 213.4 cm", + "hasInventory": "IMMA.4166" + }, + { + "@id": "spice:documentation/landscape-with-crow", + "@type": "schema:ImageObject", + "caption": "Derek Jarman, Landscape with Crow, 1967, mixed media on canvas, 152.4 x 213.4 cm, Collection Irish Museum of Modern Art, Purchase, 2020, 2020 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9455.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368492, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 32, + "_updated": true + }, + { + "_id": "squarings.jsonld", + "@graph": [ + { + "@id": "spice:artefact/squarings", + "@type": "schema:CreativeWork", + "description": "Squarings is a 1991 work by Felim Egan. ", + "source": "https://imma.ie/collection/squarings/", + "creditText": "IMMA Collection: Donation, 'Friends of the National Collections of Ireland, in memory of Patrick Brennan.', 2009", + "image": "spice:documentation/squarings", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Printed on handmade uncut Arches Blanc", + "size": "33 cm", + "version": "A/P; Edition 2/10", + "hasInventory": "IMMA.2862" + }, + { + "@id": "spice:documentation/squarings", + "@type": "schema:ImageObject", + "caption": "Felim Egan, Squarings, 1991, Printed on handmade uncut Arches Blanc, 33 cm, Collection Irish Museum of Modern Art, Donation, 'Friends of the National Collections of Ireland, in memory of Patrick Brennan.', 2009 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "version": { + "@id": "http://schema.org/version" + }, + "size": { + "@id": "http://schema.org/size" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368491, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 31, + "_updated": true + }, + { + "_id": "odeon-v.jsonld", + "@graph": [ + { + "@id": "spice:artefact/odeon-v", + "@type": "schema:CreativeWork", + "description": "Odeon V is a 1966 work by William Scott. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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Flanagan. ", + "source": "https://imma.ie/collection/polythene-wrapped-turf-stack-and-an-egg-broken-on-a-pan-summer-diary-no-6/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/polythene-wrapped-turf-stack-and-an-egg-broken-on-a-pan-summer-diary-no-6", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil, chalk and charcoal on paper", + "size": "Framed: 88.9 x 63.6 cm 86.9 x 62.1 cm", + "hasInventory": "IMMA.209 GL" + }, + { + "@id": "spice:documentation/polythene-wrapped-turf-stack-and-an-egg-broken-on-a-pan-summer-diary-no-6", + "@type": "schema:ImageObject", + "caption": "T.P. 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Natural actions are extended beyond themselves to strike up images that create an intensity between the audience and performer. Johnson explores physical states of responsiveness formed in relation to the actualities of specific situations at the moment of making.", + "source": "https://imma.ie/collection/waiting-out/", + "creditText": "IMMA Collection: Purchase, 2021, 2021", + "image": "spice:documentation/waiting-out", + "maintainer": "https://w3id.org/spice/institute/imma", + "hasInventory": "IMMA.4219" + }, + { + "@id": "spice:documentation/waiting-out", + "@type": "schema:ImageObject", + "caption": "Sandra Johnston, Waiting Out, 2017, Collection Irish Museum of Modern Art, Purchase, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/02/9513.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368491, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 31, + "_updated": true + }, + { + "_id": "untitled-73.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-73", + "@type": "schema:CreativeWork", + "description": "Untitled is a 1987 work by Richard Deacon. 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The work in Ballagh’s ‘People and a Morris Louis’ is a variation on Louis’s major work ‘Beta Lambda’, 1961.", + "source": "https://imma.ie/collection/people-and-a-morris-louis/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/people-and-a-morris-louis", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint/glass acrylic on canvas", + "size": "45 x 60.2 cm", + "hasInventory": "IMMA.124 GL" + }, + { + "@id": "spice:documentation/people-and-a-morris-louis", + "@type": "schema:ImageObject", + "caption": "Robert Ballagh, People and a Morris Louis, 1975, Screenprint/glass acrylic on canvas, 45 x 60.2 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368490, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 30, + "_updated": true + }, + { + "_id": "chuksoam-1-do-gong-series-18.jsonld", + "@graph": [ + { + "@id": "spice:artefact/chuksoam-1-do-gong-series-18", + "@type": "schema:CreativeWork", + "description": "Ch’uksoam 1 Do-Gong Series 18 is a 1988 work by Michael Mulcahy. 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", + "source": "https://imma.ie/collection/alone-pomes-penyeach/", + "creditText": "IMMA Collection: Purchase, 2004", + "image": "spice:documentation/alone-pomes-penyeach", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching", + "size": "54 x 40 cm (sheet)", + "hasInventory": "IMMA.1643.010" + }, + { + "@id": "spice:documentation/alone-pomes-penyeach", + "@type": "schema:ImageObject", + "caption": "Sean Scully, Alone – Pomes Penyeach, 1993, Etching, 54 x 40 cm (sheet), Collection Irish Museum of Modern Art, Purchase, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368490, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 30, + "_updated": true + }, + { + "_id": "the-troubles-an-artists-document-of-ulster-53.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-troubles-an-artists-document-of-ulster-53", + "@type": "schema:CreativeWork", + "description": "During his prolific career Les Levine has produced major series of works about the manifold effects and functions of the media and information systems. ‘The Troubles: An Artist’s Document of Ulster’ is a suite of 80 cibachrome photographs, executed in 1972, and for which the artist coined the terms “media sculpture” and “media art”. Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-53/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-53", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.053" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-53", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5697.jpg" + } + ], + "@context": { + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "version": { + "@id": "http://schema.org/version" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368490, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 30, + "_updated": true + }, + { + "_id": "new-faith-love-song-score-1.jsonld", + "@graph": [ + { + "@id": "spice:artefact/new-faith-love-song-score-1", + "@type": "schema:CreativeWork", + "description": "NEW FAITH LOVE SONG – Score #1 is a 2012 work by Garrett Phelan. ", + "source": "https://imma.ie/collection/new-faith-love-song-score-1/", + "creditText": "IMMA Collection: Donation, 2013", + "image": "spice:documentation/new-faith-love-song-score-1", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Ink & Pencil on Paper", + "size": "24 x 46 cm Framed: 39 x 61 cm", + "hasInventory": "IMMA.3875" + }, + { + "@id": "spice:documentation/new-faith-love-song-score-1", + "@type": "schema:ImageObject", + "caption": "Garrett Phelan, NEW FAITH LOVE SONG – Score #1, 2012, Ink & Pencil on Paper, 24 x 46 cm Framed: 39 x 61 cm, Collection Irish Museum of Modern Art, Donation, 2013 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368490, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 30, + "_updated": true + }, + { + "_id": "fading-dreams.jsonld", + "@graph": [ + { + "@id": "spice:artefact/fading-dreams", + "@type": "schema:CreativeWork", + "description": "Fading Dreams is a 1989 work by Willie Doherty. ", + "source": "https://imma.ie/collection/fading-dreams/", + "creditText": "IMMA Collection: Purchase, 1991", + "image": "spice:documentation/fading-dreams", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Black and white photographs with text (3 panels)", + "size": "76 x 102 cm (each)", + "hasInventory": "IMMA.5" + }, + { + "@id": "spice:documentation/fading-dreams", + "@type": "schema:ImageObject", + "caption": "Willie Doherty, Fading Dreams, 1989, Black and white photographs with text (3 panels), 76 x 102 cm (each), Collection Irish Museum of Modern Art, Purchase, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/298.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368490, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 30, + "_updated": true + }, + { + "_id": "magnificent-seven.jsonld", + "@graph": [ + { + "@id": "spice:artefact/magnificent-seven", + "@type": "schema:CreativeWork", + "description": "Magnificent Seven is a 1997 work by Ellen Gallagher. ", + "source": "https://imma.ie/collection/magnificent-seven/", + "creditText": "IMMA Collection: Purchase, 1997", + "image": "spice:documentation/magnificent-seven", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Ink and paper on canvas", + "size": "213 x 183 cm", + "hasInventory": "IMMA.511" + }, + { + "@id": "spice:documentation/magnificent-seven", + "@type": "schema:ImageObject", + "caption": "Ellen Gallagher, Magnificent Seven, 1997, Ink and paper on canvas, 213 x 183 cm, Collection Irish Museum of Modern Art, Purchase, 1997 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/686.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368490, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 30, + "_updated": true + }, + { + "_id": "burren-series-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/burren-series-2", + "@type": "schema:CreativeWork", + "description": "Burren Series is a 1985 work by Helen Comerford. ", + "source": "https://imma.ie/collection/burren-series-2/", + "creditText": "IMMA Collection: Donation, Maire and Maurice Foley, 2000", + "image": "spice:documentation/burren-series-2", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Watercolour", + "size": "22 x 31 cm", + "hasInventory": "IMMA.1457 FD" + }, + { + "@id": "spice:documentation/burren-series-2", + "@type": "schema:ImageObject", + "caption": "Helen Comerford, Burren Series, 1985, Watercolour, 22 x 31 cm, Collection Irish Museum of Modern Art, Donation, Maire and Maurice Foley, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/03/1520.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368490, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 30, + "_updated": true + }, + { + "_id": "oak.jsonld", + "@graph": [ + { + "@id": "spice:artefact/oak", + "@type": "schema:CreativeWork", + "description": "After moving to the Burren in Co. Clare, Tom Molloy became interested in the collection, classification and registration of the natural world carried out by botanists in the area. In ‘Oak’ Molloy chooses to draw, rather than paint, to minimize the effects of colour, brushstroke and other formal considerations associated with expression. In this work the artist focuses on individual leaves from one particular oak tree to query how we arrive at the general idea of a species. In all Molloy drew 96 leaves, 32 of which are in the IMMA Collection. Each drawing is governed by the same rules of production, the uniqueness of each leaf coming to the forefront. The intense repeated labour of drawing and redrawing an object recurs in Molloy’s practice. It is not just categorization which engages his enquiry, but reproduction. He is concerned with mechanical representation, trompe l’oeil, and questions relating to the very nature of visual representation itself.", + "source": "https://imma.ie/collection/oak/", + "creditText": "IMMA Collection: Purchase, 1999", + "image": "spice:documentation/oak", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil on paper", + "size": "25 x 32 cm (each)", + "hasInventory": "IMMA.854" + }, + { + "@id": "spice:documentation/oak", + "@type": "schema:ImageObject", + "caption": "Tom Molloy, Oak, 1998, Pencil on paper, 25 x 32 cm (each), Collection Irish Museum of Modern Art, Purchase, 1999 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1124.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368490, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 30, + "_updated": true + }, + { + "_id": "spear.jsonld", + "@graph": [ + { + "@id": "spice:artefact/spear", + "@type": "schema:CreativeWork", + "description": "Spear is a 1973 work by Gerda Frömel. 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Though his refined delicate canvases washed with subtle layers of colour might be understood within the traditions of minimalist and sublime abstraction, this sense does not reflect the mood of the paintings or the concerns of the artist. The spaces McKeown paints are emotionally charged, connected to a specific moment of his own experience. Notations of time and place are hinted at by the subtitles of his “Hope” series of paintings: ‘The light over Jura’; ‘The Sky inside’; ‘In the Park’, ‘Alone but not Lonely’; ‘Waiting for You’. Nevertheless such personal references are secondary to the evocation of feelings, ideas and emotions they strive to communicate, gesturing towards the open space of eternity or nothing that waits behind the temporal and the tangible. In a painting such as ‘Hope Painting (Through the Looking Glass)’, 2005, we are reminded of the parallel world Alice steps into. It is a space in which memory could work into the future as well as the past.", + "source": "https://imma.ie/collection/hope-painting-going-through-the-looking-glass-2005/", + "creditText": "IMMA Collection: Purchase, 2006", + "image": "spice:documentation/hope-painting-going-through-the-looking-glass-2005", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "186 x 168 cm", + "hasInventory": "IMMA.1955" + }, + { + "@id": "spice:documentation/hope-painting-going-through-the-looking-glass-2005", + "@type": "schema:ImageObject", + "caption": "William McKeown, Hope Painting (Going Through the Looking Glass), 2005, 2005, Oil on canvas, 186 x 168 cm, Collection Irish Museum of Modern Art, Purchase, 2006 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/321.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368489, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 29, + "_updated": true + }, + { + "_id": "ferdia-for-nath-ferdia-at-the-ford.jsonld", + "@graph": [ + { + "@id": "spice:artefact/ferdia-for-nath-ferdia-at-the-ford", + "@type": "schema:CreativeWork", + "description": "Ferdia for nÁth / Ferdia at the Ford is a 1989 work by James McKenna. ", + "source": "https://imma.ie/collection/ferdia-for-nath-ferdia-at-the-ford/", + "creditText": "IMMA Collection: Donated by Desmond, Vivienne, Kate and Bébhinn Egan, 2007", + "image": "spice:documentation/ferdia-for-nath-ferdia-at-the-ford", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Granite", + "size": "300 x 100 x 61 cm", + "hasInventory": "IMMA.2109" + }, + { + "@id": "spice:documentation/ferdia-for-nath-ferdia-at-the-ford", + "@type": "schema:ImageObject", + "caption": "James McKenna, Ferdia for nÁth / Ferdia at the Ford, 1989, Granite, 300 x 100 x 61 cm, Collection Irish Museum of Modern Art, Donated by Desmond, Vivienne, Kate and Bébhinn Egan, 2007 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2021/01/674.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368489, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 29, + "_updated": true + }, + { + "_id": "el-atleta.jsonld", + "@graph": [ + { + "@id": "spice:artefact/el-atleta", + "@type": "schema:CreativeWork", + "description": "El Atleta is a 2010 work by Rafael Ruiz Moreno. ", + "source": "https://imma.ie/collection/el-atleta/", + "creditText": "IMMA Collection: Diplomatic gift of the Federal Government of Mexico, 2011", + "image": "spice:documentation/el-atleta", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Lithograph", + "size": "60 x 50 cm", + "hasInventory": "IMMA.3777" + }, + { + "@id": "spice:documentation/el-atleta", + "@type": "schema:ImageObject", + "caption": "Rafael Ruiz Moreno, El Atleta, 2010, Lithograph, 60 x 50 cm, Collection Irish Museum of Modern Art, Diplomatic gift of the Federal Government of Mexico, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368489, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 29, + "_updated": true + }, + { + "_id": "body-soul-portfolio-1-9prints.jsonld", + "@graph": [ + { + "@id": "spice:artefact/body-soul-portfolio-1-9prints", + "@type": "schema:CreativeWork", + "description": "Body & Soul Portfolio (1/9prints) is a 1990 work by Antony Gormley. ", + "source": "https://imma.ie/collection/body-soul-portfolio-1-9prints/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/body-soul-portfolio-1-9prints", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching", + "size": "50 x 58.1 cm", + "version": "Edition 23/30", + "hasInventory": "L.776.1 LW" + }, + { + "@id": "spice:documentation/body-soul-portfolio-1-9prints", + "@type": "schema:ImageObject", + "caption": "Antony Gormley, Body & Soul Portfolio (1/9prints), 1990, Etching, 50 x 58.1 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1085.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "version": { + "@id": "http://schema.org/version" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "material": { + "@id": "http://schema.org/material" + }, + "size": { + "@id": "http://schema.org/size" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368489, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 29, + "_updated": true + }, + { + "_id": "8-limestones-cut-to-a-specific-size-from-rough-blocks-150-x-50-x-50cm-split-into-parts-and-reassembled-into-their-original-form.jsonld", + "@graph": [ + { + "@id": "spice:artefact/8-limestones-cut-to-a-specific-size-from-rough-blocks-150-x-50-x-50cm-split-into-parts-and-reassembled-into-their-original-form", + "@type": "schema:CreativeWork", + "description": "Unlike traditional stone sculpture where a piece of stone is cut, chiselled and polished to make it into some other form, in Rüeckreim’s work the marks made by the drills and chisels are not smoothed away, and the natural fracture lines in the rock are revealed; the irregular lines following the internal (geological) structure of the stone. By dividing the stones in various permutations of vertical and horizontal splits the individual characteristics of the stones are made visible, forming a complex and intricate pattern. The split stones are then returned to their position and the original volume reappears. In this piece eight similar stones, or stele, are arranged on a grid, on a scale relating to that of the human body, and it is this scale, coupled with the lack of ostentation in the readability of the process, which makes the work so human.", + "source": "https://imma.ie/collection/8-limestones-cut-to-a-specific-size-from-rough-blocks-150-x-50-x-50cm-split-into-parts-and-reassembled-into-their-original-form/", + "creditText": "IMMA Collection: Purchase, 2001", + "image": "spice:documentation/8-limestones-cut-to-a-specific-size-from-rough-blocks-150-x-50-x-50cm-split-into-parts-and-reassembled-into-their-original-form", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Limestone", + "size": "150 x 50 x 50 cm (each)", + "hasInventory": "IMMA.1489" + }, + { + "@id": "spice:documentation/8-limestones-cut-to-a-specific-size-from-rough-blocks-150-x-50-x-50cm-split-into-parts-and-reassembled-into-their-original-form", + "@type": "schema:ImageObject", + "caption": "Ulrich Rückriem, 8 Limestones cut to a specific size from rough blocks 150 x 50 x 50cm split into parts and reassembled into their original form, 1988, Limestone, 150 x 50 x 50 cm (each), Collection Irish Museum of Modern Art, Purchase, 2001 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1505.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368489, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 29, + "_updated": true + }, + { + "_id": "fourteen-points-of-entry-iv.jsonld", + "@graph": [ + { + "@id": "spice:artefact/fourteen-points-of-entry-iv", + "@type": "schema:CreativeWork", + "description": "Fourteen Points of Entry iv is a 1990 work by Samuel Walsh. ", + "source": "https://imma.ie/collection/fourteen-points-of-entry-iv/", + "creditText": "IMMA Collection: Purchase, 1991", + "image": "spice:documentation/fourteen-points-of-entry-iv", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic and oil on paper", + "size": "76 x 56 cm", + "hasInventory": "IMMA.37.004" + }, + { + "@id": "spice:documentation/fourteen-points-of-entry-iv", + "@type": "schema:ImageObject", + "caption": "Samuel Walsh, Fourteen Points of Entry iv, 1990, Acrylic and oil on paper, 76 x 56 cm, Collection Irish Museum of Modern Art, Purchase, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368489, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 29, + "_updated": true + }, + { + "_id": "river-line-sky-kings-river-callan-crows-driving-off-heron-on-big-poplar-1978.jsonld", + "@graph": [ + { + "@id": "spice:artefact/river-line-sky-kings-river-callan-crows-driving-off-heron-on-big-poplar-1978", + "@type": "schema:CreativeWork", + "description": "River Line Sky, King’s River, Callan crows driving off heron on big poplar, 1978 is a 1978 work by Tony O'Malley. ", + "source": "https://imma.ie/collection/river-line-sky-kings-river-callan-crows-driving-off-heron-on-big-poplar-1978/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2003", + "image": "spice:documentation/river-line-sky-kings-river-callan-crows-driving-off-heron-on-big-poplar-1978", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Mixed media on paper", + "size": "25 x 17 cm", + "hasInventory": "IMMA.1444 MCCL" + }, + { + "@id": "spice:documentation/river-line-sky-kings-river-callan-crows-driving-off-heron-on-big-poplar-1978", + "@type": "schema:ImageObject", + "caption": "Tony O'Malley, River Line Sky, King’s River, Callan crows driving off heron on big poplar, 1978, 1978, Mixed media on paper, 25 x 17 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2003 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368489, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 29, + "_updated": true + }, + { + "_id": "mrs-young-catholic-is-consoled-by-neighbours-after-hearing-her-son-john-was-shot-on-bloody-sunday.jsonld", + "@graph": [ + { + "@id": "spice:artefact/mrs-young-catholic-is-consoled-by-neighbours-after-hearing-her-son-john-was-shot-on-bloody-sunday", + "@type": "schema:CreativeWork", + "description": "This group of works is one of two series entitled ‘The Troubles: An Artist’s Document of Ulster’. 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histories and queer culture. This series of cyanotypes prints engage with methodologies and approaches that respond to the history of mechanical reproduction, digital reproduction online, the persistent circulation of images in the public domain, all the while querying our relationship with the image, its consumption, distribution, reproduction, value and forcing (re)considerations of authenticity within art.   ", + "source": "https://imma.ie/collection/untitled-tv-static/", + "creditText": "IMMA Collection: Purchase, 2021, 2021", + "image": "spice:documentation/untitled-tv-static", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "cyanotype print", + "size": "59.4 x 84.1 cm", + "hasInventory": "IMMA.4247" + }, + { + "@id": "spice:documentation/untitled-tv-static", + "@type": "schema:ImageObject", + "caption": "Breda Lynch, Untitled – TV Static, 2016, cyanotype print, 59.4 x 84.1 cm, Collection Irish Museum of Modern Art, Purchase, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9548.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + 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The drawings are haunting and full of feelings of empathy for the individual depicted.", + "source": "https://imma.ie/collection/diario-popular-twelve-days-in-march-5/", + "creditText": "IMMA Collection: Heritage Gift Owen O'Brien, 2000", + "image": "spice:documentation/diario-popular-twelve-days-in-march-5", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "mixed media on paper", + "size": "50 x 70 cm", + "hasInventory": "IMMA.1316.004" + }, + { + "@id": "spice:documentation/diario-popular-twelve-days-in-march-5", + "@type": "schema:ImageObject", + "caption": "Brian Maguire, Diario Popular (Twelve Days in March), 1998, mixed media on paper, 50 x 70 cm, Collection Irish Museum of Modern Art, Heritage Gift Owen O'Brien, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/472.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368488, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 28, + "_updated": true + }, + { + "_id": "growing-up-in-public.jsonld", + "@graph": [ + { + "@id": "spice:artefact/growing-up-in-public", + "@type": "schema:CreativeWork", + "description": "I tend to work in places of war and conflict, and that has tended to mean that the unburied ghost of colonial past is still wreaking tragedy in its gyre of resolution or dissolution, like a series of cyclones devastating a helpless undeveloped nation. 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So, being Irish has allowed me to be more fully me, even though I don’t at all subscribe to any national identity.", + "source": "https://imma.ie/collection/growing-up-in-public/", + "creditText": "IMMA Collection: Purchase, assisted by funding from Maire and Maurice Foley, 2012", + "image": "spice:documentation/growing-up-in-public", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Digital c-print", + "size": "71.12 x 88.9 cm Framed: 73.34 x 91.44 x 4.44 cm", + "version": "Edition 1/5 with 1 A/P", + "hasInventory": "IMMA.3790" + }, + { + "@id": "spice:documentation/growing-up-in-public", + "@type": "schema:ImageObject", + "caption": "Richard Mosse, Growing Up In Public, 2011, Digital c-print, 71.12 x 88.9 cm Framed: 73.34 x 91.44 x 4.44 cm, Collection Irish Museum of Modern Art, Purchase, assisted by funding from Maire and Maurice Foley, 2012 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/7044.jpg" + } + ], + "@context": { + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "size": { + "@id": "http://schema.org/size" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368488, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 28, + "_updated": true + }, + { + "_id": "edward-and-mrs-hopper-in-their-home-truro-with-brian-odoherty.jsonld", + "@graph": [ + { + "@id": "spice:artefact/edward-and-mrs-hopper-in-their-home-truro-with-brian-odoherty", + "@type": "schema:CreativeWork", + "description": "Edward and Mrs Hopper, in their home, Truro, with Brian O’Doherty is a 1964 work by Hans Namuth. ", + "source": "https://imma.ie/collection/edward-and-mrs-hopper-in-their-home-truro-with-brian-odoherty/", + "creditText": "IMMA Collection: Donation, Novak/O'Doherty Collection, 2015", + "image": "spice:documentation/edward-and-mrs-hopper-in-their-home-truro-with-brian-odoherty", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Black and white photograph", + "size": "20.75 x 25.5 cm", + "hasInventory": "IMMA.3929" + }, + { + "@id": "spice:documentation/edward-and-mrs-hopper-in-their-home-truro-with-brian-odoherty", + "@type": "schema:ImageObject", + "caption": "Hans Namuth, Edward and Mrs Hopper, in their home, Truro, with Brian O’Doherty, 1964, Black and white photograph, 20.75 x 25.5 cm, Collection Irish Museum of Modern Art, Donation, Novak/O'Doherty Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368488, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 28, + "_updated": true + }, + { + "_id": "parallel-windows-ii-original-drawing.jsonld", + "@graph": [ + { + "@id": "spice:artefact/parallel-windows-ii-original-drawing", + "@type": "schema:CreativeWork", + "description": "Parallel Windows II – original drawing is a 1993 work by Eun-Mo Chung. ", + "source": "https://imma.ie/collection/parallel-windows-ii-original-drawing/", + "creditText": "IMMA Collection: Purchase, 1994", + "image": "spice:documentation/parallel-windows-ii-original-drawing", + "maintainer": "https://w3id.org/spice/institute/imma", + "size": "40 x 30 cm", + "hasInventory": "IMMA.2665.2" + }, + { + "@id": "spice:documentation/parallel-windows-ii-original-drawing", + "@type": "schema:ImageObject", + "caption": "Eun-Mo Chung, Parallel Windows II – original drawing, 1993, 40 x 30 cm, Collection Irish Museum of Modern Art, Purchase, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368488, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 28, + "_updated": true + }, + { + "_id": "working-drawing-for-body-of-thought-no-i-bt-8.jsonld", + "@graph": [ + { + "@id": "spice:artefact/working-drawing-for-body-of-thought-no-i-bt-8", + "@type": "schema:CreativeWork", + "description": "Working drawing for Body of Thought No I (BT 8) is a 1988 work by Richard Deacon. ", + "source": "https://imma.ie/collection/working-drawing-for-body-of-thought-no-i-bt-8/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/working-drawing-for-body-of-thought-no-i-bt-8", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil on squared paper", + "size": "59 x 84 cm", + "hasInventory": "L.2008.1.3.8" + }, + { + "@id": "spice:documentation/working-drawing-for-body-of-thought-no-i-bt-8", + "@type": "schema:ImageObject", + "caption": "Richard Deacon, Working drawing for Body of Thought No I (BT 8), 1988, Pencil on squared paper, 59 x 84 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/3506.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368488, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 28, + "_updated": true + }, + { + "_id": "sinisa-and-sanja-after-the-funeral.jsonld", + "@graph": [ + { + "@id": "spice:artefact/sinisa-and-sanja-after-the-funeral", + "@type": "schema:CreativeWork", + "description": "siniša and sanja (after the funeral) is a 2002 work by Phil Collins. ", + "source": "https://imma.ie/collection/sinisa-and-sanja-after-the-funeral/", + "creditText": "IMMA Collection: Heritage Gift, Kerlin Gallery Collection, 2018, 2018", + "image": "spice:documentation/sinisa-and-sanja-after-the-funeral", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Lightjet print reverse mounted on Diasec", + "size": "75 x 91 x 3 cm", + "hasInventory": "IMMA.4125" + }, + { + "@id": "spice:documentation/sinisa-and-sanja-after-the-funeral", + "@type": "schema:ImageObject", + "caption": "Phil Collins, siniša and sanja (after the funeral), 2002, Lightjet print reverse mounted on Diasec, 75 x 91 x 3 cm, Collection Irish Museum of Modern Art, Heritage Gift, Kerlin Gallery Collection, 2018, 2018 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9152.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368488, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 28, + "_updated": true + }, + { + "_id": "untitled-10.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-10", + "@type": "schema:CreativeWork", + "description": "This carborundum embossed print with gold leaf was made by Patrick Scott in collaboration with Stoney Road Press. He began to work with Stoney Road Press in the early 2000s, and as his ambitions within the medium grew, he built up a vocabulary capable of articulating the subtleties of the prints he was developing. Drawing on motifs from his paintings, Scott’s print works with Stoney Road Press were a continuation of the interests and themes he explored throughout his career. The gold leaf was applied by hand to each print, allowing for the gold to function, as in his paintings, not just as a colour but as a reflector of light.", + "source": "https://imma.ie/collection/untitled-10/", + "creditText": "IMMA Collection: IMMA Editions, Donated by the artist, 2009", + "image": "spice:documentation/untitled-10", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Intaglio, embossing, carborundum and hand applied 23.5 carat gold leaf", + "size": "76 x 60 cm", + "version": "Edition of 50", + "hasInventory": "IMMA.2876" + }, + { + "@id": "spice:documentation/untitled-10", + "@type": "schema:ImageObject", + "caption": "Patrick Scott, Untitled, 2009, Intaglio, embossing, carborundum and hand applied 23.5 carat gold leaf, 76 x 60 cm, Collection Irish Museum of Modern Art, IMMA Editions, Donated by the artist, 2009 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/4057.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "size": { + "@id": "http://schema.org/size" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "material": { + "@id": "http://schema.org/material" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368488, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 28, + "_updated": true + }, + { + "_id": "island-street-hook.jsonld", + "@graph": [ + { + "@id": "spice:artefact/island-street-hook", + "@type": "schema:CreativeWork", + "description": "Island Street, Hook is a 1952 work by Nevill Johnson. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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", + "source": "https://imma.ie/collection/untitled-61/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1995", + "image": "spice:documentation/untitled-61", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Eight-colour screenprint on hand-made wove paper with deckle-edge", + "size": "76 x 82.5 cm", + "version": "Edition 4/65", + "hasInventory": "L.720.1 LW" + }, + { + "@id": "spice:documentation/untitled-61", + "@type": "schema:ImageObject", + "caption": "Dominic Denis, Untitled, 1992, Eight-colour screenprint on hand-made wove paper with deckle-edge, 76 x 82.5 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1995 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "size": { + "@id": "http://schema.org/size" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368487, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 27, + "_updated": true + }, + { + "_id": "urban-detail.jsonld", + "@graph": [ + { + "@id": "spice:artefact/urban-detail", + "@type": "schema:CreativeWork", + "description": "Urban Detail is a 1958 work by Prunella Clough. 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It has a duration of 12 min. 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", + "source": "https://imma.ie/collection/resurrection/", + "creditText": "IMMA Collection: Donated by Amy Plumb Oppenheim in honor of Dennis Oppenheim, 2018", + "image": "spice:documentation/resurrection", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Photograph (Fuji Crystal)", + "hasInventory": "IMMA.4132" + }, + { + "@id": "spice:documentation/resurrection", + "@type": "schema:ImageObject", + "caption": "Les Levine, Resurrection, 1972, Photograph (Fuji Crystal), Collection Irish Museum of Modern Art, Donated by Amy Plumb Oppenheim in honor of Dennis Oppenheim, 2018 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9179.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368487, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 27, + "_updated": true + }, + { + "_id": "klub-sombi-no-1.jsonld", + "@graph": [ + { + "@id": "spice:artefact/klub-sombi-no-1", + "@type": "schema:CreativeWork", + "description": "Klub Sombi no. 1 is a 2001 work by Tal R. 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"http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": 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Lambert.", + "source": "https://imma.ie/collection/flash/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/flash", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Painted wood", + "size": "64.5 x 57.4 x 6.8 cm", + "hasInventory": "IMMA.353 GL" + }, + { + "@id": "spice:documentation/flash", + "@type": "schema:ImageObject", + "caption": "Betty Parsons, Flash, 1975, Painted wood, 64.5 x 57.4 x 6.8 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/2007.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": 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I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-65/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-65", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.065" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-65", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5709.jpg" + } + ], + "@context": { + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "size": { + "@id": "http://schema.org/size" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368487, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 27, + "_updated": true + }, + { + "_id": "rhythm-5.jsonld", + "@graph": [ + { + "@id": "spice:artefact/rhythm-5", + "@type": "schema:CreativeWork", + "description": "Marina Abramović’s series of performances, known as Rhythms, undertaken in 1973 and 1974, use the artist’s body to examine the tensions between abandonment and control. In Rhythm 5, Abramović created a burning wooden star. She first cut her hair and toenails into the flames and then lay inside the structure. The performance lasted until audience members realised she had lost consciousness and had to be rescued.", + "source": "https://imma.ie/collection/rhythm-5/", + "creditText": "IMMA Collection: Purchase, 1995", + "image": "spice:documentation/rhythm-5", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Framed black and white photograph", + "size": "Image framed 75.6 x 100.3 cm", + "version": "Edition 1/16, 3 AP's", + "hasInventory": "IMMA.474" + }, + { + "@id": "spice:documentation/rhythm-5", + "@type": "schema:ImageObject", + "caption": "Marina Abramović, Rhythm 5, 1974, Framed black and white photograph, Image framed 75.6 x 100.3 cm, Collection Irish Museum of Modern Art, Purchase, 1995 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "version": { + "@id": "http://schema.org/version" + }, + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368487, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 27, + "_updated": true + }, + { + "_id": "literally-based-on-h-z.jsonld", + "@graph": [ + { + "@id": "spice:artefact/literally-based-on-h-z", + "@type": "schema:CreativeWork", + "description": "Liam Gillick uses architectural materials and manufacturing production techniques in his artworks. Here, a combination of maquettes, prototypes and signage sit on functional trestles. The table design is based on the aesthetics of Heimo Zoebernig (H.Z.); an Austrian artist known for his engagement with questions of display. Each time the work is displayed, the arrangement and positioning of the tables and objects is decided by the curator responding to the context and space; all elements must be displayed together.", + "source": "https://imma.ie/collection/literally-based-on-h-z/", + "creditText": "IMMA Collection: Purchase, 2007", + "image": "spice:documentation/literally-based-on-h-z", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Mdf, deal, water cut painted aluminium, powder coated aluminium, various transparent and opaque Plexiglas sheets, Slotted Brise Soleil detail, black Plexiglas, red Plexiglas", + "size": "Dimensions variable", + "hasInventory": "IMMA.2106" + }, + { + "@id": "spice:documentation/literally-based-on-h-z", + "@type": "schema:ImageObject", + "caption": "Liam Gillick, Literally Based on H.Z., 2006, Mdf, deal, water cut painted aluminium, powder coated aluminium, various transparent and opaque Plexiglas sheets, Slotted Brise Soleil detail, black Plexiglas, red Plexiglas, Dimensions variable, Collection Irish Museum of Modern Art, Purchase, 2007 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/344.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368486, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 26, + "_updated": true + }, + { + "_id": "young-boy-and-crucifix.jsonld", + "@graph": [ + { + "@id": "spice:artefact/young-boy-and-crucifix", + "@type": "schema:CreativeWork", + "description": "Young Boy and Crucifix is a 1986 work by John Bellany. ", + "source": "https://imma.ie/collection/young-boy-and-crucifix/", + "creditText": "IMMA Collection: Donated by the Department of Customs and Excise, 1994 (July)", + "image": "spice:documentation/young-boy-and-crucifix", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching", + "size": "55.9 x 76.2 cm", + "version": "Edition 3/60", + "hasInventory": "IMMA.458.3" + }, + { + "@id": "spice:documentation/young-boy-and-crucifix", + "@type": "schema:ImageObject", + "caption": "John Bellany, Young Boy and Crucifix, 1986, Etching, 55.9 x 76.2 cm, Collection Irish Museum of Modern Art, Donated by the Department of Customs and Excise, 1994 (July) ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "version": { + "@id": "http://schema.org/version" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "material": { + "@id": "http://schema.org/material" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368486, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 26, + "_updated": true + }, + { + "_id": "fishing-harbour-night-mending-nets.jsonld", + "@graph": [ + { + "@id": "spice:artefact/fishing-harbour-night-mending-nets", + "@type": "schema:CreativeWork", + "description": "Fishing Harbour Night, (mending nets) is a 1957 work by George Campbell. ", + "source": "https://imma.ie/collection/fishing-harbour-night-mending-nets/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/fishing-harbour-night-mending-nets", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on hardboard", + "size": "41 x 51 cm", + "hasInventory": "IMMA.149 GL" + }, + { + "@id": "spice:documentation/fishing-harbour-night-mending-nets", + "@type": "schema:ImageObject", + "caption": "George Campbell, Fishing Harbour Night, (mending nets), 1957, Oil on hardboard, 41 x 51 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1892.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368486, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 26, + "_updated": true + }, + { + "_id": "study-of-floor-ceiling-piece.jsonld", + "@graph": [ + { + "@id": "spice:artefact/study-of-floor-ceiling-piece", + "@type": "schema:CreativeWork", + "description": "Study of Floor Ceiling Piece is a 1993 work by Rachel Whiteread. 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These elements come together to create an environment without one single narrative or solution but the overall sense is one of a lonely, barren and comfortless world where the viewer is left to complete the story and find their own place.", + "source": "https://imma.ie/collection/where-do-broken-hearts-go/", + "creditText": "IMMA Collection: Purchase, 2000", + "image": "spice:documentation/where-do-broken-hearts-go", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Continuous tone photopolymer intaglio plates, tinfoil, glue, resin, woman's voice reading Country & Western songs", + "size": "Dimensions variable", + "hasInventory": "IMMA.1292" + }, + { + "@id": "spice:documentation/where-do-broken-hearts-go", + "@type": "schema:ImageObject", + "caption": "Daphne Wright, Where Do Broken Hearts Go, 2000, Continuous tone photopolymer intaglio plates, tinfoil, glue, resin, woman's voice reading Country & Western songs, Dimensions variable, Collection Irish Museum of Modern Art, Purchase, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/627.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368486, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 26, + "_updated": true + }, + { + "_id": "fermanagh.jsonld", + "@graph": [ + { + "@id": "spice:artefact/fermanagh", + "@type": "schema:CreativeWork", + "description": "Fermanagh is a 1993 work by Catherine Lee. ", + "source": "https://imma.ie/collection/fermanagh/", + "creditText": "IMMA Collection: Donation, the artist, 2005", + "image": "spice:documentation/fermanagh", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etchings; aquatint, drypoint, spit bite, etc.", + "size": "29.21 x 30.48 cm", + "version": "Edition 2/2; A/P", + "hasInventory": "IMMA.1837" + }, + { + "@id": "spice:documentation/fermanagh", + "@type": "schema:ImageObject", + "caption": "Catherine Lee, Fermanagh, 1993, Etchings; aquatint, drypoint, spit bite, etc., 29.21 x 30.48 cm, Collection Irish Museum of Modern Art, Donation, the artist, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1757.jpg" + } + ], + "@context": { + "material": { + "@id": "http://schema.org/material" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "size": { + "@id": "http://schema.org/size" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "version": { + "@id": "http://schema.org/version" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368486, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 26, + "_updated": true + }, + { + "_id": "diario-popular-twelve-days-in-march-9.jsonld", + "@graph": [ + { + "@id": "spice:artefact/diario-popular-twelve-days-in-march-9", + "@type": "schema:CreativeWork", + "description": "In São Paulo Maguire also worked on a series of drawings which involved a very different approach to that taken with the ‘Casa da Cultura’ series. Each day in São Paulo’s newspaper, The Diario Popular, photographs of convicted criminals or those wanted by the police appeared. Working from the grainy newspaper photographs, Maguire made drawings of those men. In contrast to the sketches he made of the children in the ‘Casa da Cultura’ series, with the works in ‘Diario Popular’ Maguire spent a long time looking, contemplating and trying to come to terms with the qualities of each man’s expression. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-69/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-69", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.069" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-69", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5713.jpg" + } + ], + "@context": { + "material": { + "@id": "http://schema.org/material" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "size": { + "@id": "http://schema.org/size" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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The first is a group of 80 cibachrome photographs produced by Levine in 1972 while this suite comprises 18 photo-etchings made in 1979 from photographs taken in 1972. Both bodies of work were donated to IMMA by the artist.", + "source": "https://imma.ie/collection/i-r-a-funeral/", + "creditText": "IMMA Collection: Donated by the artist in memory of his sister June Levine, 2010", + "image": "spice:documentation/i-r-a-funeral", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etched on zinc; printed in black ink on white German etching paper", + "size": "55.9 x 76.2 cm", + "hasInventory": "IMMA.3303.011" + }, + { + "@id": "spice:documentation/i-r-a-funeral", + "@type": "schema:ImageObject", + "caption": "Les Levine, I.R.A. Funeral, 1979, Etched on zinc; printed in black ink on white German etching paper, 55.9 x 76.2 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his sister June Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5634.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368483, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 23, + "_updated": true + }, + { + "_id": "head-of-an-irishman.jsonld", + "@graph": [ + { + "@id": "spice:artefact/head-of-an-irishman", + "@type": "schema:CreativeWork", + "description": "Head of an Irishman is a 1999 work by Lucian Freud. ", + "source": "https://imma.ie/collection/head-of-an-irishman/", + "creditText": "IMMA Collection: On Loan, Private Collection, ", + "image": "spice:documentation/head-of-an-irishman", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "82.5 x 72 cm Framed: 100 x 90 x 7 cm", + "hasInventory": "EX.2016.1.20" + }, + { + "@id": "spice:documentation/head-of-an-irishman", + "@type": "schema:ImageObject", + "caption": "Lucian Freud, Head of an Irishman, 1999, Oil on canvas, 82.5 x 72 cm Framed: 100 x 90 x 7 cm, Collection Irish Museum of Modern Art, On Loan, Private Collection ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/08/7566.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368483, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 23, + "_updated": true + }, + { + "_id": "a-place-of-habitation-iii.jsonld", + "@graph": [ + { + "@id": "spice:artefact/a-place-of-habitation-iii", + "@type": "schema:CreativeWork", + "description": "A Place of Habitation III is a 1985 work by Maria Simonds-Gooding. ", + "source": "https://imma.ie/collection/a-place-of-habitation-iii/", + "creditText": "IMMA Collection: Donation, 2014", + "image": "spice:documentation/a-place-of-habitation-iii", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Fresco pigment on plaster", + "size": "114.5 x 153 x 4 cm", + "hasInventory": "IMMA.3867" + }, + { + "@id": "spice:documentation/a-place-of-habitation-iii", + "@type": "schema:ImageObject", + "caption": "Maria Simonds-Gooding, A Place of Habitation III, 1985, Fresco pigment on plaster, 114.5 x 153 x 4 cm, Collection Irish Museum of Modern Art, Donation, 2014 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/7391.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368483, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 23, + "_updated": true + }, + { + "_id": "lost-in-space.jsonld", + "@graph": [ + { + "@id": "spice:artefact/lost-in-space", + "@type": "schema:CreativeWork", + "description": "Lost in Space is a 1997 work by Robin Warren. 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The thoughtful and disquieting images which he produces probe beyond stereotypical images of conflict, in a way that is exploratory rather than merely documentary. 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Architecture is a key element in these painting and an atmosphere of stillness and reflection is conveyed to the viewer.", + "source": "https://imma.ie/collection/the-yellow-window/", + "creditText": "IMMA Collection: Donation, Maire and Maurice Foley, 2000", + "image": "spice:documentation/the-yellow-window", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "Framed: 126.8 x 167.3 x 5 cm 120 x 160 x 3.5 cm", + "hasInventory": "IMMA.895 FD" + }, + { + "@id": "spice:documentation/the-yellow-window", + "@type": "schema:ImageObject", + "caption": "Stephen McKenna, The Yellow Window, 1990, Oil on canvas, Framed: 126.8 x 167.3 x 5 cm 120 x 160 x 3.5 cm, Collection Irish Museum of Modern Art, Donation, Maire and Maurice Foley, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/295.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368481, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 21, + "_updated": true + }, + { + "_id": "old-man-and-dog.jsonld", + "@graph": [ + { + "@id": "spice:artefact/old-man-and-dog", + "@type": "schema:CreativeWork", + "description": "Old Man and Dog is a 1945 work by Gerard Dillon. ", + "source": "https://imma.ie/collection/old-man-and-dog/", + "creditText": "IMMA Collection: Heritage Gift by the Bank of Ireland from the Bank of Ireland collection, 2008", + "image": "spice:documentation/old-man-and-dog", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on board", + "size": "18 x 38 cm", + "hasInventory": "IMMA.2601" + }, + { + "@id": "spice:documentation/old-man-and-dog", + "@type": "schema:ImageObject", + "caption": "Gerard Dillon, Old Man and Dog, 1945, Oil on board, 18 x 38 cm, Collection Irish Museum of Modern Art, Heritage Gift by the Bank of Ireland from the Bank of Ireland collection, 2008 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/3476.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368481, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 21, + "_updated": true + }, + { + "_id": "between-the-eyes-t3.jsonld", + "@graph": [ + { + "@id": "spice:artefact/between-the-eyes-t3", + "@type": "schema:CreativeWork", + "description": "Between the Eyes, T3 is a 1987 work by Richard Deacon. ", + "source": "https://imma.ie/collection/between-the-eyes-t3/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/between-the-eyes-t3", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil on double sided poster", + "size": "41.3 x 31.2 cm", + "hasInventory": "L.2008.1.2.3" + }, + { + "@id": "spice:documentation/between-the-eyes-t3", + "@type": "schema:ImageObject", + "caption": "Richard Deacon, Between the Eyes, T3, 1987, Pencil on double sided poster, 41.3 x 31.2 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368481, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 21, + "_updated": true + }, + { + "_id": "horse-show.jsonld", + "@graph": [ + { + "@id": "spice:artefact/horse-show", + "@type": "schema:CreativeWork", + "description": "Horse Show is a 1962 work by Elliott Erwitt. ", + "source": "https://imma.ie/collection/horse-show/", + "creditText": "IMMA Collection: Purchase, 2006", + "image": "spice:documentation/horse-show", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Silver Gelatin print on fibre paper", + "size": "27.8 x 35.2 cm", + "hasInventory": "IMMA.2197" + }, + { + "@id": "spice:documentation/horse-show", + "@type": "schema:ImageObject", + "caption": "Elliott Erwitt, Horse Show, 1962, Silver Gelatin print on fibre paper, 27.8 x 35.2 cm, Collection Irish Museum of Modern Art, Purchase, 2006 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368481, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 21, + "_updated": true + }, + { + "_id": "proposal.jsonld", + "@graph": [ + { + "@id": "spice:artefact/proposal", + "@type": "schema:CreativeWork", + "description": "Invited by IMMA’s founding Director Declan McGonagle, in 1994 Sol LeWitt proposed a series of wall drawings for the Baroque Chapel in the North Range. They were to be painted directly onto the wall above the oak paneling where the vibrant colours would echo the stained glass windows. As permanent interventions in the fabric of the building were not permitted, the proposal was not realized.", + "source": "https://imma.ie/collection/proposal/", + "creditText": "IMMA Collection: Purchase, 1992", + "image": "spice:documentation/proposal", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Watercolour on paper", + "size": "15 x 100 cm", + "hasInventory": "IMMA.803" + }, + { + "@id": "spice:documentation/proposal", + "@type": "schema:ImageObject", + "caption": "Sol LeWitt, Proposal, 1994, Watercolour on paper, 15 x 100 cm, Collection Irish Museum of Modern Art, Purchase, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1091.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368480, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 20, + "_updated": true + }, + { + "_id": "bird-table-st-martins.jsonld", + "@graph": [ + { + "@id": "spice:artefact/bird-table-st-martins", + "@type": "schema:CreativeWork", + "description": "Bird Table St Martins is a 1974 work by Tony O'Malley. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-16/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-16", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.016" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-16", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5660.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "size": { + "@id": "http://schema.org/size" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "material": { + "@id": "http://schema.org/material" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368480, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 20, + "_updated": true + }, + { + "_id": "new-overdrawn-head.jsonld", + "@graph": [ + { + "@id": "spice:artefact/new-overdrawn-head", + "@type": "schema:CreativeWork", + "description": "New Overdrawn Head is a 1976 work by John Davies. 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", + "source": "https://imma.ie/collection/the-painters-mother-resting-i/", + "creditText": "IMMA Collection: On Loan, Private Collection, ", + "image": "spice:documentation/the-painters-mother-resting-i", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "90.2 x 90.2 cm Framed: 105 x 105 x 5 cm", + "hasInventory": "EX.2016.1.35" + }, + { + "@id": "spice:documentation/the-painters-mother-resting-i", + "@type": "schema:ImageObject", + "caption": "Lucian Freud, The Painter’s Mother Resting I, 1976, Oil on canvas, 90.2 x 90.2 cm Framed: 105 x 105 x 5 cm, Collection Irish Museum of Modern Art, On Loan, Private Collection ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2021/07/7581.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368480, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 20, + "_updated": true + }, + { + "_id": "using-the-camera-as-a-club.jsonld", + "@graph": [ + { + "@id": "spice:artefact/using-the-camera-as-a-club", + "@type": "schema:CreativeWork", + "description": "Using the Camera as a Club is a 1979 work by Les Levine. 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", + "source": "https://imma.ie/collection/sunset-over-amsterdam/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/sunset-over-amsterdam", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Watercolour on paper", + "size": "108.1 x 107.2 cm", + "hasInventory": "IMMA.175 GL" + }, + { + "@id": "spice:documentation/sunset-over-amsterdam", + "@type": "schema:ImageObject", + "caption": "Barrie Cooke, Sunset over Amsterdam, 1965, Watercolour on paper, 108.1 x 107.2 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/330.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368480, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 20, + "_updated": true + }, + { + "_id": "drawing-7917.jsonld", + "@graph": [ + { + "@id": "spice:artefact/drawing-7917", + "@type": "schema:CreativeWork", + "description": "Drawing 7917 is a 1979 work by John Golding. ", + "source": "https://imma.ie/collection/drawing-7917/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/drawing-7917", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Mixed media, body colour and chalk on paper", + "size": "76 x 105.1 cm", + "hasInventory": "IMMA.221 GL" + }, + { + "@id": "spice:documentation/drawing-7917", + "@type": "schema:ImageObject", + "caption": "John Golding, Drawing 7917, 1979, Mixed media, body colour and chalk on paper, 76 x 105.1 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368480, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 20, + "_updated": true + }, + { + "_id": "composition.jsonld", + "@graph": [ + { + "@id": "spice:artefact/composition", + "@type": "schema:CreativeWork", + "description": "Composition is a 1969 work by Victor Vasarely. ", + "source": "https://imma.ie/collection/composition/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/composition", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Silkscreen", + "size": "60 x 56.1 cm", + "version": "Edition 93/175", + "hasInventory": "IMMA.397 GL" + }, + { + "@id": "spice:documentation/composition", + "@type": "schema:ImageObject", + "caption": "Victor Vasarely, Composition, 1969, Silkscreen, 60 x 56.1 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "material": { + "@id": "http://schema.org/material" + }, + "version": { + "@id": "http://schema.org/version" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368480, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 20, + "_updated": true + }, + { + "_id": "portrait-of-paddy-collins.jsonld", + "@graph": [ + { + "@id": "spice:artefact/portrait-of-paddy-collins", + "@type": "schema:CreativeWork", + "description": "McGuire’s best-known sitters include Anthony Cronin, Seamus Heaney, Paul Durcan, and Pearse Hutchinson. Many of his portraits have a surreal quality derived from McGuire’s love of unusual studio props such as stuffed birds and highly stylized leaf decoration. This feeling is strengthened by the often remote and static pose of the sitter. The portrait of the artist Patrick Collins, painted just three years before McGuire’s death, is unusual in its avoidance of these devices. The preparatory drawing for this portrait is part of the IMMA Collection and also shows the meticulous approach McGuire employed from the earliest stage of the portrait.", + "source": "https://imma.ie/collection/portrait-of-paddy-collins/", + "creditText": "IMMA Collection: Donation, Vincent & Noeleen Ferguson, 1996", + "image": "spice:documentation/portrait-of-paddy-collins", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on panel", + "size": "Framed: 91.5 x 84.5 x 6 cm 68 x 60 cm", + "hasInventory": "IMMA.768" + }, + { + "@id": "spice:documentation/portrait-of-paddy-collins", + "@type": "schema:ImageObject", + "caption": "Edward McGuire, Portrait of Paddy Collins, 1983, Oil on panel, Framed: 91.5 x 84.5 x 6 cm 68 x 60 cm, Collection Irish Museum of Modern Art, Donation, Vincent & Noeleen Ferguson, 1996 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/05/1486.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368480, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 20, + "_updated": true + }, + { + "_id": "abstract-untitled.jsonld", + "@graph": [ + { + "@id": "spice:artefact/abstract-untitled", + "@type": "schema:CreativeWork", + "description": "Abstract (untitled) is a 1979 work by Charles Tyrrell. ", + "source": "https://imma.ie/collection/abstract-untitled/", + "creditText": "IMMA Collection: Heritage Gift, P.J. Carroll & Co. Ltd. Art Collection, 2005", + "image": "spice:documentation/abstract-untitled", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Paper collage, oil and mixed media on canvas", + "size": "182.5 x 182 cm", + "hasInventory": "IMMA.1884" + }, + { + "@id": "spice:documentation/abstract-untitled", + "@type": "schema:ImageObject", + "caption": "Charles Tyrrell, Abstract (untitled), 1979, Paper collage, oil and mixed media on canvas, 182.5 x 182 cm, Collection Irish Museum of Modern Art, Heritage Gift, P.J. Carroll & Co. Ltd. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-67/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-67", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.067" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-67", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5711.jpg" + } + ], + "@context": { + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "version": { + "@id": "http://schema.org/version" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "size": { + "@id": "http://schema.org/size" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368479, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 19, + "_updated": true + }, + { + "_id": "homage-a-braque-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/homage-a-braque-2", + "@type": "schema:CreativeWork", + "description": "Homage a Braque is a 1962 work by Raoul Ubac. 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O’Kelly’s interest also revolves around modes of display such as scaffolding or temporary hoardings and how they are used in exhibition display, municipal restoration and political forms of public address.", + "source": "https://imma.ie/collection/the-party/", + "creditText": "IMMA Collection: Donation, 2011", + "image": "spice:documentation/the-party", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on linen", + "size": "180 x 250 cm", + "hasInventory": "IMMA.3335" + }, + { + "@id": "spice:documentation/the-party", + "@type": "schema:ImageObject", + "caption": "Mark O'Kelly, The Party, 2010, Oil on linen, 180 x 250 cm, Collection Irish Museum of Modern Art, Donation, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/6018.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368479, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 19, + "_updated": true + }, + { + "_id": "portrait-of-ian-baird-holding-a-drawing-of-his-wife-beatrice.jsonld", + "@graph": [ + { + "@id": "spice:artefact/portrait-of-ian-baird-holding-a-drawing-of-his-wife-beatrice", + "@type": "schema:CreativeWork", + "description": "Portrait of Ian Baird holding a drawing of his wife Beatrice is a 1977 work by Robert Ballagh. 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The drawings are haunting and full of feelings of empathy for the individual depicted.", + "source": "https://imma.ie/collection/diario-popular-twelve-days-in-march-7/", + "creditText": "IMMA Collection: Heritage Gift Owen O'Brien, 2000", + "image": "spice:documentation/diario-popular-twelve-days-in-march-7", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "mixed media on paper", + "size": "50 x 70 cm", + "hasInventory": "IMMA.1316.006" + }, + { + "@id": "spice:documentation/diario-popular-twelve-days-in-march-7", + "@type": "schema:ImageObject", + "caption": "Brian Maguire, Diario Popular (Twelve Days in March), 1998, mixed media on paper, 50 x 70 cm, Collection Irish Museum of Modern Art, Heritage Gift Owen O'Brien, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/474.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368479, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 19, + "_updated": true + }, + { + "_id": "david-8.jsonld", + "@graph": [ + { + "@id": "spice:artefact/david-8", + "@type": "schema:CreativeWork", + "description": "David 8 is a 1985 work by Gene Lambert. 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", + "source": "https://imma.ie/collection/dancing-figures/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004", + "image": "spice:documentation/dancing-figures", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Conte and wash on paper", + "size": "24.5 x 31 cm", + "hasInventory": "IMMA.1738.10" + }, + { + "@id": "spice:documentation/dancing-figures", + "@type": "schema:ImageObject", + "caption": "Colin Middleton, Dancing Figures, 1959, Conte and wash on paper, 24.5 x 31 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/02/1674.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368479, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 19, + "_updated": true + }, + { + "_id": "beauty-parlor.jsonld", + "@graph": [ + { + "@id": "spice:artefact/beauty-parlor", + "@type": "schema:CreativeWork", + "description": "Adami’s most characteristic works generally resemble comic strips, with solid outlines and flat colouring. Occasionally, his work also borders on the surreal. Harsh, often neon, colours are combined with powerful, thick black lines. In ‘Beauty Parlour’ Adami combines inanimate objects with fragments of the human form. Objects are taken out of perspective and context to allow us to see them anew. The human condition is the main subject in his work, with the surrounding, seemingly unrelated objects serving as symbols of what composes it.", + "source": "https://imma.ie/collection/beauty-parlor/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/beauty-parlor", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic on canvas", + "size": "199.9 x 146.5 cm", + "hasInventory": "IMMA.100 GL" + }, + { + "@id": "spice:documentation/beauty-parlor", + "@type": "schema:ImageObject", + "caption": "Valerio Adami, Beauty Parlor, 1969, Acrylic on canvas, 199.9 x 146.5 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1862.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368479, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 19, + "_updated": true + }, + { + "_id": "signo-centro.jsonld", + "@graph": [ + { + "@id": "spice:artefact/signo-centro", + "@type": "schema:CreativeWork", + "description": "Signo Centro is a 1978 work by Manuel Hernández. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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Ackermann is interested in the changing faces of cities in ever more globalised societies and believes that cities are living breathing entities. 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", + "source": "https://imma.ie/collection/sculptor-model-wearing-mask-and-a-statue-of-a-standing-nude/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/sculptor-model-wearing-mask-and-a-statue-of-a-standing-nude", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching", + "size": "26.3 x 19.4 cm", + "hasInventory": "IMMA.358 GL" + }, + { + "@id": "spice:documentation/sculptor-model-wearing-mask-and-a-statue-of-a-standing-nude", + "@type": "schema:ImageObject", + "caption": "Pablo Picasso, Sculptor, Model Wearing Mask and a statue of a Standing Nude, 1933, Etching, 26.3 x 19.4 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368477, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 17, + "_updated": true + }, + { + "_id": "presagios-de-lo-que-va-a-suceder-omens-of-what-will-happen.jsonld", + "@graph": [ + { + "@id": "spice:artefact/presagios-de-lo-que-va-a-suceder-omens-of-what-will-happen", + "@type": "schema:CreativeWork", + "description": "Presagios de lo que va a suceder (Omens of what will happen) is a 2010 work by Alejandro Pérez Cruz. ", + "source": "https://imma.ie/collection/presagios-de-lo-que-va-a-suceder-omens-of-what-will-happen/", + "creditText": "IMMA Collection: Diplomatic gift of the Federal Government of Mexico, 2011", + "image": "spice:documentation/presagios-de-lo-que-va-a-suceder-omens-of-what-will-happen", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Lithograph, screenprint", + "size": "Sheet: 100 x 70 cm Plate: 87 x 70 cm", + "hasInventory": "IMMA.3772" + }, + { + "@id": "spice:documentation/presagios-de-lo-que-va-a-suceder-omens-of-what-will-happen", + "@type": "schema:ImageObject", + "caption": "Alejandro Pérez Cruz, Presagios de lo que va a suceder (Omens of what will happen), 2010, Lithograph, screenprint, Sheet: 100 x 70 cm Plate: 87 x 70 cm, Collection Irish Museum of Modern Art, Diplomatic gift of the Federal Government of Mexico, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/6920.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368477, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 17, + "_updated": true + }, + { + "_id": "weeping-stones.jsonld", + "@graph": [ + { + "@id": "spice:artefact/weeping-stones", + "@type": "schema:CreativeWork", + "description": "Weeping Stones is a 2007 work by Patrick Hall. ", + "source": "https://imma.ie/collection/weeping-stones/", + "creditText": "IMMA Collection: Donation, 2008", + "image": "spice:documentation/weeping-stones", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pastel on paper", + "size": "13 x 14 cm", + "version": "Plate 50", + "hasInventory": "IMMA.2136" + }, + { + "@id": "spice:documentation/weeping-stones", + "@type": "schema:ImageObject", + "caption": "Patrick Hall, Weeping Stones, 2007, Pastel on paper, 13 x 14 cm, Collection Irish Museum of Modern Art, Donation, 2008 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/30.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "size": { + "@id": "http://schema.org/size" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368477, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 17, + "_updated": true + }, + { + "_id": "before-the-appearance-of-the-first-steam-engine.jsonld", + "@graph": [ + { + "@id": "spice:artefact/before-the-appearance-of-the-first-steam-engine", + "@type": "schema:CreativeWork", + "description": "Lu Chunsheng was born in Changchun, China, in 1968. In the mid 1990s, he studied at the China National Academy of Fine Arts and he is one of a generation of film and video artists (including Zhang Peili, Yang Fudong and Yang Zhenzhong) to emerge from China in recent years. Lu Chunsheng’s work is strongly influenced by the city in which he lives – Shanghai. Despite it being one of the most populous and fastest growing cities in the world, his films are always strangely depopulated – a paradox of perception indicative of a personal vision of life which exists outside reality. Filmed in black and white, his films cite political events filtered through the genre of film noir and detective movies, but the resulting narratives are always non-sequential and absurd – imbuing them with both an amusing Surrealism and a disturbing sense of fragmentation and alienation.", + "source": "https://imma.ie/collection/before-the-appearance-of-the-first-steam-engine/", + "creditText": "IMMA Collection: Purchase, 2004", + "image": "spice:documentation/before-the-appearance-of-the-first-steam-engine", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Video", + "version": "Edition 4/5", + "hasInventory": "IMMA.1762" + }, + { + "@id": "spice:documentation/before-the-appearance-of-the-first-steam-engine", + "@type": "schema:ImageObject", + "caption": "Lu Chunsheng, Before the Appearance of the First Steam Engine, 2003, Video, Duration: 35min.27 sec., Collection Irish Museum of Modern Art, Purchase, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1709.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368477, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 17, + "_updated": true + }, + { + "_id": "the-drummer.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-drummer", + "@type": "schema:CreativeWork", + "description": "While Barry Flanagan has also made sculptures of other animals, such as elephants and horses, he is best known for his triumphant leaping and dancing hares. Flanagan’s sculptures are by no means restricted by the use of this repeated motif; each hare being unique with its own dynamic gesture. Always celebratory and life-affirming, they dance, use technical equipment, engage in sports and, as we see here, play musical instruments. 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In ‘Sacha and Mum’ she separates the visual from the auditory by reversing the soundtrack in an emotional, violent scene between a daughter and a mother. The full interpretation of the scene is obscured from the viewer by the distorted sound of the conflict, although, at the same time, the emotional inflection of the voices makes it clear that the mood oscillates alternatively from aggression to tenderness. We are left to fill in the gaps of the story for ourselves.", + "source": "https://imma.ie/collection/sacha-and-mum/", + "creditText": "IMMA Collection: Purchase, 1997", + "image": "spice:documentation/sacha-and-mum", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Video projection", + "version": "Edition 3/3", + "hasInventory": "IMMA.785" + }, + { + "@id": "spice:documentation/sacha-and-mum", + "@type": "schema:ImageObject", + "caption": "Gillian Wearing, Sacha and Mum, 1996, Video projection, Duration: 4min.30 sec., Collection Irish Museum of Modern Art, Purchase, 1997 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/768.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368477, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 17, + "_updated": true + }, + { + "_id": "children-mastersons-lane.jsonld", + "@graph": [ + { + "@id": "spice:artefact/children-mastersons-lane", + "@type": "schema:CreativeWork", + "description": "Children, Masterson’s Lane is a 1952 work by Nevill Johnson. ", + "source": "https://imma.ie/collection/children-mastersons-lane/", + "creditText": "IMMA Collection: Acquired with the assistance of the Friends of the National Collections of Ireland, 2010", + "image": "spice:documentation/children-mastersons-lane", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Selenium-toned gelatin silver print", + "size": "34 x 27 cm", + "version": "Edition 14/20. The edition is of twenty numbered sets of which this is no. 14 plus five artist's proofs. 50th anniversary edition", + "hasInventory": "IMMA.3225" + }, + { + "@id": "spice:documentation/children-mastersons-lane", + "@type": "schema:ImageObject", + "caption": "Nevill Johnson, Children, Masterson’s Lane, 1952, Selenium-toned gelatin silver print, 34 x 27 cm, Collection Irish Museum of Modern Art, Acquired with the assistance of the Friends of the National Collections of Ireland, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5357.jpg" + } + ], + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "material": { + "@id": "http://schema.org/material" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "size": { + "@id": "http://schema.org/size" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368477, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 17, + "_updated": true + }, + { + "_id": "stills-explosion.jsonld", + "@graph": [ + { + "@id": "spice:artefact/stills-explosion", + "@type": "schema:CreativeWork", + "description": "Stills. . . Explosion is a 1983 work by Boyd & Evans. ", + "source": "https://imma.ie/collection/stills-explosion/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/stills-explosion", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "17.3 x 23 cm", + "hasInventory": "IMMA.136 GL" + }, + { + "@id": "spice:documentation/stills-explosion", + "@type": "schema:ImageObject", + "caption": "Boyd & Evans, Stills. . . Explosion, 1983, Oil on canvas, 17.3 x 23 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/814.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368477, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 17, + "_updated": true + }, + { + "_id": "between-the-eyes-t42.jsonld", + "@graph": [ + { + "@id": "spice:artefact/between-the-eyes-t42", + "@type": "schema:CreativeWork", + "description": "Between the Eyes, T42 is a 1989 work by Richard Deacon. ", + "source": "https://imma.ie/collection/between-the-eyes-t42/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/between-the-eyes-t42", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil on tracing paper", + "size": "43 x 65 cm", + "hasInventory": "L.2008.1.2.42" + }, + { + "@id": "spice:documentation/between-the-eyes-t42", + "@type": "schema:ImageObject", + "caption": "Richard Deacon, Between the Eyes, T42, 1989, Pencil on tracing paper, 43 x 65 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/2781.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368477, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 17, + "_updated": true + }, + { + "_id": "milagro-de-la-mirada.jsonld", + "@graph": [ + { + "@id": "spice:artefact/milagro-de-la-mirada", + "@type": "schema:CreativeWork", + "description": "Milagro de la Mirada is a 1986 work by Alfonso Monreal. 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", + "source": "https://imma.ie/collection/the-big-poplar-by-the-kings-river-callan-with-crows-driving-off-a-heron-1978/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2003", + "image": "spice:documentation/the-big-poplar-by-the-kings-river-callan-with-crows-driving-off-a-heron-1978", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Mixed media on paper", + "size": "25 x 17 cm", + "hasInventory": "IMMA.1394 MCCL" + }, + { + "@id": "spice:documentation/the-big-poplar-by-the-kings-river-callan-with-crows-driving-off-a-heron-1978", + "@type": "schema:ImageObject", + "caption": "Tony O'Malley, The Big Poplar by the King’s River, Callan with Crows Driving Off a Heron, 1978, 1978, Mixed media on paper, 25 x 17 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2003 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368477, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 17, + "_updated": true + }, + { + "_id": "bond.jsonld", + "@graph": [ + { + "@id": "spice:artefact/bond", + "@type": "schema:CreativeWork", + "description": "‘Bond’, like much of Siobhán Hapaska’s work conveys a strong design aesthetic. Her work is known for its diversity and humour. In ‘Bond’ Hapaska plays with the notion of nature versus machine. Both organic and artificial, ‘Bond’ contains contradictions and contrasts between the portraying of dynamic movement and stillness as the dynamism associated with the mechanics of the car is solidified in a static sculpture. The lacquer finish can be compared to the design of the mass produced car, a beacon for 20th century design and mass production. The addition of electric lights, obvious connotations to the speed of light, contrast with the slow accumulation of basalt and moss nestling naturally within the forms of the sculpture. ", + "source": "https://imma.ie/collection/bond/", + "creditText": "IMMA Collection: Purchase, 2000", + "image": "spice:documentation/bond", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Fiberglass, Irish basalt, reindeer moss, two-pack lacquer and electrical components", + "size": "180 x 120 x 70 cm", + "hasInventory": "IMMA.1294" + }, + { + "@id": "spice:documentation/bond", + "@type": "schema:ImageObject", + "caption": "Siobhán Hapaska, Bond, 1999, Fiberglass, Irish basalt, reindeer moss, two-pack lacquer and electrical components, 180 x 120 x 70 cm, Collection Irish Museum of Modern Art, Purchase, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368477, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 17, + "_updated": true + }, + { + "_id": "la-fete-de-la-branche.jsonld", + "@graph": [ + { + "@id": "spice:artefact/la-fete-de-la-branche", + "@type": "schema:CreativeWork", + "description": "La Fete de la Branche is a 1981 work by Othon Obin. ", + "source": "https://imma.ie/collection/la-fete-de-la-branche/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/la-fete-de-la-branche", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint", + "size": "55.5 x 75.9 cm", + "version": "Edition 107/150", + "hasInventory": "IMMA.1040 MP" + }, + { + "@id": "spice:documentation/la-fete-de-la-branche", + "@type": "schema:ImageObject", + "caption": "Othon Obin, La Fete de la Branche, 1981, Screenprint, 55.5 x 75.9 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "size": { + "@id": "http://schema.org/size" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368477, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 17, + "_updated": true + }, + { + "_id": "untitled-100.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-100", + "@type": "schema:CreativeWork", + "description": "Untitled is a 1975 work by Mary Farl Powers. ", + "source": "https://imma.ie/collection/untitled-100/", + "creditText": "IMMA Collection: Donation, Powers Family, 2009", + "image": "spice:documentation/untitled-100", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Colour etching", + "size": "25.5 x 30.5 cm", + "hasInventory": "IMMA.661" + }, + { + "@id": "spice:documentation/untitled-100", + "@type": "schema:ImageObject", + "caption": "Mary Farl Powers, Untitled, 1975, Colour etching, 25.5 x 30.5 cm, Collection Irish Museum of Modern Art, Donation, Powers Family, 2009 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368477, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 17, + "_updated": true + }, + { + "_id": "aran-landscape.jsonld", + "@graph": [ + { + "@id": "spice:artefact/aran-landscape", + "@type": "schema:CreativeWork", + "description": "Aran Landscape is a 1945 work by Elizabeth Rivers. ", + "source": "https://imma.ie/collection/aran-landscape/", + "creditText": "IMMA Collection: Heritage Gift by Mr. Noel Smyth, 2003", + "image": "spice:documentation/aran-landscape", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on board", + "size": "50.8 x 66.04 cm", + "hasInventory": "IMMA.1617" + }, + { + "@id": "spice:documentation/aran-landscape", + "@type": "schema:ImageObject", + "caption": "Elizabeth Rivers, Aran Landscape, 1945, Oil on board, 50.8 x 66.04 cm, Collection Irish Museum of Modern Art, Heritage Gift by Mr. Noel Smyth, 2003 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1459.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368477, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 17, + "_updated": true + }, + { + "_id": "skip-ii.jsonld", + "@graph": [ + { + "@id": "spice:artefact/skip-ii", + "@type": "schema:CreativeWork", + "description": "This work is part of the Street series which follows Jordan’s interrogation of the urban, mainly focussing on European cities. 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", + "source": "https://imma.ie/collection/presencias-lineales/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/presencias-lineales", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching and mezzotints on paper", + "size": "55.8 x 75.2 cm", + "version": "Edition 119/150", + "hasInventory": "IMMA.1014 MP" + }, + { + "@id": "spice:documentation/presencias-lineales", + "@type": "schema:ImageObject", + "caption": "Pancho Quilichi, Presencias Lineales, 1981, Etching and mezzotints on paper, 55.8 x 75.2 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/02/1253.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "size": { + "@id": "http://schema.org/size" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368476, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 16, + "_updated": true + }, + { + "_id": "flowing-relief.jsonld", + "@graph": [ + { + "@id": "spice:artefact/flowing-relief", + "@type": "schema:CreativeWork", + "description": "Flowing Relief is a 1972 work by Alexandra Wejchert. ", + "source": "https://imma.ie/collection/flowing-relief/", + "creditText": "IMMA Collection: Heritage Gift by Bank of Ireland, 1999", + "image": "spice:documentation/flowing-relief", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Timber dowels on board, sprayed acrylic finish", + "size": "182.5 x 360 cm", + "hasInventory": "IMMA.1280" + }, + { + "@id": "spice:documentation/flowing-relief", + "@type": "schema:ImageObject", + "caption": "Alexandra Wejchert, Flowing Relief, 1972, Timber dowels on board, sprayed acrylic finish, 182.5 x 360 cm, Collection Irish Museum of Modern Art, Heritage Gift by Bank of Ireland, 1999 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368476, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 16, + "_updated": true + }, + { + "_id": "between-the-eyes-t21.jsonld", + "@graph": [ + { + "@id": "spice:artefact/between-the-eyes-t21", + "@type": "schema:CreativeWork", + "description": "Between the Eyes, T21 is a 1987 work by Richard Deacon. ", + "source": "https://imma.ie/collection/between-the-eyes-t21/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/between-the-eyes-t21", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil and ink on tracing paper", + "size": "47 x 75 cm", + "hasInventory": "L.2008.1.2.21" + }, + { + "@id": "spice:documentation/between-the-eyes-t21", + "@type": "schema:ImageObject", + "caption": "Richard Deacon, Between the Eyes, T21, 1987, Pencil and ink on tracing paper, 47 x 75 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/2760.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368476, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 16, + "_updated": true + }, + { + "_id": "red-blues.jsonld", + "@graph": [ + { + "@id": "spice:artefact/red-blues", + "@type": "schema:CreativeWork", + "description": "Red Blues is a 1986 work by Michael Coleman. ", + "source": "https://imma.ie/collection/red-blues/", + "creditText": "IMMA Collection: Donation, Maire and Maurice Foley, 2000", + "image": "spice:documentation/red-blues", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on Canvas", + "size": "150 x 150 cm", + "hasInventory": "IMMA.1455 FD" + }, + { + "@id": "spice:documentation/red-blues", + "@type": "schema:ImageObject", + "caption": "Michael Coleman, Red Blues, 1986, Oil on Canvas, 150 x 150 cm, Collection Irish Museum of Modern Art, Donation, Maire and Maurice Foley, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368476, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 16, + "_updated": true + }, + { + "_id": "noche-en-la-ventana.jsonld", + "@graph": [ + { + "@id": "spice:artefact/noche-en-la-ventana", + "@type": "schema:CreativeWork", + "description": "Noche en la Ventana is a 1978 work by Miquel Vilá. 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About these works McDonagh has said: “Up until now many depictions of the Travelling community have been sensationalist and stereotypical which tends to fuel the negative relations between both settled and Travelling communities.  As a Traveller myself I want people to see the everyday realities of those who are usually misinterpreted by an outsider’s view, a view which is inaccurate and alarming.  The work that I create aims to be both subtle and contemplative, hoping to draw the viewer in, inviting them to explore and discover for themselves.  I achieve this by capturing images that are hazy and whimsical in their appearance, images that need to be explored and questioned in order to be understood.” In these a slow exposure creates an abstraction taking the focus off the actual person and creating a more general narrative representative of the community.", + "source": "https://imma.ie/collection/beoirs/", + "creditText": "IMMA Collection: Purchase, 2020, 2020", + "image": "spice:documentation/beoirs", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pigment on Hahnemuhle", + "size": "42 x 59.4 cm", + "hasInventory": "IMMA.4181" + }, + { + "@id": "spice:documentation/beoirs", + "@type": "schema:ImageObject", + "caption": "Leanne McDonagh, Beoirs, 2014, Pigment on Hahnemuhle, 42 x 59.4 cm, Collection Irish Museum of Modern Art, Purchase, 2020, 2020 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9474.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368476, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 16, + "_updated": true + }, + { + "_id": "untitled-magical-being.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-magical-being", + "@type": "schema:CreativeWork", + "description": "UNTITLED (MAGICAL BEING), 2018 consists of a welded assembly of brass rods resembling a scaffolding constructed around a found object that hoists an accumulation of twisted braided saffron fabric referred to as ‘Rubia 5m wide’ used in the ubiquitous and often sacred practice of turban tying in South Asia. Rajinder’s practice is dedicated to the vulnerability of the body and its pain, hidden behind the gestures and movements of worship. His sculptures reflect his enquiries into the power of ritual action in the construction of the social body and the ways the human body unfolds around various topographic and symbolic borders.", + "source": "https://imma.ie/collection/untitled-magical-being/", + "creditText": "IMMA Collection: Purchase, 2021, 2021", + "image": "spice:documentation/untitled-magical-being", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Fabric, brass rods and found object", + "size": "35 x 35 x 40 cm", + "hasInventory": "IMMA.4235" + }, + { + "@id": "spice:documentation/untitled-magical-being", + "@type": "schema:ImageObject", + "caption": "Rajinder Singh, UNTITLED (MAGICAL BEING), 2018, Fabric, brass rods and found object, 35 x 35 x 40 cm, Collection Irish Museum of Modern Art, Purchase, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9536.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": 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"xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368476, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 16, + "_updated": true + }, + { + "_id": "mooncatcher.jsonld", + "@graph": [ + { + "@id": "spice:artefact/mooncatcher", + "@type": "schema:CreativeWork", + "description": "Mooncatcher is a 1958 work by Colin Middleton. ", + "source": "https://imma.ie/collection/mooncatcher/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004", + "image": "spice:documentation/mooncatcher", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Conte and wash on paper", + "size": "28 x 22.5 cm", + "hasInventory": "IMMA.1337 MCCL" + }, + { + "@id": "spice:documentation/mooncatcher", + "@type": "schema:ImageObject", + "caption": "Colin Middleton, Mooncatcher, 1958, Conte and wash on paper, 28 x 22.5 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368475, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 15, + "_updated": true + }, + { + "_id": "young-unemployed-man-in-kitchen-athlone-county-westmeath.jsonld", + "@graph": [ + { + "@id": "spice:artefact/young-unemployed-man-in-kitchen-athlone-county-westmeath", + "@type": "schema:CreativeWork", + "description": "Young Unemployed Man in Kitchen, Athlone, County Westmeath is a 1988 work by Donovan Wylie. 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It is not currently on display in IMMA. ", + "source": "https://imma.ie/collection/woman-in-a-butterfly-jersey/", + "creditText": "IMMA Collection: On Loan, Private Collection, ", + "image": "spice:documentation/woman-in-a-butterfly-jersey", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "100.3 x 81.3 cm Framed: 111 x 93 x 5.5 cm", + "hasInventory": "EX.2016.1.30" + }, + { + "@id": "spice:documentation/woman-in-a-butterfly-jersey", + "@type": "schema:ImageObject", + "caption": "Lucian Freud, Woman in a Butterfly Jersey, 1990, Oil on canvas, 100.3 x 81.3 cm Framed: 111 x 93 x 5.5 cm, Collection Irish Museum of Modern Art, On Loan, Private Collection ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/08/7576.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "schema": "http://schema.org/", + "arco-core": "https://w3id.org/arco/ontology/core/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368475, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 15, + "_updated": true + }, + { + "_id": "untitled-snail.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-snail", + "@type": "schema:CreativeWork", + "description": "Untitled (Snail) is a 1998 work by Seán Shanahan. ", + "source": "https://imma.ie/collection/untitled-snail/", + "creditText": "IMMA Collection: Donated by Ian and Hazel Rowan, 2003", + "image": "spice:documentation/untitled-snail", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on inox", + "size": "81 x 91 cm", + "hasInventory": "IMMA.1652" + }, + { + "@id": "spice:documentation/untitled-snail", + "@type": "schema:ImageObject", + "caption": "Seán Shanahan, Untitled (Snail), 1998, Oil on inox, 81 x 91 cm, Collection Irish Museum of Modern Art, Donated by Ian and Hazel Rowan, 2003 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368475, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 15, + "_updated": true + }, + { + "_id": "two-luminous-leads-strung-into-a-north-facing-bunker-in-monaghan.jsonld", + "@graph": [ + { + "@id": "spice:artefact/two-luminous-leads-strung-into-a-north-facing-bunker-in-monaghan", + "@type": "schema:CreativeWork", + "description": "Two luminous leads strung into a north facing bunker in Monaghan is a 1986 work by Terry Atkinson. ", + "source": "https://imma.ie/collection/two-luminous-leads-strung-into-a-north-facing-bunker-in-monaghan/", + "creditText": "IMMA Collection: Purchase, 1998", + "image": "spice:documentation/two-luminous-leads-strung-into-a-north-facing-bunker-in-monaghan", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pastel and pencil on paper", + "size": "45 x 42 cm", + "hasInventory": "IMMA.819" + }, + { + "@id": "spice:documentation/two-luminous-leads-strung-into-a-north-facing-bunker-in-monaghan", + "@type": "schema:ImageObject", + "caption": "Terry Atkinson, Two luminous leads strung into a north facing bunker in Monaghan, 1986, Pastel and pencil on paper, 45 x 42 cm, Collection Irish Museum of Modern Art, Purchase, 1998 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1099.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368475, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 15, + "_updated": true + }, + { + "_id": "between-the-eyes-t33.jsonld", + "@graph": [ + { + "@id": "spice:artefact/between-the-eyes-t33", + "@type": "schema:CreativeWork", + "description": "Between the Eyes, T33 is a 1988 work by Richard Deacon. 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The objects in the image take the form of both heirlooms and votive objects and the drawn lines act as layered devotional mappings of their subject and the way the artist feels about her grandmother Isatu. The making of this work emphasises and elevates Isatu – her life and her home. The title is written in Krio, an English-based creole language that is lingua franca and de facto national language spoken throughout the West African nation of Sierra Leone. It translates simply as “Isatu and her cat”. ", + "source": "https://imma.ie/collection/isatu-an-ee-cat/", + "creditText": "IMMA Collection: Purchase, 2021, 2021", + "image": "spice:documentation/isatu-an-ee-cat", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Digital Print, Drawing on Photography", + "size": "84 x 118 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.4226" + }, + { + "@id": "spice:documentation/isatu-an-ee-cat", + "@type": "schema:ImageObject", + "caption": "Alice Rekab, Isatu an Ee cat , 2021, Digital Print, Drawing on Photography, 84 x 118 cm, Collection Irish Museum of Modern Art, Purchase, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9527.jpg" + } + ], + "@context": { + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "size": { + "@id": "http://schema.org/size" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "version": { + "@id": "http://schema.org/version" + }, + "material": { + "@id": "http://schema.org/material" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368475, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 15, + "_updated": true + }, + { + "_id": "diana-etrusca.jsonld", + "@graph": [ + { + "@id": "spice:artefact/diana-etrusca", + "@type": "schema:CreativeWork", + "description": "Diana Etrusca is a 1981 work by Leonel Góngora. 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Kitaj, and yet of this extraordinary group, it is still Caufield’s work which exerts the strongest influence of new generations of artists.", + "source": "https://imma.ie/collection/menu-for-cavendish-hotel-london/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/menu-for-cavendish-hotel-london", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint", + "size": "29.7 x 35.8 cm", + "version": "Edition 9/56", + "hasInventory": "IMMA.151 GL" + }, + { + "@id": "spice:documentation/menu-for-cavendish-hotel-london", + "@type": "schema:ImageObject", + "caption": "Patrick Caulfield, Menu for Cavendish Hotel, London, 1976, Screenprint, 29.7 x 35.8 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/1893.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "material": { + "@id": "http://schema.org/material" + }, + "version": { + "@id": "http://schema.org/version" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368474, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 14, + "_updated": true + }, + { + "_id": "anabasis-a-work-in-twenty-four-parts.jsonld", + "@graph": [ + { + "@id": "spice:artefact/anabasis-a-work-in-twenty-four-parts", + "@type": "schema:CreativeWork", + "description": "Anabasis, a work in twenty four parts is a 2003 work by Hughie O'Donoghue. 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With the feathers she caressed the face of a person standing close to her, filling the intimate space between them with tactile tension. As the architecture of the mask obstructed Horn’s sight, she could only see the face of the other by turning her head to look with one eye, mimicking bird movements. 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", + "source": "https://imma.ie/collection/bird-table/", + "creditText": "IMMA Collection: Heritage Gift by Bank of Ireland, 1999", + "image": "spice:documentation/bird-table", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "72 x 102 cm", + "hasInventory": "IMMA.1274" + }, + { + "@id": "spice:documentation/bird-table", + "@type": "schema:ImageObject", + "caption": "Norah McGuinness, Bird Table, 1969, Oil on canvas, 72 x 102 cm, Collection Irish Museum of Modern Art, Heritage Gift by Bank of Ireland, 1999 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368473, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 13, + "_updated": true + }, + { + "_id": "untitled-136.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-136", + "@type": "schema:CreativeWork", + "description": "Untitled is a 1954 work by Brian O'Doherty and Patrick Ireland. ", + "source": "https://imma.ie/collection/untitled-136/", + "creditText": "IMMA Collection: Donation from the artist in honour of Enrique Juncosa, 2007", + "image": "spice:documentation/untitled-136", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on board", + "size": "52 x 42 cm", + "hasInventory": "IMMA.2110" + }, + { + "@id": "spice:documentation/untitled-136", + "@type": "schema:ImageObject", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/03/700.jpg" + } + ], + "@context": { + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368473, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 13, + "_updated": true + }, + { + "_id": "studies-for-webs-backlight-series-ii.jsonld", + "@graph": [ + { + "@id": "spice:artefact/studies-for-webs-backlight-series-ii", + "@type": "schema:CreativeWork", + "description": "Studies for Webs (Backlight Series) II is a 1994 work by Avis Newman. ", + "source": "https://imma.ie/collection/studies-for-webs-backlight-series-ii/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1995", + "image": "spice:documentation/studies-for-webs-backlight-series-ii", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Ink, pigment, acrylic on paper", + "size": "32 x 28 cm", + "hasInventory": "L.2008.1.19" + }, + { + "@id": "spice:documentation/studies-for-webs-backlight-series-ii", + "@type": "schema:ImageObject", + "caption": "Avis Newman, Studies for Webs (Backlight Series) II, 1994, Ink, pigment, acrylic on paper, 32 x 28 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1995 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368473, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 13, + "_updated": true + }, + { + "_id": "shofar.jsonld", + "@graph": [ + { + "@id": "spice:artefact/shofar", + "@type": "schema:CreativeWork", + "description": "Shofar is a 1992 work by Mimmo Paladino. ", + "source": "https://imma.ie/collection/shofar/", + "creditText": "IMMA Collection: Purchase, 1992", + "image": "spice:documentation/shofar", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching with screenprint, carbarondum and gold leaf, gilders rouge, dutch metal", + "size": "100 x 135 cm", + "version": "Edition 16/40", + "hasInventory": "IMMA.416" + }, + { + "@id": "spice:documentation/shofar", + "@type": "schema:ImageObject", + "caption": "Mimmo Paladino, Shofar, 1992, Etching with screenprint, carbarondum and gold leaf, gilders rouge, dutch metal, 100 x 135 cm, Collection Irish Museum of Modern Art, Purchase, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/631.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "version": { + "@id": "http://schema.org/version" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "material": { + "@id": "http://schema.org/material" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "size": { + "@id": "http://schema.org/size" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368473, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 13, + "_updated": true + }, + { + "_id": "portrait-of-alice-liddell-after-lewis-carroll.jsonld", + "@graph": [ + { + "@id": "spice:artefact/portrait-of-alice-liddell-after-lewis-carroll", + "@type": "schema:CreativeWork", + "description": "Vik Muniz, one of the most innovative of a generation of highly original Brazilian artists, is concerned with revitalising the process of looking in an age drowning in a sea of imagery of all kinds from advertising to the domestic TV screen. His approach is rational and humorous: taking familiar images from high and popular culture and recreating them from a wide variety of materials, from dust and chocolate to toy soldiers and sugar-coated sweets. The chosen material prompts an interrogation of the image and the process of representation. The works are then photographed. ‘Portrait of Alice Liddell after Lewis Carroll’, is a recreation of Lewis Carroll’s original photograph of Alice Liddell – the child who was the inspiration for the main character in his book ‘Alice’s Adventures in Wonderland’. Muniz’s photograph subtly questions the relationship between the writer and the child and invites us to look at the treatment of children by adults in contemporary as well as Victorian culture.", + "source": "https://imma.ie/collection/portrait-of-alice-liddell-after-lewis-carroll/", + "creditText": "IMMA Collection: Purchase, 2004", + "image": "spice:documentation/portrait-of-alice-liddell-after-lewis-carroll", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Chromogenic print from a digital file, mounted on aluminium, wooden frame", + "size": "253.5 x 184.5 cm", + "version": "edition", + "hasInventory": "IMMA.1771" + }, + { + "@id": "spice:documentation/portrait-of-alice-liddell-after-lewis-carroll", + "@type": "schema:ImageObject", + "caption": "Vik Muniz, Portrait of Alice Liddell, after Lewis Carroll, 2004, Chromogenic print from a digital file, mounted on aluminium, wooden frame, 253.5 x 184.5 cm, Collection Irish Museum of Modern Art, Purchase, 2004 ", + 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", + "source": "https://imma.ie/collection/sunrise/", + "creditText": "IMMA Collection: Donation, Novak/O'Doherty Collection, 2015", + "image": "spice:documentation/sunrise", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Lithograph", + "size": "76.2 x 56.7 cm", + "version": "106/200", + "hasInventory": "IMMA.3933" + }, + { + "@id": "spice:documentation/sunrise", + "@type": "schema:ImageObject", + "caption": "Robert Andrew Parker, Sunrise, 1975, Lithograph, 76.2 x 56.7 cm, Collection Irish Museum of Modern Art, Donation, Novak/O'Doherty Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "size": { + "@id": "http://schema.org/size" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "version": { + "@id": "http://schema.org/version" + }, + "material": { + "@id": "http://schema.org/material" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368473, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 13, + "_updated": true + }, + { + "_id": "untitled-7.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-7", + "@type": "schema:CreativeWork", + "description": "Untitled is a 2010 work by Raymundo Sesma. 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Davis. ", + "source": "https://imma.ie/collection/white-building-black-knob/", + "creditText": "IMMA Collection: Donation, David Kronn Collection, 2015", + "image": "spice:documentation/white-building-black-knob", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gelatin silver print", + "size": "16.8 x 24 cm", + "hasInventory": "IMMA.3966" + }, + { + "@id": "spice:documentation/white-building-black-knob", + "@type": "schema:ImageObject", + "caption": "William E. Davis, White Building/Black Knob, 1995, Gelatin silver print, 16.8 x 24 cm, Collection Irish Museum of Modern Art, Donation, David Kronn Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/7506.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368473, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 13, + "_updated": true + }, + { + "_id": "exit.jsonld", + "@graph": [ + { + "@id": "spice:artefact/exit", + "@type": "schema:CreativeWork", + "description": "Exit is a 2008 work by Bea McMahon. ", + "source": "https://imma.ie/collection/exit/", + "creditText": "IMMA Collection: Assisted Purchase Fund:it, 2011", + "image": "spice:documentation/exit", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Mixed Media", + "size": "32 x 28 cm", + "hasInventory": "IMMA.3320" + }, + { + "@id": "spice:documentation/exit", + "@type": "schema:ImageObject", + "caption": "Bea McMahon, Exit, 2008, Mixed Media, 32 x 28 cm, Collection Irish Museum of Modern Art, Assisted Purchase Fund:it, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/03/5986.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368473, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 13, + "_updated": true + }, + { + "_id": "mensajeros.jsonld", + "@graph": [ + { + "@id": "spice:artefact/mensajeros", + "@type": "schema:CreativeWork", + "description": "Mensajeros is a 2010 work by Pilar Bordes. ", + "source": "https://imma.ie/collection/mensajeros/", + "creditText": "IMMA Collection: Diplomatic gift of the Federal Government of Mexico, 2011", + "image": "spice:documentation/mensajeros", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching, aquatint", + "size": "Sheet: 70 x 100 cm Plate: 50 x 60 cm", + "hasInventory": "IMMA.3741" + }, + { + "@id": "spice:documentation/mensajeros", + "@type": "schema:ImageObject", + "caption": "Pilar Bordes, Mensajeros, 2010, Etching, aquatint, Sheet: 70 x 100 cm Plate: 50 x 60 cm, Collection Irish Museum of Modern Art, Diplomatic gift of the Federal Government of Mexico, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368472, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 12, + "_updated": true + }, + { + "_id": "county-kerry.jsonld", + "@graph": [ + { + "@id": "spice:artefact/county-kerry", + "@type": "schema:CreativeWork", + "description": "County Kerry is a 1988 work by Harry Gruyaert. ", + "source": "https://imma.ie/collection/county-kerry/", + "creditText": "IMMA Collection: Purchase, 2006", + "image": "spice:documentation/county-kerry", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Photography - Digital C print", + "size": "29.8 x 39.9 cm", + "hasInventory": "IMMA.2198" + }, + { + "@id": "spice:documentation/county-kerry", + "@type": "schema:ImageObject", + "caption": "Harry Gruyaert, County Kerry, 1988, Photography - Digital C print, 29.8 x 39.9 cm, Collection Irish Museum of Modern Art, Purchase, 2006 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/59.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368472, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 12, + "_updated": true + }, + { + "_id": "diario-popular-twelve-days-in-march-3.jsonld", + "@graph": [ + { + "@id": "spice:artefact/diario-popular-twelve-days-in-march-3", + "@type": "schema:CreativeWork", + "description": "In São Paulo Maguire also worked on a series of drawings which involved a very different approach to that taken with the ‘Casa da Cultura’ series. Each day in São Paulo’s newspaper, The Diario Popular, photographs of convicted criminals or those wanted by the police appeared. Working from the grainy newspaper photographs, Maguire made drawings of those men. In contrast to the sketches he made of the children in the ‘Casa da Cultura’ series, with the works in ‘Diario Popular’ Maguire spent a long time looking, contemplating and trying to come to terms with the qualities of each man’s expression. The drawings are haunting and full of feelings of empathy for the individual depicted.", + "source": "https://imma.ie/collection/diario-popular-twelve-days-in-march-3/", + "creditText": "IMMA Collection: Heritage Gift Owen O'Brien, 2000", + "image": "spice:documentation/diario-popular-twelve-days-in-march-3", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Mixed media on paper", + "size": "50 x 69 cm", + "hasInventory": "IMMA.1316.002" + }, + { + "@id": "spice:documentation/diario-popular-twelve-days-in-march-3", + "@type": "schema:ImageObject", + "caption": "Brian Maguire, Diario Popular (Twelve Days in March), 1998, Mixed media on paper, 50 x 69 cm, Collection Irish Museum of Modern Art, Heritage Gift Owen O'Brien, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/470.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368472, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 12, + "_updated": true + }, + { + "_id": "orange-weeds-and-white-water.jsonld", + "@graph": [ + { + "@id": "spice:artefact/orange-weeds-and-white-water", + "@type": "schema:CreativeWork", + "description": "Orange Weeds and White Water is a 1972 work by Norah McGuinness. ", + "source": "https://imma.ie/collection/orange-weeds-and-white-water/", + "creditText": "IMMA Collection: Heritage Gift by Bank of Ireland, 1999", + "image": "spice:documentation/orange-weeds-and-white-water", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "92 x 122 cm", + "hasInventory": "IMMA.1275" + }, + { + "@id": "spice:documentation/orange-weeds-and-white-water", + "@type": "schema:ImageObject", + "caption": "Norah McGuinness, Orange Weeds and White Water, 1972, Oil on canvas, 92 x 122 cm, Collection Irish Museum of Modern Art, Heritage Gift by Bank of Ireland, 1999 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368472, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 12, + "_updated": true + }, + { + "_id": "mutacion.jsonld", + "@graph": [ + { + "@id": "spice:artefact/mutacion", + "@type": "schema:CreativeWork", + "description": "Mutación is a 1977 work by Arnaldo Coen. ", + "source": "https://imma.ie/collection/mutacion/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/mutacion", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint", + "size": "76.0 x 55.8 cm", + "version": "Edition 83/150", + "hasInventory": "IMMA.923 MP" + }, + { + "@id": "spice:documentation/mutacion", + "@type": "schema:ImageObject", + "caption": "Arnaldo Coen, Mutación, 1977, Screenprint, 76.0 x 55.8 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "size": { + "@id": "http://schema.org/size" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368472, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 12, + "_updated": true + }, + { + "_id": "the-land-of-punt-5-the-leucotomy-ward.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-land-of-punt-5-the-leucotomy-ward", + "@type": "schema:CreativeWork", + "description": "the land of Punt 5 The leucotomy Ward is a 1988 work by Gene Lambert. ", + "source": "https://imma.ie/collection/the-land-of-punt-5-the-leucotomy-ward/", + "creditText": "IMMA Collection: Purchase, 1998", + "image": "spice:documentation/the-land-of-punt-5-the-leucotomy-ward", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic on canvas", + "size": "198.12 x 193.04 cm", + "hasInventory": "IMMA.828" + }, + { + "@id": "spice:documentation/the-land-of-punt-5-the-leucotomy-ward", + "@type": "schema:ImageObject", + "caption": "Gene Lambert, the land of Punt 5 The leucotomy Ward, 1988, Acrylic on canvas, 198.12 x 193.04 cm, Collection Irish Museum of Modern Art, Purchase, 1998 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368472, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 12, + "_updated": true + }, + { + "_id": "the-bird-table.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-bird-table", + "@type": "schema:CreativeWork", + "description": "The Bird Table is a 1974 work by Tony O'Malley. ", + "source": "https://imma.ie/collection/the-bird-table/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004", + "image": "spice:documentation/the-bird-table", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gouache, pen and watercolour on paper", + "size": "30 x 20 cm", + "hasInventory": "IMMA.1385 MCCL" + }, + { + "@id": "spice:documentation/the-bird-table", + "@type": "schema:ImageObject", + "caption": "Tony O'Malley, The Bird Table, 1974, Gouache, pen and watercolour on paper, 30 x 20 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368472, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 12, + "_updated": true + }, + { + "_id": "between-the-eyes-t17.jsonld", + "@graph": [ + { + "@id": "spice:artefact/between-the-eyes-t17", + "@type": "schema:CreativeWork", + "description": "Between the Eyes, T17 is a 1987 work by Richard Deacon. 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", + "source": "https://imma.ie/collection/quintet/", + "creditText": "IMMA Collection: Heritage Gift by Bank of Ireland, 1999", + "image": "spice:documentation/quintet", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "PVA on cotton duck", + "size": "168 x 137 cm", + "hasInventory": "IMMA.1270" + }, + { + "@id": "spice:documentation/quintet", + "@type": "schema:ImageObject", + "caption": "Roy Johnston, Quintet, 1971, PVA on cotton duck, 168 x 137 cm, Collection Irish Museum of Modern Art, Heritage Gift by Bank of Ireland, 1999 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1314.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368472, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 12, + "_updated": true + }, + { + "_id": "el-nido-de-las-posibilidades-nocturnas.jsonld", + "@graph": [ + { + "@id": "spice:artefact/el-nido-de-las-posibilidades-nocturnas", + "@type": "schema:CreativeWork", + "description": "El Nido de las Posibilidades Nocturnas is a 1978 work by Humberto Pasos. 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While this may have something to do with Wentworth’s admission of having no aptitude for organising paperwork the result is that a slim piece of office furniture has become a formidable block. According to Wentworth, the strip of tyre on which it sits, once released from its regular enclosed circular form ‘acts a bit like an animal, flipping about, having a life of its own when you try and handle it’.", + "source": "https://imma.ie/collection/logo/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/logo", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Concrete, steel and rubber", + "size": "38 x 41 x 36 cm", + "hasInventory": "L.576 LW" + }, + { + "@id": "spice:documentation/logo", + "@type": "schema:ImageObject", + "caption": "Richard Wentworth, Logo, 1986, Concrete, steel and rubber, 38 x 41 x 36 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368472, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 12, + "_updated": true + }, + { + "_id": "secret-people.jsonld", + "@graph": [ + { + "@id": "spice:artefact/secret-people", + "@type": "schema:CreativeWork", + "description": "Secret People is a 1992 work by David Crone. ", + "source": "https://imma.ie/collection/secret-people/", + "creditText": "IMMA Collection: Purchase, 1992", + "image": "spice:documentation/secret-people", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "142 x 152.5 cm Framed: 146.5 x 157.5 x 5 cm", + "hasInventory": "IMMA.99" + }, + { + "@id": "spice:documentation/secret-people", + "@type": "schema:ImageObject", + "caption": "David Crone, Secret People, 1992, Oil on canvas, 142 x 152.5 cm Framed: 146.5 x 157.5 x 5 cm, Collection Irish Museum of Modern Art, Purchase, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/248.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368472, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 12, + "_updated": true + }, + { + "_id": "this-photograph.jsonld", + "@graph": [ + { + "@id": "spice:artefact/this-photograph", + "@type": "schema:CreativeWork", + "description": "This Photograph is a 1974 work by Michael Peel. ", + "source": "https://imma.ie/collection/this-photograph/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/this-photograph", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "4 photographic prints", + "size": "40 x 50 cm", + "hasInventory": "IMMA.356 GL" + }, + { + "@id": "spice:documentation/this-photograph", + "@type": "schema:ImageObject", + "caption": "Michael Peel, This Photograph, 1974, 4 photographic prints, 40 x 50 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368472, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 12, + "_updated": true + }, + { + "_id": "margaret-thatchers-lunch.jsonld", + "@graph": [ + { + "@id": "spice:artefact/margaret-thatchers-lunch", + "@type": "schema:CreativeWork", + "description": "Jarman clearly developed bodies of work that explored sexuality, religion and the esoteric but he also became explicitly political at times. His tended to focus his attention on British politics, in particular, the policies of the Conservative Government. Works such as Margaret Thatcher’s Lunch (1986) equate violent death with cold- blooded politicking. Scratched into the surface is the phrase; ‘GBH promises, promises, promises, The Affluent Society’. The cryptic GBH has variously been interpreted as ‘Grievous Bodily Harm’ of ‘Great British Horror’", + "source": "https://imma.ie/collection/margaret-thatchers-lunch/", + "creditText": "IMMA Collection: Purchase, 2020, 2020", + "image": "spice:documentation/margaret-thatchers-lunch", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil and mixed media on canvas", + "size": "45.7 x 41.2 cm", + "hasInventory": "IMMA.4190" + }, + { + "@id": "spice:documentation/margaret-thatchers-lunch", + "@type": "schema:ImageObject", + "caption": "Derek Jarman, Margaret Thatcher’s Lunch, 1987, Oil and mixed media on canvas, 45.7 x 41.2 cm, Collection Irish Museum of Modern Art, Purchase, 2020, 2020 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9485.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368472, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 12, + "_updated": true + }, + { + "_id": "merry-xmas-rauschenberg.jsonld", + "@graph": [ + { + "@id": "spice:artefact/merry-xmas-rauschenberg", + "@type": "schema:CreativeWork", + "description": "Merry Xmas Rauschenberg is a 1977 work by Robert Rauschenberg. ", + "source": "https://imma.ie/collection/merry-xmas-rauschenberg/", + "creditText": "IMMA Collection: Donation, Novak/O'Doherty Collection, 2015", + "image": "spice:documentation/merry-xmas-rauschenberg", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Photograph", + "size": "25 x 19.8 cm Framed: 35.8 x 30 cm", + "hasInventory": "IMMA.3936" + }, + { + "@id": "spice:documentation/merry-xmas-rauschenberg", + "@type": "schema:ImageObject", + "caption": "Robert Rauschenberg, Merry Xmas Rauschenberg, 1977, Photograph, 25 x 19.8 cm Framed: 35.8 x 30 cm, Collection Irish Museum of Modern Art, Donation, Novak/O'Doherty Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/5110.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368471, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "three-studies-for-a-crucifixion-ii.jsonld", + "@graph": [ + { + "@id": "spice:artefact/three-studies-for-a-crucifixion-ii", + "@type": "schema:CreativeWork", + "description": "Three Studies for A Crucifixion II is a 2000 work by Hughie O'Donoghue. ", + "source": "https://imma.ie/collection/three-studies-for-a-crucifixion-ii/", + "creditText": "IMMA Collection: Gift, The American Ireland Fund, 2010", + "image": "spice:documentation/three-studies-for-a-crucifixion-ii", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Three carborundum etchings", + "size": "250 x 488 cm", + "version": "Edition 1/10", + "hasInventory": "IMMA.3274" + }, + { + "@id": "spice:documentation/three-studies-for-a-crucifixion-ii", + "@type": "schema:ImageObject", + "caption": "Hughie O'Donoghue, Three Studies for A Crucifixion II, 2000, Three carborundum etchings, 250 x 488 cm, Collection Irish Museum of Modern Art, Gift, The American Ireland Fund, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/2242.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "size": { + "@id": "http://schema.org/size" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "version": { + "@id": "http://schema.org/version" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368471, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "stamps-to-celebrate-50th-anniversary-of-the-founding-of-the-esb.jsonld", + "@graph": [ + { + "@id": "spice:artefact/stamps-to-celebrate-50th-anniversary-of-the-founding-of-the-esb", + "@type": "schema:CreativeWork", + "description": "Stamps (to celebrate 50th anniversary of the founding of the ESB) is a 1977 work by Robert Ballagh. ", + "source": "https://imma.ie/collection/stamps-to-celebrate-50th-anniversary-of-the-founding-of-the-esb/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/stamps-to-celebrate-50th-anniversary-of-the-founding-of-the-esb", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Printed paper, sheet of 10 x 10p stamps", + "size": "31.9 x 42.6 cm", + "hasInventory": "IMMA.129 GL" + }, + { + "@id": "spice:documentation/stamps-to-celebrate-50th-anniversary-of-the-founding-of-the-esb", + "@type": "schema:ImageObject", + "caption": "Robert Ballagh, Stamps (to celebrate 50th anniversary of the founding of the ESB), 1977, Printed paper, sheet of 10 x 10p stamps, 31.9 x 42.6 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/834.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368471, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "the-path-of-distribution-point-of-light.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-path-of-distribution-point-of-light", + "@type": "schema:CreativeWork", + "description": "McIntyre is interested in drawing relationships between the spaces she depicts in her photographic images and the gallery spaces these images inhabit. For this installation, The Path to the Distribution Point of Light, she has constructed a low platform, in the form of a shallow ramp that spills out from the corner of the room. The stage-like structure introduces a sense of heightened theatricality as you are invited to walk across it to view the photograph on the wall.", + "source": "https://imma.ie/collection/the-path-of-distribution-point-of-light/", + "creditText": "IMMA Collection: Purchase, Hennessy Art Fund for IMMA Collection, 2018", + "image": "spice:documentation/the-path-of-distribution-point-of-light", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Photographic print", + "size": "Framed: photograph 109 x 130 x 5 cm", + "hasInventory": "IMMA.4045" + }, + { + "@id": "spice:documentation/the-path-of-distribution-point-of-light", + "@type": "schema:ImageObject", + "caption": "Mary McIntyre, The Path of Distribution Point of Light, 2015, Photographic print, Framed: photograph 109 x 130 x 5 cm, Collection Irish Museum of Modern Art, Purchase, Hennessy Art Fund for IMMA Collection, 2018 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/12/9064.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368471, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "black-stone-being-lifted-by-angels.jsonld", + "@graph": [ + { + "@id": "spice:artefact/black-stone-being-lifted-by-angels", + "@type": "schema:CreativeWork", + "description": "Black Stone Being Lifted by Angels is a 2004 work by Patrick Hall. ", + "source": "https://imma.ie/collection/black-stone-being-lifted-by-angels/", + "creditText": "IMMA Collection: Donation, 2008", + "image": "spice:documentation/black-stone-being-lifted-by-angels", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Ink and pastel on paper", + "size": "28 x 27 cm", + "version": "Plate 41", + "hasInventory": "IMMA.2135" + }, + { + "@id": "spice:documentation/black-stone-being-lifted-by-angels", + "@type": "schema:ImageObject", + "caption": "Patrick Hall, Black Stone Being Lifted by Angels, 2004, Ink and pastel on paper, 28 x 27 cm, Collection Irish Museum of Modern Art, Donation, 2008 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/29.jpg" + } + ], + "@context": { + "version": { + "@id": "http://schema.org/version" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "size": { + "@id": "http://schema.org/size" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368471, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "nude-young-girl-standing.jsonld", + "@graph": [ + { + "@id": "spice:artefact/nude-young-girl-standing", + "@type": "schema:CreativeWork", + "description": "‘Nude Young Girl Standing’, 1965 is from McKenna’s earlier period. Made while the artist was in Florence and carved from a single piece of pear-wood, this still, solitary and elongated figure is rendered in a style much in contrast to his later work involving figures constructed from multiple pieces of wood and often suggesting a monumental presence or implied movement.", + "source": "https://imma.ie/collection/nude-young-girl-standing/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/nude-young-girl-standing", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Wood", + "size": "94.3 x 17.2 x 8.8 cm", + "hasInventory": "IMMA.293 GL" + }, + { + "@id": "spice:documentation/nude-young-girl-standing", + "@type": "schema:ImageObject", + "caption": "James McKenna, Nude Young Girl Standing, 1965, Wood, 94.3 x 17.2 x 8.8 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1963.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368471, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "diario-popular-twelve-days-in-march-10.jsonld", + "@graph": [ + { + "@id": "spice:artefact/diario-popular-twelve-days-in-march-10", + "@type": "schema:CreativeWork", + "description": "In São Paulo Maguire also worked on a series of drawings which involved a very different approach to that taken with the ‘Casa da Cultura’ series. 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Ballagh drew on advertising techniques – such as the unframed cut-out and screenprinted photograph of Lambert – combined with a sculptural cast of his hands to create a new kind of portrait that captured Lambert’s urbane lifestyle.", + "source": "https://imma.ie/collection/portrait-of-gordon-lambertcommissioned-by-gordon-lambert/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/portrait-of-gordon-lambertcommissioned-by-gordon-lambert", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic on canvas", + "size": "184 x 76.5 cm", + "hasInventory": "IMMA.126 GL" + }, + { + "@id": "spice:documentation/portrait-of-gordon-lambertcommissioned-by-gordon-lambert", + "@type": "schema:ImageObject", + "caption": "Robert Ballagh, Portrait of Gordon Lambert (commissioned by Gordon Lambert), 1972, Acrylic on canvas, 184 x 76.5 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/831.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368471, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "contrastes.jsonld", + "@graph": [ + { + "@id": "spice:artefact/contrastes", + "@type": "schema:CreativeWork", + "description": "Contrastes is a 1974 work by Roberta Cabrera. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-3/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-3", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.003" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-3", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5646.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "material": { + "@id": "http://schema.org/material" + }, + "size": { + "@id": "http://schema.org/size" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "version": { + "@id": "http://schema.org/version" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368471, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "rumbo-al-trabajo.jsonld", + "@graph": [ + { + "@id": "spice:artefact/rumbo-al-trabajo", + "@type": "schema:CreativeWork", + "description": "Rumbo al Trabajo is a 1983 work by Adolfo Mexiac. 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They float upon surfaces that are layered, built up and partially erased, sometimes accompanied by fragments of text or letters on the verge of disappearing. Suggestive of images and sounds, these works explore the transient frontiers between reality, memory, imagination and time.", + "source": "https://imma.ie/collection/objects-with-colour-2/", + "creditText": "IMMA Collection: Donated by Sean Scully, 2009", + "image": "spice:documentation/objects-with-colour-2", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on wood", + "size": "130 x 95 cm", + "hasInventory": "IMMA.2861" + }, + { + "@id": "spice:documentation/objects-with-colour-2", + "@type": "schema:ImageObject", + "caption": "Guggi, Objects with Colour 2, 2008, Oil on wood, 130 x 95 cm, Collection Irish Museum of Modern Art, Donated by Sean Scully, 2009 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/468.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368471, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "ducks-going-to-sea.jsonld", + "@graph": [ + { + "@id": "spice:artefact/ducks-going-to-sea", + "@type": "schema:CreativeWork", + "description": "Ducks Going to Sea is a 1944 work by Patrick Scott. ", + "source": "https://imma.ie/collection/ducks-going-to-sea/", + "creditText": "IMMA Collection: Presented by Trevor Dannatt, Architect, London, 2015", + "image": "spice:documentation/ducks-going-to-sea", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "45 x 80 cm", + "hasInventory": "IMMA.3998" + }, + { + "@id": "spice:documentation/ducks-going-to-sea", + "@type": "schema:ImageObject", + "caption": "Patrick Scott, Ducks Going to Sea, 1944, Oil on canvas, 45 x 80 cm, Collection Irish Museum of Modern Art, Presented by Trevor Dannatt, Architect, London, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/7192.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368471, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "orientation.jsonld", + "@graph": [ + { + "@id": "spice:artefact/orientation", + "@type": "schema:CreativeWork", + "description": "Orientation is a 1991 work by Mary Fitzgerald. ", + "source": "https://imma.ie/collection/orientation/", + "creditText": "IMMA Collection: Purchase, 1992", + "image": "spice:documentation/orientation", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Canvas, steel, glass, thread, pigment", + "size": "Variable", + "hasInventory": "IMMA.97" + }, + { + "@id": "spice:documentation/orientation", + "@type": "schema:ImageObject", + "caption": "Mary Fitzgerald, Orientation, 1991, Canvas, steel, glass, thread, pigment, Variable, Collection Irish Museum of Modern Art, Purchase, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368471, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "the-troubles-an-artists-document-of-ulster-63.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-troubles-an-artists-document-of-ulster-63", + "@type": "schema:CreativeWork", + "description": "During his prolific career Les Levine has produced major series of works about the manifold effects and functions of the media and information systems. ‘The Troubles: An Artist’s Document of Ulster’ is a suite of 80 cibachrome photographs, executed in 1972, and for which the artist coined the terms “media sculpture” and “media art”. Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-63/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-63", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.063" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-63", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5707.jpg" + } + ], + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "size": { + "@id": "http://schema.org/size" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368471, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "fourteen-works-portfolio-containing-14-works.jsonld", + "@graph": [ + { + "@id": "spice:artefact/fourteen-works-portfolio-containing-14-works", + "@type": "schema:CreativeWork", + "description": "Fourteen Works (Portfolio containing 14 works) is a 1982 work by Hamish Fulton. ", + "source": "https://imma.ie/collection/fourteen-works-portfolio-containing-14-works/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/fourteen-works-portfolio-containing-14-works", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "14 offset Lithographs in portfolio case bound in black buckram", + "size": "Dimensions variable", + "hasInventory": "L.591 LW" + }, + { + "@id": "spice:documentation/fourteen-works-portfolio-containing-14-works", + "@type": "schema:ImageObject", + "caption": "Hamish Fulton, Fourteen Works (Portfolio containing 14 works), 1982, 14 offset Lithographs in portfolio case bound in black buckram, Dimensions variable, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/01/526.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368471, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "cartas-a-mejico.jsonld", + "@graph": [ + { + "@id": "spice:artefact/cartas-a-mejico", + "@type": "schema:CreativeWork", + "description": "Cartas a Méjico is a 1977 work by Antonio Saura. 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Prints and portfolios were a very productive vehicle for the artist to explore his core strategies and became integral to his overall approach. ‘Brushstrokes in All Directions’, 1994, is an example of his later more fluid, curving forms and overlapping rich hues, here shimmering through a diaphanous interlace of dark paint. He completed almost 300 editioned print projects and more than fifty artist’s books.", + "source": "https://imma.ie/collection/brushstrokes-in-all-directions/", + "creditText": "IMMA Collection: Donation, Novak/O'Doherty Collection, 2015", + "image": "spice:documentation/brushstrokes-in-all-directions", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Silkscreen print on FolioWhite, 250gm", + "size": "50.7 x 50.4 cm Framed: 61 x 62 cm", + "version": "Ed. 273/500", + "hasInventory": "IMMA.3924" + }, + { + "@id": "spice:documentation/brushstrokes-in-all-directions", + "@type": "schema:ImageObject", + "caption": "Sol LeWitt, Brushstrokes in All Directions, 1994, Silkscreen print on FolioWhite, 250gm, 50.7 x 50.4 cm Framed: 61 x 62 cm, Collection Irish Museum of Modern Art, Donation, Novak/O'Doherty Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/5090.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "version": { + "@id": "http://schema.org/version" + }, + "size": { + "@id": "http://schema.org/size" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368470, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "block-party.jsonld", + "@graph": [ + { + "@id": "spice:artefact/block-party", + "@type": "schema:CreativeWork", + "description": "Block Party is a 2002 work by Pierre Huyghe. It has a duration of 5min.45 sec.. ", + "source": "https://imma.ie/collection/block-party/", + "creditText": "IMMA Collection: Purchase, 2005", + "image": "spice:documentation/block-party", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Super 16mm film transferred to video", + "version": "Edition of 6", + "hasInventory": "IMMA.1900" + }, + { + "@id": "spice:documentation/block-party", + "@type": "schema:ImageObject", + "caption": "Pierre Huyghe, Block Party, 2002, Super 16mm film transferred to video, Duration: 5min.45 sec., Collection Irish Museum of Modern Art, Purchase, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/793.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368470, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "harvest-below.jsonld", + "@graph": [ + { + "@id": "spice:artefact/harvest-below", + "@type": "schema:CreativeWork", + "description": "Harvest Below is a 1999 work by Maria Simonds-Gooding. ", + "source": "https://imma.ie/collection/harvest-below/", + "creditText": "IMMA Collection: Donation, Graphic Studio Dublin, 2011", + "image": "spice:documentation/harvest-below", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Carborundum", + "size": "Sheet: 31 x 49 cm", + "version": "Edition 3/50", + "hasInventory": "IMMA.3386" + }, + { + "@id": "spice:documentation/harvest-below", + "@type": "schema:ImageObject", + "caption": "Maria Simonds-Gooding, Harvest Below, 1999, Carborundum, Sheet: 31 x 49 cm, Collection Irish Museum of Modern Art, Donation, Graphic Studio Dublin, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/6098.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "size": { + "@id": "http://schema.org/size" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368470, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "dunghuang-1986.jsonld", + "@graph": [ + { + "@id": "spice:artefact/dunghuang-1986", + "@type": "schema:CreativeWork", + "description": "Dunghuang, 1986 is a 1986 work by Steve T. Barraclough. ", + "source": "https://imma.ie/collection/dunghuang-1986/", + "creditText": "IMMA Collection: Donation, Maire and Maurice Foley, 2000", + "image": "spice:documentation/dunghuang-1986", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil and gold-leaf on paper", + "size": "87 x 55 cm", + "hasInventory": "IMMA.1061 FD" + }, + { + "@id": "spice:documentation/dunghuang-1986", + "@type": "schema:ImageObject", + "caption": "Steve T. Barraclough, Dunghuang, 1986, 1986, Oil and gold-leaf on paper, 87 x 55 cm, Collection Irish Museum of Modern Art, Donation, Maire and Maurice Foley, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/01/1304.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368470, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "girl-waiting.jsonld", + "@graph": [ + { + "@id": "spice:artefact/girl-waiting", + "@type": "schema:CreativeWork", + "description": "Girl Waiting is a 1970 work by F.E. 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", + "source": "https://imma.ie/collection/el-sueno-de-la-libertad/", + "creditText": "IMMA Collection: Diplomatic gift of the Federal Government of Mexico, 2011", + "image": "spice:documentation/el-sueno-de-la-libertad", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching, aquatint", + "size": "50 x 60 cm", + "hasInventory": "IMMA.3778" + }, + { + "@id": "spice:documentation/el-sueno-de-la-libertad", + "@type": "schema:ImageObject", + "caption": "Alejandro Santiago, El Sueño de la Libertad, 2010, Etching, aquatint, 50 x 60 cm, Collection Irish Museum of Modern Art, Diplomatic gift of the Federal Government of Mexico, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/6927.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368470, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "annabel.jsonld", + "@graph": [ + { + "@id": "spice:artefact/annabel", + "@type": "schema:CreativeWork", + "description": "Annabel is a 1990 work by Lucian Freud. ", + "source": "https://imma.ie/collection/annabel/", + "creditText": "IMMA Collection: On Loan, Private Collection, ", + "image": "spice:documentation/annabel", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "24.5 x 16.5 cm", + "hasInventory": "EX.2016.1.19" + }, + { + "@id": "spice:documentation/annabel", + "@type": "schema:ImageObject", + "caption": "Lucian Freud, Annabel, 1990, Oil on canvas, 24.5 x 16.5 cm, Collection Irish Museum of Modern Art, On Loan, Private Collection ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2021/07/7565.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368470, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "the-troubles-an-artists-document-of-ulster-71.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-troubles-an-artists-document-of-ulster-71", + "@type": "schema:CreativeWork", + "description": "During his prolific career Les Levine has produced major series of works about the manifold effects and functions of the media and information systems. ‘The Troubles: An Artist’s Document of Ulster’ is a suite of 80 cibachrome photographs, executed in 1972, and for which the artist coined the terms “media sculpture” and “media art”. Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-71/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-71", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.071" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-71", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5715.jpg" + } + ], + "@context": { + "material": { + "@id": "http://schema.org/material" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368470, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "incognito-amigdala-anual-melancolica.jsonld", + "@graph": [ + { + "@id": "spice:artefact/incognito-amigdala-anual-melancolica", + "@type": "schema:CreativeWork", + "description": "Incógnito Amígdala – Anual Melancólica is a 1977 work by Teodoro Maos. 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She then took one of ten knives positioned in front of her and began to rhythmically stab the spaces between her fingers. Each time the artist accidently cut her skin she took a new knife. Abramović continued the performance until she had been wounded 20 times. Having made an audio recording of this process, she then played back the recording and repeated her actions, trying to match new cuts with the original ones.", + "source": "https://imma.ie/collection/rhythm-10/", + "creditText": "IMMA Collection: Purchase, 1995", + "image": "spice:documentation/rhythm-10", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Framed black and white photograph", + "size": "Image framed 75.6 x 100.3 cm", + "version": "Edition 1/16, 3 AP's", + "hasInventory": "IMMA.473" + }, + { + "@id": "spice:documentation/rhythm-10", + "@type": "schema:ImageObject", + "caption": "Marina Abramović, Rhythm 10, 1973, Framed black and white photograph, Image framed 75.6 x 100.3 cm, Collection Irish Museum of Modern Art, Purchase, 1995 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "size": { + "@id": "http://schema.org/size" + }, + "version": { + "@id": "http://schema.org/version" + }, + "material": { + "@id": "http://schema.org/material" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368470, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "portrait-of-larissa.jsonld", + "@graph": [ + { + "@id": "spice:artefact/portrait-of-larissa", + "@type": "schema:CreativeWork", + "description": "Portrait of Larissa is a 1981 work by Humberto Aquino. 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", + "source": "https://imma.ie/collection/bird/", + "creditText": "IMMA Collection: Donation, Patrick Scott, 2013", + "image": "spice:documentation/bird", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "38 x 46 cm Framed: 50.9 x 58.3 x 6 cm", + "hasInventory": "IMMA.3841" + }, + { + "@id": "spice:documentation/bird", + "@type": "schema:ImageObject", + "caption": "Kenneth Hall, Bird, 1945, Oil on canvas, 38 x 46 cm Framed: 50.9 x 58.3 x 6 cm, Collection Irish Museum of Modern Art, Donation, Patrick Scott, 2013 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368470, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "enthusiastic-supporter-at-vanguard-rally-protestant-extremists.jsonld", + "@graph": [ + { + "@id": "spice:artefact/enthusiastic-supporter-at-vanguard-rally-protestant-extremists", + "@type": "schema:CreativeWork", + "description": "This group of works is one of two series entitled ‘The Troubles: An Artist’s Document of Ulster’. 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Both bodies of work were donated to IMMA by the artist.", + "source": "https://imma.ie/collection/enthusiastic-supporter-at-vanguard-rally-protestant-extremists/", + "creditText": "IMMA Collection: Donated by the artist in memory of his sister June Levine, 2010", + "image": "spice:documentation/enthusiastic-supporter-at-vanguard-rally-protestant-extremists", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etched on zinc; printed in black ink on white German etching paper", + "size": "55.9 x 76.2 cm", + "hasInventory": "IMMA.3303.002" + }, + { + "@id": "spice:documentation/enthusiastic-supporter-at-vanguard-rally-protestant-extremists", + "@type": "schema:ImageObject", + "caption": "Les Levine, Enthusiastic supporter at Vanguard Rally (Protestant extremists), 1979, Etched on zinc; printed in black ink on white German etching paper, 55.9 x 76.2 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his sister June Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5625.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368470, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "amor.jsonld", + "@graph": [ + { + "@id": "spice:artefact/amor", + "@type": "schema:CreativeWork", + "description": "Amor is a 1983 work by Marcos Gallango. 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This is a very strong conviction of Rowan Gillespie’s. He does all the casting himself, even the extremely heavy bronzes, which carries a degree of risk. “The moment I have to stop casting, I have to stop working with bronze”, he says.", + "source": "https://imma.ie/collection/ambition/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/ambition", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Silvered cast metal figure in perspex cylinder", + "size": "90.1 x 17.2 x 17.3 cm", + "hasInventory": "IMMA.216 GL" + }, + { + "@id": "spice:documentation/ambition", + "@type": "schema:ImageObject", + "caption": "Rowan Gillespie, Ambition, 1969, Silvered cast metal figure in perspex cylinder, 90.1 x 17.2 x 17.3 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/858.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368470, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "untitled-75.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-75", + "@type": "schema:CreativeWork", + "description": "Untitled is a 1987 work by Richard Deacon. ", + "source": "https://imma.ie/collection/untitled-75/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/untitled-75", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil on paper", + "size": "20 x 25.3 cm", + "hasInventory": "L.2008.1.24" + }, + { + "@id": "spice:documentation/untitled-75", + "@type": "schema:ImageObject", + "caption": "Richard Deacon, Untitled, 1987, Pencil on paper, 20 x 25.3 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368470, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "back-alley-of-north-street-belfast.jsonld", + "@graph": [ + { + "@id": "spice:artefact/back-alley-of-north-street-belfast", + "@type": "schema:CreativeWork", + "description": "Back Alley of North Street, Belfast is a 1993 work by Jerome De Perlinghi. ", + "source": "https://imma.ie/collection/back-alley-of-north-street-belfast/", + "creditText": "IMMA Collection: Donated by the artist, 1994", + "image": "spice:documentation/back-alley-of-north-street-belfast", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Black and white photograph on Agfa Brovira III paper and selenium toned (1:2)", + "size": "57 x 57 cm each (some variation in size)", + "hasInventory": "IMMA.457.1" + }, + { + "@id": "spice:documentation/back-alley-of-north-street-belfast", + "@type": "schema:ImageObject", + "caption": "Jerome De Perlinghi, Back Alley of North Street, Belfast, 1993, Black and white photograph on Agfa Brovira III paper and selenium toned (1:2), 57 x 57 cm each (some variation in size), Collection Irish Museum of Modern Art, Donated by the artist, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368470, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "poet.jsonld", + "@graph": [ + { + "@id": "spice:artefact/poet", + "@type": "schema:CreativeWork", + "description": "Poet is a 1985 work by Chris Doris. ", + "source": "https://imma.ie/collection/poet/", + "creditText": "IMMA Collection: Permanent Loan, the Contemporary Irish art Society, 1992", + "image": "spice:documentation/poet", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Monoprint", + "size": "32 x 31 cm", + "hasInventory": "L.418" + }, + { + "@id": "spice:documentation/poet", + "@type": "schema:ImageObject", + "caption": "Chris Doris, Poet, 1985, Monoprint, 32 x 31 cm, Collection Irish Museum of Modern Art, Permanent Loan, the Contemporary Irish art Society, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368470, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "grandma-nataly.jsonld", + "@graph": [ + { + "@id": "spice:artefact/grandma-nataly", + "@type": "schema:CreativeWork", + "description": "Grandma & Nataly is a 1999 work by Elinor Carucci. ", + "source": "https://imma.ie/collection/grandma-nataly/", + "creditText": "IMMA Collection: Donation, David Kronn Collection, 2015", + "image": "spice:documentation/grandma-nataly", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Carbon Print", + "size": "32.1 x 49.5 cm", + "hasInventory": "IMMA.3957" + }, + { + "@id": "spice:documentation/grandma-nataly", + "@type": "schema:ImageObject", + "caption": "Elinor Carucci, Grandma & Nataly, 1999, Carbon Print, 32.1 x 49.5 cm, Collection Irish Museum of Modern Art, Donation, David Kronn Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/7497.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368470, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "the-luncheon.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-luncheon", + "@type": "schema:CreativeWork", + "description": "‘The Luncheon’ is a large-scale photowork of a sculpture made from toilet tissue carefully moistened to intensify the colour. The still life arrangement of fruits and vegetables, eminently consumable but inedible, is a witty pastiche of a typical Dutch ‘Old Master’ painting, except that this time the artist is a woman and the material used is one that the academic tradition is unlikely to endorse. McCarthy stated in 2003: ‘Colour has no relation to the function of toilet-paper. It’s a tasteful consideration. As the ideas of abundance, excess, desire and consumption have historically been intrinsic to still-life painting, the similar associations of today’s toilet-papers enable it, as material-of-choice, to slip naturally into the traditional still-life mould’.", + "source": "https://imma.ie/collection/the-luncheon/", + "creditText": "IMMA Collection: Donated by A.I.B., 2002", + "image": "spice:documentation/the-luncheon", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Photograph of wet toilet paper sculpture (Sculpture: toilet paper of varying colour, water, black bin-bags, real stalks, fake flies, disposable tableware)", + "size": "196 x 114 cm", + "hasInventory": "IMMA.1503" + }, + { + "@id": "spice:documentation/the-luncheon", + "@type": "schema:ImageObject", + "caption": "Caroline McCarthy, The Luncheon, 2002, Photograph of wet toilet paper sculpture (Sculpture: toilet paper of varying colour, water, black bin-bags, real stalks, fake flies, disposable tableware), 196 x 114 cm, Collection Irish Museum of Modern Art, Donated by A.I.B., 2002 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1516.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368470, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "outside-divis-flats-west-belfast.jsonld", + "@graph": [ + { + "@id": "spice:artefact/outside-divis-flats-west-belfast", + "@type": "schema:CreativeWork", + "description": "Outside Divis Flats, West Belfast is a 1978 work by Chris Steele-Perkins. ", + "source": "https://imma.ie/collection/outside-divis-flats-west-belfast/", + "creditText": "IMMA Collection: Purchase, 2006", + "image": "spice:documentation/outside-divis-flats-west-belfast", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Silver Gelatin print on fibre paper", + "size": "30.4 x 50.5 cm", + "hasInventory": "IMMA.2189" + }, + { + "@id": "spice:documentation/outside-divis-flats-west-belfast", + "@type": "schema:ImageObject", + "caption": "Chris Steele-Perkins, Outside Divis Flats, West Belfast, 1978, Silver Gelatin print on fibre paper, 30.4 x 50.5 cm, Collection Irish Museum of Modern Art, Purchase, 2006 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368470, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "hyde-park-waiting-for-the-demo-and-convent-carysfort-avenue-blackrock-co-dublin.jsonld", + "@graph": [ + { + "@id": "spice:artefact/hyde-park-waiting-for-the-demo-and-convent-carysfort-avenue-blackrock-co-dublin", + "@type": "schema:CreativeWork", + "description": "Hyde Park Waiting for the Demo and Convent, Carysfort Avenue, Blackrock, Co. Dublin is a 1983 work by Elinor Wiltshire. ", + "source": "https://imma.ie/collection/hyde-park-waiting-for-the-demo-and-convent-carysfort-avenue-blackrock-co-dublin/", + "creditText": "IMMA Collection: Donation, Elinor Vere O’Brien Wiltshire, 2013", + "image": "spice:documentation/hyde-park-waiting-for-the-demo-and-convent-carysfort-avenue-blackrock-co-dublin", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Wool", + "size": "Framed: 31.7 x 39.2 cm", + "hasInventory": "IMMA.3791" + }, + { + "@id": "spice:documentation/hyde-park-waiting-for-the-demo-and-convent-carysfort-avenue-blackrock-co-dublin", + "@type": "schema:ImageObject", + "caption": "Elinor Wiltshire, Hyde Park Waiting for the Demo and Convent, Carysfort Avenue, Blackrock, Co. Dublin, 1983, Wool, Framed: 31.7 x 39.2 cm, Collection Irish Museum of Modern Art, Donation, Elinor Vere O’Brien Wiltshire, 2013 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/7119.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368469, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 9, + "_updated": true + }, + { + "_id": "ireland-a-modest-proposal.jsonld", + "@graph": [ + { + "@id": "spice:artefact/ireland-a-modest-proposal", + "@type": "schema:CreativeWork", + "description": "Ireland: A Modest Proposal is a 1980 work by Brian O'Doherty and Patrick Ireland. ", + "source": "https://imma.ie/collection/ireland-a-modest-proposal/", + "creditText": "IMMA Collection: Purchase, 2006", + "image": "spice:documentation/ireland-a-modest-proposal", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Collage on posterboard", + "size": "80 x 42 cm", + "hasInventory": "IMMA.1991" + }, + { + "@id": "spice:documentation/ireland-a-modest-proposal", + "@type": "schema:ImageObject", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": 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", + "source": "https://imma.ie/collection/lunglove-49/", + "creditText": "IMMA Collection: Purchase, 2006", + "image": "spice:documentation/lunglove-49", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Black marker on paper", + "size": "Framed: 75 x 105 cm 69 x 99 cm", + "hasInventory": "IMMA.1960" + }, + { + "@id": "spice:documentation/lunglove-49", + "@type": "schema:ImageObject", + "caption": "Garrett Phelan, LUNGLOVE 49, 2006, Black marker on paper, Framed: 75 x 105 cm 69 x 99 cm, Collection Irish Museum of Modern Art, Purchase, 2006 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/100.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368469, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 9, + "_updated": true + }, + { + "_id": "andy.jsonld", + "@graph": [ + { + "@id": "spice:artefact/andy", + "@type": "schema:CreativeWork", + "description": "Andy is a 1985 work by Gene Lambert. 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Her formal concerns have always been rooted deeply in the tradition of landscape painting. 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It is not currently on display in IMMA. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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The religious symbol is highlighted in the drawing of blood.", + "source": "https://imma.ie/collection/lips-of-thomas/", + "creditText": "IMMA Collection: Purchase, 1995", + "image": "spice:documentation/lips-of-thomas", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Framed black and white photograph with framed letter press text panel", + "size": "Image framed 49.5 x 59.7 cm Text framed 26 x 18.4 cm", + "version": "Edition 1/16, 3 AP's", + "hasInventory": "IMMA.478" + }, + { + "@id": "spice:documentation/lips-of-thomas", + "@type": "schema:ImageObject", + "caption": "Marina Abramović, Lips of Thomas, 1975, Framed black and white photograph with framed letter press text panel, Image framed 49.5 x 59.7 cm Text framed 26 x 18.4 cm, Collection Irish Museum of Modern Art, Purchase, 1995 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/6064.jpg" + } + ], + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "size": { + "@id": "http://schema.org/size" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368468, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 8, + "_updated": true + }, + { + "_id": "children-in-a-wood-i.jsonld", + "@graph": [ + { + "@id": "spice:artefact/children-in-a-wood-i", + "@type": "schema:CreativeWork", + "description": "One of Ireland’s best known artists, Louis le Brocquy was born in Dublin in 1916. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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", + "source": "https://imma.ie/collection/italian-bottle/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004", + "image": "spice:documentation/italian-bottle", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on paper", + "size": "27 x 20.5 cm", + "hasInventory": "IMMA.1201 MCCL" + }, + { + "@id": "spice:documentation/italian-bottle", + "@type": "schema:ImageObject", + "caption": "Charles Brady, Italian Bottle, 1972, Oil on paper, 27 x 20.5 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/129.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368468, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 8, + "_updated": true + }, + { + "_id": "the-wild-geese-i.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-wild-geese-i", + "@type": "schema:CreativeWork", + "description": "Australia’s most famous twentieth century painter, Sidney Nolan is most frequently remembered for his paintings of the bush outlaw Ned Kelly and his gang. 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respond to the history of mechanical reproduction, digital reproduction online, the persistent circulation of images in the public domain, all the while querying our relationship with the image, its consumption, distribution, reproduction, value and forcing (re)considerations of authenticity within art.   ", + "source": "https://imma.ie/collection/goat-woman/", + "creditText": "IMMA Collection: Purchase, 2021, 2021", + "image": "spice:documentation/goat-woman", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "cyanotype print", + "size": "118.9 x 84.1 cm", + "hasInventory": "IMMA.4248" + }, + { + "@id": "spice:documentation/goat-woman", + "@type": "schema:ImageObject", + "caption": "Breda Lynch, Goat Woman, 2016, cyanotype print, 118.9 x 84.1 cm, Collection Irish Museum of Modern Art, Purchase, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": 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them in journeys to the United States, often using cars and car parts as symbolic of this movement. 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Lr. F60 P29 2/15 is a 1993 work by Jerome De Perlinghi. ", + "source": "https://imma.ie/collection/dublin-side-street-off-rathmines-rd-lr-f60-p29-2-15/", + "creditText": "IMMA Collection: Donated by the artist, 1994", + "image": "spice:documentation/dublin-side-street-off-rathmines-rd-lr-f60-p29-2-15", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Black and white photograph on Agfa Brovira III paper and selenium toned (1:2)", + "size": "57 x 57 cm", + "hasInventory": "IMMA.457.7" + }, + { + "@id": "spice:documentation/dublin-side-street-off-rathmines-rd-lr-f60-p29-2-15", + "@type": "schema:ImageObject", + "caption": "Jerome De Perlinghi, Dublin Side street off Rathmines Rd. Lr. 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The first is a group of 80 cibachrome photographs produced by Levine in 1972 while this suite comprises 18 photo-etchings made in 1979 from photographs taken in 1972. Both bodies of work were donated to IMMA by the artist.", + "source": "https://imma.ie/collection/british-paratroops-checking-cause-of-explosion/", + "creditText": "IMMA Collection: Donated by the artist in memory of his sister June Levine, 2010", + "image": "spice:documentation/british-paratroops-checking-cause-of-explosion", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etched on zinc; printed in black ink on white German etching paper", + "size": "55.9 x 76.2 cm", + "hasInventory": "IMMA.3303.010" + }, + { + "@id": "spice:documentation/british-paratroops-checking-cause-of-explosion", + "@type": "schema:ImageObject", + "caption": "Les Levine, British Paratroops checking cause of explosion, 1979, Etched on zinc; printed in black ink on white German etching paper, 55.9 x 76.2 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his sister June Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5633.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368467, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 7, + "_updated": true + }, + { + "_id": "petra-rentas.jsonld", + "@graph": [ + { + "@id": "spice:artefact/petra-rentas", + "@type": "schema:CreativeWork", + "description": "Petra Rentas is a 1977 work by Consuelo Gotay. ", + "source": "https://imma.ie/collection/petra-rentas/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/petra-rentas", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint", + "size": "75.9 x 56.2 cm", + "version": "Edition 91/150", + "hasInventory": "IMMA.912 MP" + }, + { + "@id": "spice:documentation/petra-rentas", + "@type": "schema:ImageObject", + "caption": "Consuelo Gotay, Petra Rentas, 1977, Screenprint, 75.9 x 56.2 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "version": { + "@id": "http://schema.org/version" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368467, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 7, + "_updated": true + }, + { + "_id": "the-field.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-field", + "@type": "schema:CreativeWork", + "description": "The Field is a 2009 work by Apichatpong Weerasethakul. ", + "source": "https://imma.ie/collection/the-field/", + "creditText": "IMMA Collection: Donation, 2011", + "image": "spice:documentation/the-field", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Inkjet print mounted on diabond", + "size": "147 x 222 cm Framed: 152.2 x 227 x 5 cm", + "version": "Edition 5/5 + 2A/P", + "hasInventory": "IMMA.3420" + }, + { + "@id": "spice:documentation/the-field", + "@type": "schema:ImageObject", + "caption": "Apichatpong Weerasethakul, The Field, 2009, Inkjet print mounted on diabond, 147 x 222 cm Framed: 152.2 x 227 x 5 cm, Collection Irish Museum of Modern Art, Donation, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/6148.jpg" + } + ], + "@context": { + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368467, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 7, + "_updated": true + }, + { + "_id": "study-for-between-earth-and-sky-i.jsonld", + "@graph": [ + { + "@id": "spice:artefact/study-for-between-earth-and-sky-i", + "@type": "schema:CreativeWork", + "description": "Study for: Between Earth and Sky I is a 1987 work by Shirazeh Houshiary. ", + "source": "https://imma.ie/collection/study-for-between-earth-and-sky-i/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/study-for-between-earth-and-sky-i", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Drawing", + "size": "56 x 76.5 cm", + "hasInventory": "L.554 LW" + }, + { + "@id": "spice:documentation/study-for-between-earth-and-sky-i", + "@type": "schema:ImageObject", + "caption": "Shirazeh Houshiary, Study for: Between Earth and Sky I, 1987, Drawing, 56 x 76.5 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368467, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 7, + "_updated": true + }, + { + "_id": "abstract-diptych.jsonld", + "@graph": [ + { + "@id": "spice:artefact/abstract-diptych", + "@type": "schema:CreativeWork", + "description": "Abstract (diptych) is a 1976 work by Charles Tyrrell. ", + "source": "https://imma.ie/collection/abstract-diptych/", + "creditText": "IMMA Collection: Heritage Gift, P.J. Carroll & Co. Ltd. Art Collection, 2005", + "image": "spice:documentation/abstract-diptych", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic on canvas", + "size": "182.88 x 91.44 cm each", + "hasInventory": "IMMA.1883" + }, + { + "@id": "spice:documentation/abstract-diptych", + "@type": "schema:ImageObject", + "caption": "Charles Tyrrell, Abstract (diptych), 1976, Acrylic on canvas, 182.88 x 91.44 cm each, Collection Irish Museum of Modern Art, Heritage Gift, P.J. Carroll & Co. Ltd. Art Collection, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1808.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368467, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 7, + "_updated": true + }, + { + "_id": "the-troubles-an-artists-document-of-ulster-59.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-troubles-an-artists-document-of-ulster-59", + "@type": "schema:CreativeWork", + "description": "During his prolific career Les Levine has produced major series of works about the manifold effects and functions of the media and information systems. ‘The Troubles: An Artist’s Document of Ulster’ is a suite of 80 cibachrome photographs, executed in 1972, and for which the artist coined the terms “media sculpture” and “media art”. Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-59/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-59", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.059" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-59", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5703.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "size": { + "@id": "http://schema.org/size" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368467, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 7, + "_updated": true + }, + { + "_id": "drawing-with-vanishing-point.jsonld", + "@graph": [ + { + "@id": "spice:artefact/drawing-with-vanishing-point", + "@type": "schema:CreativeWork", + "description": "Drawing with Vanishing Point is a 2005 work by Mark Manders. 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Is Our Home Truly Our Castle? is a 1972 work by Les Levine. ", + "source": "https://imma.ie/collection/resurrection-is-our-home-truly-our-castle/", + "creditText": "IMMA Collection: Donated by Amy Plumb Oppenheim in honor of Dennis Oppenheim, 2018", + "image": "spice:documentation/resurrection-is-our-home-truly-our-castle", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Photograph (Fuji Crystal)", + "size": "25 x 33 in", + "version": "Edition 2/3", + "hasInventory": "IMMA.4132.003" + }, + { + "@id": "spice:documentation/resurrection-is-our-home-truly-our-castle", + "@type": "schema:ImageObject", + "caption": "Les Levine, Resurrection. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-36/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-36", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.036" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-36", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5680.jpg" + } + ], + "@context": { + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "size": { + "@id": "http://schema.org/size" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368465, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 5, + "_updated": true + }, + { + "_id": "aurora-borealis-snake-of-light.jsonld", + "@graph": [ + { + "@id": "spice:artefact/aurora-borealis-snake-of-light", + "@type": "schema:CreativeWork", + "description": "Recently Madden has been making paintings about the Northern Lights. 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", + "source": "https://imma.ie/collection/cairn-series/", + "creditText": "IMMA Collection: Heritage Gift, P.J. Carroll & Co. Ltd. Art Collection, 2005", + "image": "spice:documentation/cairn-series", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil and acrylic on canvas", + "size": "152.4 x 426.7 cm", + "hasInventory": "IMMA.1846" + }, + { + "@id": "spice:documentation/cairn-series", + "@type": "schema:ImageObject", + "caption": "Micheal Farrell, Cairn Series, 1964, Oil and acrylic on canvas, 152.4 x 426.7 cm, Collection Irish Museum of Modern Art, Heritage Gift, P.J. Carroll & Co. Ltd. Art Collection, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368465, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 5, + "_updated": true + }, + { + "_id": "untitled-christmas-card-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-christmas-card-2", + "@type": "schema:CreativeWork", + "description": "Untitled – Christmas Card is a 1975 work by Mary Farl Powers. ", + "source": "https://imma.ie/collection/untitled-christmas-card-2/", + "creditText": "IMMA Collection: Donation, Powers Family, 2009", + "image": "spice:documentation/untitled-christmas-card-2", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Colour etching", + "size": "11.5 x 16.5 cm", + "hasInventory": "IMMA.3208" + }, + { + "@id": "spice:documentation/untitled-christmas-card-2", + "@type": "schema:ImageObject", + "caption": "Mary Farl Powers, Untitled – Christmas Card, 1975, Colour etching, 11.5 x 16.5 cm, Collection Irish Museum of Modern Art, Donation, Powers Family, 2009 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368465, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 5, + "_updated": true + }, + { + "_id": "domestic-gods-ii.jsonld", + "@graph": [ + { + "@id": "spice:artefact/domestic-gods-ii", + "@type": "schema:CreativeWork", + "description": "Janet Mullarney trained as a furniture restorer in Italy before becoming a well-known and innovative wood-sculptor. 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Here the colour range remains sombre and the blocks of colour are given a more democratic, egalitarian treatment. Dorothy Walker, who died in 2002, had been an energetic member of the founding Board of IMMA. The painting was donated by her former colleague on the Board, Lochlann Quinn and his wife Brenda.", + "source": "https://imma.ie/collection/dorothy/", + "creditText": "IMMA Collection: Heritage Gift by Lochlann and Brenda Quinn, 2005", + "image": "spice:documentation/dorothy", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on linen", + "size": "274.5 x 335 cm", + "hasInventory": "IMMA.1830" + }, + { + "@id": "spice:documentation/dorothy", + "@type": "schema:ImageObject", + "caption": "Sean Scully, Dorothy, 2003, Oil on linen, 274.5 x 335 cm, Collection Irish Museum of Modern Art, Heritage Gift by Lochlann and Brenda Quinn, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1467.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368464, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 4, + "_updated": true + }, + { + "_id": "painting-iii.jsonld", + "@graph": [ + { + "@id": "spice:artefact/painting-iii", + "@type": "schema:CreativeWork", + "description": "Painting III is a 1962 work by Aubrey Williams. 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", + "source": "https://imma.ie/collection/between-the-eyes-t13/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/between-the-eyes-t13", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil, marker, collage on double sided poster", + "size": "Framed: 54.7 x 55.5 cm", + "hasInventory": "L.2008.1.2.13" + }, + { + "@id": "spice:documentation/between-the-eyes-t13", + "@type": "schema:ImageObject", + "caption": "Richard Deacon, Between the Eyes, T13, 1987, Pencil, marker, collage on double sided poster, Framed: 54.7 x 55.5 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/2752.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368464, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 4, + "_updated": true + }, + { + "_id": "now-here-61.jsonld", + "@graph": [ + { + "@id": "spice:artefact/now-here-61", + "@type": "schema:CreativeWork", + "description": "NOW: HERE 61 is a 2006 work by Garrett Phelan. 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", + "source": "https://imma.ie/collection/bogland-sligo/", + "creditText": "IMMA Collection: Donation, Maire and Maurice Foley, 2000", + "image": "spice:documentation/bogland-sligo", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on board", + "size": "46 x 61 cm", + "hasInventory": "IMMA.896 FD" + }, + { + "@id": "spice:documentation/bogland-sligo", + "@type": "schema:ImageObject", + "caption": "Sean McSweeney, Bogland, Sligo, 1988, Oil on board, 46 x 61 cm, Collection Irish Museum of Modern Art, Donation, Maire and Maurice Foley, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368464, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 4, + "_updated": true + }, + { + "_id": "city.jsonld", + "@graph": [ + { + "@id": "spice:artefact/city", + "@type": "schema:CreativeWork", + "description": "City is a 1975 work by Constantino Nivola. ", + "source": "https://imma.ie/collection/city/", + "creditText": "IMMA Collection: Donation, Novak/O'Doherty Collection, 2015", + "image": "spice:documentation/city", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Lithograph with silkscreen", + "size": "76.2 x 56 cm", + "version": "106/200", + "hasInventory": "IMMA.3931" + }, + { + "@id": "spice:documentation/city", + "@type": "schema:ImageObject", + "caption": "Constantino Nivola, City, 1975, Lithograph with silkscreen, 76.2 x 56 cm, Collection Irish Museum of Modern Art, Donation, Novak/O'Doherty Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/5210.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368464, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 4, + "_updated": true + }, + { + "_id": "new-sexual-lifestyles.jsonld", + "@graph": [ + { + "@id": "spice:artefact/new-sexual-lifestyles", + "@type": "schema:CreativeWork", + "description": "Gerard Byrne’s ‘New Sexual Lifestyles’ is an installation comprising a filmed re-enactment of the transcript of a panel discussion, published in Playboy magazine in 1973. 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A photograph of the exterior of the house shows the lush natural surrounding landscape, contrasting the natural with the built environment.", + "source": "https://imma.ie/collection/new-sexual-lifestyles/", + "creditText": "IMMA Collection: Purchase, 2004", + "image": "spice:documentation/new-sexual-lifestyles", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Three-channel video, seven photographs", + "version": "Edition 1/3 + 2 A/P", + "hasInventory": "IMMA.1657" + }, + { + "@id": "spice:documentation/new-sexual-lifestyles", + "@type": "schema:ImageObject", + "caption": "Gerard Byrne, New Sexual Lifestyles, 2003, Three-channel video, seven photographs, Duration: 54 min, Collection Irish Museum of Modern Art, Purchase, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/1636.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368464, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 4, + "_updated": true + }, + { + "_id": "kestrel-over-motorway-near-london.jsonld", + "@graph": [ + { + "@id": "spice:artefact/kestrel-over-motorway-near-london", + "@type": "schema:CreativeWork", + "description": "Kestrel over Motorway, near London is a 1987 work by Elinor Wiltshire. ", + "source": "https://imma.ie/collection/kestrel-over-motorway-near-london/", + "creditText": "IMMA Collection: Donation, Elinor Vere O’Brien Wiltshire, 2013", + "image": "spice:documentation/kestrel-over-motorway-near-london", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Wool", + "size": "Framed: 35 x 31 cm", + "hasInventory": "IMMA.3794" + }, + { + "@id": "spice:documentation/kestrel-over-motorway-near-london", + "@type": "schema:ImageObject", + "caption": "Elinor Wiltshire, Kestrel over Motorway, near London, 1987, Wool, Framed: 35 x 31 cm, Collection Irish Museum of Modern Art, Donation, Elinor Vere O’Brien Wiltshire, 2013 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/7122.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368464, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 4, + "_updated": true + }, + { + "_id": "thunderbirds.jsonld", + "@graph": [ + { + "@id": "spice:artefact/thunderbirds", + "@type": "schema:CreativeWork", + "description": "Thunderbirds is a 1981 work by Clemence Wescoupe. ", + "source": "https://imma.ie/collection/thunderbirds/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/thunderbirds", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint", + "size": "63.3 x 55.7 cm", + "version": "Edition 9/150", + "hasInventory": "IMMA.1038 MP" + }, + { + "@id": "spice:documentation/thunderbirds", + "@type": "schema:ImageObject", + "caption": "Clemence Wescoupe, Thunderbirds, 1981, Screenprint, 63.3 x 55.7 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "version": { + "@id": "http://schema.org/version" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "size": { + "@id": "http://schema.org/size" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368464, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 4, + "_updated": true + }, + { + "_id": "milagro-amoroso.jsonld", + "@graph": [ + { + "@id": "spice:artefact/milagro-amoroso", + "@type": "schema:CreativeWork", + "description": "Milagro Amoroso is a 1986 work by Alfonso Monreal. 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", + "source": "https://imma.ie/collection/campesinos-manifestando/", + "creditText": "IMMA Collection: Diplomatic gift of the Federal Government of Mexico, 2011", + "image": "spice:documentation/campesinos-manifestando", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Woodcut", + "size": "Sheet: 90 x 70 cm Plate: 65 x 57 cm", + "hasInventory": "IMMA.3754" + }, + { + "@id": "spice:documentation/campesinos-manifestando", + "@type": "schema:ImageObject", + "caption": "Arturo García Bustos, Campesinos Manifestando, 2010, Woodcut, Sheet: 90 x 70 cm Plate: 65 x 57 cm, Collection Irish Museum of Modern Art, Diplomatic gift of the Federal Government of Mexico, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368464, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 4, + "_updated": true + }, + { + "_id": "cardinal-worm.jsonld", + "@graph": [ + { + "@id": "spice:artefact/cardinal-worm", + "@type": "schema:CreativeWork", + "description": "Cardinal Worm is a 1975 work by John Burke. ", + "source": "https://imma.ie/collection/cardinal-worm/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/cardinal-worm", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Painted metal", + "size": "203 x 16.5 x 21.1 cm", + "hasInventory": "IMMA.146 GL" + }, + { + "@id": "spice:documentation/cardinal-worm", + "@type": "schema:ImageObject", + "caption": "John Burke, Cardinal Worm, 1975, Painted metal, 203 x 16.5 x 21.1 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1888.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368464, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 4, + "_updated": true + }, + { + "_id": "untitled-94.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-94", + "@type": "schema:CreativeWork", + "description": "Untitled is a 1977 work by Tony O'Malley. 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Both bodies of work were donated to IMMA by the artist.", + "source": "https://imma.ie/collection/bomb-victim-in-belfast/", + "creditText": "IMMA Collection: Donated by the artist in memory of his sister June Levine, 2010", + "image": "spice:documentation/bomb-victim-in-belfast", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etched on zinc; printed in black ink on white German etching paper", + "size": "55.9 x 76.2 cm", + "hasInventory": "IMMA.3303.006" + }, + { + "@id": "spice:documentation/bomb-victim-in-belfast", + "@type": "schema:ImageObject", + "caption": "Les Levine, Bomb Victim in Belfast, 1979, Etched on zinc; printed in black ink on white German etching paper, 55.9 x 76.2 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his sister June Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5629.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368463, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 3, + "_updated": true + }, + { + "_id": "journey.jsonld", + "@graph": [ + { + "@id": "spice:artefact/journey", + "@type": "schema:CreativeWork", + "description": "Journey is a 1996 work by David Crone. 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There is no thematic link between the works or the artists in the portfolio other than the fact that they were based in London at that time.", + "source": "https://imma.ie/collection/gavin-turk-right-hand-and-forearm/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1995", + "image": "spice:documentation/gavin-turk-right-hand-and-forearm", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Six-colour screenprint with varnish on paper", + "size": "86 x 70.5 cm", + "hasInventory": "L.720.9 LW" + }, + { + "@id": "spice:documentation/gavin-turk-right-hand-and-forearm", + "@type": "schema:ImageObject", + "caption": "Gavin Turk, Gavin Turk Right Hand and Forearm, 1992, Six-colour screenprint with varnish on paper, 86 x 70.5 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1995 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/02/1040.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368463, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 3, + "_updated": true + }, + { + "_id": "brillo.jsonld", + "@graph": [ + { + "@id": "spice:artefact/brillo", + "@type": "schema:CreativeWork", + "description": "Brillo is a 1994 work by Tom Molloy. ", + "source": "https://imma.ie/collection/brillo/", + "creditText": "IMMA Collection: Donation, Maire and Maurice Foley, 2012", + "image": "spice:documentation/brillo", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on paper", + "size": "28 x 45 cm Framed: 43 x 59.5 cm", + "hasInventory": "IMMA.3732" + }, + { + "@id": "spice:documentation/brillo", + "@type": "schema:ImageObject", + "caption": "Tom Molloy, Brillo, 1994, Oil on paper, 28 x 45 cm Framed: 43 x 59.5 cm, Collection Irish Museum of Modern Art, Donation, Maire and Maurice Foley, 2012 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368463, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 3, + "_updated": true + }, + { + "_id": "yagul-the-golden-bough-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/yagul-the-golden-bough-2", + "@type": "schema:CreativeWork", + "description": "Yagul – The Golden Bough is a 1992 work by Jan Hendrix. ", + "source": "https://imma.ie/collection/yagul-the-golden-bough-2/", + "creditText": "IMMA Collection: Purchase, 1999", + "image": "spice:documentation/yagul-the-golden-bough-2", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint", + "size": "37.1 x 25 cm", + "hasInventory": "IMMA.1112.002" + }, + { + "@id": "spice:documentation/yagul-the-golden-bough-2", + "@type": "schema:ImageObject", + "caption": "Jan Hendrix, Yagul – The Golden Bough, 1992, Screenprint, 37.1 x 25 cm, Collection Irish Museum of Modern Art, Purchase, 1999 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/750.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368462, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 2, + "_updated": true + }, + { + "_id": "the-green-book-blue-book.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-green-book-blue-book", + "@type": "schema:CreativeWork", + "description": "The Green Book, Blue Book is a 1974 work by Tony O'Malley. ", + "source": "https://imma.ie/collection/the-green-book-blue-book/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004", + "image": "spice:documentation/the-green-book-blue-book", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gouache and pen on paper", + "size": "21 x 29.5 cm", + "hasInventory": "IMMA.1387 MCCL" + }, + { + "@id": "spice:documentation/the-green-book-blue-book", + "@type": "schema:ImageObject", + "caption": "Tony O'Malley, The Green Book, Blue Book, 1974, Gouache and pen on paper, 21 x 29.5 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368462, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 2, + "_updated": true + }, + { + "_id": "empreintes-de-pas.jsonld", + "@graph": [ + { + "@id": "spice:artefact/empreintes-de-pas", + "@type": "schema:CreativeWork", + "description": "Antoni Tàpies was born in Barcelona and studied law before turning to visual art. His youthful experiences of the Spanish Civil War in Barcelona had a deep and lasting effect on him. Tàpies began to paint in 1946 and commented that even then his work had something of graffiti and protest of the streets in it. He was a founder member of the Dau al Set group between 1948 and 1951 during their Surrealist phase, but began to make collages in the early 1950s. During the 1950s he also began to travel, to Paris, the Netherlands, England and the United States. He is most associated with Arte Povera, constructing art from discarded materials such as rags, cardboard, torn canvases and string, making marks on them which, he argued, did not require an artistic education to comprehend. ‘Empreintes de Pas’, incorporating as it does one of the most primal of all ‘prints’, is a perfect embodiment of this principle.", + "source": "https://imma.ie/collection/empreintes-de-pas/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/empreintes-de-pas", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint", + "size": "90.8 x 62.3 cm", + "version": "Edition 49/75", + "hasInventory": "IMMA.390 GL" + }, + { + "@id": "spice:documentation/empreintes-de-pas", + "@type": "schema:ImageObject", + "caption": "Antoni Tàpies, Empreintes de Pas, 1975, Screenprint, 90.8 x 62.3 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/02/2029.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "size": { + "@id": "http://schema.org/size" + }, + "version": { + "@id": "http://schema.org/version" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368462, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 2, + "_updated": true + }, + { + "_id": "donegal-couple.jsonld", + "@graph": [ + { + "@id": "spice:artefact/donegal-couple", + "@type": "schema:CreativeWork", + "description": "Donegal Couple is a 1955 work by Daniel O’Neill. 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Her composition has just the right measure of flatness, both in colour and texture. During this period her palette was muted with a preponderance of shades of yellow, white and cream and green.", + "source": "https://imma.ie/collection/make-believe-all-this-winter/", + "creditText": "IMMA Collection: Heritage Gift by the Bank of Ireland from the Bank of Ireland collection, 2008", + "image": "spice:documentation/make-believe-all-this-winter", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on board", + "size": "34 x 38 cm", + "hasInventory": "IMMA.2622" + }, + { + "@id": "spice:documentation/make-believe-all-this-winter", + "@type": "schema:ImageObject", + "caption": "Camille Souter, Make Believe all This Winter, 1964, Oil on board, 34 x 38 cm, Collection Irish Museum of Modern Art, Heritage Gift by the Bank of Ireland from the Bank of Ireland collection, 2008 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/3497.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368462, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 2, + "_updated": true + }, + { + "_id": "homage-to-boucher.jsonld", + "@graph": [ + { + "@id": "spice:artefact/homage-to-boucher", + "@type": "schema:CreativeWork", + "description": "Homage to Boucher is a 1978 work by Jack Coughlin. 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His work was varied in scope from performance and installation works to acting as an advisor to architectural planners and co-ordinating education programmes both with art and non-art organisations.", + "source": "https://imma.ie/collection/never-mind-kangaroo-just-answer-the-question/", + "creditText": "IMMA Collection: Purchase, 1995", + "image": "spice:documentation/never-mind-kangaroo-just-answer-the-question", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Wallaby and standard analysis questionnaires", + "size": "Dimensions variable", + "hasInventory": "IMMA.472" + }, + { + "@id": "spice:documentation/never-mind-kangaroo-just-answer-the-question", + "@type": "schema:ImageObject", + "caption": "Maurice O'Connell, Never Mind ‘Kangaroo’ just answer the question, 1995, Wallaby and standard analysis questionnaires, Dimensions variable, Collection Irish Museum of Modern Art, Purchase, 1995 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/08/920.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368462, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 2, + "_updated": true + }, + { + "_id": "amarillo-al-cubo.jsonld", + "@graph": [ + { + "@id": "spice:artefact/amarillo-al-cubo", + "@type": "schema:CreativeWork", + "description": "Betsabeé Romero draws on elements of popular culture and the traditions of Mexican art in her homeland. Her work is concerned with themes of memory, identity and human migration. For Romero, culture is always in transit and she explores the identity and traditions that Mexican immigrants carry with them in journeys to the United States, often using cars and car parts as symbolic of this movement. While these journeys inform her work directly, she is interested in broader ideas around migration related to the human condition. She has written that “All of us are migrants between life and death. It is a migration that is inevitable and real”.", + "source": "https://imma.ie/collection/amarillo-al-cubo/", + "creditText": "IMMA Collection: Diplomatic gift of the Federal Government of Mexico, 2011", + "image": "spice:documentation/amarillo-al-cubo", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint on perforated paper", + "size": "Sheet: 101.2 x 99.5 cm", + "hasInventory": "IMMA.3776" + }, + { + "@id": "spice:documentation/amarillo-al-cubo", + "@type": "schema:ImageObject", + "caption": "Betsabeé Romero, Amarillo al Cubo, 2010, Screenprint on perforated paper, Sheet: 101.2 x 99.5 cm, Collection Irish Museum of Modern Art, Diplomatic gift of the Federal Government of Mexico, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/6917.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368462, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 2, + "_updated": true + }, + { + "_id": "nude.jsonld", + "@graph": [ + { + "@id": "spice:artefact/nude", + "@type": "schema:CreativeWork", + "description": "Nude is a 1961 work by Barrie Cooke. ", + "source": "https://imma.ie/collection/nude/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/nude", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Watercolour on paper", + "size": "26.9 x 36.7 cm", + "hasInventory": "IMMA.174 GL" + }, + { + "@id": "spice:documentation/nude", + "@type": "schema:ImageObject", + "caption": "Barrie Cooke, Nude, 1961, Watercolour on paper, 26.9 x 36.7 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368462, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 2, + "_updated": true + }, + { + "_id": "lough-arrow.jsonld", + "@graph": [ + { + "@id": "spice:artefact/lough-arrow", + "@type": "schema:CreativeWork", + "description": "The cyclicality of nature, of growth, decay and regeneration are central themes in Cooke’s paintings. In particular, water as a physical phenomenon in terms of its environmental, geological and life-forming functions has been his enduring subject matter. The water-logged areas of the natural world, not only in Ireland, but also in Borneo, New Zealand, the US and South Africa, where Cooke intermittently travelled and painted, compelled him throughout his career.", + "source": "https://imma.ie/collection/lough-arrow/", + "creditText": "IMMA Collection: Donated by Michael Corrigan and Mary Corrigan, 2013", + "image": "spice:documentation/lough-arrow", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "203 x 243 cm", + "hasInventory": "IMMA.3805" + }, + { + "@id": "spice:documentation/lough-arrow", + "@type": "schema:ImageObject", + "caption": "Barrie Cooke, Lough Arrow, 1999, Oil on canvas, 203 x 243 cm, Collection Irish Museum of Modern Art, Donated by Michael Corrigan and Mary Corrigan, 2013 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/7132.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368462, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 2, + "_updated": true + }, + { + "_id": "untitled-3.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-3", + "@type": "schema:CreativeWork", + "description": "Untitled is a 2010 work by Fernando Aceves Humana. ", + "source": "https://imma.ie/collection/untitled-3/", + "creditText": "IMMA Collection: Diplomatic gift of the Federal Government of Mexico, 2011", + "image": "spice:documentation/untitled-3", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Lithograph", + "size": "Sheet: 94.5 x 125 cm Plate: 86.5 x 113.5 cm", + "hasInventory": "IMMA.3737" + }, + { + "@id": "spice:documentation/untitled-3", + "@type": "schema:ImageObject", + "caption": "Fernando Aceves Humana, Untitled, 2010, Lithograph, Sheet: 94.5 x 125 cm Plate: 86.5 x 113.5 cm, Collection Irish Museum of Modern Art, Diplomatic gift of the Federal Government of Mexico, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368462, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 2, + "_updated": true + }, + { + "_id": "entre-flores-y-golpes.jsonld", + "@graph": [ + { + "@id": "spice:artefact/entre-flores-y-golpes", + "@type": "schema:CreativeWork", + "description": "Entre Flores y Golpes is a 2010 work by Javier Fernández. 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", + "source": "https://imma.ie/collection/dias-de-lineas/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/dias-de-lineas", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Lithograph", + "size": "56 x 57.1 cm", + "version": "Edition 1/10; A/P", + "hasInventory": "IMMA.960 MP" + }, + { + "@id": "spice:documentation/dias-de-lineas", + "@type": "schema:ImageObject", + "caption": "Julio Silca, Días de líneas, 1976, Lithograph, 56 x 57.1 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "size": { + "@id": "http://schema.org/size" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368462, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 2, + "_updated": true + }, + { + "_id": "eye-of-the-storm.jsonld", + "@graph": [ + { + "@id": "spice:artefact/eye-of-the-storm", + "@type": "schema:CreativeWork", + "description": "During the 1990s the focus of Craig-Martin’s work shifted decisively to painting, and to increasingly complex site-specific wall paintings. Ordinary but carefully selected functional objects are rendered in a flat graphic manner, sharply outlined without tonal variations or surface texture. His paintings are conceptual rather than painterly and gesture is reduced, if not removed. Craig-Martin uses colour as an extension of drawing, using it to distinguish between one object and another, or one part of an object and another. It is used as a way of isolating the parts; their inside and outside and/or the materials they are made from.", + "source": "https://imma.ie/collection/eye-of-the-storm/", + "creditText": "IMMA Collection: Purchase, 2005", + "image": "spice:documentation/eye-of-the-storm", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic on canvas", + "size": "335.3 x 279.4 x 4.5 cm", + "hasInventory": "IMMA.1765" + }, + { + "@id": "spice:documentation/eye-of-the-storm", + "@type": "schema:ImageObject", + "caption": "Michael Craig-Martin, Eye of the Storm, 2003, Acrylic on canvas, 335.3 x 279.4 x 4.5 cm, Collection Irish Museum of Modern Art, Purchase, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368462, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 2, + "_updated": true + }, + { + "_id": "sixteen-rotated-forms-i-ii-iii-iv.jsonld", + "@graph": [ + { + "@id": "spice:artefact/sixteen-rotated-forms-i-ii-iii-iv", + "@type": "schema:CreativeWork", + "description": "Sixteen Rotated Forms (i), (ii), (iii), (iv) is a 1975 work by Roy Johnston. ", + "source": "https://imma.ie/collection/sixteen-rotated-forms-i-ii-iii-iv/", + "creditText": "IMMA Collection: Donation, 2004", + "image": "spice:documentation/sixteen-rotated-forms-i-ii-iii-iv", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic on cotton duck", + "size": "202.4 x 202.4 cm", + "hasInventory": "IMMA.1779" + }, + { + "@id": "spice:documentation/sixteen-rotated-forms-i-ii-iii-iv", + "@type": "schema:ImageObject", + "caption": "Roy Johnston, Sixteen Rotated Forms (i), (ii), (iii), (iv), 1975, Acrylic on cotton duck, 202.4 x 202.4 cm, Collection Irish Museum of Modern Art, Donation, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/1720.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368462, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 2, + "_updated": true + }, + { + "_id": "resurgence.jsonld", + "@graph": [ + { + "@id": "spice:artefact/resurgence", + "@type": "schema:CreativeWork", + "description": "Resurgence is a 1976 work by Joaquín Ferrer. ", + "source": "https://imma.ie/collection/resurgence/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/resurgence", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Lithograph", + "size": "76.7 x 56 cm", + "version": "A/P", + "hasInventory": "IMMA.979 MP" + }, + { + "@id": "spice:documentation/resurgence", + "@type": "schema:ImageObject", + "caption": "Joaquín Ferrer, Resurgence, 1976, Lithograph, 76.7 x 56 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "creditText": { + "@id": "http://schema.org/creditText" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "material": { + "@id": "http://schema.org/material" + }, + "size": { + "@id": "http://schema.org/size" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368462, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 2, + "_updated": true + }, + { + "_id": "the-source.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-source", + "@type": "schema:CreativeWork", + "description": "The Source is a 1986 work by Edward Allington. ", + "source": "https://imma.ie/collection/the-source/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/the-source", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Cast red bronze sculpture", + "size": "22 x 20 x 16 cm", + "version": "Edition 5 of 6", + "hasInventory": "L.531 LW" + }, + { + "@id": "spice:documentation/the-source", + "@type": "schema:ImageObject", + "caption": "Edward Allington, The Source, 1986, Cast red bronze sculpture, 22 x 20 x 16 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368462, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 2, + "_updated": true + }, + { + "_id": "untitled-98.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-98", + "@type": "schema:CreativeWork", + "description": "Untitled is a 1975 work by Hans Burkhardt. ", + "source": "https://imma.ie/collection/untitled-98/", + "creditText": "IMMA Collection: Donation, Jack Rutberg, 1991", + "image": "spice:documentation/untitled-98", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint", + "size": "107 x 66.5 cm", + "hasInventory": "IMMA.81" + }, + { + "@id": "spice:documentation/untitled-98", + "@type": "schema:ImageObject", + "caption": "Hans Burkhardt, Untitled, 1975, Screenprint, 107 x 66.5 cm, Collection Irish Museum of Modern Art, Donation, Jack Rutberg, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368462, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 2, + "_updated": true + }, + { + "_id": "resonance.jsonld", + "@graph": [ + { + "@id": "spice:artefact/resonance", + "@type": "schema:CreativeWork", + "description": "The idea that behind the outward appearance of things lies an inner reality which can be expressed in an abstract language is central to Shirazeh Houshiary’s artistic practice. 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The artist also sees such symbolism in the other traditions such as those of Ancient Greece, Judaism and Christianity. “In my work there is a continual invention of already existing forms and symbols precisely because the problem is not to be original, nor indeed to establish a distinction between forms of knowledge or between East and West.”* The use of intricate pattern, geometry and calligraphy in Islamic sacred art, which are symbolic of religious doctrines and universal laws, also reflects the aniconic nature of Islamic art tradition where the depiction of God or the Divine in a concrete image is forbidden. The complex patterning of Islamic decoration symbolises the Sufi goal of gathering all multiplicity into unity, the integration of all aspects of the self into a centre, which is Divine. One basis of Islamic art is the belief that the Divine One is a unity but that his Divinity is manifest in the universe through multiplicity. This duality of Oneness and Multiplicity as well as the unity of light and dark can be seen in both Houshiary’s paintings and sculptures.", + "source": "https://imma.ie/collection/resonance/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1996", + "image": "spice:documentation/resonance", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Graphite and acrylic on canvas", + "size": "134 x 134 cm (each)", + "hasInventory": "L.648 LW" + }, + { + "@id": "spice:documentation/resonance", + "@type": "schema:ImageObject", + "caption": "Shirazeh Houshiary, Resonance, 1994, Graphite and acrylic on canvas, 134 x 134 cm (each), Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1996 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2021/07/530.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368462, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 2, + "_updated": true + }, + { + "_id": "flood-from-pomes-penyeach.jsonld", + "@graph": [ + { + "@id": "spice:artefact/flood-from-pomes-penyeach", + "@type": "schema:CreativeWork", + "description": "Flood from ‘Pomes Penyeach’ is a 1993 work by Sean Scully. 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It has a duration of variable. ", + "source": "https://imma.ie/collection/films/", + "creditText": "IMMA Collection: Donated by the artist, 2001", + "image": "spice:documentation/films", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Films transferred to video (colour, sound), one chromogenic print from a digital file", + "version": "13/300 (Edition of 300 + 30 AP)", + "hasInventory": "IMMA.1917" + }, + { + "@id": "spice:documentation/films", + "@type": "schema:ImageObject", + "caption": "Rebecca Horn, Films, 1970, Films transferred to video (colour, sound), one chromogenic print from a digital file, Duration: variable, Collection Irish Museum of Modern Art, Donated by the artist, 2001 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368461, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 1, + "_updated": true + }, + { + "_id": "the-land-of-punt-6-crucifixion.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-land-of-punt-6-crucifixion", + "@type": "schema:CreativeWork", + "description": "The Land of Punt 6 Crucifixion is a 1988 work by Gene Lambert. 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", + "source": "https://imma.ie/collection/the-new-yorker/", + "creditText": "IMMA Collection: On Loan, Private Collection, ", + "image": "spice:documentation/the-new-yorker", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching", + "size": "Plate: 37.5 x 37.5 cm Sheet: 64.5 x 56.9 cm Framed: 71 x 63 x 2.5 cm", + "version": "Edition A/P 2/12", + "hasInventory": "EX.2016.1.51" + }, + { + "@id": "spice:documentation/the-new-yorker", + "@type": "schema:ImageObject", + "caption": "Lucian Freud, The New Yorker, 2006, Etching, Plate: 37.5 x 37.5 cm Sheet: 64.5 x 56.9 cm Framed: 71 x 63 x 2.5 cm, Collection Irish Museum of Modern Art, On Loan, Private Collection ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/08/7597.jpg" + } + ], + "@context": { + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "material": { + "@id": "http://schema.org/material" + }, + "version": { + "@id": "http://schema.org/version" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368461, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 1, + "_updated": true + }, + { + "_id": "untitled-no-140.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-no-140", + "@type": "schema:CreativeWork", + "description": "Untitled (No. 140) is a 1987 work by Anish Kapoor. ", + "source": "https://imma.ie/collection/untitled-no-140/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/untitled-no-140", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gouache on paper", + "size": "31 x 45 cm", + "hasInventory": "L.559 LW" + }, + { + "@id": "spice:documentation/untitled-no-140", + "@type": "schema:ImageObject", + "caption": "Anish Kapoor, Untitled (No. 140), 1987, Gouache on paper, 31 x 45 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/03/943.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368461, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 1, + "_updated": true + }, + { + "_id": "camille-souter.jsonld", + "@graph": [ + { + "@id": "spice:artefact/camille-souter", + "@type": "schema:CreativeWork", + "description": "Camille Souter is a 1990 work by Muiris Moynihan. 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He was particularly fond of Barbara and sent her many of those famous little cards with drawings on them’.", + "source": "https://imma.ie/collection/happy-days-in-2004-sol-carol/", + "creditText": "IMMA Collection: The Novak/O'Doherty Collection at IMMAGift, The American Ireland Fund, 2014", + "image": "spice:documentation/happy-days-in-2004-sol-carol", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Drawing on postcards, felt-tip pen", + "size": "10.8 x 15.1 cm", + "hasInventory": "IMMA.3858.003" + }, + { + "@id": "spice:documentation/happy-days-in-2004-sol-carol", + "@type": "schema:ImageObject", + "caption": "Sol LeWitt, Happy Days in 2004 Sol & Carol, 2004, Drawing on postcards, felt-tip pen, 10.8 x 15.1 cm, Collection Irish Museum of Modern Art, The Novak/O'Doherty Collection at IMMAGift, The American Ireland Fund, 2014 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5208.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368460, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 0, + "_updated": true + }, + { + "_id": "a-filly.jsonld", + "@graph": [ + { + "@id": "spice:artefact/a-filly", + "@type": "schema:CreativeWork", + "description": "A Filly is a 1970 work by Lucian Freud. It is not currently on display in IMMA. ", + "source": "https://imma.ie/collection/a-filly/", + "creditText": "IMMA Collection: On Loan, Private Collection, ", + "image": "spice:documentation/a-filly", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "19 x 26.7 cm Framed: 25.7 x 33.5 x 5.5 cm", + "hasInventory": "EX.2016.1.27" + }, + { + "@id": "spice:documentation/a-filly", + "@type": "schema:ImageObject", + "caption": "Lucian Freud, A Filly, 1970, Oil on canvas, 19 x 26.7 cm Framed: 25.7 x 33.5 x 5.5 cm, Collection Irish Museum of Modern Art, On Loan, Private Collection ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2021/05/7573.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "schema": "http://schema.org/", + "arco-core": "https://w3id.org/arco/ontology/core/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368460, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 1, + "_timestamp_second": 0, + "_updated": true + }, + { + "_id": "suspended-forms-triptych.jsonld", + "@graph": [ + { + "@id": "spice:artefact/suspended-forms-triptych", + "@type": "schema:CreativeWork", + "description": "Suspended Forms (triptych) is a 1982 work by Terry Frost. 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It is protected in a custom made canvas slip which is, Collection Irish Museum of Modern Art, Gift, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5101.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368459, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 59, + "_updated": true + }, + { + "_id": "donegal-bay-diptych.jsonld", + "@graph": [ + { + "@id": "spice:artefact/donegal-bay-diptych", + "@type": "schema:CreativeWork", + "description": "The sea is a central element in Mary Lohan’s paintings for its constantly changing character which reflects both sky and the surrounding land. Her work represents the restlessness of the seasons, the changing play of light and shade, that constant flux that we experience in front of nature. Yet the work does not evoke a sentimental or mythical reading of nature. of her work she has stated: ‘I start from the realization that it’s impossible to paint a landscape. You just can’t do it, because you experience a place on so many levels and in such a complex way. So you have to paint what you see, which isn’t the same thing. And you hope that something of the feeling of the place will come across’.*", + "source": "https://imma.ie/collection/donegal-bay-diptych/", + "creditText": "IMMA Collection: Purchase, 1998", + "image": "spice:documentation/donegal-bay-diptych", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on panel", + "size": "61 x 61 cm each", + "hasInventory": "IMMA.808" + }, + { + "@id": "spice:documentation/donegal-bay-diptych", + "@type": "schema:ImageObject", + "caption": "Mary Lohan, Donegal Bay (diptych), 1997, Oil on panel, 61 x 61 cm each, Collection Irish Museum of Modern Art, Purchase, 1998 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/111.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368459, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 59, + "_updated": true + }, + { + "_id": "arcady-4-1972.jsonld", + "@graph": [ + { + "@id": "spice:artefact/arcady-4-1972", + "@type": "schema:CreativeWork", + "description": "In 1974, Scott created a series of six silk screen prints in editions of twenty-five for the retail shops of Kilkenny Design Workshops. Arcady 4 is one of the series. The shaded green geometric arcs of the print suggest flowing foliage and the natural world. The linen backgound adds to the earthiness of the work, despite its abstract form. During the 1970’s Scott also painted works that alluded to the elements as in his series of works titled, Pyre, Object and Fount.", + "source": "https://imma.ie/collection/arcady-4-1972/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/arcady-4-1972", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Silkscreen on Irish linen", + "size": "61.1 x 61.2 cm", + "version": "Edition 8/25", + "hasInventory": "IMMA.373 GL" + }, + { + "@id": "spice:documentation/arcady-4-1972", + "@type": "schema:ImageObject", + "caption": "Patrick Scott, Arcady 4, 1972, 1974, Silkscreen on Irish linen, 61.1 x 61.2 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/178.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "size": { + "@id": "http://schema.org/size" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "version": { + "@id": "http://schema.org/version" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368459, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 59, + "_updated": true + }, + { + "_id": "white-park-bay-co-antrim.jsonld", + "@graph": [ + { + "@id": "spice:artefact/white-park-bay-co-antrim", + "@type": "schema:CreativeWork", + "description": "White Park Bay, Co. Antrim is a 1985 work by Paul Wakefield. ", + "source": "https://imma.ie/collection/white-park-bay-co-antrim/", + "creditText": "IMMA Collection: Permanent Loan, the Contemporary Irish art Society, 1992", + "image": "spice:documentation/white-park-bay-co-antrim", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Cibachrome photograph", + "size": "27 x 23 cm", + "hasInventory": "L.423" + }, + { + "@id": "spice:documentation/white-park-bay-co-antrim", + "@type": "schema:ImageObject", + "caption": "Paul Wakefield, White Park Bay, Co. Antrim, 1985, Cibachrome photograph, 27 x 23 cm, Collection Irish Museum of Modern Art, Permanent Loan, the Contemporary Irish art Society, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368459, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 59, + "_updated": true + }, + { + "_id": "cast-a-cold-eye.jsonld", + "@graph": [ + { + "@id": "spice:artefact/cast-a-cold-eye", + "@type": "schema:CreativeWork", + "description": "Cast a Cold Eye is a 1968 work by Brian Ferran. 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", + "source": "https://imma.ie/collection/maternite/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/maternite", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Bronze", + "size": "30 x 17 x 7 cm", + "version": "Edition 5/100", + "hasInventory": "IMMA.334 GL" + }, + { + "@id": "spice:documentation/maternite", + "@type": "schema:ImageObject", + "caption": "Leopoldo Novoa, Maternite, 1972, Bronze, 30 x 17 x 7 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1994.jpg" + } + ], + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "material": { + "@id": "http://schema.org/material" + }, + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368459, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 59, + "_updated": true + }, + { + "_id": "irrevocable.jsonld", + "@graph": [ + { + "@id": "spice:artefact/irrevocable", + "@type": "schema:CreativeWork", + "description": "Irrevocable is a 2003 work by Stephen Loughman. ", + "source": "https://imma.ie/collection/irrevocable/", + "creditText": "IMMA Collection: Purchase, 2004", + "image": "spice:documentation/irrevocable", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on board", + "size": "30.3 x 38 cm", + "hasInventory": "IMMA.1773" + }, + { + "@id": "spice:documentation/irrevocable", + "@type": "schema:ImageObject", + "caption": "Stephen Loughman, Irrevocable, 2003, Oil on board, 30.3 x 38 cm, Collection Irish Museum of Modern Art, Purchase, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1711.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368459, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 59, + "_updated": true + }, + { + "_id": "between-the-eyes-t25.jsonld", + "@graph": [ + { + "@id": "spice:artefact/between-the-eyes-t25", + "@type": "schema:CreativeWork", + "description": "Between the Eyes, T25 is a 1990 work by Richard Deacon. ", + "source": "https://imma.ie/collection/between-the-eyes-t25/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/between-the-eyes-t25", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil on paper", + "size": "Framed: 58 x 75.2 cm", + "hasInventory": "L.2008.1.2.25" + }, + { + "@id": "spice:documentation/between-the-eyes-t25", + "@type": "schema:ImageObject", + "caption": "Richard Deacon, Between the Eyes, T25, 1990, Pencil on paper, Framed: 58 x 75.2 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/2764.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368459, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 59, + "_updated": true + }, + { + "_id": "shakespear.jsonld", + "@graph": [ + { + "@id": "spice:artefact/shakespear", + "@type": "schema:CreativeWork", + "description": "Shakespear is a 1964 work by Ferenc Martyn. 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", + "source": "https://imma.ie/collection/kill-god-campaign-dublin-ireland/", + "creditText": "IMMA Collection: Donated by Barbara and Donald Seligman, 2014", + "image": "spice:documentation/kill-god-campaign-dublin-ireland", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Unique cibachrome", + "size": "50.8 x 60.96 cm", + "hasInventory": "IMMA.3829" + }, + { + "@id": "spice:documentation/kill-god-campaign-dublin-ireland", + "@type": "schema:ImageObject", + "caption": "Les Levine, ”Kill God” campaign, Dublin, Ireland, 1994, Unique cibachrome, 50.8 x 60.96 cm, Collection Irish Museum of Modern Art, Donated by Barbara and Donald Seligman, 2014 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368458, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 58, + "_updated": true + }, + { + "_id": "allies.jsonld", + "@graph": [ + { + "@id": "spice:artefact/allies", + "@type": "schema:CreativeWork", + "description": "Allies is a 1985 work by Dorothy Cross. 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", + "source": "https://imma.ie/collection/untitled-84/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/untitled-84", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil, gouache, string", + "size": "47 x 62.5 cm", + "hasInventory": "IMMA.335 GL" + }, + { + "@id": "spice:documentation/untitled-84", + "@type": "schema:ImageObject", + "caption": "Leopoldo Novoa, Untitled, 1981, Pencil, gouache, string, 47 x 62.5 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/03/1995.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368458, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 58, + "_updated": true + }, + { + "_id": "two-sided-movement.jsonld", + "@graph": [ + { + "@id": "spice:artefact/two-sided-movement", + "@type": "schema:CreativeWork", + "description": "Two-Sided Movement is a 1965 work by John Goodyear. ", + "source": "https://imma.ie/collection/two-sided-movement/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/two-sided-movement", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint on vinyl and vinyl grid", + "size": "43.2 x 55.9 cm", + "version": "Edition 177/225", + "hasInventory": "IMMA.230 GL" + }, + { + "@id": "spice:documentation/two-sided-movement", + "@type": "schema:ImageObject", + "caption": "John Goodyear, Two-Sided Movement, 1965, Screenprint on vinyl and vinyl grid, 43.2 x 55.9 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "version": { + "@id": "http://schema.org/version" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368458, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 58, + "_updated": true + }, + { + "_id": "breakthrough-no-iv.jsonld", + "@graph": [ + { + "@id": "spice:artefact/breakthrough-no-iv", + "@type": "schema:CreativeWork", + "description": "Breakthrough No. IV is a 1979 work by Derek Hirst. ", + "source": "https://imma.ie/collection/breakthrough-no-iv/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/breakthrough-no-iv", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Mixed media", + "size": "74.3 x 57.3 cm (sight)", + "hasInventory": "IMMA.252 GL" + }, + { + "@id": "spice:documentation/breakthrough-no-iv", + "@type": "schema:ImageObject", + "caption": "Derek Hirst, Breakthrough No. IV, 1979, Mixed media, 74.3 x 57.3 cm (sight), Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/01/1938.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368458, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 58, + "_updated": true + }, + { + "_id": "ark-of-dreaming.jsonld", + "@graph": [ + { + "@id": "spice:artefact/ark-of-dreaming", + "@type": "schema:CreativeWork", + "description": "At the early age of sixteen Patrick Graham was awarded a scholarship to the National College of Art and Design in Dublin (NCAD). Frustrated by his ultimate inability to express feelings or to communicate through drawing in spite of his natural talent, he began a search for a visual language that could express inner consciousness and address issues of human experience. Graham’s paintings are large, gestural and expressive; the densely layered canvases are often ripped or slashed, revealing the workings of the canvas stretcher.", + "source": "https://imma.ie/collection/ark-of-dreaming/", + "creditText": "IMMA Collection: Purchase, 1991", + "image": "spice:documentation/ark-of-dreaming", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Mixed media on canvas", + "size": "180 x 316 cm", + "hasInventory": "IMMA.41" + }, + { + "@id": "spice:documentation/ark-of-dreaming", + "@type": "schema:ImageObject", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/647.jpg" + } + ], + "@context": { + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368458, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 58, + "_updated": true + }, + { + "_id": "a-crown-of-thorns-ii.jsonld", + "@graph": [ + { + "@id": "spice:artefact/a-crown-of-thorns-ii", + "@type": "schema:CreativeWork", + "description": "A Crown of Thorns II is a 1994 work by Hughie O'Donoghue. ", + "source": "https://imma.ie/collection/a-crown-of-thorns-ii/", + "creditText": "IMMA Collection: Gift, The American Ireland Fund, 2010", + "image": "spice:documentation/a-crown-of-thorns-ii", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on linen canvas", + "size": "308 x 280 cm", + "hasInventory": "IMMA.3256" + }, + { + "@id": "spice:documentation/a-crown-of-thorns-ii", + "@type": "schema:ImageObject", + "caption": "Hughie O'Donoghue, A Crown of Thorns II, 1994, Oil on linen canvas, 308 x 280 cm, Collection Irish Museum of Modern Art, Gift, The American Ireland Fund, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/2231.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368458, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 58, + "_updated": true + }, + { + "_id": "rocks-break.jsonld", + "@graph": [ + { + "@id": "spice:artefact/rocks-break", + "@type": "schema:CreativeWork", + "description": "Rocks Break is a 1979 work by Brian King. ", + "source": "https://imma.ie/collection/rocks-break/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/rocks-break", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "3 photographs and stone on panel", + "size": "73.5 x 91.3 cm", + "hasInventory": "IMMA.272 GL" + }, + { + "@id": "spice:documentation/rocks-break", + "@type": "schema:ImageObject", + "caption": "Brian King, Rocks Break, 1979, 3 photographs and stone on panel, 73.5 x 91.3 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368458, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 58, + "_updated": true + }, + { + "_id": "during-wine-drinking.jsonld", + "@graph": [ + { + "@id": "spice:artefact/during-wine-drinking", + "@type": "schema:CreativeWork", + "description": "During Wine Drinking is a 1964 work by Ferenc Martyn. ", + "source": "https://imma.ie/collection/during-wine-drinking/", + "creditText": "IMMA Collection: Donated, 1989", + "image": "spice:documentation/during-wine-drinking", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "India Ink Wash Drawings", + "size": "59 x 44 cm", + "hasInventory": "IMMA.598" + }, + { + "@id": "spice:documentation/during-wine-drinking", + "@type": "schema:ImageObject", + "caption": "Ferenc Martyn, During Wine Drinking, 1964, India Ink Wash Drawings, 59 x 44 cm, Collection Irish Museum of Modern Art, Donated, 1989 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/958.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368458, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 58, + "_updated": true + }, + { + "_id": "loiseau-de-feu.jsonld", + "@graph": [ + { + "@id": "spice:artefact/loiseau-de-feu", + "@type": "schema:CreativeWork", + "description": "L’Oiseau de Feu is a 1958 work by Georges Braque. 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Possible lithographic technique and varnish., 36.3 x 35 cm Framed: 69 x 62.4 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/01/1880.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "version": { + "@id": "http://schema.org/version" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368458, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 58, + "_updated": true + }, + { + "_id": "porn-foliage.jsonld", + "@graph": [ + { + "@id": "spice:artefact/porn-foliage", + "@type": "schema:CreativeWork", + "description": "Porn Foliage is a 2004 work by Gary Coyle. 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Its dreamlike quality and simple clear composition also vaguely recall Belgian artist René Magritte’s form of surrealism.", + "source": "https://imma.ie/collection/untitled-141/", + "creditText": "IMMA Collection: Donation, Patrick Scott, 2013", + "image": "spice:documentation/untitled-141", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "75.8 x 102.4 x 2.2 cm", + "hasInventory": "IMMA.3844" + }, + { + "@id": "spice:documentation/untitled-141", + "@type": "schema:ImageObject", + "caption": "Kenneth Hall, Untitled, 1935, Oil on canvas, 75.8 x 102.4 x 2.2 cm, Collection Irish Museum of Modern Art, Donation, Patrick Scott, 2013 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368458, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 58, + "_updated": true + }, + { + "_id": "too-dark-for-night.jsonld", + "@graph": [ + { + "@id": "spice:artefact/too-dark-for-night", + "@type": "schema:CreativeWork", + "description": "Clare Langan’s post-apocalyptic trilogy of films, ‘Forty Below’, 1999, ‘Too Dark for Night’, 2001 and ‘Glass Hour’, 2002, individually and collectively offer us visions of a future in which the forces of nature appear to have overwhelmed the human hold on the planet. 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", + "source": "https://imma.ie/collection/chicago/", + "creditText": "IMMA Collection: Donation, David Kronn Collection, 2015", + "image": "spice:documentation/chicago", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gelatin silver print", + "size": "31 x 25 cm", + "hasInventory": "IMMA.3986" + }, + { + "@id": "spice:documentation/chicago", + "@type": "schema:ImageObject", + "caption": "Bob Thall, Chicago, 1979, Gelatin silver print, 31 x 25 cm, Collection Irish Museum of Modern Art, Donation, David Kronn Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368457, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 57, + "_updated": true + }, + { + "_id": "andante.jsonld", + "@graph": [ + { + "@id": "spice:artefact/andante", + "@type": "schema:CreativeWork", + "description": "Andante is a 1969 work by George Campbell. ", + "source": "https://imma.ie/collection/andante/", + "creditText": "IMMA Collection: Heritage Gift by the Bank of Ireland from the Bank of Ireland Collection, 2008", + "image": "spice:documentation/andante", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on board", + "size": "100 x 123 cm", + "hasInventory": "IMMA.2598" + }, + { + "@id": "spice:documentation/andante", + "@type": "schema:ImageObject", + "caption": "George Campbell, Andante, 1969, Oil on board, 100 x 123 cm, Collection Irish Museum of Modern Art, Heritage Gift by the Bank of Ireland from the Bank of Ireland Collection, 2008 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/3473.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368457, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 57, + "_updated": true + }, + { + "_id": "the-family-3.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-family-3", + "@type": "schema:CreativeWork", + "description": "The Family is a 1957 work by Colin Middleton. ", + "source": "https://imma.ie/collection/the-family-3/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004", + "image": "spice:documentation/the-family-3", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Conte and wash on paper", + "size": "29 x 22.5 cm", + "hasInventory": "IMMA.1331 MCCL" + }, + { + "@id": "spice:documentation/the-family-3", + "@type": "schema:ImageObject", + "caption": "Colin Middleton, The Family, 1957, Conte and wash on paper, 29 x 22.5 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/02/1391.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368457, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 57, + "_updated": true + }, + { + "_id": "europp.jsonld", + "@graph": [ + { + "@id": "spice:artefact/europp", + "@type": "schema:CreativeWork", + "description": "Europp is a 1972 work by Mary Farl Powers. 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It refers to the massacre of 111 prisoners in the Carandiru penitentiary in São Paulo by police and other inmates in 1992. The death count was said to be far more than the 111 victims claimed in the official account, and the ghostly palette and the placement of the figures in Maguire’s painting gives the impression that this is merely an indication of a bigger incident.", + "source": "https://imma.ie/collection/memorial/", + "creditText": "IMMA Collection: Heritage Gift by Owen O'Brien, 2000", + "image": "spice:documentation/memorial", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Mixed media on linen", + "size": "269 x 424 cm", + "hasInventory": "IMMA.1313" + }, + { + "@id": "spice:documentation/memorial", + "@type": "schema:ImageObject", + "caption": "Brian Maguire, Memorial, 1998, Mixed media on linen, 269 x 424 cm, Collection Irish Museum of Modern Art, Heritage Gift by Owen O'Brien, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/03/304.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368456, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 56, + "_updated": true + }, + { + "_id": "mathematical-gorsky-vii.jsonld", + "@graph": [ + { + "@id": "spice:artefact/mathematical-gorsky-vii", + "@type": "schema:CreativeWork", + "description": "Mathematical Gorsky, VII is a 1972 work by Ilya Kabakov. 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", + "source": "https://imma.ie/collection/ganga-2/", + "creditText": "IMMA Collection: Purchase, 1991", + "image": "spice:documentation/ganga-2", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic and oil on canvas", + "size": "127 x 160 cm Framed: 127 x 160.5 x 3.8 cm", + "hasInventory": "IMMA.21" + }, + { + "@id": "spice:documentation/ganga-2", + "@type": "schema:ImageObject", + "caption": "Michael Mulcahy, Ganga 2, 1991, Acrylic and oil on canvas, 127 x 160 cm Framed: 127 x 160.5 x 3.8 cm, Collection Irish Museum of Modern Art, Purchase, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/104.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368456, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 56, + "_updated": true + }, + { + "_id": "city-in-red-desert.jsonld", + "@graph": [ + { + "@id": "spice:artefact/city-in-red-desert", + "@type": "schema:CreativeWork", + "description": "City in Red Desert is a 1963 work by Jaap Wagemaker. 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", + "source": "https://imma.ie/collection/night-trench-lake/", + "creditText": "IMMA Collection: Heritage Gift by Bank of Ireland, 1999", + "image": "spice:documentation/night-trench-lake", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "142 x 152 cm", + "hasInventory": "IMMA.1265" + }, + { + "@id": "spice:documentation/night-trench-lake", + "@type": "schema:ImageObject", + "caption": "Barrie Cooke, Night, Trench Lake, 1981, Oil on canvas, 142 x 152 cm, Collection Irish Museum of Modern Art, Heritage Gift by Bank of Ireland, 1999 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368456, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 56, + "_updated": true + }, + { + "_id": "untitled-zalla-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-zalla-2", + "@type": "schema:CreativeWork", + "description": "Untitled (Zalla) is a 2002 work by Patrick Michael Fitzgerald. ", + "source": "https://imma.ie/collection/untitled-zalla-2/", + "creditText": "IMMA Collection: Purchase, 2005", + "image": "spice:documentation/untitled-zalla-2", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil and coloured pencil on paper", + "size": "29 x 23 cm", + "hasInventory": "IMMA.1824" + }, + { + "@id": "spice:documentation/untitled-zalla-2", + "@type": "schema:ImageObject", + "caption": "Patrick Michael Fitzgerald, Untitled (Zalla), 2002, Pencil and coloured pencil on paper, 29 x 23 cm, Collection Irish Museum of Modern Art, Purchase, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1748.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368456, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 56, + "_updated": true + }, + { + "_id": "collage.jsonld", + "@graph": [ + { + "@id": "spice:artefact/collage", + "@type": "schema:CreativeWork", + "description": "Collage is a 1969 work by Adja Yunkers. ", + "source": "https://imma.ie/collection/collage/", + "creditText": "IMMA Collection: Donation, Novak/O'Doherty Collection, 2015", + "image": "spice:documentation/collage", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Paper on board", + "size": "Framed: 31.5 x 31.5 cm 15.4 x 20.7 cm", + "hasInventory": "IMMA.3951" + }, + { + "@id": "spice:documentation/collage", + "@type": "schema:ImageObject", + "caption": "Adja Yunkers, Collage, 1969, Paper on board, Framed: 31.5 x 31.5 cm 15.4 x 20.7 cm, Collection Irish Museum of Modern Art, Donation, Novak/O'Doherty Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/5118.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368456, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 56, + "_updated": true + }, + { + "_id": "ancient-music.jsonld", + "@graph": [ + { + "@id": "spice:artefact/ancient-music", + "@type": "schema:CreativeWork", + "description": "Ancient Music is a 1998 work by Hughie O'Donoghue. ", + "source": "https://imma.ie/collection/ancient-music/", + "creditText": "IMMA Collection: Gift, The American Ireland Fund, 2010", + "image": "spice:documentation/ancient-music", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on linen canvas", + "size": "330 x 203 cm", + "hasInventory": "IMMA.3243" + }, + { + "@id": "spice:documentation/ancient-music", + "@type": "schema:ImageObject", + "caption": "Hughie O'Donoghue, Ancient Music, 1998, Oil on linen canvas, 330 x 203 cm, Collection Irish Museum of Modern Art, Gift, The American Ireland Fund, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1848.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368456, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 56, + "_updated": true + }, + { + "_id": "bag.jsonld", + "@graph": [ + { + "@id": "spice:artefact/bag", + "@type": "schema:CreativeWork", + "description": "Bag is a 1988 work by Geraldine O'Reilly. ", + "source": "https://imma.ie/collection/bag/", + "creditText": "IMMA Collection: Donation, Maire and Maurice Foley, 2000", + "image": "spice:documentation/bag", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gouache on watercolour paper", + "size": "Framed: 69 x 44 cm", + "hasInventory": "IMMA.904 FD" + }, + { + "@id": "spice:documentation/bag", + "@type": "schema:ImageObject", + "caption": "Geraldine O'Reilly, Bag, 1988, Gouache on watercolour paper, Framed: 69 x 44 cm, Collection Irish Museum of Modern Art, Donation, Maire and Maurice Foley, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/595.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368456, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 56, + "_updated": true + }, + { + "_id": "once.jsonld", + "@graph": [ + { + "@id": "spice:artefact/once", + "@type": "schema:CreativeWork", + "description": "Once is a 1986 work by Sean Scully. ", + "source": "https://imma.ie/collection/once/", + "creditText": "IMMA Collection: Purchase, 2006", + "image": "spice:documentation/once", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "245 x 283 cm", + "hasInventory": "IMMA.1971" + }, + { + "@id": "spice:documentation/once", + "@type": "schema:ImageObject", + "caption": "Sean Scully, Once, 1986, Oil on canvas, 245 x 283 cm, Collection Irish Museum of Modern Art, Purchase, 2006 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/663.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368456, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 56, + "_updated": true + }, + { + "_id": "trinity-i.jsonld", + "@graph": [ + { + "@id": "spice:artefact/trinity-i", + "@type": "schema:CreativeWork", + "description": "Trinity I is a 1995 work by Albert Irvin. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-80/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-80", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.080" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-80", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5724.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "version": { + "@id": "http://schema.org/version" + }, + "size": { + "@id": "http://schema.org/size" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368456, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 56, + "_updated": true + }, + { + "_id": "l-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/l-2", + "@type": "schema:CreativeWork", + "description": "Ciarán Murphy’s enigmatic paintings such as L-2 take their starting point from a wide-ranging and ever growing archive of images, found, collected and carefully arranged into categories by the artist. This unseen archive forms the backbone that haunts the finished works. Through a process of editing, erasing, overwriting or simply replacing what has been painted and unpainted, the work leaves a sense that is not quite of loss, or absence, but rather the presence of a non-thing.", + "source": "https://imma.ie/collection/l-2/", + "creditText": "IMMA Collection: Purchase, Hennessy Art Fund for IMMA Collection, 2017", + "image": "spice:documentation/l-2", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "120 x 150 cm", + "hasInventory": "IMMA.4024" + }, + { + "@id": "spice:documentation/l-2", + "@type": "schema:ImageObject", + "caption": "Ciarán Murphy, L-2, 2013, Oil on canvas, 120 x 150 cm, Collection Irish Museum of Modern Art, Purchase, Hennessy Art Fund for IMMA Collection, 2017 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/8912.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368456, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 56, + "_updated": true + }, + { + "_id": "conducting-rod.jsonld", + "@graph": [ + { + "@id": "spice:artefact/conducting-rod", + "@type": "schema:CreativeWork", + "description": "Conducting Rod is a 1980 work by Clifford Rainey. 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Warren says, ‘I particularly enjoy the timber-vaulted roofs sometimes discovered in old barns or churches; I enjoy dry-stone walls, hand carved headstones, a chair that ‘stands’ well – objects made from traditional skills, finely honed over generations’.", + "source": "https://imma.ie/collection/stele-xi/", + "creditText": "IMMA Collection: Purchase, 2011", + "image": "spice:documentation/stele-xi", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Spanish chestnut wood", + "hasInventory": "IMMA.3418" + }, + { + "@id": "spice:documentation/stele-xi", + "@type": "schema:ImageObject", + "caption": "Michael Warren, Stele XI, 1997, Spanish chestnut wood, Collection Irish Museum of Modern Art, Purchase, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/6167.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368456, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 56, + "_updated": true + }, + { + "_id": "derry.jsonld", + "@graph": [ + { + "@id": "spice:artefact/derry", + "@type": "schema:CreativeWork", + "description": "Derry is a 1993 work by Catherine Lee. 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", + "source": "https://imma.ie/collection/la-rencontre-2/", + "creditText": "IMMA Collection: Purchase, 1992", + "image": "spice:documentation/la-rencontre-2", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic on canvas", + "size": "185 x 110 cm Framed: 205.5 x 130 cm", + "hasInventory": "IMMA.94" + }, + { + "@id": "spice:documentation/la-rencontre-2", + "@type": "schema:ImageObject", + "caption": "Micheal Farrell, La Rencontre, 1991, Acrylic on canvas, 185 x 110 cm Framed: 205.5 x 130 cm, Collection Irish Museum of Modern Art, Purchase, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368455, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 55, + "_updated": true + }, + { + "_id": "between-the-eyes-t27.jsonld", + "@graph": [ + { + "@id": "spice:artefact/between-the-eyes-t27", + "@type": "schema:CreativeWork", + "description": "Between the Eyes, T27 is a 1988 work by Richard Deacon. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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", + "source": "https://imma.ie/collection/la-forma-deforme/", + "creditText": "IMMA Collection: Diplomatic gift of the Federal Government of Mexico, 2011", + "image": "spice:documentation/la-forma-deforme", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Lithograph", + "size": "Sheet: 60 x 50 cm Plate: 39 x 26.7 cm", + "hasInventory": "IMMA.3760" + }, + { + "@id": "spice:documentation/la-forma-deforme", + "@type": "schema:ImageObject", + "caption": "Luis López Loza, La Forma Deforme, 2010, Lithograph, Sheet: 60 x 50 cm Plate: 39 x 26.7 cm, Collection Irish Museum of Modern Art, Diplomatic gift of the Federal Government of Mexico, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/6918.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368455, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 55, + "_updated": true + }, + { + "_id": "crossing-the-rapido-vi-painting-caserta-red.jsonld", + "@graph": [ + { + "@id": "spice:artefact/crossing-the-rapido-vi-painting-caserta-red", + "@type": "schema:CreativeWork", + "description": "Crossing the Rapido VI: Painting Caserta Red is a 2003 work by Hughie O'Donoghue. ", + "source": "https://imma.ie/collection/crossing-the-rapido-vi-painting-caserta-red/", + "creditText": "IMMA Collection: Gift, The American Ireland Fund, 2010", + "image": "spice:documentation/crossing-the-rapido-vi-painting-caserta-red", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas in 3 panels", + "size": "366 x 736.5", + "hasInventory": "IMMA.3247" + }, + { + "@id": "spice:documentation/crossing-the-rapido-vi-painting-caserta-red", + "@type": "schema:ImageObject", + "caption": "Hughie O'Donoghue, Crossing the Rapido VI: Painting Caserta Red, 2003, Oil on canvas in 3 panels, 366 x 736.5, Collection Irish Museum of Modern Art, Gift, The American Ireland Fund, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368455, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 55, + "_updated": true + }, + { + "_id": "self-portrait-3.jsonld", + "@graph": [ + { + "@id": "spice:artefact/self-portrait-3", + "@type": "schema:CreativeWork", + "description": "Self-Portrait is a 1949 work by Lucian Freud. ", + "source": "https://imma.ie/collection/self-portrait-3/", + "creditText": "IMMA Collection: On Loan, Private Collection, ", + "image": "spice:documentation/self-portrait-3", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "25 x 17 cm Framed: 32.3 x 23.4 x 5 cm", + "hasInventory": "EX.2016.1.25" + }, + { + "@id": "spice:documentation/self-portrait-3", + "@type": "schema:ImageObject", + "caption": "Lucian Freud, Self-Portrait, 1949, Oil on canvas, 25 x 17 cm Framed: 32.3 x 23.4 x 5 cm, Collection Irish Museum of Modern Art, On Loan, Private Collection ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/05/7571.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368455, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 55, + "_updated": true + }, + { + "_id": "untitled-165.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-165", + "@type": "schema:CreativeWork", + "description": "Untitled is a 1974 work by Alexander Calder. 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Art Collection, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/02/1814.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "version": { + "@id": "http://schema.org/version" + }, + "size": { + "@id": "http://schema.org/size" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368455, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 55, + "_updated": true + }, + { + "_id": "woman-of-the-burren-woman-in-burren.jsonld", + "@graph": [ + { + "@id": "spice:artefact/woman-of-the-burren-woman-in-burren", + "@type": "schema:CreativeWork", + "description": "Woman of the Burren/ Woman in Burren is a 1996 work by Barrie Cooke. 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The titles of the works, as in this one, refer to landscape but rather than copying from nature, Madden seems to explore how it was formed, outlining the capricious nature of geological formations, and considering the effect of light, time and experience on them.", + "source": "https://imma.ie/collection/quadripartie-mountain-sequence-red/", + "creditText": "IMMA Collection: Heritage Gift, P.J. Carroll & Co. Ltd. Art Collection, 2005", + "image": "spice:documentation/quadripartie-mountain-sequence-red", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "144.8 x 182.9 cm", + "hasInventory": "IMMA.1865" + }, + { + "@id": "spice:documentation/quadripartie-mountain-sequence-red", + "@type": "schema:ImageObject", + "caption": "Anne Madden, Quadripartie Mountain Sequence Red, 1967, Oil on canvas, 144.8 x 182.9 cm, Collection Irish Museum of Modern Art, Heritage Gift, P.J. Carroll & Co. Ltd. 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The first is a group of 80 cibachrome photographs produced by Levine in 1972 while this suite comprises 18 photo-etchings made in 1979 from photographs taken in 1972. Both bodies of work were donated to IMMA by the artist.", + "source": "https://imma.ie/collection/i-r-a-handmade-training-chart/", + "creditText": "IMMA Collection: Donated by the artist in memory of his sister June Levine, 2010", + "image": "spice:documentation/i-r-a-handmade-training-chart", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etched on zinc; printed in black ink on white German etching paper", + "size": "55.9 x 76.2 cm", + "hasInventory": "IMMA.3303.003" + }, + { + "@id": "spice:documentation/i-r-a-handmade-training-chart", + "@type": "schema:ImageObject", + "caption": "Les Levine, I.R.A. handmade training chart, 1979, Etched on zinc; printed in black ink on white German etching paper, 55.9 x 76.2 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his sister June Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5626.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368454, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 54, + "_updated": true + }, + { + "_id": "609000hardware-store.jsonld", + "@graph": [ + { + "@id": "spice:artefact/609000hardware-store", + "@type": "schema:CreativeWork", + "description": "609000Hardware Store is a 1938 work by Berenice Abbott. ", + "source": "https://imma.ie/collection/609000hardware-store/", + "creditText": "IMMA Collection: Donation, David Kronn Collection, 2015", + "image": "spice:documentation/609000hardware-store", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gelatin silver print", + "size": "45.5 x 58 cm", + "hasInventory": "IMMA.3952" + }, + { + "@id": "spice:documentation/609000hardware-store", + "@type": "schema:ImageObject", + "caption": "Berenice Abbott, 609000Hardware Store, 1938, Gelatin silver print, 45.5 x 58 cm, Collection Irish Museum of Modern Art, Donation, David Kronn Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/08/7492.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368454, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 54, + "_updated": true + }, + { + "_id": "zabriskie-point-death-valley-ca.jsonld", + "@graph": [ + { + "@id": "spice:artefact/zabriskie-point-death-valley-ca", + "@type": "schema:CreativeWork", + "description": "Zabriskie Point, Death Valley, CA is a 1995 work by Jonathan Krotinger. 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Visual artist Marie Brett developed this work through an extensive participatory project with members of the Dementia Carers Campaign Network and contextual advisors in law and human rights. Further collaboration with chorographer/dancer Philip Connaughton resulted in a series of collaborative, cross-medium art pieces. An in-progress element of this work was first shown at The People’s Pavilion at IMMA, August 2020.", + "source": "https://imma.ie/collection/yes-but-do-you-care/", + "creditText": "IMMA Collection: Purchase, 2021, 2021", + "image": "spice:documentation/yes-but-do-you-care", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "single channel video", + "hasInventory": "IMMA.4234" + }, + { + "@id": "spice:documentation/yes-but-do-you-care", + "@type": "schema:ImageObject", + "caption": "Marie Brett, Yes, But Do You Care?, 2021, single channel video, Duration: 10 min, Collection Irish Museum of Modern Art, Purchase, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2021/04/9535.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368454, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 54, + "_updated": true + }, + { + "_id": "attack-god-rambo-campaign-london-england.jsonld", + "@graph": [ + { + "@id": "spice:artefact/attack-god-rambo-campaign-london-england", + "@type": "schema:CreativeWork", + "description": "”Attack God Rambo” campaign, London, England is a 1985 work by Les Levine. ", + "source": "https://imma.ie/collection/attack-god-rambo-campaign-london-england/", + "creditText": "IMMA Collection: Donated by Barbara and Donald Seligman, 2014", + "image": "spice:documentation/attack-god-rambo-campaign-london-england", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Unique cibachrome", + "size": "50.8 x 60.96 cm Framed: 57.8 x 68 cm", + "hasInventory": "IMMA.3822" + }, + { + "@id": "spice:documentation/attack-god-rambo-campaign-london-england", + "@type": "schema:ImageObject", + "caption": "Les Levine, ”Attack God Rambo” campaign, London, England, 1985, Unique cibachrome, 50.8 x 60.96 cm Framed: 57.8 x 68 cm, Collection Irish Museum of Modern Art, Donated by Barbara and Donald Seligman, 2014 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368453, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 53, + "_updated": true + }, + { + "_id": "reading-position-for-second-degree-burn.jsonld", + "@graph": [ + { + "@id": "spice:artefact/reading-position-for-second-degree-burn", + "@type": "schema:CreativeWork", + "description": "Influenced by his opposition to the Vietnam War, this work documents the artist laying topless in the sun for five hours with an open book titled ‘Tactics – Cavalry Artillery’ on his chest. Froma privileged position of relative safety, Oppenheim points to the damage inflicted on bodies through the use of napalm by the United States army in Vietnam. ", + "source": "https://imma.ie/collection/reading-position-for-second-degree-burn/", + "creditText": "IMMA Collection: Donated by the artist, 2001", + "image": "spice:documentation/reading-position-for-second-degree-burn", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Colour photography and collage text", + "size": "216 x 152 cm", + "hasInventory": "IMMA.1348" + }, + { + "@id": "spice:documentation/reading-position-for-second-degree-burn", + "@type": "schema:ImageObject", + "caption": "Dennis Oppenheim, Reading Position for Second Degree Burn, 1970, Colour photography and collage text, 216 x 152 cm, Collection Irish Museum of Modern Art, Donated by the artist, 2001 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1400.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368453, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 53, + "_updated": true + }, + { + "_id": "imago-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/imago-2", + "@type": "schema:CreativeWork", + "description": "Imago is a 1974 work by Mary Farl Powers. 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Art Collection, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/1774.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368453, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 53, + "_updated": true + }, + { + "_id": "criss-cross-no-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/criss-cross-no-2", + "@type": "schema:CreativeWork", + "description": "Criss Cross, No 2 is a 1969 work by Anne Madden. ", + "source": "https://imma.ie/collection/criss-cross-no-2/", + "creditText": "IMMA Collection: Heritage Gift, P.J. Carroll & Co. Ltd. Art Collection, 2005", + "image": "spice:documentation/criss-cross-no-2", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on perspex", + "size": "118 x 90 cm", + "version": "Edition 8/20", + "hasInventory": "IMMA.1862" + }, + { + "@id": "spice:documentation/criss-cross-no-2", + "@type": "schema:ImageObject", + "caption": "Anne Madden, Criss Cross, No 2, 1969, Oil on perspex, 118 x 90 cm, Collection Irish Museum of Modern Art, Heritage Gift, P.J. Carroll & Co. Ltd. Art Collection, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368453, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 53, + "_updated": true + }, + { + "_id": "tam-tam-25-7-77.jsonld", + "@graph": [ + { + "@id": "spice:artefact/tam-tam-25-7-77", + "@type": "schema:CreativeWork", + "description": "Tam-Tam 25/7/77 is a 1977 work by John Hoyland. 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In ‘Familiar I’ this is combined with a keen awareness of the debates in the art world about abstraction and figuration, about painting and sculpture. The monochrome colour field of the canvas, beloved by male painters in the 1980s is interrupted by the presence of a little white female figure, small but determined; the painting is accompanied by a skein of unbleached flax that resembles human hair. Are we looking at painting or sculpture, nature or art? This work defies conventional definition.", + "source": "https://imma.ie/collection/familiar-1/", + "creditText": "IMMA Collection: Purchase, assisted by funding from Maire and Maurice Foley, 1995", + "image": "spice:documentation/familiar-1", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic on canvas, flax and wood", + "size": "250 x 250 cm", + "hasInventory": "IMMA.467" + }, + { + "@id": "spice:documentation/familiar-1", + "@type": "schema:ImageObject", + "caption": "Alice Maher, familiar 1, 1994, Acrylic on canvas, flax and wood, 250 x 250 cm, Collection Irish Museum of Modern Art, Purchase, assisted by funding from Maire and Maurice Foley, 1995 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/2.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368453, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 53, + "_updated": true + }, + { + "_id": "ringsend-man.jsonld", + "@graph": [ + { + "@id": "spice:artefact/ringsend-man", + "@type": "schema:CreativeWork", + "description": "Michael Kane has been actively engaged in the politics of art-practice in Ireland since the 1960s. A member of the Independent Artists and founder of Project 67 (which later became the Project Arts Centre) he has been an uncompromising critic of injustice, inequality and ineptitude. He published and edited ‘Structure’ -a socio-political journal of art and thought in the 1970s, while continuing to promote opportunities for artists, and to create a large output of prints and paintings that can be characterized by their energy and the anger they so clearly express. The new urban realities that emerged in Ireland since the 1950s energized him, but recently he has returned to his own rural background for inspiration. He has remained steadfastly and often fiercely figurative, creating archetypes of contemporary Ireland such as ‘Ringsend Man’.", + "source": "https://imma.ie/collection/ringsend-man/", + "creditText": "IMMA Collection: Purchase, 1994", + "image": "spice:documentation/ringsend-man", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "122 x 183 cm", + "hasInventory": "IMMA.443" + }, + { + "@id": "spice:documentation/ringsend-man", + "@type": "schema:ImageObject", + "caption": "Michael Kane, Ringsend Man, 1993, Oil on canvas, 122 x 183 cm, Collection Irish Museum of Modern Art, Purchase, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/481.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368453, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 53, + "_updated": true + }, + { + "_id": "one-horned-goat-of-timlahan.jsonld", + "@graph": [ + { + "@id": "spice:artefact/one-horned-goat-of-timlahan", + "@type": "schema:CreativeWork", + "description": "One Horned Goat of Timlahan is a 1981 work by Stan Greene. ", + "source": "https://imma.ie/collection/one-horned-goat-of-timlahan/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/one-horned-goat-of-timlahan", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint", + "size": "58.2 x 45.5 cm", + "version": "Edition 10/150", + "hasInventory": "IMMA.1034 MP" + }, + { + "@id": "spice:documentation/one-horned-goat-of-timlahan", + "@type": "schema:ImageObject", + "caption": "Stan Greene, One Horned Goat of Timlahan, 1981, Screenprint, 58.2 x 45.5 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368453, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 53, + "_updated": true + }, + { + "_id": "soya-ii-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/soya-ii-2", + "@type": "schema:CreativeWork", + "description": "Soya II is a 1981 work by Mary Farl Powers. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-10/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-10", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.010" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-10", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5653.jpg" + } + ], + "@context": { + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "size": { + "@id": "http://schema.org/size" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368452, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 52, + "_updated": true + }, + { + "_id": "captain-moses-wild-geese-series.jsonld", + "@graph": [ + { + "@id": "spice:artefact/captain-moses-wild-geese-series", + "@type": "schema:CreativeWork", + "description": "Captain Moses (Wild Geese Series) is a 1989 work by Sidney Nolan. 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", + "source": "https://imma.ie/collection/no-9/", + "creditText": "IMMA Collection: Heritage Gift by the Bank of Ireland from the Bank of Ireland collection, 2008", + "image": "spice:documentation/no-9", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Graphic, aquatint on paper", + "size": "195 x 229 cm", + "hasInventory": "IMMA.2613" + }, + { + "@id": "spice:documentation/no-9", + "@type": "schema:ImageObject", + "caption": "Emil Schumacher, No. 9, 1964, Graphic, aquatint on paper, 195 x 229 cm, Collection Irish Museum of Modern Art, Heritage Gift by the Bank of Ireland from the Bank of Ireland collection, 2008 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368452, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 52, + "_updated": true + }, + { + "_id": "wings-of-fear.jsonld", + "@graph": [ + { + "@id": "spice:artefact/wings-of-fear", + "@type": "schema:CreativeWork", + "description": "Wings of Fear is a 1986 work by Nigel Rolfe. 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"http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368452, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 52, + "_updated": true + }, + { + "_id": "expand-expand-through-bush-land.jsonld", + "@graph": [ + { + "@id": "spice:artefact/expand-expand-through-bush-land", + "@type": "schema:CreativeWork", + "description": "The work of Nina Canell attempts to activate an intersection between", + 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"url": "https://imma.ie/wp-content/uploads/2021/03/5562.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368452, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 52, + "_updated": true + }, + { + "_id": "untitled-birds-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-birds-2", + "@type": "schema:CreativeWork", + "description": "Untitled (Birds) is a 1975 work by Tony O'Malley. 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", + "source": "https://imma.ie/collection/now-here-24/", + "creditText": "IMMA Collection: Purchase, 2006", + "image": "spice:documentation/now-here-24", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Black marker on paper", + "size": "69 x 99 cm", + "hasInventory": "IMMA.1957" + }, + { + "@id": "spice:documentation/now-here-24", + "@type": "schema:ImageObject", + "caption": "Garrett Phelan, NOW: HERE 24, 2006, Black marker on paper, 69 x 99 cm, Collection Irish Museum of Modern Art, Purchase, 2006 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/97.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368452, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 52, + "_updated": true + }, + { + "_id": "black-47.jsonld", + "@graph": [ + { + "@id": "spice:artefact/black-47", + "@type": "schema:CreativeWork", + "description": "Black ’47 is a 1997 work by Micheal Farrell. ", + "source": "https://imma.ie/collection/black-47/", + "creditText": "IMMA Collection: Donation, Friends of the National Collection, 2004", + "image": "spice:documentation/black-47", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching with aquatint", + "size": "Framed: 86 x 104 cm 60 x 81 cm", + "version": "Edition 1/30", + "hasInventory": "IMMA.2871" + }, + { + "@id": "spice:documentation/black-47", + "@type": "schema:ImageObject", + "caption": "Micheal Farrell, Black ’47, 1997, Etching with aquatint, Framed: 86 x 104 cm 60 x 81 cm, Collection Irish Museum of Modern Art, Donation, Friends of the National Collection, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/4012.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "material": { + "@id": "http://schema.org/material" + }, + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368452, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 52, + "_updated": true + }, + { + "_id": "hinge.jsonld", + "@graph": [ + { + "@id": "spice:artefact/hinge", + "@type": "schema:CreativeWork", + "description": "Hinge is a 1981 work by Mary Farl Powers. ", + "source": "https://imma.ie/collection/hinge/", + "creditText": "IMMA Collection: Donation, Powers Family, 2009", + "image": "spice:documentation/hinge", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Colour etching", + "size": "45 x 32 cm", + "version": "Edition 20/45", + "hasInventory": "IMMA.684" + }, + { + "@id": "spice:documentation/hinge", + "@type": "schema:ImageObject", + "caption": "Mary Farl Powers, Hinge, 1981, Colour etching, 45 x 32 cm, Collection Irish Museum of Modern Art, Donation, Powers Family, 2009 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "material": { + "@id": "http://schema.org/material" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "size": { + "@id": "http://schema.org/size" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368452, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 52, + "_updated": true + }, + { + "_id": "over-the-bog.jsonld", + "@graph": [ + { + "@id": "spice:artefact/over-the-bog", + "@type": "schema:CreativeWork", + "description": "Souter’s vistas are not the receding, pastoral kind, but rather show small holdings and side cuttings, the left-over strips of land where detritus haphazardly gathers and nature curls its way around it. 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The colour of a black board, words written then rubbed out. Being at play in the neat grounds of institutions. I see them as abstract paintings’.", + "source": "https://imma.ie/collection/chain/", + "creditText": "IMMA Collection: Purchase, 1998", + "image": "spice:documentation/chain", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "52 x 42 cm", + "hasInventory": "IMMA.795" + }, + { + "@id": "spice:documentation/chain", + "@type": "schema:ImageObject", + "caption": "Mark Joyce, Chain, 1997, Oil on canvas, 52 x 42 cm, Collection Irish Museum of Modern Art, Purchase, 1998 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/7.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368452, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 52, + "_updated": true + }, + { + "_id": "jump.jsonld", + "@graph": [ + { + "@id": "spice:artefact/jump", + "@type": "schema:CreativeWork", + "description": "Since 2008, Cléa van der Grijn’s work and practice is about unravelling the complexities associated around the culture of death, reconstructed memory and time. In JUMP (2018) van der Grijn asks what are the memories between the transitional period of jumping and hitting the water when life becomes momentarily suspended. When viewed from our typical perspective of being within and perceiving the world according to linear time, the period of a jump, between the precipitation of the action and the landing, the splash, happens in an instant; and from this perspective, not much can ‘happen’ in an instant. This is the effect of forgetting that linear time is a projection, a construct that the mind creates to make it possible to self-identify and exist in the world. ", + "source": "https://imma.ie/collection/jump/", + "creditText": "IMMA Collection: Purchase, 2021, 2021", + "image": "spice:documentation/jump", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "HD Video", + "hasInventory": "IMMA.4228" + }, + { + "@id": "spice:documentation/jump", + "@type": "schema:ImageObject", + "caption": "Cléa van der Grijn, Jump, 2018, HD Video, Duration: 26min.31 sec., Collection Irish Museum of Modern Art, Purchase, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9529.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368452, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 52, + "_updated": true + }, + { + "_id": "head-with-crown.jsonld", + "@graph": [ + { + "@id": "spice:artefact/head-with-crown", + "@type": "schema:CreativeWork", + "description": "Head With Crown is a 1964 work by Ferenc Martyn. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-73/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-73", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.073" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-73", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5717.jpg" + } + ], + "@context": { + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "material": { + "@id": "http://schema.org/material" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368451, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 51, + "_updated": true + }, + { + "_id": "torso-steel-7-stone.jsonld", + "@graph": [ + { + "@id": "spice:artefact/torso-steel-7-stone", + "@type": "schema:CreativeWork", + "description": "Torso/ Steel 7 stone is a 1987 work by Sean Scullion. ", + "source": "https://imma.ie/collection/torso-steel-7-stone/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/torso-steel-7-stone", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Stone and steel", + "size": "86.5 x 51.5 x 28.5 cm", + "hasInventory": "IMMA.377 GL" + }, + { + "@id": "spice:documentation/torso-steel-7-stone", + "@type": "schema:ImageObject", + "caption": "Sean Scullion, Torso/ Steel 7 stone, 1987, Stone and steel, 86.5 x 51.5 x 28.5 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368451, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 51, + "_updated": true + }, + { + "_id": "parallel-windows-i-original-drawing.jsonld", + "@graph": [ + { + "@id": "spice:artefact/parallel-windows-i-original-drawing", + "@type": "schema:CreativeWork", + "description": "Parallel Windows I – original drawing is a 1993 work by Eun-Mo Chung. ", + "source": "https://imma.ie/collection/parallel-windows-i-original-drawing/", + "creditText": "IMMA Collection: Purchase, 1994", + "image": "spice:documentation/parallel-windows-i-original-drawing", + "maintainer": "https://w3id.org/spice/institute/imma", + "size": "40 x 30 cm", + "hasInventory": "IMMA.2665.1" + }, + { + "@id": "spice:documentation/parallel-windows-i-original-drawing", + "@type": "schema:ImageObject", + "caption": "Eun-Mo Chung, Parallel Windows I – original drawing, 1993, 40 x 30 cm, Collection Irish Museum of Modern Art, Purchase, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368451, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 51, + "_updated": true + }, + { + "_id": "form-i.jsonld", + "@graph": [ + { + "@id": "spice:artefact/form-i", + "@type": "schema:CreativeWork", + "description": "Form I is a 1975 work by Mary Farl Powers. 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The works shown there responded to the ongoing abuse of women within Irish society, in particular referring to the Kerry Babies Trial and the 8th amendment of the constitution in 1983. The exhibition highlighted the ongoing involvement of the Church in determining the lives of women in Irish society. 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In Cage’s love letter, the rain is described as ‘alternately terrific and gentle’, reminding him of his lover. Nunes’ work is a meditation on the relationship between love and rain; nostalgia, remembering and haunting; thirst, yearning, erotic energy, release and liberation. The artist sees ‘terrific and gentle’ as different phases in the same cycle, all constantly transitioning from states of desire/longing, climax and release.", + "source": "https://imma.ie/collection/arima/", + "creditText": "IMMA Collection: Purchase, 2021, 2021", + "image": "spice:documentation/arima", + "maintainer": "https://w3id.org/spice/institute/imma", + "size": "Duration: 8min.0 sec.", + "hasInventory": "IMMA.4339" + }, + { + "@id": "spice:documentation/arima", + "@type": "schema:ImageObject", + "caption": "Maïa Nunes, ARIMA, 2020, Duration: 8min.0 sec., Collection Irish Museum of Modern Art, Purchase, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2021/05/9639.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368451, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 51, + "_updated": true + }, + { + "_id": "untitled-03-91.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-03-91", + "@type": "schema:CreativeWork", + "description": "Untitled (03.91) is a 1990 work by Seán Shanahan. 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In 2003, he participated in the Artists’ Residency Programme at IMMA. During that time, he collected scrap wood from skips around the grounds of the Museum to build a fictional wooden sports car in the shape of a Porsche 911. 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", + "source": "https://imma.ie/collection/little-wanganui-river-viii/", + "creditText": "IMMA Collection: Loan, Maire and Maurice Foley, 2004", + "image": "spice:documentation/little-wanganui-river-viii", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "183 x 213 cm", + "hasInventory": "L.1793" + }, + { + "@id": "spice:documentation/little-wanganui-river-viii", + "@type": "schema:ImageObject", + "caption": "Barrie Cooke, Little Wanganui River VIII, 1998, Oil on canvas, 183 x 213 cm, Collection Irish Museum of Modern Art, Loan, Maire and Maurice Foley, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1729.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368450, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 50, + "_updated": true + }, + { + "_id": "fourteen-points-of-entry-xiii.jsonld", + "@graph": [ + { + "@id": "spice:artefact/fourteen-points-of-entry-xiii", + "@type": "schema:CreativeWork", + "description": "Fourteen Points of Entry xiii is a 1990 work by Samuel Walsh. 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Art Collection, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368450, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 50, + "_updated": true + }, + { + "_id": "still-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/still-2", + "@type": "schema:CreativeWork", + "description": "Still is a 1973 work by Stanley Hayter. 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", + "source": "https://imma.ie/collection/hurricane/", + "creditText": "IMMA Collection: Permanent Loan, the Contemporary Irish art Society, 1992", + "image": "spice:documentation/hurricane", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on paper", + "size": "36 x 24 cm", + "hasInventory": "L.420" + }, + { + "@id": "spice:documentation/hurricane", + "@type": "schema:ImageObject", + "caption": "Brian Henderson, Hurricane, 1984, Oil on paper, 36 x 24 cm, Collection Irish Museum of Modern Art, Permanent Loan, the Contemporary Irish art Society, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/02/106.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368450, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 50, + "_updated": true + }, + { + "_id": "art-comics-and-satires-reinhardts-needle.jsonld", + "@graph": [ + { + "@id": "spice:artefact/art-comics-and-satires-reinhardts-needle", + "@type": "schema:CreativeWork", + "description": "Art Comics and Satires. Reinhardt’s Needle is a 1976 work by Ad Reinhardt. ", + "source": "https://imma.ie/collection/art-comics-and-satires-reinhardts-needle/", + "creditText": "IMMA Collection: Donation, Novak/O'Doherty Collection, 2015", + "image": "spice:documentation/art-comics-and-satires-reinhardts-needle", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "7 Broadsheets, double sided, folded in half with slip cover", + "size": "43 x 30.3 cm (cover)", + "hasInventory": "IMMA.3937" + }, + { + "@id": "spice:documentation/art-comics-and-satires-reinhardts-needle", + "@type": "schema:ImageObject", + "caption": "Ad Reinhardt, Art Comics and Satires. 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", + "source": "https://imma.ie/collection/rustle-divide/", + "creditText": "IMMA Collection: Donation, 2011", + "image": "spice:documentation/rustle-divide", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Coloured pencil on paper", + "size": "32.5 x 25 cm", + "hasInventory": "IMMA.3328" + }, + { + "@id": "spice:documentation/rustle-divide", + "@type": "schema:ImageObject", + "caption": "Patrick Michael Fitzgerald, Rustle (Divide), 2010, Coloured pencil on paper, 32.5 x 25 cm, Collection Irish Museum of Modern Art, Donation, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/5794.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368450, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 50, + "_updated": true + }, + { + "_id": "large-rosc-symbol.jsonld", + "@graph": [ + { + "@id": "spice:artefact/large-rosc-symbol", + "@type": "schema:CreativeWork", + "description": "Large Rosc Symbol is a 1971 work by Patrick Scott. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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It is not currently on display in IMMA. 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", + "source": "https://imma.ie/collection/wet-day/", + "creditText": "IMMA Collection: Donation, 2014", + "image": "spice:documentation/wet-day", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on paper", + "size": "99 x 74 cm", + "hasInventory": "IMMA.3819" + }, + { + "@id": "spice:documentation/wet-day", + "@type": "schema:ImageObject", + "caption": "Patrick Scott, Wet day, 1949, Oil on paper, 99 x 74 cm, Collection Irish Museum of Modern Art, Donation, 2014 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/01/7218-scaled.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368449, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 49, + "_updated": true + }, + { + "_id": "reduced-summer-garden-night-scene-reduced-to-88.jsonld", + "@graph": [ + { + "@id": "spice:artefact/reduced-summer-garden-night-scene-reduced-to-88", + "@type": "schema:CreativeWork", + "description": "Objects by Mark Manders often appear to be made from some other material than what seems to have been used. What look like found objects, may in fact have been handmade. Manders often uses reduction of scale in his works; shrinking them to 88% of the actual or real world proportions.", + "source": "https://imma.ie/collection/reduced-summer-garden-night-scene-reduced-to-88/", + "creditText": "IMMA Collection: Purchase, 2005", + "image": "spice:documentation/reduced-summer-garden-night-scene-reduced-to-88", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Sand, porcelain, wood, iron, cat-skin, rope, glass", + "size": "202 x 470 x 200 cm", + "hasInventory": "IMMA.1907" + }, + { + "@id": "spice:documentation/reduced-summer-garden-night-scene-reduced-to-88", + "@type": "schema:ImageObject", + "caption": "Mark Manders, Reduced Summer Garden Night Scene (Reduced to 88%), 2002, Sand, porcelain, wood, iron, cat-skin, rope, glass, 202 x 470 x 200 cm, Collection Irish Museum of Modern Art, Purchase, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/898.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368449, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 49, + "_updated": true + }, + { + "_id": "bethany-drawing-4.jsonld", + "@graph": [ + { + "@id": "spice:artefact/bethany-drawing-4", + "@type": "schema:CreativeWork", + "description": "Bethany Drawing is a 2004 work by Patrick Michael Fitzgerald. ", + "source": "https://imma.ie/collection/bethany-drawing-4/", + "creditText": "IMMA Collection: Purchase, 2005", + "image": "spice:documentation/bethany-drawing-4", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil and coloured pencil on paper", + "size": "43 x 35.5 cm", + "hasInventory": "IMMA.1823" + }, + { + "@id": "spice:documentation/bethany-drawing-4", + "@type": "schema:ImageObject", + "caption": "Patrick Michael Fitzgerald, Bethany Drawing, 2004, Pencil and coloured pencil on paper, 43 x 35.5 cm, Collection Irish Museum of Modern Art, Purchase, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1747.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368449, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 49, + "_updated": true + }, + { + "_id": "untitled-14.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-14", + "@type": "schema:CreativeWork", + "description": "Untitled is a 2004 work by Patrick Michael Fitzgerald. ", + "source": "https://imma.ie/collection/untitled-14/", + "creditText": "IMMA Collection: Purchase, 2005", + "image": "spice:documentation/untitled-14", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil and coloured pencil on paper", + "size": "29 x 23 cm", + "hasInventory": "IMMA.1827" + }, + { + "@id": "spice:documentation/untitled-14", + "@type": "schema:ImageObject", + "caption": "Patrick Michael Fitzgerald, Untitled, 2004, Pencil and coloured pencil on paper, 29 x 23 cm, Collection Irish Museum of Modern Art, Purchase, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1464.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368449, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 49, + "_updated": true + }, + { + "_id": "paul.jsonld", + "@graph": [ + { + "@id": "spice:artefact/paul", + "@type": "schema:CreativeWork", + "description": "Paul is a 1985 work by Gene Lambert. ", + "source": "https://imma.ie/collection/paul/", + "creditText": "IMMA Collection: Purchase, 1991", + "image": "spice:documentation/paul", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Black and white photograph", + "size": "33 x 24 cm", + "hasInventory": "IMMA.15.014" + }, + { + "@id": "spice:documentation/paul", + "@type": "schema:ImageObject", + "caption": "Gene Lambert, Paul, 1985, Black and white photograph, 33 x 24 cm, Collection Irish Museum of Modern Art, Purchase, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/732.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368449, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 49, + "_updated": true + }, + { + "_id": "winnie.jsonld", + "@graph": [ + { + "@id": "spice:artefact/winnie", + "@type": "schema:CreativeWork", + "description": "Winnie is a 1985 work by Gene Lambert. ", + "source": "https://imma.ie/collection/winnie/", + "creditText": "IMMA Collection: Purchase, 1991", + "image": "spice:documentation/winnie", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Black and white photographs", + "size": "33 x 24 cm", + "hasInventory": "IMMA.15.008" + }, + { + "@id": "spice:documentation/winnie", + "@type": "schema:ImageObject", + "caption": "Gene Lambert, Winnie, 1985, Black and white photographs, 33 x 24 cm, Collection Irish Museum of Modern Art, Purchase, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/726.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368449, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 49, + "_updated": true + }, + { + "_id": "coming.jsonld", + "@graph": [ + { + "@id": "spice:artefact/coming", + "@type": "schema:CreativeWork", + "description": "‘Coming’ works with a toolbox of iconic modern artworks and objects, including Marcel Duchamp’s ‘Fountain’ and Carl André’s ‘Equivalent VIII’, represented in Craig-Martin’s signature style. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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By applying thin strips of metal and coloured stripes of plastic onto painted colour lines, Cruz-Diez achieved a moiré-like effect, generating countless colour variations according to the movement of the viewer and intensity of the light.", + "source": "https://imma.ie/collection/physichromie-no-226/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/physichromie-no-226", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Painted wood and perspex", + "size": "81.3 x 61.1 x 9.3 cm", + "hasInventory": "IMMA.186 GL" + }, + { + "@id": "spice:documentation/physichromie-no-226", + "@type": "schema:ImageObject", + "caption": "Carlos Cruz-Diez, Physichromie No. 226, 1966, Painted wood and perspex, 81.3 x 61.1 x 9.3 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1901.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368448, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 48, + "_updated": true + }, + { + "_id": "mythical-mare.jsonld", + "@graph": [ + { + "@id": "spice:artefact/mythical-mare", + "@type": "schema:CreativeWork", + "description": "The Mythical Mare (1978) was made as a votive offering to the horse goddess Epona and was first exhibited in a solo show titled Epona in the Project Arts Centre, Dublin in 1980. 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When speaking of his work he says: “I’ve used literary devices, literary ideas and concepts as starting points….., its partly because ideas are put down so succinctly in literature.”*", + "source": "https://imma.ie/collection/mythical-mare/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/mythical-mare", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Ceramic", + "size": "40.9 x 14 x 15.6 cm", + "hasInventory": "IMMA.349 GL" + }, + { + "@id": "spice:documentation/mythical-mare", + "@type": "schema:ImageObject", + "caption": "Michael O'Sullivan, Mythical Mare, 1978, Ceramic, 40.9 x 14 x 15.6 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368448, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 48, + "_updated": true + }, + { + "_id": "mausoleum-birmingham.jsonld", + "@graph": [ + { + "@id": "spice:artefact/mausoleum-birmingham", + "@type": "schema:CreativeWork", + "description": "The sepia tones of ‘Mausoleum, Birmingham, England’ and the imperial authority of the building have all the hallmarks of the real thing. 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The classical simplicity of the composition and the high production values assert an aesthetic authority in its place.", + "source": "https://imma.ie/collection/mausoleum-birmingham/", + "creditText": "IMMA Collection: Donated by the artist, 2001", + "image": "spice:documentation/mausoleum-birmingham", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival inkjet print on watercolour paper", + "size": "81 x 183 cm Framed: 84 x 186.2 cm", + "version": "Edition 5/15", + "hasInventory": "IMMA.1504" + }, + { + "@id": "spice:documentation/mausoleum-birmingham", + "@type": "schema:ImageObject", + "caption": "Carl Zimmerman, Mausoleum, Birmingham, 2001, Archival inkjet print on watercolour paper, 81 x 183 cm Framed: 84 x 186.2 cm, Collection Irish Museum of Modern Art, Donated by the artist, 2001 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1542.jpg" + } + ], + "@context": { + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "size": { + "@id": "http://schema.org/size" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368448, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 48, + "_updated": true + }, + { + "_id": "sand-dune.jsonld", + "@graph": [ + { + "@id": "spice:artefact/sand-dune", + "@type": "schema:CreativeWork", + "description": "Sand Dune is a 1988 work by Clement McAleer. 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", + "source": "https://imma.ie/collection/revolving-disk/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/revolving-disk", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Wood, elastic and electric motor", + "size": "34.8 x 34.6 x 2.9 cm", + "hasInventory": "IMMA.368 GL" + }, + { + "@id": "spice:documentation/revolving-disk", + "@type": "schema:ImageObject", + "caption": "Brian Robins, Revolving Disk, 1966, Wood, elastic and electric motor, 34.8 x 34.6 x 2.9 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368448, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 48, + "_updated": true + }, + { + "_id": "the-tain-cuchulainn-mounting-into-his-chariot.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-tain-cuchulainn-mounting-into-his-chariot", + "@type": "schema:CreativeWork", + "description": "The Táin. 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Cúchulainn mounting into his chariot, 1969, Aubusson Tapestry, Atelier René Duché, 1999, 129 x 184 cm, Collection Irish Museum of Modern Art, Heritage Gift by Brian Timmons, 2001 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/143.jpg" + } + ], + "@context": { + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "version": { + "@id": "http://schema.org/version" + }, + "size": { + "@id": "http://schema.org/size" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368448, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 48, + "_updated": true + }, + { + "_id": "raval-7.jsonld", + "@graph": [ + { + "@id": "spice:artefact/raval-7", + "@type": "schema:CreativeWork", + "description": "Raval 7 is a 1996 work by Sean Scully. 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The drawings are haunting and full of feelings of empathy for the individual depicted.", + "source": "https://imma.ie/collection/diario-popular-twelve-days-in-march-12/", + "creditText": "IMMA Collection: Heritage Gift Owen O'Brien, 2000", + "image": "spice:documentation/diario-popular-twelve-days-in-march-12", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "mixed media on paper", + "size": "50 x 70 cm", + "hasInventory": "IMMA.1316.011" + }, + { + "@id": "spice:documentation/diario-popular-twelve-days-in-march-12", + "@type": "schema:ImageObject", + "caption": "Brian Maguire, Diario Popular (Twelve Days in March), 1998, mixed media on paper, 50 x 70 cm, Collection Irish Museum of Modern Art, Heritage Gift Owen O'Brien, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/479.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368448, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 48, + "_updated": true + }, + { + "_id": "dont-be-cruel-athlone-county-westmeath.jsonld", + "@graph": [ + { + "@id": "spice:artefact/dont-be-cruel-athlone-county-westmeath", + "@type": "schema:CreativeWork", + "description": "‘Don’t Be Cruel’, Athlone, County Westmeath is a 1988 work by Donovan Wylie. 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Rego’s ‘The Night Crow’ is a threatening predatory creature.", + "source": "https://imma.ie/collection/the-night-crow/", + "creditText": "IMMA Collection: Purchase, 1996", + "image": "spice:documentation/the-night-crow", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching on hand-made paper", + "size": "28 x 18 cm", + "version": "Edition 14/20", + "hasInventory": "IMMA.750" + }, + { + "@id": "spice:documentation/the-night-crow", + "@type": "schema:ImageObject", + "caption": "Paula Rego, The Night Crow, 1992, Etching on hand-made paper, 28 x 18 cm, Collection Irish Museum of Modern Art, Purchase, 1996 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1051.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "version": { + "@id": "http://schema.org/version" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368447, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 47, + "_updated": true + }, + { + "_id": "the-tain-ulster-rises-from-its-pangs.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-tain-ulster-rises-from-its-pangs", + "@type": "schema:CreativeWork", + "description": "The Táin. 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", + "source": "https://imma.ie/collection/patrick/", + "creditText": "IMMA Collection: Purchase, 1991", + "image": "spice:documentation/patrick", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Black and white photographs", + "size": "33 x 24 cm", + "hasInventory": "IMMA.15.005" + }, + { + "@id": "spice:documentation/patrick", + "@type": "schema:ImageObject", + "caption": "Gene Lambert, Patrick, 1985, Black and white photographs, 33 x 24 cm, Collection Irish Museum of Modern Art, Purchase, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/723.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368447, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 47, + "_updated": true + }, + { + "_id": "inscape-the-hawkwood.jsonld", + "@graph": [ + { + "@id": "spice:artefact/inscape-the-hawkwood", + "@type": "schema:CreativeWork", + "description": "Inscape, The Hawkwood is a 1964 work by Tony O'Malley. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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", + "source": "https://imma.ie/collection/96-bag-piece-ii/", + "creditText": "IMMA Collection: Heritage Gift by Bank of Ireland, 1999", + "image": "spice:documentation/96-bag-piece-ii", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Relief- Assemblage, fabric and fiberglass", + "hasInventory": "IMMA.1263" + }, + { + "@id": "spice:documentation/96-bag-piece-ii", + "@type": "schema:ImageObject", + "caption": "Helen Comerford, 96 Bag Piece II, 1980, Relief- Assemblage, fabric and fiberglass, Collection Irish Museum of Modern Art, Heritage Gift by Bank of Ireland, 1999 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368447, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 47, + "_updated": true + }, + { + "_id": "uptown-top-rankin.jsonld", + "@graph": [ + { + "@id": "spice:artefact/uptown-top-rankin", + "@type": "schema:CreativeWork", + "description": "Uptown Top Rankin is a 1991 work by John White. ", + "source": "https://imma.ie/collection/uptown-top-rankin/", + "creditText": "IMMA Collection: Purchase, 1991", + "image": "spice:documentation/uptown-top-rankin", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Steel, plastic, rubber", + "size": "170 x 180 x 100 cm", + "hasInventory": "IMMA.40" + }, + { + "@id": "spice:documentation/uptown-top-rankin", + "@type": "schema:ImageObject", + "caption": "John White, Uptown Top Rankin, 1991, Steel, plastic, rubber, 170 x 180 x 100 cm, Collection Irish Museum of Modern Art, Purchase, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368447, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 47, + "_updated": true + }, + { + "_id": "the-last-thing-on-earth-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-last-thing-on-earth-2", + "@type": "schema:CreativeWork", + "description": "The Last Thing on Earth is a 2016 work by Barbara Knezevic. 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It has a duration of 4 min loop. 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Focusing on a twisted paper napkin, he draws on two A2 sized pieces of paper simultaneously with both hands using his peripheral vision to create the drawing series Lim(i)nal 2020/2021.", + "source": "https://imma.ie/collection/liminal-4/", + "creditText": "IMMA Collection: Purchase, 2021, 2021", + "image": "spice:documentation/liminal-4", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "oil, charcoal and ink on paper", + "size": "59.4 x 42 cm", + "hasInventory": "IMMA.4346" + }, + { + "@id": "spice:documentation/liminal-4", + "@type": "schema:ImageObject", + "caption": "Alastair MacLennan, LIM(I)NAL, 2020, oil, charcoal and ink on paper, 59.4 x 42 cm, Collection Irish Museum of Modern Art, Purchase, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368447, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 47, + "_updated": true + }, + { + "_id": "study-for-tranquil-night-ii.jsonld", + "@graph": [ + { + "@id": "spice:artefact/study-for-tranquil-night-ii", + "@type": "schema:CreativeWork", + "description": "Study for “Tranquil Night II” is a 1980 work by Michael Kenny. ", + "source": "https://imma.ie/collection/study-for-tranquil-night-ii/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/study-for-tranquil-night-ii", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Polished aluminium, bronze and pencil", + "size": "13.5 x 31.9 x 32 cm", + "hasInventory": "IMMA.269 GL" + }, + { + "@id": "spice:documentation/study-for-tranquil-night-ii", + "@type": "schema:ImageObject", + "caption": "Michael Kenny, Study for “Tranquil Night II”, 1980, Polished aluminium, bronze and pencil, 13.5 x 31.9 x 32 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368446, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 46, + "_updated": true + }, + { + "_id": "the-singer.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-singer", + "@type": "schema:CreativeWork", + "description": "The Singer is a 1959 work by Colin Middleton. ", + "source": "https://imma.ie/collection/the-singer/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004", + "image": "spice:documentation/the-singer", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Conte and wash on paper", + "size": "22.5 x 15.5 cm", + "hasInventory": "IMMA.1341 MCCL" + }, + { + "@id": "spice:documentation/the-singer", + "@type": "schema:ImageObject", + "caption": "Colin Middleton, The Singer, 1959, Conte and wash on paper, 22.5 x 15.5 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368446, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 46, + "_updated": true + }, + { + "_id": "seven-transparent-tiers-n-2-center-set-a-mb67.jsonld", + "@graph": [ + { + "@id": "spice:artefact/seven-transparent-tiers-n-2-center-set-a-mb67", + "@type": "schema:CreativeWork", + "description": "Seven Transparent Tiers ([N + 2] Center Set A) MB67 is a 1967 work by Mel Bochner. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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The first is a group of 80 cibachrome photographs produced by Levine in 1972 while this suite comprises 18 photo-etchings made in 1979 from photographs taken in 1972. Both bodies of work were donated to IMMA by the artist.", + "source": "https://imma.ie/collection/a-bomb-goes-off-in-belfast/", + "creditText": "IMMA Collection: Donated by the artist in memory of his sister June Levine, 2010", + "image": "spice:documentation/a-bomb-goes-off-in-belfast", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etched on zinc; printed in black ink on white German etching paper", + "size": "55.9 x 76.2 cm", + "hasInventory": "IMMA.3303.016" + }, + { + "@id": "spice:documentation/a-bomb-goes-off-in-belfast", + "@type": "schema:ImageObject", + "caption": "Les Levine, A Bomb goes off in Belfast, 1979, Etched on zinc; printed in black ink on white German etching paper, 55.9 x 76.2 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his sister June Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5639.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368446, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 46, + "_updated": true + }, + { + "_id": "england-and-ireland.jsonld", + "@graph": [ + { + "@id": "spice:artefact/england-and-ireland", + "@type": "schema:CreativeWork", + "description": "England and Ireland is a 1964 work by Ferenc Martyn. 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Whether it is the darkness of a February afternoon, the reflected light of a fresh snowfall, or the distinctive hue of Halogen Street lights, her paintings are charged with content that is either to come, or else is taking place just out of view.", + "source": "https://imma.ie/collection/carpark-ii/", + "creditText": "IMMA Collection: Purchase, 2021, 2021", + "image": "spice:documentation/carpark-ii", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on linen", + "size": "130 x 170 cm", + "hasInventory": "IMMA.4210" + }, + { + "@id": "spice:documentation/carpark-ii", + "@type": "schema:ImageObject", + "caption": "Eithne Jordan, Carpark II, 2011, Oil on linen, 130 x 170 cm, Collection Irish Museum of Modern Art, Purchase, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9506.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368446, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 46, + "_updated": true + }, + { + "_id": "liminal-8.jsonld", + "@graph": [ + { + "@id": "spice:artefact/liminal-8", + "@type": "schema:CreativeWork", + "description": "Unable to travel due to COVID 19 restrictions, MacLennan, well-known for his site-responsive ‘actuations’ (his term for performance/installations) has been using his Belfast studio in the last nine months for daily drawing actions. 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I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-64/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-64", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.064" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-64", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5708.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "size": { + "@id": "http://schema.org/size" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368445, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 45, + "_updated": true + }, + { + "_id": "working-drawing-for-body-of-thought-no-i-bt-11.jsonld", + "@graph": [ + { + "@id": "spice:artefact/working-drawing-for-body-of-thought-no-i-bt-11", + "@type": "schema:CreativeWork", + "description": "Working drawing for Body of Thought No I (BT 11) is a 1988 work by Richard Deacon. 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", + "source": "https://imma.ie/collection/american-girl/", + "creditText": "IMMA Collection: Donation, Novak/O'Doherty Collection, 2015", + "image": "spice:documentation/american-girl", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching, aquatint", + "size": "57 x 76 cm Framed: 67.5 x 88 cm", + "version": "A/PX", + "hasInventory": "IMMA.3889" + }, + { + "@id": "spice:documentation/american-girl", + "@type": "schema:ImageObject", + "caption": "Emma Amos, American Girl, 1974, Etching, aquatint, 57 x 76 cm Framed: 67.5 x 88 cm, Collection Irish Museum of Modern Art, Donation, Novak/O'Doherty Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5064.jpg" + } + ], + "@context": { + "size": { + "@id": "http://schema.org/size" + }, + "version": { + "@id": "http://schema.org/version" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368445, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 45, + "_updated": true + }, + { + "_id": "triangulo-azul.jsonld", + "@graph": [ + { + "@id": "spice:artefact/triangulo-azul", + "@type": "schema:CreativeWork", + "description": "Triángulo Azul is a 1982 work by Susana Sierra. ", + "source": "https://imma.ie/collection/triangulo-azul/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/triangulo-azul", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Lithograph", + "size": "55.1 x 75.8 cm", + "version": "Edition 46/150", + "hasInventory": "IMMA.1047 MP" + }, + { + "@id": "spice:documentation/triangulo-azul", + "@type": "schema:ImageObject", + "caption": "Susana Sierra, Triángulo Azul, 1982, Lithograph, 55.1 x 75.8 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "creditText": { + "@id": "http://schema.org/creditText" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "size": { + "@id": "http://schema.org/size" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368445, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 45, + "_updated": true + }, + { + "_id": "untitled-11.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-11", + "@type": "schema:CreativeWork", + "description": "Untitled is a 2009 work by Perry Ogden. ", + "source": "https://imma.ie/collection/untitled-11/", + "creditText": "IMMA Collection: Purchase, assisted by funding from Maire and Maurice Foley, 2010", + "image": "spice:documentation/untitled-11", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Chromogenic print from digital file, mounted on aluminium", + "size": "106.68 x 157.48 cm", + "version": "Edition A/P 1", + "hasInventory": "IMMA.3308" + }, + { + "@id": "spice:documentation/untitled-11", + "@type": "schema:ImageObject", + "caption": "Perry Ogden, Untitled, 2009, Chromogenic print from digital file, mounted on aluminium, 106.68 x 157.48 cm, Collection Irish Museum of Modern Art, Purchase, assisted by funding from Maire and Maurice Foley, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5573.jpg" + } + ], + "@context": { + "material": { + "@id": "http://schema.org/material" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "size": { + "@id": "http://schema.org/size" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "version": { + "@id": "http://schema.org/version" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368445, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 45, + "_updated": true + }, + { + "_id": "sculptogram.jsonld", + "@graph": [ + { + "@id": "spice:artefact/sculptogram", + "@type": "schema:CreativeWork", + "description": "Sculptogram is a 1975 work by Adrian Hall. ", + "source": "https://imma.ie/collection/sculptogram/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/sculptogram", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Mixed media", + "size": "51.6 x 76.7 cm", + "hasInventory": "IMMA.237 GL" + }, + { + "@id": "spice:documentation/sculptogram", + "@type": "schema:ImageObject", + "caption": "Adrian Hall, Sculptogram, 1975, Mixed media, 51.6 x 76.7 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1931.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368445, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 45, + "_updated": true + }, + { + "_id": "a-safe-place-to-keep-my-money.jsonld", + "@graph": [ + { + "@id": "spice:artefact/a-safe-place-to-keep-my-money", + "@type": "schema:CreativeWork", + "description": "A Safe Place to Keep my Money is a 2008 work by Bea McMahon. 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During his stay in Brazil, Maguire worked on a series of drawings at the Centro Cultural Vila Prudente, an arts centre where about forty-five local children from the Favela Vila Prudente, aged between seven and twelve, attend classes in theatre and art. Maguire made drawings of about sixty children during his four month residency and at least two drawings of each child were completed, one was given to the child to take home, and the other drawing remained with the artist.Known as the ‘Casa da Cultura’ series it was donated to the Irish Museum of Modern Art in 2000.", + "source": "https://imma.ie/collection/casa-da-cultura/", + "creditText": "IMMA Collection: Heritage gift by Owen O'Brien, 2000", + "image": "spice:documentation/casa-da-cultura", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Charcoal and conté on paper mounted on canvas", + "size": "30 x 24 cm (each)", + "hasInventory": "IMMA.1314" + }, + { + "@id": "spice:documentation/casa-da-cultura", + "@type": "schema:ImageObject", + "caption": "Brian Maguire, Casa da Cultura, 1998, Charcoal and conté on paper mounted on canvas, 30 x 24 cm (each), Collection Irish Museum of Modern Art, Heritage gift by Owen O'Brien, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368445, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 45, + "_updated": true + }, + { + "_id": "longing-lamenting.jsonld", + "@graph": [ + { + "@id": "spice:artefact/longing-lamenting", + "@type": "schema:CreativeWork", + "description": "Doherty’s work deals with the images of the landscape which surround us, often these images are constructed or staged by tourist boards and in advertisements where the landscape provides a backdrop. The fact that these images are taken by people who do not necessarily inhabit that landscape, such as photojournalists, and that this constructed depiction of the landscape is often imbued with a romantic or poetic notion which we seem all too eager to indulge is something which Doherty explores throughout his practice.", + "source": "https://imma.ie/collection/longing-lamenting/", + "creditText": "IMMA Collection: Donated by Dorothy Walker, 1991", + "image": "spice:documentation/longing-lamenting", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Colour photographs with text (2 panels)", + "size": "76 x 102 cm (each)", + "hasInventory": "IMMA.7" + }, + { + "@id": "spice:documentation/longing-lamenting", + "@type": "schema:ImageObject", + "caption": "Willie Doherty, Longing/Lamenting, 1987, Colour photographs with text (2 panels), 76 x 102 cm (each), Collection Irish Museum of Modern Art, Donated by Dorothy Walker, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/300.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368445, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 45, + "_updated": true + }, + { + "_id": "the-troubles-an-artists-document-of-ulster-38.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-troubles-an-artists-document-of-ulster-38", + "@type": "schema:CreativeWork", + "description": "During his prolific career Les Levine has produced major series of works about the manifold effects and functions of the media and information systems. ‘The Troubles: An Artist’s Document of Ulster’ is a suite of 80 cibachrome photographs, executed in 1972, and for which the artist coined the terms “media sculpture” and “media art”. Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-38/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-38", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.038" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-38", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5682.jpg" + } + ], + "@context": { + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "size": { + "@id": "http://schema.org/size" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "version": { + "@id": "http://schema.org/version" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368445, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 45, + "_updated": true + }, + { + "_id": "water-source-ii.jsonld", + "@graph": [ + { + "@id": "spice:artefact/water-source-ii", + "@type": "schema:CreativeWork", + "description": "Water Source II is a 2010 work by Maria Simonds-Gooding. ", + "source": "https://imma.ie/collection/water-source-ii/", + "creditText": "IMMA Collection: Donation, 2014", + "image": "spice:documentation/water-source-ii", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Aluminium with rusting lacquer finish", + "size": "116 x 169 cm", + "hasInventory": "IMMA.3883" + }, + { + "@id": "spice:documentation/water-source-ii", + "@type": "schema:ImageObject", + "caption": "Maria Simonds-Gooding, Water Source II, 2010, Aluminium with rusting lacquer finish, 116 x 169 cm, Collection Irish Museum of Modern Art, Donation, 2014 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/7395.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368445, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 45, + "_updated": true + }, + { + "_id": "trough-of-despond.jsonld", + "@graph": [ + { + "@id": "spice:artefact/trough-of-despond", + "@type": "schema:CreativeWork", + "description": "Trough of Despond is a 1986 work by John Bellany. ", + "source": "https://imma.ie/collection/trough-of-despond/", + "creditText": "IMMA Collection: Donated by the Department of Customs and Excise, 1994 (July)", + "image": "spice:documentation/trough-of-despond", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint", + "size": "55.9 x 76.2 cm", + "version": "Edition 3/60", + "hasInventory": "IMMA.458.9" + }, + { + "@id": "spice:documentation/trough-of-despond", + "@type": "schema:ImageObject", + "caption": "John Bellany, Trough of Despond, 1986, Screenprint, 55.9 x 76.2 cm, Collection Irish Museum of Modern Art, Donated by the Department of Customs and Excise, 1994 (July) ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/02/873.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "material": { + "@id": "http://schema.org/material" + }, + "version": { + "@id": "http://schema.org/version" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368445, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 45, + "_updated": true + }, + { + "_id": "self-soothers-snake.jsonld", + "@graph": [ + { + "@id": "spice:artefact/self-soothers-snake", + "@type": "schema:CreativeWork", + "description": "Hand Held (Snake) explores our need for intimacy, care and nurturing alongside our complex relationship with commodity culture and fast fashion. Snakes hang from the ceiling disconnected from their source and in a fast fashion skin. The snake, as a Celtic symbol for rebirth, healing, and wisdom, was understood to came from inside of the earth, holding the world’s secrets and wisdom, an earth healer. In time the snake became a Christian symbol for the devil and paganism, often depicted under the foot of the Virgin Mary.", + "source": "https://imma.ie/collection/self-soothers-snake/", + "image": "spice:documentation/self-soothers-snake", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Re-assembled snake print items sourced from fast fashion cycles SS 2019, AW 2019, SS 2020 (Ireland) Textile, foam, pvc overflow pipe, hemp cord.(approx 3-5 parts per snake)", + "hasInventory": "IMMA.4176" + }, + { + "@id": "spice:documentation/self-soothers-snake", + "@type": "schema:ImageObject", + "caption": "Sibyl Montague, SELF SOOTHERS (Snake), 2020, Re-assembled snake print items sourced from fast fashion cycles SS 2019, AW 2019, SS 2020 (Ireland) Textile, foam, pvc overflow pipe, hemp cord.(approx 3-5 parts per snake), Collection Irish Museum of Modern Art, 2020 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9469.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368445, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 45, + "_updated": true + }, + { + "_id": "entering-jerusalem-iii.jsonld", + "@graph": [ + { + "@id": "spice:artefact/entering-jerusalem-iii", + "@type": "schema:CreativeWork", + "description": "Entering Jerusalem III is a 1994 work by Hughie O'Donoghue. ", + "source": "https://imma.ie/collection/entering-jerusalem-iii/", + "creditText": "IMMA Collection: Gift, The American Ireland Fund, 2010", + "image": "spice:documentation/entering-jerusalem-iii", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas, 3 panels", + "size": "280 x 744 cm", + "hasInventory": "IMMA.3253" + }, + { + "@id": "spice:documentation/entering-jerusalem-iii", + "@type": "schema:ImageObject", + "caption": "Hughie O'Donoghue, Entering Jerusalem III, 1994, Oil on canvas, 3 panels, 280 x 744 cm, Collection Irish Museum of Modern Art, Gift, The American Ireland Fund, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/2229.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368444, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 44, + "_updated": true + }, + { + "_id": "from-the-burn-series.jsonld", + "@graph": [ + { + "@id": "spice:artefact/from-the-burn-series", + "@type": "schema:CreativeWork", + "description": "From the Burn Series is a 2001 work by Patrick Jolley. 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The pure lines appear to almost construct themselves forward from the pale isometric graph, rising slightly; adding another dimension to what at first appears to be a seemingly ordinary composition.", + "source": "https://imma.ie/collection/study-for-box-that-opens-in-4-directions/", + "creditText": "IMMA Collection: Purchase, 2011", + "image": "spice:documentation/study-for-box-that-opens-in-4-directions", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Hand-applied black crepe tape on isometric graph paper", + "size": "Sheet: 28.5x45 cm Framed: 40 x 60 x 4 cm", + "hasInventory": "IMMA.3339" + }, + { + "@id": "spice:documentation/study-for-box-that-opens-in-4-directions", + "@type": "schema:ImageObject", + "caption": "Michael Craig-Martin, Study for Box that Opens in 4 Directions, 1967, Hand-applied black crepe tape on isometric graph paper, Sheet: 28.5x45 cm Framed: 40 x 60 x 4 cm, Collection Irish Museum of Modern Art, Purchase, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/6050.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368444, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 44, + "_updated": true + }, + { + "_id": "vintage-rural-california-town.jsonld", + "@graph": [ + { + "@id": "spice:artefact/vintage-rural-california-town", + "@type": "schema:CreativeWork", + "description": "Vintage Rural California Town is a 1955 work by Todd Webb. 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Davis. ", + "source": "https://imma.ie/collection/open-white-hub/", + "creditText": "IMMA Collection: Donation, David Kronn Collection, 2015", + "image": "spice:documentation/open-white-hub", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gelatin silver print", + "size": "19.2 x 19.2 cm", + "hasInventory": "IMMA.3967" + }, + { + "@id": "spice:documentation/open-white-hub", + "@type": "schema:ImageObject", + "caption": "William E. 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I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-19/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-19", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.019" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-19", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5663.jpg" + } + ], + "@context": { + "version": { + "@id": "http://schema.org/version" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "size": { + "@id": "http://schema.org/size" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "material": { + "@id": "http://schema.org/material" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368444, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 44, + "_updated": true + }, + { + "_id": "device-1971.jsonld", + "@graph": [ + { + "@id": "spice:artefact/device-1971", + "@type": "schema:CreativeWork", + "description": "Device (1971) is a 2013 work by Patrick Scott. 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The collector Gordon Lambert appears in this work, whose garish colour juxtapositions suggest one of Stella’s ‘Irregular Polygon’ series (1965-66).", + "source": "https://imma.ie/collection/man-with-a-frank-stella/", + "creditText": "IMMA Collection: Heritage Gift by Bank of Ireland, 1999", + "image": "spice:documentation/man-with-a-frank-stella", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic on 16 canvases", + "size": "244 x 234 cm", + "hasInventory": "IMMA.1261" + }, + { + "@id": "spice:documentation/man-with-a-frank-stella", + "@type": "schema:ImageObject", + "caption": "Robert Ballagh, Man with a Frank Stella, 1974, Acrylic on 16 canvases, 244 x 234 cm, Collection Irish Museum of Modern Art, Heritage Gift by Bank of Ireland, 1999 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/819.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368444, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 44, + "_updated": true + }, + { + "_id": "al13-eoin-i.jsonld", + "@graph": [ + { + "@id": "spice:artefact/al13-eoin-i", + "@type": "schema:CreativeWork", + "description": "AL13 Eoin I is a 2015 work by Lennon. 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In this work the artist recalls a previously all-embracing and terrifying vision for Europe which in 2021, the year the work was purchased by IMMA, may be seen as prophetic as we experience a European reality in which cohesion and unity are ever more challenged and global forces are unpredictable in this new pandemic world.", + "source": "https://imma.ie/collection/european-dream/", + "creditText": "IMMA Collection: Purchase, 2021, 2021", + "image": "spice:documentation/european-dream", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Prussian Blue Pigment/ 24 Carat Gold Leaf/ Steel Table.", + "hasInventory": "IMMA.4330" + }, + { + "@id": "spice:documentation/european-dream", + "@type": "schema:ImageObject", + "caption": "Nigel Rolfe, European Dream, 2009, Prussian Blue Pigment/ 24 Carat Gold Leaf/ Steel Table., Collection Irish Museum of Modern Art, Purchase, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2021/11/9630.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368444, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 44, + "_updated": true + }, + { + "_id": "diario-popular-twelve-days-in-march-8.jsonld", + "@graph": [ + { + "@id": "spice:artefact/diario-popular-twelve-days-in-march-8", + "@type": "schema:CreativeWork", + "description": "In São Paulo Maguire also worked on a series of drawings which involved a very different approach to that taken with the ‘Casa da Cultura’ series. 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The drawings are haunting and full of feelings of empathy for the individual depicted.", + "source": "https://imma.ie/collection/diario-popular-twelve-days-in-march-8/", + "creditText": "IMMA Collection: Heritage Gift Owen O'Brien, 2000", + "image": "spice:documentation/diario-popular-twelve-days-in-march-8", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "mixed media on paper", + "size": "50 x 70 cm", + "hasInventory": "IMMA.1316.007" + }, + { + "@id": "spice:documentation/diario-popular-twelve-days-in-march-8", + "@type": "schema:ImageObject", + "caption": "Brian Maguire, Diario Popular (Twelve Days in March), 1998, mixed media on paper, 50 x 70 cm, Collection Irish Museum of Modern Art, Heritage Gift Owen O'Brien, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/475.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368443, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 43, + "_updated": true + }, + { + "_id": "north-star-venus.jsonld", + "@graph": [ + { + "@id": "spice:artefact/north-star-venus", + "@type": "schema:CreativeWork", + "description": "North Star Venus is a 1997 work by William Crozier. 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It has a duration of 20min.29 sec loop. 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", + "source": "https://imma.ie/collection/interior-decorators/", + "creditText": "IMMA Collection: Heritage Gift by the Bank of Ireland from the Bank of Ireland collection, 2008", + "image": "spice:documentation/interior-decorators", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "37 x 46 cm", + "hasInventory": "IMMA.2600" + }, + { + "@id": "spice:documentation/interior-decorators", + "@type": "schema:ImageObject", + "caption": "Gerard Dillon, Interior Decorators, 1945, Oil on canvas, 37 x 46 cm, Collection Irish Museum of Modern Art, Heritage Gift by the Bank of Ireland from the Bank of Ireland collection, 2008 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/3475.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368443, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 43, + "_updated": true + }, + { + "_id": "three-figures.jsonld", + "@graph": [ + { + "@id": "spice:artefact/three-figures", + "@type": "schema:CreativeWork", + "description": "Three Figures is a 1964 work by Ferenc Martyn. 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", + "source": "https://imma.ie/collection/neil/", + "creditText": "IMMA Collection: Donated by the Artist, 1994", + "image": "spice:documentation/neil", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Plaster and acrylic paint", + "size": "51 x 45 x 23 cm", + "hasInventory": "IMMA.463" + }, + { + "@id": "spice:documentation/neil", + "@type": "schema:ImageObject", + "caption": "John Ahearn, Neil, 1994, Plaster and acrylic paint, 51 x 45 x 23 cm, Collection Irish Museum of Modern Art, Donated by the Artist, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/655.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368443, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 43, + "_updated": true + }, + { + "_id": "portfolio-of-sketches.jsonld", + "@graph": [ + { + "@id": "spice:artefact/portfolio-of-sketches", + "@type": "schema:CreativeWork", + "description": "Portfolio of Sketches is a 1940 work by Hilary Heron. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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", + "source": "https://imma.ie/collection/owl/", + "creditText": "IMMA Collection: Heritage Gift, P.J. Carroll & Co. Ltd. Art Collection, 2005", + "image": "spice:documentation/owl", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "Framed: 108.4 x 83 cm 86.36 x 60.96 cm", + "hasInventory": "IMMA.1867" + }, + { + "@id": "spice:documentation/owl", + "@type": "schema:ImageObject", + "caption": "Edward McGuire, Owl, 1973, Oil on canvas, Framed: 108.4 x 83 cm 86.36 x 60.96 cm, Collection Irish Museum of Modern Art, Heritage Gift, P.J. Carroll & Co. Ltd. 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He named the style Celtic abstraction and ‘Black and White’ is an example of Farrell’s fusion of early Irish art and current international aesthetic developments.", + "source": "https://imma.ie/collection/presse-series-black-and-white/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/presse-series-black-and-white", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic on canvas", + "size": "152.6 x 183.2 cm", + "hasInventory": "IMMA.200 GL" + }, + { + "@id": "spice:documentation/presse-series-black-and-white", + "@type": "schema:ImageObject", + "caption": "Micheal Farrell, Pressé series, Black and White, 1970, Acrylic on canvas, 152.6 x 183.2 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/2062.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368442, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 42, + "_updated": true + }, + { + "_id": "pink-store-front-project.jsonld", + "@graph": [ + { + "@id": "spice:artefact/pink-store-front-project", + "@type": "schema:CreativeWork", + "description": "Pink Store Front (project) is a 1980 work by Christo. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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In later work, such as Errigal, Co. Donegal the figure and other representational objects, such as cottages and animals, are absent from the composition, suggesting a shift towards abstraction. This painting, like many of Henry’s landscapes, features a low horizon line with a mountain range in the middle ground, framed by expansive areas of sky with large cloud formations. In the early stages of his career charcoal was Henry’s preferred medium and he continued to use charcoal throughout his career in his preparatory sketches, many of which were done outdoors.", + "source": "https://imma.ie/collection/errigal-co-donegal/", + "creditText": "IMMA Collection: Heritage Gift by the Bank of Ireland from the Bank of Ireland collection, 2008", + "image": "spice:documentation/errigal-co-donegal", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "36 x 38 cm Framed: 53.5 x 57.5 cm", + "hasInventory": "IMMA.2602" + }, + { + "@id": "spice:documentation/errigal-co-donegal", + "@type": "schema:ImageObject", + "caption": "Paul Henry, Errigal, Co. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-68/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-68", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.068" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-68", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5712.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "material": { + "@id": "http://schema.org/material" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "version": { + "@id": "http://schema.org/version" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "size": { + "@id": "http://schema.org/size" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368442, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 42, + "_updated": true + }, + { + "_id": "electric-elk.jsonld", + "@graph": [ + { + "@id": "spice:artefact/electric-elk", + "@type": "schema:CreativeWork", + "description": "For Cooke the elk represented a powerful symbol of pre-civilised consciousness. 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The elk yielded up by the bog, demonstrates the process of perpetual interchange that occurs in life which Cooke believes forces us into a confrontation with what is real.", + "source": "https://imma.ie/collection/electric-elk/", + "creditText": "IMMA Collection: Donation, Vincent & Noeleen Ferguson, 1996", + "image": "spice:documentation/electric-elk", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "142.2 x 142.2 cm", + "hasInventory": "IMMA.759" + }, + { + "@id": "spice:documentation/electric-elk", + "@type": "schema:ImageObject", + "caption": "Barrie Cooke, Electric Elk, 1996, Oil on canvas, 142.2 x 142.2 cm, Collection Irish Museum of Modern Art, Donation, Vincent & Noeleen Ferguson, 1996 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1061.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368442, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 42, + "_updated": true + }, + { + "_id": "afghan-tour.jsonld", + "@graph": [ + { + "@id": "spice:artefact/afghan-tour", + "@type": "schema:CreativeWork", + "description": "Claire Halpin’s practice explores themes and concepts around contested territories and histories through painting, video and installation. Afghan Tour is part of a body of work called Jigmap Series, which attempts to navigate the complexity of the contemporary theatre of war, as battlefield expands to battlespace in the information age. The works in this series explore the covert machinations of the perpetual war that is arms deals, mercenaries, remote surveillance programmes and drone warfare that take place away from the lens of the media. 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In Paris and Milan he developed a style of conceptually oriented painting incorporating text, where he wove political themes with ideas about the nature of art.", + "source": "https://imma.ie/collection/the-tripper/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/the-tripper", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic on canvas", + "size": "129.8 x 162.1 cm", + "hasInventory": "IMMA.193 GL" + }, + { + "@id": "spice:documentation/the-tripper", + "@type": "schema:ImageObject", + "caption": "Antonio Dias, The Tripper, 1971, Acrylic on canvas, 129.8 x 162.1 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1908.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368441, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 41, + "_updated": true + }, + { + "_id": "the-tain-horseman.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-tain-horseman", + "@type": "schema:CreativeWork", + "description": "The Táin. Horseman is a 1969 work by Louis le Brocquy. ", + "source": "https://imma.ie/collection/the-tain-horseman/", + "creditText": "IMMA Collection: Heritage Gift by Brian Timmons, 2001", + "image": "spice:documentation/the-tain-horseman", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Aubusson Tapestry, Atelier René Duché, 2000", + "size": "184 x 129 cm", + "version": "edition 9", + "hasInventory": "IMMA.1596" + }, + { + "@id": "spice:documentation/the-tain-horseman", + "@type": "schema:ImageObject", + "caption": "Louis le Brocquy, The Táin. Horseman, 1969, Aubusson Tapestry, Atelier René Duché, 2000, 184 x 129 cm, Collection Irish Museum of Modern Art, Heritage Gift by Brian Timmons, 2001 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/145-scaled.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "version": { + "@id": "http://schema.org/version" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368441, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 41, + "_updated": true + }, + { + "_id": "untitled-35.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-35", + "@type": "schema:CreativeWork", + "description": "Untitled is a 1996 work by Gabriel Macotela. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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", + "source": "https://imma.ie/collection/unknown-2/", + "creditText": "IMMA Collection: Purchase, 1991", + "image": "spice:documentation/unknown-2", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Black and white photographs", + "size": "33 x 24 cm", + "hasInventory": "IMMA.15.022" + }, + { + "@id": "spice:documentation/unknown-2", + "@type": "schema:ImageObject", + "caption": "Gene Lambert, Unknown 2, 1985, Black and white photographs, 33 x 24 cm, Collection Irish Museum of Modern Art, Purchase, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/740.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368441, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 41, + "_updated": true + }, + { + "_id": "belfast-royal-ave-1993-f56-p17-a-2-15.jsonld", + "@graph": [ + { + "@id": "spice:artefact/belfast-royal-ave-1993-f56-p17-a-2-15", + "@type": "schema:CreativeWork", + "description": "Belfast Royal ave 1993 F56 P17 A 2/15 is a 1993 work by Jerome De Perlinghi. ", + "source": "https://imma.ie/collection/belfast-royal-ave-1993-f56-p17-a-2-15/", + "creditText": "IMMA Collection: Donated by the artist, 1994", + "image": "spice:documentation/belfast-royal-ave-1993-f56-p17-a-2-15", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Black and white photograph on Agfa Brovira III paper and selenium toned (1:2)", + "size": "57 x 57 cm", + "hasInventory": "IMMA.457.8" + }, + { + "@id": "spice:documentation/belfast-royal-ave-1993-f56-p17-a-2-15", + "@type": "schema:ImageObject", + "caption": "Jerome De Perlinghi, Belfast Royal ave 1993 F56 P17 A 2/15, 1993, Black and white photograph on Agfa Brovira III paper and selenium toned (1:2), 57 x 57 cm, Collection Irish Museum of Modern Art, Donated by the artist, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368441, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 41, + "_updated": true + }, + { + "_id": "fourteen-years-and-ten-months-ago.jsonld", + "@graph": [ + { + "@id": "spice:artefact/fourteen-years-and-ten-months-ago", + "@type": "schema:CreativeWork", + "description": "Byrne’s work questions how images are constructed, transmitted and mediated. From his ‘In the News Series’, the title of this work changes each time it is exhibited. This highlights how photographic media at once captures the zeitgeist, and is simultaneously subject to time and obsolescence; evidenced by the self-dated magazines in the scene. This series comments on the dissemination of information, photography and reality – and truth.", + "source": "https://imma.ie/collection/fourteen-years-and-ten-months-ago/", + "creditText": "IMMA Collection: Donation, 2011", + "image": "spice:documentation/fourteen-years-and-ten-months-ago", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Silver gelatin print", + "size": "125 x 157.7 cm", + "version": "Unique print", + "hasInventory": "IMMA.3619" + }, + { + "@id": "spice:documentation/fourteen-years-and-ten-months-ago", + "@type": "schema:ImageObject", + "caption": "Gerard Byrne, Fourteen years and ten months ago, 2007, Silver gelatin print, 125 x 157.7 cm, Collection Irish Museum of Modern Art, Donation, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5557.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "material": { + "@id": "http://schema.org/material" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368441, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 41, + "_updated": true + }, + { + "_id": "untitled-27.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-27", + "@type": "schema:CreativeWork", + "description": "Untitled is a 1998 work by Mark Francis. 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", + "source": "https://imma.ie/collection/abstract/", + "creditText": "IMMA Collection: Loan, George and Maura McClelland, 2005", + "image": "spice:documentation/abstract", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "150 x 200 cm", + "hasInventory": "L.1940" + }, + { + "@id": "spice:documentation/abstract", + "@type": "schema:ImageObject", + "caption": "Albert Irvin, Abstract, 1988, Oil on canvas, 150 x 200 cm, Collection Irish Museum of Modern Art, Loan, George and Maura McClelland, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368440, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 40, + "_updated": true + }, + { + "_id": "linear-leaves.jsonld", + "@graph": [ + { + "@id": "spice:artefact/linear-leaves", + "@type": "schema:CreativeWork", + "description": "Linear Leaves is a 1982 work by Aileen MacKeogh. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-31/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-31", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.031" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-31", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5675.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "version": { + "@id": "http://schema.org/version" + }, + "material": { + "@id": "http://schema.org/material" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368439, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 39, + "_updated": true + }, + { + "_id": "fragmentos.jsonld", + "@graph": [ + { + "@id": "spice:artefact/fragmentos", + "@type": "schema:CreativeWork", + "description": "Fragmentos is a 2010 work by José Antonio Castillo. 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His paintings draw on an abstract language, captured in symbols relating to music, literature and the landscape. The use of geometric lines and forms are recurrent in his work, each painting revealing an individual mood and exposing a unique narrative.", + "source": "https://imma.ie/collection/landline/", + "creditText": "IMMA Collection: Heritage Gift, Maire and Maurice Foley, 2000", + "image": "spice:documentation/landline", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic, mixed media on canvas", + "size": "160 x 200 cm", + "hasInventory": "IMMA.880 FD" + }, + { + "@id": "spice:documentation/landline", + "@type": "schema:ImageObject", + "caption": "Felim Egan, Landline, 1991, Acrylic, mixed media on canvas, 160 x 200 cm, Collection Irish Museum of Modern Art, Heritage Gift, Maire and Maurice Foley, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/291.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368439, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 39, + "_updated": true + }, + { + "_id": "permutation-series-6-8.jsonld", + "@graph": [ + { + "@id": "spice:artefact/permutation-series-6-8", + "@type": "schema:CreativeWork", + "description": "Permutation Series (6/8) is a 1968 work by Victor Vasarely. 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The intricate wooden objects she creates may be considered as fragments of an unfinished memoir. Growing up on a farm in rural Wexford in the 1960s through the 1980s, she cites the industriousness and invention born of need, that she experienced from a young age, as traits that carry through to her artistic practice now; “I revel in the history of painting, its rules, its beauty, its techniques, but fold them back into the agricultural language I grew up with. 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", + "source": "https://imma.ie/collection/portrait-head-2/", + "creditText": "IMMA Collection: On Loan, Private Collection, ", + "image": "spice:documentation/portrait-head-2", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching", + "size": "Plate: 59.7 x 46.2 cm Sheet: 72.4 x 57.1 cm", + "version": "Edition A/P 3/12", + "hasInventory": "EX.2016.1.12" + }, + { + "@id": "spice:documentation/portrait-head-2", + "@type": "schema:ImageObject", + "caption": "Lucian Freud, Portrait Head, 2001, Etching, Plate: 59.7 x 46.2 cm Sheet: 72.4 x 57.1 cm, Collection Irish Museum of Modern Art, On Loan, Private Collection ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/08/7558.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "material": { + "@id": "http://schema.org/material" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "version": { + "@id": "http://schema.org/version" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368439, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 39, + "_updated": true + }, + { + "_id": "dublin-amien-st-f49-p30-2-15.jsonld", + "@graph": [ + { + "@id": "spice:artefact/dublin-amien-st-f49-p30-2-15", + "@type": "schema:CreativeWork", + "description": "Dublin Amien St. F49 P30 2/15 is a 1993 work by Jerome De Perlinghi. 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Each woman took full responsibility for the experiences that the role exchange brought with it.", + "source": "https://imma.ie/collection/role-exchange/", + "creditText": "IMMA Collection: Purchase, 1995", + "image": "spice:documentation/role-exchange", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Framed black and white photographs (diptych) with framed letter press text panel", + "size": "Image framed 75.6 x 100.3 cm (each) Text framed 26 x 18.4 cm", + "version": "Edition 1/16, 3 AP's", + "hasInventory": "IMMA.484" + }, + { + "@id": "spice:documentation/role-exchange", + "@type": "schema:ImageObject", + "caption": "Marina Abramović, Role Exchange, 1975, Framed black and white photographs (diptych) with framed letter press text panel, Image framed 75.6 x 100.3 cm (each) Text framed 26 x 18.4 cm, Collection Irish Museum of Modern Art, Purchase, 1995 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/852.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "size": { + "@id": "http://schema.org/size" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "material": { + "@id": "http://schema.org/material" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "version": { + "@id": "http://schema.org/version" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368439, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 39, + "_updated": true + }, + { + "_id": "meditation-painting-28.jsonld", + "@graph": [ + { + "@id": "spice:artefact/meditation-painting-28", + "@type": "schema:CreativeWork", + "description": "From the 1960s, Scott combined squares of gold leaf, white tempera and acrylic paint on raw linen canvas to create geometric images in infinite permutations. 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", + "source": "https://imma.ie/collection/growing-up/", + "creditText": "IMMA Collection: Donation, Novak/O'Doherty Collection, 2015", + "image": "spice:documentation/growing-up", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching, aquatint", + "size": "76 x 56 cm Framed: 88 x 67.5 cm", + "version": "A/PX", + "hasInventory": "IMMA.3890" + }, + { + "@id": "spice:documentation/growing-up", + "@type": "schema:ImageObject", + "caption": "Benny Andrews, Growing Up, 1973, Etching, aquatint, 76 x 56 cm Framed: 88 x 67.5 cm, Collection Irish Museum of Modern Art, Donation, Novak/O'Doherty Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5097.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "size": { + "@id": "http://schema.org/size" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368439, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 39, + "_updated": true + }, + { + "_id": "encounter-with-half-a-horse.jsonld", + "@graph": [ + { + "@id": "spice:artefact/encounter-with-half-a-horse", + "@type": "schema:CreativeWork", + "description": "Encounter with Half a Horse is a 1955 work by Colin Middleton. ", + "source": "https://imma.ie/collection/encounter-with-half-a-horse/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2003", + "image": "spice:documentation/encounter-with-half-a-horse", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on board", + "size": "61 x 46 cm", + "hasInventory": "IMMA.1117 MCCL" + }, + { + "@id": "spice:documentation/encounter-with-half-a-horse", + "@type": "schema:ImageObject", + "caption": "Colin Middleton, Encounter with Half a Horse, 1955, Oil on board, 61 x 46 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2003 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1338.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368439, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 39, + "_updated": true + }, + { + "_id": "demeter-b.jsonld", + "@graph": [ + { + "@id": "spice:artefact/demeter-b", + "@type": "schema:CreativeWork", + "description": "Demeter B is a 2001 work by Noel Sheridan. 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A strange star formation is carved into the platform of the stage. The outline of star is created by sections of wax inlay individually stained with a combination of wood stain, graphite and wax. Each section is differentiated by dark green, brown and navy stain. Four tall flagpoles holding hessian flags petrified in dark wax flank the stage.", + "source": "https://imma.ie/collection/azimuth/", + "creditText": "IMMA Collection: Donation, 2010", + "image": "spice:documentation/azimuth", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Wooden flagpoles, sackcloth, wax, wood stain, graphite, wax", + "hasInventory": "IMMA.3238.2" + }, + { + "@id": "spice:documentation/azimuth", + "@type": "schema:ImageObject", + "caption": "Clodagh Emoe, Azimuth, 2009, Wooden flagpoles, sackcloth, wax, wood stain, graphite, wax, Collection Irish Museum of Modern Art, Donation, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/5154.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368439, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 39, + "_updated": true + }, + { + "_id": "the-periodic-table-portfolio.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-periodic-table-portfolio", + "@type": "schema:CreativeWork", + "description": "The Periodic Table portfolio is a 1994 work by Bill Woodrow. 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", + "source": "https://imma.ie/collection/876sail-over-left-arm/", + "creditText": "IMMA Collection: Donated by the Department of Customs and Excise, 1994 (July)", + "image": "spice:documentation/876sail-over-left-arm", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching", + "size": "55.9 x 76.2 cm", + "version": "Edition 3/60", + "hasInventory": "IMMA.458.12" + }, + { + "@id": "spice:documentation/876sail-over-left-arm", + "@type": "schema:ImageObject", + "caption": "John Bellany, 876Sail Over Left Arm, 1986, Etching, 55.9 x 76.2 cm, Collection Irish Museum of Modern Art, Donated by the Department of Customs and Excise, 1994 (July) ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/02/876.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "version": { + "@id": "http://schema.org/version" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "material": { + "@id": "http://schema.org/material" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368438, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 38, + "_updated": true + }, + { + "_id": "a-model-for-a-project-time-point.jsonld", + "@graph": [ + { + "@id": "spice:artefact/a-model-for-a-project-time-point", + "@type": "schema:CreativeWork", + "description": "A Model for a Project, Time Point is a 1959 work by James Coleman. 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It plays on stereotypical notions of witches and bats, and the locations they are thought to inhabit. Irvine’s love of disjointed narratives and multiple perspectives ensures that an element of mystery and surprise is maintained throughout the work, while insecurities are heightened by the rearrangement of familiar architecture involved in the installation of the piece. Speaking about her practice Irvine says; “I’ve been thinking about the limits of a certain visibility that attaches itself to living privately in public… about those points where what at first seems most available to understanding, slowly turns opaque, revealing itself as misleading or meaningless. 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The displaced window was joined to a metal armature clothed in folded, rubberized fabric that protruded into the interior of the gallery, taking up most of its space, and outward from the exterior. Purchased by the Weltkunst Foundation Collection, the work could be realized at another site with the artist’s input. It is documented in an extensive archive; including a number of works on paper and maquettes.", + "source": "https://imma.ie/collection/she-came-in-through-the-bathroom-window/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1995", + "image": "spice:documentation/she-came-in-through-the-bathroom-window", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Mixed Media", + "size": "Dimensions variable", + "hasInventory": "L.589 LW" + }, + { + "@id": "spice:documentation/she-came-in-through-the-bathroom-window", + "@type": "schema:ImageObject", + "caption": "Richard Wilson, She Came in Through The Bathroom Window, 1989, Mixed Media, Dimensions variable, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1995 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/955.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368437, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 37, + "_updated": true + }, + { + "_id": "composition-with-red-panels-parts-1-2-3.jsonld", + "@graph": [ + { + "@id": "spice:artefact/composition-with-red-panels-parts-1-2-3", + "@type": "schema:CreativeWork", + "description": "Composition with Red Panels (parts 1, 2 & 3) is a 1979 work by Felim Egan. 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reproduction online, the persistent circulation of images in the public domain, all the while querying our relationship with the image, its consumption, distribution, reproduction, value and forcing (re)considerations of authenticity within art.   ", + "source": "https://imma.ie/collection/seance/", + "creditText": "IMMA Collection: Purchase, 2021, 2021", + "image": "spice:documentation/seance", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "cyanotype print", + "size": "84.1 x 118.9 cm", + "hasInventory": "IMMA.4243" + }, + { + "@id": "spice:documentation/seance", + "@type": "schema:ImageObject", + "caption": "Breda Lynch, Séance , 2016, cyanotype print, 84.1 x 118.9 cm, Collection Irish Museum of Modern Art, Purchase, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9544.jpg" + } + ], + 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", + "source": "https://imma.ie/collection/untitled-127/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004", + "image": "spice:documentation/untitled-127", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Conte and wash on paper", + "size": "24 x 17.5 cm", + "hasInventory": "IMMA.1738.16" + }, + { + "@id": "spice:documentation/untitled-127", + "@type": "schema:ImageObject", + "caption": "Colin Middleton, Untitled, 1959, Conte and wash on paper, 24 x 17.5 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368436, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 36, + "_updated": true + }, + { + "_id": "abstract-no-5.jsonld", + "@graph": [ + { + "@id": "spice:artefact/abstract-no-5", + "@type": "schema:CreativeWork", + "description": "Abstract No.5 is a 1912 work by Mainie Jellett. 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", + "source": "https://imma.ie/collection/couple-entwined/", + "creditText": "IMMA Collection: Purchase, 1993", + "image": "spice:documentation/couple-entwined", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on linen", + "size": "35 x 30 cm", + "hasInventory": "IMMA.436" + }, + { + "@id": "spice:documentation/couple-entwined", + "@type": "schema:ImageObject", + "caption": "Eithne Jordan, Couple Entwined, 1992, Oil on linen, 35 x 30 cm, Collection Irish Museum of Modern Art, Purchase, 1993 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/275.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368436, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 36, + "_updated": true + }, + { + "_id": "robert-towne.jsonld", + "@graph": [ + { + "@id": "spice:artefact/robert-towne", + "@type": "schema:CreativeWork", + "description": "Robert Towne is a 2006 work by Sarah Morris. It has a duration of 34min.26 sec.. ", + "source": "https://imma.ie/collection/robert-towne/", + "creditText": "IMMA Collection: Purchase, 2007", + "image": "spice:documentation/robert-towne", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "35mm film transferred to video", + "hasInventory": "IMMA.2123" + }, + { + "@id": "spice:documentation/robert-towne", + "@type": "schema:ImageObject", + "caption": "Sarah Morris, Robert Towne, 2006, 35mm film transferred to video, Duration: 34min.26 sec., Collection Irish Museum of Modern Art, Purchase, 2007 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/75.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368436, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 36, + "_updated": true + }, + { + "_id": "between-the-eyes-t18.jsonld", + "@graph": [ + { + "@id": "spice:artefact/between-the-eyes-t18", + "@type": "schema:CreativeWork", + "description": "Between the Eyes, T18 is a 1987 work by Richard Deacon. ", + "source": "https://imma.ie/collection/between-the-eyes-t18/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/between-the-eyes-t18", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil and ink on tracing paper", + "size": "47 x 75 cm", + "hasInventory": "L.2008.1.2.18" + }, + { + "@id": "spice:documentation/between-the-eyes-t18", + "@type": "schema:ImageObject", + "caption": "Richard Deacon, Between the Eyes, T18, 1987, Pencil and ink on tracing paper, 47 x 75 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/2757.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368436, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 36, + "_updated": true + }, + { + "_id": "melancolia.jsonld", + "@graph": [ + { + "@id": "spice:artefact/melancolia", + "@type": "schema:CreativeWork", + "description": "Melancolía is a 1982 work by Luis Estremadoyro. ", + "source": "https://imma.ie/collection/melancolia/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/melancolia", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Lithograph", + "size": "75.1 x 55.3 cm", + "version": "Edition 46/150", + "hasInventory": "IMMA.1024 MP" + }, + { + "@id": "spice:documentation/melancolia", + "@type": "schema:ImageObject", + "caption": "Luis Estremadoyro, Melancolía, 1982, Lithograph, 75.1 x 55.3 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/03/1262.jpg" + } + ], + "@context": { + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "material": { + "@id": "http://schema.org/material" + }, + "version": { + "@id": "http://schema.org/version" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368436, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 36, + "_updated": true + }, + { + "_id": "espace-metallise.jsonld", + "@graph": [ + { + "@id": "spice:artefact/espace-metallise", + "@type": "schema:CreativeWork", + "description": "Espace Métallisé is a 1969 work by Leopoldo Novoa. ", + "source": "https://imma.ie/collection/espace-metallise/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/espace-metallise", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Silver painted moulded canvas", + "size": "72.4 x 35.5 x 6 cm", + "hasInventory": "IMMA.333 GL" + }, + { + "@id": "spice:documentation/espace-metallise", + "@type": "schema:ImageObject", + "caption": "Leopoldo Novoa, Espace Métallisé, 1969, Silver painted moulded canvas, 72.4 x 35.5 x 6 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1993.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368436, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 36, + "_updated": true + }, + { + "_id": "deposition.jsonld", + "@graph": [ + { + "@id": "spice:artefact/deposition", + "@type": "schema:CreativeWork", + "description": "Deposition is a 1954 work by John Kelly. ", + "source": "https://imma.ie/collection/deposition/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/deposition", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "35.4 x 25 cm sight", + "hasInventory": "IMMA.265 GL" + }, + { + "@id": "spice:documentation/deposition", + "@type": "schema:ImageObject", + "caption": "John Kelly, Deposition, 1954, Oil on canvas, 35.4 x 25 cm sight, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/91.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368436, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 36, + "_updated": true + }, + { + "_id": "glad-that-things-dont-talk.jsonld", + "@graph": [ + { + "@id": "spice:artefact/glad-that-things-dont-talk", + "@type": "schema:CreativeWork", + "description": "In ‘Glad that Things Don’t Talk’, a rubber over-shoe sits on an oval rubber mat. A lead ball is tethered to the back of the shoe. A small wedge sits under the toe of the shoe and another under the mat. ‘The lead ball has got plenty of gravity in it and in some way most of the things I do enjoy gravity or use it in some way’. Wentworth recalls someone aptly describing the work as ‘the shoe being extrovert and the ball holding it back’ adding, ‘it’s as if it does not quite have the courage to do something, which is a common human condition, where you think of doing something but didn’t quite make the move’. The title ‘Glad That Things Don’t Talk’ relates to the works possible narrative interpretation, which Wentworth is keen to avoid.", + "source": "https://imma.ie/collection/glad-that-things-dont-talk/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/glad-that-things-dont-talk", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Zinc, rubber, cable, lead", + "size": "34 x 68 x 33 cm", + "hasInventory": "L.573 LW" + }, + { + "@id": "spice:documentation/glad-that-things-dont-talk", + "@type": "schema:ImageObject", + "caption": "Richard Wentworth, Glad That Things Don’t Talk, 1982, Zinc, rubber, cable, lead, 34 x 68 x 33 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368436, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 36, + "_updated": true + }, + { + "_id": "untitled-81.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-81", + "@type": "schema:CreativeWork", + "description": "Untitled is a 1983 work by Micky Donnelly. 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Whether it is the darkness of a February afternoon, the reflected light of a fresh snowfall, or the distinctive hue of Halogen Street lights, her paintings are charged with content that is either to come, or else is taking place just out of view.", + "source": "https://imma.ie/collection/shop-ii/", + "creditText": "IMMA Collection: Purchase, 2021, 2021", + "image": "spice:documentation/shop-ii", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on linen", + "size": "130 x 170 cm", + "hasInventory": "IMMA.4211" + }, + { + "@id": "spice:documentation/shop-ii", + "@type": "schema:ImageObject", + "caption": "Eithne Jordan, Shop II, 2012, Oil on linen, 130 x 170 cm, Collection Irish Museum of Modern Art, Purchase, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9505.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368436, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 36, + "_updated": true + }, + { + "_id": "mnemosyne.jsonld", + "@graph": [ + { + "@id": "spice:artefact/mnemosyne", + "@type": "schema:CreativeWork", + "description": "Maher works in a range of media, often from the natural and domestic world, such as hair, nettles, bees and thorns. 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It is not currently on display in IMMA. It is currently out on loan. It is part of the IMMA Permanent Collection. 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", + "source": "https://imma.ie/collection/bon-voyage/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/bon-voyage", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on panel", + "size": "62 x 62 cm Framed: 80 x 80 x 5 cm", + "hasInventory": "IMMA.314 GL" + }, + { + "@id": "spice:documentation/bon-voyage", + "@type": "schema:ImageObject", + "caption": "Colin Middleton, Bon Voyage, 1971, Oil on panel, 62 x 62 cm Framed: 80 x 80 x 5 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1977.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368435, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 35, + "_updated": true + }, + { + "_id": "chioggia.jsonld", + "@graph": [ + { + "@id": "spice:artefact/chioggia", + "@type": "schema:CreativeWork", + "description": "Souter was awarded an Italian Government Scholarship in 1958 and painted Chioggia that year. Already her work is characterized by a strong sense of individuality. Not liking the texture of canvas, she worked in a variety of media on paper laid on board. This work shows a transition that perhaps gestures towards certain innovations of Fontana in his Gessi or chalk works where he sought to develop new forms in art appropriate to the contemporary age.", + "source": "https://imma.ie/collection/chioggia/", + "creditText": "IMMA Collection: Heritage Gift by the Bank of Ireland from the Bank of Ireland collection, 2008", + "image": "spice:documentation/chioggia", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil and aluminium on paper laid on board", + "size": "40 x 60 cm", + "hasInventory": "IMMA.2619" + }, + { + "@id": "spice:documentation/chioggia", + "@type": "schema:ImageObject", + "caption": "Camille Souter, Chioggia, 1958, Oil and aluminium on paper laid on board, 40 x 60 cm, Collection Irish Museum of Modern Art, Heritage Gift by the Bank of Ireland from the Bank of Ireland collection, 2008 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/3494.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368435, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 35, + "_updated": true + }, + { + "_id": "brian-in-the-light-of-experience.jsonld", + "@graph": [ + { + "@id": "spice:artefact/brian-in-the-light-of-experience", + "@type": "schema:CreativeWork", + "description": "Brian in the Light of Experience is a 1984 work by Giles Round and Patrick Graham. 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I work with a 5 x 7-inch Deardorff folding camera which requires a tripod and dark cloth to view the image reversed and upside down on the ground glass.’*", + "source": "https://imma.ie/collection/lucca/", + "creditText": "IMMA Collection: Donation, Novak/O'Doherty Collection, 2015", + "image": "spice:documentation/lucca", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Black and White Photograph", + "size": "Framed: 36 x 39 cm 11.6 x 16.8 cm", + "hasInventory": "IMMA.3947" + }, + { + "@id": "spice:documentation/lucca", + "@type": "schema:ImageObject", + "caption": "George Tatge, Lucca, 1984, Black and White Photograph, Framed: 36 x 39 cm 11.6 x 16.8 cm, Collection Irish Museum of Modern Art, Donation, Novak/O'Doherty Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/5117.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368435, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 35, + "_updated": true + }, + { + "_id": "no-more-storms-in-75.jsonld", + "@graph": [ + { + "@id": "spice:artefact/no-more-storms-in-75", + "@type": "schema:CreativeWork", + "description": "Daniel Budnik shot this image, No More", + "source": "https://imma.ie/collection/no-more-storms-in-75/", + "creditText": "IMMA Collection: Donation, Novak/O'Doherty Collection, 2015", + "image": "spice:documentation/no-more-storms-in-75", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Color photograph", + "size": "39.8 x 51 cm Framed: 47.5 x 61 cm", + "hasInventory": "IMMA.3901" + }, + { + "@id": "spice:documentation/no-more-storms-in-75", + "@type": "schema:ImageObject", + "caption": "Daniel Budnik, No More Storms in 75′, 1974, Color photograph, 39.8 x 51 cm Framed: 47.5 x 61 cm, Collection Irish Museum of Modern Art, Donation, Novak/O'Doherty Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/5065.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": 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"https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368435, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 35, + "_updated": true + }, + { + "_id": "tree.jsonld", + "@graph": [ + { + "@id": "spice:artefact/tree", + "@type": "schema:CreativeWork", + "description": "Tree is a 2010 work by Niamh McCann. ", + "source": "https://imma.ie/collection/tree/", + "creditText": "IMMA Collection: Purchase, 2010", + "image": "spice:documentation/tree", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Wood, walnut burl, veneer, gold-leaf, covered bronze casts, neon", + "hasInventory": "IMMA.3312" + }, + { + "@id": "spice:documentation/tree", + "@type": "schema:ImageObject", + "caption": "Niamh McCann, Tree, 2010, Wood, walnut burl, veneer, gold-leaf, covered bronze casts, neon, Collection Irish Museum of Modern Art, Purchase, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5558.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368435, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 35, + "_updated": true + }, + { + "_id": "minor-incident-i.jsonld", + "@graph": [ + { + "@id": "spice:artefact/minor-incident-i", + "@type": "schema:CreativeWork", + "description": "Minor Incident I is a 1994 work by Willie Doherty. ", + "source": "https://imma.ie/collection/minor-incident-i/", + "creditText": "IMMA Collection: Heritage Gift, Kerlin Gallery Collection, 2018, 2018", + "image": "spice:documentation/minor-incident-i", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "cibachrome mounted on aluminium", + "size": "76 x 102 cm", + "version": "Edition 1/3", + "hasInventory": "IMMA.4048" + }, + { + "@id": "spice:documentation/minor-incident-i", + "@type": "schema:ImageObject", + "caption": "Willie Doherty, Minor Incident I, 1994, cibachrome mounted on aluminium, 76 x 102 cm, Collection Irish Museum of Modern Art, Heritage Gift, Kerlin Gallery Collection, 2018, 2018 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9067.jpg" + } + ], + "@context": { + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "size": { + "@id": "http://schema.org/size" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368435, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 35, + "_updated": true + }, + { + "_id": "tomb-for-g.jsonld", + "@graph": [ + { + "@id": "spice:artefact/tomb-for-g", + "@type": "schema:CreativeWork", + "description": "Tomb for G is a 1981 work by Graham Gingles. ", + "source": "https://imma.ie/collection/tomb-for-g/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/tomb-for-g", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Mixed media in box", + "size": "45.4 x 45.8 x 17 cm", + "hasInventory": "IMMA.220 GL" + }, + { + "@id": "spice:documentation/tomb-for-g", + "@type": "schema:ImageObject", + "caption": "Graham Gingles, Tomb for G, 1981, Mixed media in box, 45.4 x 45.8 x 17 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368435, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 35, + "_updated": true + }, + { + "_id": "in-case-of.jsonld", + "@graph": [ + { + "@id": "spice:artefact/in-case-of", + "@type": "schema:CreativeWork", + "description": "In Case of is a 1988 work by Bill Woodrow. 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In 1972 Brian O’Doherty staged a performance (Name Change), in which he changed his name to Patrick Ireland, in the presence of a Notary Public, as a patriotic and artistic protest against the events of Bloody Sunday in Derry that year and under which name all his subsequent artwork was made.", + "source": "https://imma.ie/collection/name-change/", + "creditText": "IMMA Collection: Purchase, 2020, 2020", + "image": "spice:documentation/name-change", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Photograph, ink and gouache drawings on paper, typed in paper collage on posterboard", + "size": "Framed: 71 x 152cm", + "hasInventory": "IMMA.4174" + }, + { + "@id": "spice:documentation/name-change", + "@type": "schema:ImageObject", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/3948.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368435, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 35, + "_updated": true + }, + { + "_id": "no-title.jsonld", + "@graph": [ + { + "@id": "spice:artefact/no-title", + "@type": "schema:CreativeWork", + "description": "No Title (2016) is an expansive project by Sarah Pierce that considers the condition of dementia in relation to the protocols of art making. Anchored in a series of modestly produced videos No Title actively questions the ethics of representation, and the limitations of clinical discourse in re-thinking subject-hood around dementia. Filming in her family home, and assisted by her niece operating camera, Pierce intimately guides her parents through a series of table-top exercises she developed, that speak of art-making, of habitude, of domesticity, but also unflinchingly of memory, of loss, and profound familial love. No Title pictures the painful process of renegotiating familial relations surrounding ‘the dementia subject’. When concepts like mother / daughter / husband are no longer reciprocated how do we relinquish our most primal bonds in the absence of terms to describe these radical new relations? ", + "source": "https://imma.ie/collection/no-title/", + "creditText": "IMMA Collection: Purchase, 2021, 2021", + "image": "spice:documentation/no-title", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Six single channel videos (exercises 1 – 6), drawings on paper (exercise 7), objects and materials", + "hasInventory": "IMMA.4200" + }, + { + "@id": "spice:documentation/no-title", + "@type": "schema:ImageObject", + "caption": "Sarah Pierce, No Title, 2017, Six single channel videos (exercises 1 – 6), drawings on paper (exercise 7), objects and materials, Collection Irish Museum of Modern Art, Purchase, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9495.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368435, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 35, + "_updated": true + }, + { + "_id": "spring-inspiration-of-the-poet.jsonld", + "@graph": [ + { + "@id": "spice:artefact/spring-inspiration-of-the-poet", + "@type": "schema:CreativeWork", + "description": "Spring – Inspiration of the Poet (1965) is a work by Jarman that was highly selective about the references that he would draw from his source materials. Based on the Nicholas Poussin’s work of the same title (1629), Jarman retains the main compositional features but then abandons the source, in order to use the borrowed composition as a frame within which to conduct his own painterly exploration. 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His graphic designs often adapted indigenous cultural forms into modernist motifs. ‘Small Rosc Symbol’ created a syntax between Ireland’s ancient past and present. It not only encapsulated the various literary and cultural interpretations of the ancient Irish word Rosc, (meaning both ‘poetry of vision’ and ‘battle-cry’ suggesting, as it does, both an eye and an open mouth), but also conveyed the essence and timelessness of the stylised and near-abstract forms found on the carved stones and metalwork of ancient Ireland in a positive and progressive manner. As a graphic identity ‘Small Rosc Symbol’ appeared on the catalogue cover of Rosc 67, headed the press release, appeared on the invitation, as well as on other promotional material.", + "source": "https://imma.ie/collection/small-rosc-symbol/", + "creditText": "IMMA Collection: Heritage Gift, P.J. Carroll & Co. Ltd. Art Collection, 2005", + "image": "spice:documentation/small-rosc-symbol", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on panel", + "size": "152.4 x 152.4 cm", + "hasInventory": "IMMA.1873" + }, + { + "@id": "spice:documentation/small-rosc-symbol", + "@type": "schema:ImageObject", + "caption": "Patrick Scott, Small Rosc Symbol, 1967, Oil on panel, 152.4 x 152.4 cm, Collection Irish Museum of Modern Art, Heritage Gift, P.J. Carroll & Co. Ltd. Art Collection, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1798.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368434, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 34, + "_updated": true + }, + { + "_id": "davids-mothers-white-bowl.jsonld", + "@graph": [ + { + "@id": "spice:artefact/davids-mothers-white-bowl", + "@type": "schema:CreativeWork", + "description": "David’s Mother’s White Bowl is a 2004 work by João Penalva. 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Yeats is a 1976 work by Louis le Brocquy. ", + "source": "https://imma.ie/collection/image-of-w-b-yeats/", + "creditText": "IMMA Collection: Purchase, 2006", + "image": "spice:documentation/image-of-w-b-yeats", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "70 x 70 cm", + "hasInventory": "IMMA.2006" + }, + { + "@id": "spice:documentation/image-of-w-b-yeats", + "@type": "schema:ImageObject", + "caption": "Louis le Brocquy, Image of W.B. Yeats, 1976, Oil on canvas, 70 x 70 cm, Collection Irish Museum of Modern Art, Purchase, 2006 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/190.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368434, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 34, + "_updated": true + }, + { + "_id": "border-incident.jsonld", + "@graph": [ + { + "@id": "spice:artefact/border-incident", + "@type": "schema:CreativeWork", + "description": "‘Incident’, together with ‘Border Incident’ by Willie Doherty, demonstrates the way our understanding of photographs is informed by the context in which they are viewed and how language supplements the image in the form of title and/or caption. Both images are large, detailed, close-ups of burnt out cars abandoned in the landscape. The straight on camera angle in the photographs adds to the sense that we are being presented with a factual description. Both works are given a political charge because of the use of the words ‘border’ and ‘incident’ in the titles, immediately evoking the violence of Northern Ireland’s recent past and suggesting that we are looking at the aftermath of conflict. However, one of the two images depicts a car that has simply been illegally dumped. Typically for Doherty’s work the signposts offered by the titles misdirect rather than guide.", + "source": "https://imma.ie/collection/border-incident/", + "creditText": "IMMA Collection: Purchase, 1994", + "image": "spice:documentation/border-incident", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Cibachrome mounted on aluminum", + "size": "122 x 183 cm", + "version": "Edition 3/3", + "hasInventory": "IMMA.451" + }, + { + "@id": "spice:documentation/border-incident", + "@type": "schema:ImageObject", + "caption": "Willie Doherty, Border Incident, 1994, Cibachrome mounted on aluminum, 122 x 183 cm, Collection Irish Museum of Modern Art, Purchase, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/258.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "size": { + "@id": "http://schema.org/size" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "material": { + "@id": "http://schema.org/material" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368434, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 34, + "_updated": true + }, + { + "_id": "yagul-light-of-the-leaves-10.jsonld", + "@graph": [ + { + "@id": "spice:artefact/yagul-light-of-the-leaves-10", + "@type": "schema:CreativeWork", + "description": "Yagul – Light of the Leaves is a 1999 work by Jan Hendrix. ", + "source": "https://imma.ie/collection/yagul-light-of-the-leaves-10/", + "creditText": "IMMA Collection: Purchase, 1999", + "image": "spice:documentation/yagul-light-of-the-leaves-10", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint", + "size": "37.1 x 25.4 cm", + "version": "Edition 1/15", + "hasInventory": "IMMA.1111.010" + }, + { + "@id": "spice:documentation/yagul-light-of-the-leaves-10", + "@type": "schema:ImageObject", + "caption": "Jan Hendrix, Yagul – Light of the Leaves, 1999, Screenprint, 37.1 x 25.4 cm, Collection Irish Museum of Modern Art, Purchase, 1999 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/763.jpg" + } + ], + "@context": { + "size": { + "@id": "http://schema.org/size" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368434, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 34, + "_updated": true + }, + { + "_id": "untitled-139.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-139", + "@type": "schema:CreativeWork", + "description": "Untitled is a 1944 work by Colin Middleton. 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Dick’s last film from her time in New York, Liberty’s Booty  explores ideas of power, womanhood, sexuality and identity. In the film, Dick draws a parallel between prostitution and the desire for success so prevalent in American culture. Candid shots in a brothel in NY are interspersed with imagery of the pope’s visit to Ireland and footage of the characters in NY roaming in the Irish landscape.  ", + "source": "https://imma.ie/collection/libertys-booty/", + "creditText": "IMMA Collection: Purchase, 2020, 2020", + "image": "spice:documentation/libertys-booty", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Colour, sound", + "size": "Duration: 47min.36 sec.", + "hasInventory": "IMMA.4194" + }, + { + "@id": "spice:documentation/libertys-booty", + "@type": "schema:ImageObject", + "caption": "Vivienne Dick, Liberty’s Booty, 1980, Colour, sound, Duration: 47min.36 sec., Collection Irish Museum of Modern Art, Purchase, 2020, 2020 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9484.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368434, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 34, + "_updated": true + }, + { + "_id": "glendowan-4.jsonld", + "@graph": [ + { + "@id": "spice:artefact/glendowan-4", + "@type": "schema:CreativeWork", + "description": "Glendowan is a 1959 work by Colin Middleton. 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"big-school-dog.jsonld", + "@graph": [ + { + "@id": "spice:artefact/big-school-dog", + "@type": "schema:CreativeWork", + "description": "Big School Dog is a 1988 work by John Kindness. 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The searching gaze of the camera is perhaps also creating a self-portrait of the artist – although not a physiological portrait: we are seeing through her inquisitive eyes. 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In his view paint is something we see in rather than through, creating a dialogue between the viewer and the work, rather than offering a window on to another world.", + "source": "https://imma.ie/collection/painter-about-to-paint-a-painting/", + "creditText": "IMMA Collection: Purchase, 1992", + "image": "spice:documentation/painter-about-to-paint-a-painting", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on linen", + "size": "210 x 210 cm", + "hasInventory": "IMMA.91" + }, + { + "@id": "spice:documentation/painter-about-to-paint-a-painting", + "@type": "schema:ImageObject", + "caption": "Michael Cullen, Painter About to Paint a Painting, 1991, Oil on linen, 210 x 210 cm, Collection Irish Museum of Modern Art, Purchase, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/912.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368432, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 32, + "_updated": true + }, + { + "_id": "homage-to-bernadette-greevy-commissioned-by-g-lambert-1977.jsonld", + "@graph": [ + { + "@id": "spice:artefact/homage-to-bernadette-greevy-commissioned-by-g-lambert-1977", + "@type": "schema:CreativeWork", + "description": "The art collector Gordon Lambert commissioned this work dedicated to the mezzo soprano Bernadette Greevy as a tribute to her contribution to classical singing in Ireland. Ballagh, already popular as a witty and original portraitist, used the opportunity to produce a magical trompe l’oeil painting where Greevy is represented in a variety of ways. Her framed image in a photograph is repeated on record and cassette covers and, most unusually of all, through her voice. The spectator’s presence triggers the playing of one of Greevy’s best known recordings of songs by Brahms from a cassette player concealed behind the fictive player in the picture.", + "source": "https://imma.ie/collection/homage-to-bernadette-greevy-commissioned-by-g-lambert-1977/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/homage-to-bernadette-greevy-commissioned-by-g-lambert-1977", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic on canvas with recorded sound", + "size": "108.5 x 108.6 x 15.4 cm", + "hasInventory": "IMMA.117 GL" + }, + { + "@id": "spice:documentation/homage-to-bernadette-greevy-commissioned-by-g-lambert-1977", + "@type": "schema:ImageObject", + "caption": "Robert Ballagh, Homage to Bernadette Greevy (commissioned by G. Lambert, 1977), 1978, Acrylic on canvas with recorded sound, 108.5 x 108.6 x 15.4 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/836.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368432, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 32, + "_updated": true + }, + { + "_id": "children-showering-after-swim-in-porchester-pool.jsonld", + "@graph": [ + { + "@id": "spice:artefact/children-showering-after-swim-in-porchester-pool", + "@type": "schema:CreativeWork", + "description": "Children Showering after Swim in Porchester Pool is a 1989 work by Elinor Wiltshire. 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", + "source": "https://imma.ie/collection/jodenstraat-series-3/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/jodenstraat-series-3", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil and gouache on paper", + "size": "48 x 30.4 cm (sight)", + "hasInventory": "IMMA.239 GL" + }, + { + "@id": "spice:documentation/jodenstraat-series-3", + "@type": "schema:ImageObject", + "caption": "Pat Harris, Jodenstraat Series 3, 1982, Pencil and gouache on paper, 48 x 30.4 cm (sight), Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368432, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 32, + "_updated": true + }, + { + "_id": "curvas-inmateriales.jsonld", + "@graph": [ + { + "@id": "spice:artefact/curvas-inmateriales", + "@type": "schema:CreativeWork", + "description": "In ‘Curvas Inmateriales’, movement is generated by air currents so delicate that the presence of a moving spectator is enough to activate it, giving the viewer an active role in the artwork. 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It was the only artwork from an Irish collection to be included in the first Rosc exhibition held in Dublin the same year.", + "source": "https://imma.ie/collection/curvas-inmateriales/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/curvas-inmateriales", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Painted metal rods, nylon, acrylic on board", + "size": "107 x 107 cm", + "hasInventory": "IMMA.383 GL" + }, + { + "@id": "spice:documentation/curvas-inmateriales", + "@type": "schema:ImageObject", + "caption": "Jesús Rafael Soto, Curvas Inmateriales, 1966, Painted metal rods, nylon, acrylic on board, 107 x 107 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/2026.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368432, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 32, + "_updated": true + }, + { + "_id": "movement-spring.jsonld", + "@graph": [ + { + "@id": "spice:artefact/movement-spring", + "@type": "schema:CreativeWork", + "description": "Movement Spring is a 1968 work by Tony O'Malley. ", + "source": "https://imma.ie/collection/movement-spring/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004", + "image": "spice:documentation/movement-spring", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gouache and pen on paper", + "size": "38 x 56 cm", + "hasInventory": "IMMA.1365 MCCL" + }, + { + "@id": "spice:documentation/movement-spring", + "@type": "schema:ImageObject", + "caption": "Tony O'Malley, Movement Spring, 1968, Gouache and pen on paper, 38 x 56 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368432, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 32, + "_updated": true + }, + { + "_id": "tom-and-winnie.jsonld", + "@graph": [ + { + "@id": "spice:artefact/tom-and-winnie", + "@type": "schema:CreativeWork", + "description": "Tom and Winnie is a 1985 work by Gene Lambert. ", + "source": "https://imma.ie/collection/tom-and-winnie/", + "creditText": "IMMA Collection: Purchase, 1991", + "image": "spice:documentation/tom-and-winnie", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Black and white photographs", + "size": "33 x 24 cm", + "hasInventory": "IMMA.15.006" + }, + { + "@id": "spice:documentation/tom-and-winnie", + "@type": "schema:ImageObject", + "caption": "Gene Lambert, Tom and Winnie, 1985, Black and white photographs, 33 x 24 cm, Collection Irish Museum of Modern Art, Purchase, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/724.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368432, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 32, + "_updated": true + }, + { + "_id": "landscape-with-declining-sun.jsonld", + "@graph": [ + { + "@id": "spice:artefact/landscape-with-declining-sun", + "@type": "schema:CreativeWork", + "description": "Landscape with Declining Sun is a 1984 work by Patrick Collins. ", + "source": "https://imma.ie/collection/landscape-with-declining-sun/", + "creditText": "IMMA Collection: Purchase, 2005", + "image": "spice:documentation/landscape-with-declining-sun", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "41 x 49 cm Framed: 72.3 x 79.6 cm", + "hasInventory": "IMMA.1904" + }, + { + "@id": "spice:documentation/landscape-with-declining-sun", + "@type": "schema:ImageObject", + "caption": "Patrick Collins, Landscape with Declining Sun, 1984, Oil on canvas, 41 x 49 cm Framed: 72.3 x 79.6 cm, Collection Irish Museum of Modern Art, Purchase, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/813.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368432, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 32, + "_updated": true + }, + { + "_id": "celtic-house.jsonld", + "@graph": [ + { + "@id": "spice:artefact/celtic-house", + "@type": "schema:CreativeWork", + "description": "Celtic House is a 1994 work by Greg Fullerton. ", + "source": "https://imma.ie/collection/celtic-house/", + "creditText": "IMMA Collection: Donated by the artist, 1994", + "image": "spice:documentation/celtic-house", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil paint on stonehenge paper", + "size": "12 x 11 cm", + "hasInventory": "IMMA.1494" + }, + { + "@id": "spice:documentation/celtic-house", + "@type": "schema:ImageObject", + "caption": "Greg Fullerton, Celtic House, 1994, Oil paint on stonehenge paper, 12 x 11 cm, Collection Irish Museum of Modern Art, Donated by the artist, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1510.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368432, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 32, + "_updated": true + }, + { + "_id": "137-5-it-started-on-the-c-train.jsonld", + "@graph": [ + { + "@id": "spice:artefact/137-5-it-started-on-the-c-train", + "@type": "schema:CreativeWork", + "description": "‘In many plants, the angle between leaves is around 137.5 degrees, corresponding not only to the “golden ratio” but also to the ratio between two successive terms of the Fibonacci series. At the root of my practice is a study of the basic structures and poetic possibilities that exist within daily life. I use the urban landscape and everyday objects found within it to interrogate conventional notions of nature and the inextricable relationship between humanity and the natural world in the Anthropocene era. Many fields of study – including biological science, geology, climate science, physics and urban planning – inform my work. An interest in mathematical emergence and mapping is expressed in the web of 137.5° (2002), which plots my travels over that summer. It is composed of numerous crocheted pieces – each segment was made on one trip – the size of each “doodle” directly corresponding to the duration of that particular journey. Metaphorically woven into the complex system of unfolding organic lines is a tangible record of my carbon footprint. Exploring the elegance and logic of traditional Irish lace crochet, I used the single stitch, as a non-expert, to “draw” lines that represent my movements in time and space. Each time the piece is installed the drawing is different, but the trace of the journeys remains the same’.", + "source": "https://imma.ie/collection/137-5-it-started-on-the-c-train/", + "creditText": "IMMA Collection: Purchase, 2010", + "image": "spice:documentation/137-5-it-started-on-the-c-train", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Wall installation: wool, tacks, approx 150 single pieces, partly crocheted together", + "hasInventory": "IMMA.3315" + }, + { + "@id": "spice:documentation/137-5-it-started-on-the-c-train", + "@type": "schema:ImageObject", + "caption": "Katie Holten, 137.5 °/it started on the C-train, 2002, Wall installation: wool, tacks, approx 150 single pieces, partly crocheted together, Collection Irish Museum of Modern Art, Purchase, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5556.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368432, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 32, + "_updated": true + }, + { + "_id": "vostok.jsonld", + "@graph": [ + { + "@id": "spice:artefact/vostok", + "@type": "schema:CreativeWork", + "description": "In meticulous drawings, paintings, and sculptures, Eoin Mc Hugh examines what he calls “the psychology of imagery”—the space between the image, the object, and the idea. Mc Hugh predominantly works in watercolor on found or old paper, painting ambiguous, often uncanny, subjects that vary widely, from dreamlike seascapes and apocalyptic visions of the natural world to everyday items such as a watch or spoon. In dark oil paintings, Mc Hugh explores the work of Vermeer and other Dutch masters of the 17th century fascinated by the representation of light, reimagining a traditional genre by creating subtle distortions of perspective in images whose meanings are enigmatic. 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consumption, distribution, reproduction, value and forcing (re)considerations of authenticity within art.   ", + "source": "https://imma.ie/collection/i-heart-lesbians/", + "creditText": "IMMA Collection: Purchase, 2021, 2021", + "image": "spice:documentation/i-heart-lesbians", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "cyanotype print", + "size": "59.4 x 84.1 cm", + "hasInventory": "IMMA.4240" + }, + { + "@id": "spice:documentation/i-heart-lesbians", + "@type": "schema:ImageObject", + "caption": "Breda Lynch, I ‘heart’ lesbians, 2016, cyanotype print, 59.4 x 84.1 cm, Collection Irish Museum of Modern Art, Purchase, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9541.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + 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Garber. ", + "source": "https://imma.ie/collection/disney-hall-from-above/", + "creditText": "IMMA Collection: Donation, David Kronn Collection, 2015", + "image": "spice:documentation/disney-hall-from-above", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gelatin silver print", + "size": "41 x 51 cm", + "hasInventory": "IMMA.3970" + }, + { + "@id": "spice:documentation/disney-hall-from-above", + "@type": "schema:ImageObject", + "caption": "Helen K. Garber, Disney Hall From Above, 2005, Gelatin silver print, 41 x 51 cm, Collection Irish Museum of Modern Art, Donation, David Kronn Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/7510.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368430, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 30, + "_updated": true + }, + { + "_id": "portable-stones.jsonld", + "@graph": [ + { + "@id": "spice:artefact/portable-stones", + "@type": "schema:CreativeWork", + "description": "Orla Barry’s film work is rooted in language and symbols and is driven by the tension between visual and literary representation. The artist composes poetic prose – textual fragments – that bring together philosophical meditations and biographical fact as well as fictional and associative elements. In her publications, films and performances, Barry dwells on themes such as linguistic intoxication, proximity and distance, silence and communication, melancholy and absurdity, and friendship and family relationships. ‘Portable Stones’ (2005) can be seen as a fragmented associative narrative dealing with two characters who live in a kind of ‘linguistic isolation’ and who explore different forms of indirect communication. Barry works with the multiple meanings of words and gestures in combination with visual rhythms and subtle audio layering. This interplay makes the 63-minute film into an atmospheric, moving visual poem.", + "source": "https://imma.ie/collection/portable-stones/", + "creditText": "IMMA Collection: Purchase, 2006", + "image": "spice:documentation/portable-stones", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Colour video with sound", + "version": "Edition of 3", + "hasInventory": "IMMA.1978" + }, + { + "@id": "spice:documentation/portable-stones", + "@type": "schema:ImageObject", + "caption": "Orla Barry, Portable Stones, 2005, Colour video with sound, Duration: 63 mins, Collection Irish Museum of Modern Art, Purchase, 2006 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368430, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 30, + "_updated": true + }, + { + "_id": "portal-5.jsonld", + "@graph": [ + { + "@id": "spice:artefact/portal-5", + "@type": "schema:CreativeWork", + "description": "Portal 5 is a 1999 work by Ann Hamilton. ", + "source": "https://imma.ie/collection/portal-5/", + "creditText": "IMMA Collection: Purchase, 2002", + "image": "spice:documentation/portal-5", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Black and white photograph", + "size": "4.44 x 5.08 cm", + "hasInventory": "IMMA.1500" + }, + { + "@id": "spice:documentation/portal-5", + "@type": "schema:ImageObject", + "caption": "Ann Hamilton, Portal 5, 1999, Black and white photograph, 4.44 x 5.08 cm, Collection Irish Museum of Modern Art, Purchase, 2002 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/02/1547.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368430, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 30, + "_updated": true + }, + { + "_id": "untitled-83.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-83", + "@type": "schema:CreativeWork", + "description": "Untitled is a 1981 work by Enrique Zañartu. ", + "source": "https://imma.ie/collection/untitled-83/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/untitled-83", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint", + "size": "74.7 x 56 cm", + "version": "Edition 30/150", + "hasInventory": "IMMA.1015 MP" + }, + { + "@id": "spice:documentation/untitled-83", + "@type": "schema:ImageObject", + "caption": "Enrique Zañartu, Untitled, 1981, Screenprint, 74.7 x 56 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "size": { + "@id": "http://schema.org/size" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "material": { + "@id": "http://schema.org/material" + }, + "version": { + "@id": "http://schema.org/version" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368430, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 30, + "_updated": true + }, + { + "_id": "14-13-32.jsonld", + "@graph": [ + { + "@id": "spice:artefact/14-13-32", + "@type": "schema:CreativeWork", + "description": "14.13.32 is a 1991 work by Elizabeth Magill. ", + "source": "https://imma.ie/collection/14-13-32/", + "creditText": "IMMA Collection: Heritage Gift, Kerlin Gallery Collection, 2018, 2018", + "image": "spice:documentation/14-13-32", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "mixed media on canvas", + "size": "50.8 x 91.4 cm", + "hasInventory": "IMMA.4103" + }, + { + "@id": "spice:documentation/14-13-32", + "@type": "schema:ImageObject", + "caption": "Elizabeth Magill, 14.13.32, 1991, mixed media on canvas, 50.8 x 91.4 cm, Collection Irish Museum of Modern Art, Heritage Gift, Kerlin Gallery Collection, 2018, 2018 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368430, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 30, + "_updated": true + }, + { + "_id": "sams-art.jsonld", + "@graph": [ + { + "@id": "spice:artefact/sams-art", + "@type": "schema:CreativeWork", + "description": "n Saul Steinberg’s lithograph ‘Sam’s Art’, Abraham Lincoln, in stove-pipe hat, poses as the artist in front of his canvas. While his attention looks fixed on rendering the slightly wobbly pyramid with an eye, the Masonic motif from the back of the one dollar bill, the line from his brush has floated off the canvas to become a cubist-futurist cloud in the sky. The American Eagle looks on, perched on a civil war cannon. The absurdity is reinforced by the pseudo-calligraphy surrounding this tableau.", + "source": "https://imma.ie/collection/sams-art/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/sams-art", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Lithograph", + "size": "43 x 55.7 cm", + "version": "177/225", + "hasInventory": "IMMA.388 GL" + }, + { + "@id": "spice:documentation/sams-art", + "@type": "schema:ImageObject", + "caption": "Saul Steinberg, Sam’s Art, 1966, Lithograph, 43 x 55.7 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/2027.jpg" + } + ], + "@context": { + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "version": { + "@id": "http://schema.org/version" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368430, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 30, + "_updated": true + }, + { + "_id": "yanks-to-the-rescue-time.jsonld", + "@graph": [ + { + "@id": "spice:artefact/yanks-to-the-rescue-time", + "@type": "schema:CreativeWork", + "description": "Yanks to the Rescue/Time is a 1996 work by Tom Molloy. 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", + "source": "https://imma.ie/collection/untitled-91/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/untitled-91", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Lithograph", + "size": "515 x 747 cm", + "version": "Edition 118/150", + "hasInventory": "IMMA.940 MP" + }, + { + "@id": "spice:documentation/untitled-91", + "@type": "schema:ImageObject", + "caption": "Jorge Mantilla Caballero, Untitled, 1977, Lithograph, 515 x 747 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "version": { + "@id": "http://schema.org/version" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368429, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 29, + "_updated": true + }, + { + "_id": "untitled-large-gouache-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-large-gouache-2", + "@type": "schema:CreativeWork", + "description": "Untitled large gouache is a 1979 work by Tony O'Malley. 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The pins, which hold the berries in place, are arranged internally: should the dress be worn, these pins would pierce the skin.", + "source": "https://imma.ie/collection/berry-dress/", + "creditText": "IMMA Collection: Purchase, assisted by funding from Maire and Maurice Foley, 1995", + "image": "spice:documentation/berry-dress", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Rosehips, cotton, paint, sewing pins", + "size": "25 x 32 x 24 cm", + "hasInventory": "IMMA.468" + }, + { + "@id": "spice:documentation/berry-dress", + "@type": "schema:ImageObject", + "caption": "Alice Maher, Berry Dress, 1994, Rosehips, cotton, paint, sewing pins, 25 x 32 x 24 cm, Collection Irish Museum of Modern Art, Purchase, assisted by funding from Maire and Maurice Foley, 1995 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/3-02-scaled.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368429, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 29, + "_updated": true + }, + { + "_id": "waterfall-mirage.jsonld", + "@graph": [ + { + "@id": "spice:artefact/waterfall-mirage", + "@type": "schema:CreativeWork", + "description": "Pat Steir’s works are meditations on nature, time and the nature of art. 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The piece proposes that ‘looking into archives is all about looking at what isn’t there’.   ", + "source": "https://imma.ie/collection/poverty-of-vision/", + "creditText": "IMMA Collection: Purchase, 2017, 2021", + "image": "spice:documentation/poverty-of-vision", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "performance with video projection, video documentation, script, two risograph double-sided posters (unlimited edition, given to audience during performance)", + "hasInventory": "IMMA.4204" + }, + { + "@id": "spice:documentation/poverty-of-vision", + "@type": "schema:ImageObject", + "caption": "Emma Wolf-Haugh, Poverty of Vision, 2017, performance with video projection, video documentation, script, two risograph double-sided posters (unlimited edition, given to audience during performance), Duration: 39min.30 sec., Collection Irish Museum of Modern Art, Purchase, 2017, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9498.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368429, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 29, + "_updated": true + }, + { + "_id": "pagan-lesbians.jsonld", + "@graph": [ + { + "@id": "spice:artefact/pagan-lesbians", + "@type": "schema:CreativeWork", + "description": "This work is part of a series called Pulp Fiction (2016-2020), which focuses on the representation of otherness and queer, lesbian identities as presented through the retro genre of lesbian under-the-counter ‘Pulp’ fiction. These pocket paperbacks mushroomed in production in the early 40’s to late 60’s after the introduction and enforcement of the Hays production code in the American film industry in 1930 and parallel to the publishing of the Kinsey Report in the 40’s. Before the 60’s sexual revolution such paperbacks provided a peak into perceived scandalous, erotic encounters of the same sex. Often the featured female characters were depicted as sexual predators into Satanism, witchcraft, BDSM, or even more fantastical grotesques that even came from another planet.", + "source": "https://imma.ie/collection/pagan-lesbians/", + "creditText": "IMMA Collection: Purchase, 2021, 2021", + "image": "spice:documentation/pagan-lesbians", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "black and white colouring pencil on rose pink tinted Canson paper", + "size": "65 x 50 cm", + "hasInventory": "IMMA.4250" + }, + { + "@id": "spice:documentation/pagan-lesbians", + "@type": "schema:ImageObject", + "caption": "Breda Lynch, Pagan Lesbians , 2016, black and white colouring pencil on rose pink tinted Canson paper, 65 x 50 cm, Collection Irish Museum of Modern Art, Purchase, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9551.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368429, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 29, + "_updated": true + }, + { + "_id": "untitled-no-7.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-no-7", + "@type": "schema:CreativeWork", + "description": "Untitled (No.7) is a 1988 work by Anish Kapoor. ", + "source": "https://imma.ie/collection/untitled-no-7/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/untitled-no-7", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Colour Aquatint etching", + "size": "67.9 x 50.8 cm", + "version": "Edition of 20", + "hasInventory": "L.566 LW" + }, + { + "@id": "spice:documentation/untitled-no-7", + "@type": "schema:ImageObject", + "caption": "Anish Kapoor, Untitled (No.7), 1988, Colour Aquatint etching, 67.9 x 50.8 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/01/949.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368428, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 28, + "_updated": true + }, + { + "_id": "lapsus-exposure.jsonld", + "@graph": [ + { + "@id": "spice:artefact/lapsus-exposure", + "@type": "schema:CreativeWork", + "description": "Lapsus Exposure is a 1992 work by James Coleman. 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", + "source": "https://imma.ie/collection/dog-with-altarpiece/", + "creditText": "IMMA Collection: Donated by the Artist, 1991", + "image": "spice:documentation/dog-with-altarpiece", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Chalk on sandpaper", + "size": "64 x 64 cm", + "hasInventory": "IMMA.30" + }, + { + "@id": "spice:documentation/dog-with-altarpiece", + "@type": "schema:ImageObject", + "caption": "John Kindness, Dog with Altarpiece, 1985, Chalk on sandpaper, 64 x 64 cm, Collection Irish Museum of Modern Art, Donated by the Artist, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/246.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368428, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 28, + "_updated": true + }, + { + "_id": "loss-memory-her-shoes.jsonld", + "@graph": [ + { + "@id": "spice:artefact/loss-memory-her-shoes", + "@type": "schema:CreativeWork", + "description": "Loss & Memory – Her Shoes is a 2002 work by Amelia Stein. ", + "source": "https://imma.ie/collection/loss-memory-her-shoes/", + "creditText": "IMMA Collection: Donation, in memory of Mona and Mendel Stein, 2004", + "image": "spice:documentation/loss-memory-her-shoes", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Photograph", + "size": "25 x 25 cm", + "hasInventory": "IMMA.1784.001" + }, + { + "@id": "spice:documentation/loss-memory-her-shoes", + "@type": "schema:ImageObject", + "caption": "Amelia Stein, Loss & Memory – Her Shoes, 2002, Photograph, 25 x 25 cm, Collection Irish Museum of Modern Art, Donation, in memory of Mona and Mendel Stein, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/3965.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368428, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 28, + "_updated": true + }, + { + "_id": "cavities.jsonld", + "@graph": [ + { + "@id": "spice:artefact/cavities", + "@type": "schema:CreativeWork", + "description": "Cavities is a 1988 work by Veronica Ryan. ", + "source": "https://imma.ie/collection/cavities/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/cavities", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Lead", + "size": "Dimensions variable", + "hasInventory": "L.572 LW" + }, + { + "@id": "spice:documentation/cavities", + "@type": "schema:ImageObject", + "caption": "Veronica Ryan, Cavities, 1988, Lead, Dimensions variable, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368428, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 28, + "_updated": true + }, + { + "_id": "red-one.jsonld", + "@graph": [ + { + "@id": "spice:artefact/red-one", + "@type": "schema:CreativeWork", + "description": "Red One is a 1988 work by Lennon. 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age-old depictions of battle and struggle and Christian religious imagery from the tradition of Michelangelo, Titian and Rubens.", + "source": "https://imma.ie/collection/crossing-the-rapido-vii/", + "creditText": "IMMA Collection: Heritage Gift, 2004", + "image": "spice:documentation/crossing-the-rapido-vii", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on aluminium panel in three parts with inkjet on gampi tissue", + "size": "245 x 198 cm each", + "hasInventory": "IMMA.1764" + }, + { + "@id": "spice:documentation/crossing-the-rapido-vii", + "@type": "schema:ImageObject", + "caption": "Hughie O'Donoghue, Crossing the Rapido VII, 2003, Oil on aluminium panel in three parts with inkjet on gampi tissue, 245 x 198 cm each, Collection Irish Museum of Modern Art, Heritage Gift, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": 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He poignantly conjures a nostalgic memory often associated with the kitchen, invoking a sense of familiarity during a time of discord or change. ‘I believe we carry a metaphorical and invisible kitchen around with us, so this is what I have built.’ Anthony Key, October 2005.", + "source": "https://imma.ie/collection/bok-gwai-white-ghost/", + "creditText": "IMMA Collection: Purchase, 2006", + "image": "spice:documentation/bok-gwai-white-ghost", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Tin foil takeaway cartons, mixed media", + "size": "335.2 x 152.4 x 274.3 cm", + "hasInventory": "IMMA.1977" + }, + { + "@id": "spice:documentation/bok-gwai-white-ghost", + "@type": "schema:ImageObject", + "caption": "Anthony Key, Bok Gwai / White Ghost, 2005, Tin foil takeaway cartons, mixed media, 335.2 x 152.4 x 274.3 cm, Collection Irish Museum of Modern Art, Purchase, 2006 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2021/04/688.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368427, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 27, + "_updated": true + }, + { + "_id": "parallel-forms-orange.jsonld", + "@graph": [ + { + "@id": "spice:artefact/parallel-forms-orange", + "@type": "schema:CreativeWork", + "description": "Parallel Forms Orange is a 1971 work by William Scott. 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", + "source": "https://imma.ie/collection/10-characters-ronald-feldman-fine-arts-new-york/", + "creditText": "IMMA Collection: Purchase, 1999", + "image": "spice:documentation/10-characters-ronald-feldman-fine-arts-new-york", + "maintainer": "https://w3id.org/spice/institute/imma", + "size": "28 x 21.5 cm", + "version": "Edition 434/500", + "hasInventory": "IMMA.2891" + }, + { + "@id": "spice:documentation/10-characters-ronald-feldman-fine-arts-new-york", + "@type": "schema:ImageObject", + "caption": "Ilya Kabakov, 10 Characters – Ronald Feldman Fine Arts, New York, 1988, 28 x 21.5 cm, Collection Irish Museum of Modern Art, Purchase, 1999 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368427, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 27, + "_updated": true + }, + { + "_id": "young-serbs-bojan.jsonld", + "@graph": [ + { + "@id": "spice:artefact/young-serbs-bojan", + "@type": "schema:CreativeWork", + "description": "young serbs (bojan) is a 2001 work by Phil Collins. ", + "source": "https://imma.ie/collection/young-serbs-bojan/", + "creditText": "IMMA Collection: Heritage Gift, Kerlin Gallery Collection, 2018, 2018", + "image": "spice:documentation/young-serbs-bojan", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Lightjet print reverse mounted on Diasec", + "size": "74 x 92 x 3 cm", + "hasInventory": "IMMA.4118" + }, + { + "@id": "spice:documentation/young-serbs-bojan", + "@type": "schema:ImageObject", + "caption": "Phil Collins, young serbs (bojan), 2001, Lightjet print reverse mounted on Diasec, 74 x 92 x 3 cm, Collection Irish Museum of Modern Art, Heritage Gift, Kerlin Gallery Collection, 2018, 2018 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9142.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368427, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 27, + "_updated": true + }, + { + "_id": "untitled-101.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-101", + "@type": "schema:CreativeWork", + "description": "Untitled is a 1975 work by Rodolfo Arico. ", + "source": "https://imma.ie/collection/untitled-101/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/untitled-101", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint", + "size": "55.5 x 75.5 cm", + "version": "Edition 72/150", + "hasInventory": "IMMA.986 MP" + }, + { + "@id": "spice:documentation/untitled-101", + "@type": "schema:ImageObject", + "caption": "Rodolfo Arico, Untitled, 1975, Screenprint, 55.5 x 75.5 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/03/1219.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "material": { + "@id": "http://schema.org/material" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "size": { + "@id": "http://schema.org/size" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "version": { + "@id": "http://schema.org/version" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368427, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 27, + "_updated": true + }, + { + "_id": "yellow-lines.jsonld", + "@graph": [ + { + "@id": "spice:artefact/yellow-lines", + "@type": "schema:CreativeWork", + "description": "Yellow Lines is a 1983 work by Gwen O'Dowd. ", + "source": "https://imma.ie/collection/yellow-lines/", + "creditText": "IMMA Collection: Donation, Maire and Maurice Foley, 2000", + "image": "spice:documentation/yellow-lines", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Mixed media on board", + "size": "106 x 116 cm", + "hasInventory": "IMMA.901 FD" + }, + { + "@id": "spice:documentation/yellow-lines", + "@type": "schema:ImageObject", + "caption": "Gwen O'Dowd, Yellow Lines, 1983, Mixed media on board, 106 x 116 cm, Collection Irish Museum of Modern Art, Donation, Maire and Maurice Foley, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/03/1148.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368427, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 27, + "_updated": true + }, + { + "_id": "between-the-eyes-t13b.jsonld", + "@graph": [ + { + "@id": "spice:artefact/between-the-eyes-t13b", + "@type": "schema:CreativeWork", + "description": "Between the Eyes, T13B is a 1987 work by Richard Deacon. ", + "source": "https://imma.ie/collection/between-the-eyes-t13b/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/between-the-eyes-t13b", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil on paper", + "size": "21 x 29 cm", + "hasInventory": "L.2008.1.2.46" + }, + { + "@id": "spice:documentation/between-the-eyes-t13b", + "@type": "schema:ImageObject", + "caption": "Richard Deacon, Between the Eyes, T13B, 1987, Pencil on paper, 21 x 29 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/6719.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368427, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 27, + "_updated": true + }, + { + "_id": "couleur-additive.jsonld", + "@graph": [ + { + "@id": "spice:artefact/couleur-additive", + "@type": "schema:CreativeWork", + "description": "Couleur Additive is a 1973 work by Carlos Cruz-Diez. ", + "source": "https://imma.ie/collection/couleur-additive/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/couleur-additive", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint on paper", + "size": "30.2 x 22.4 cm", + "hasInventory": "IMMA.187 GL" + }, + { + "@id": "spice:documentation/couleur-additive", + "@type": "schema:ImageObject", + "caption": "Carlos Cruz-Diez, Couleur Additive, 1973, Screenprint on paper, 30.2 x 22.4 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/02/1902.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368427, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 27, + "_updated": true + }, + { + "_id": "moon-and-hill.jsonld", + "@graph": [ + { + "@id": "spice:artefact/moon-and-hill", + "@type": "schema:CreativeWork", + "description": "Moon and Hill is a 1971 work by Gerda Frömel. ", + "source": "https://imma.ie/collection/moon-and-hill/", + "creditText": "IMMA Collection: Heritage Gift, P.J. Carroll & Co. Ltd. Art Collection, 2005", + "image": "spice:documentation/moon-and-hill", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Alabaster, metal and wood base", + "size": "55.9 x 39.4 cm", + "hasInventory": "IMMA.1851" + }, + { + "@id": "spice:documentation/moon-and-hill", + "@type": "schema:ImageObject", + "caption": "Gerda Frömel, Moon and Hill, 1971, Alabaster, metal and wood base, 55.9 x 39.4 cm, Collection Irish Museum of Modern Art, Heritage Gift, P.J. Carroll & Co. Ltd. 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I was interested in the Freudian analogy of desire for knowledge being inextricable from sexual desire. The shapes are taken from the ‘I Modi’ engravings which were originally published in a book of sonnets by Pietro Aretino. Infamous for their explicit descriptions of sexual scenes; they were not couched as mythological narratives and were considered unacceptable. Those in power were anxious that knowledge would leak out to the people through readily available books. The original copper plates of the ‘I Modi’ engravings were destroyed in the Sac of Rome. There are tiny fragments left in the British Museum. 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", + "source": "https://imma.ie/collection/volume-ii-the-big-nix/", + "creditText": "IMMA Collection: Purchase, 2006", + "image": "spice:documentation/volume-ii-the-big-nix", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etchings, copperplate and nylo prints", + "size": "42 x 34cm", + "version": "Edition 13/50", + "hasInventory": "IMMA.1924" + }, + { + "@id": "spice:documentation/volume-ii-the-big-nix", + "@type": "schema:ImageObject", + "caption": "Thomas Schütte, Volume II – The Big Nix, 2005, Etchings, copperplate and nylo prints, 42 x 34cm, Collection Irish Museum of Modern Art, Purchase, 2006 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "size": { + "@id": "http://schema.org/size" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368426, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 26, + "_updated": true + }, + { + "_id": "rock-drawings-3.jsonld", + "@graph": [ + { + "@id": "spice:artefact/rock-drawings-3", + "@type": "schema:CreativeWork", + "description": "Rock Drawings is a 1994 work by Richard Long. ", + "source": "https://imma.ie/collection/rock-drawings-3/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/rock-drawings-3", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screen Print", + "size": "79 x 73.5 cm", + "hasInventory": "L.778.06 LW" + }, + { + "@id": "spice:documentation/rock-drawings-3", + "@type": "schema:ImageObject", + "caption": "Richard Long, Rock Drawings, 1994, Screen Print, 79 x 73.5 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368426, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 26, + "_updated": true + }, + { + "_id": "danbhalah-y-aida-huiedo.jsonld", + "@graph": [ + { + "@id": "spice:artefact/danbhalah-y-aida-huiedo", + "@type": "schema:CreativeWork", + "description": "Danbhalah y Aída Huiedo is a 1982 work by Geo Ripley. ", + "source": "https://imma.ie/collection/danbhalah-y-aida-huiedo/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/danbhalah-y-aida-huiedo", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint", + "size": "55.9 x 76.2 cm", + "version": "Edition 62/150", + "hasInventory": "IMMA.1054 MP" + }, + { + "@id": "spice:documentation/danbhalah-y-aida-huiedo", + "@type": "schema:ImageObject", + "caption": "Geo Ripley, Danbhalah y Aída Huiedo, 1982, Screenprint, 55.9 x 76.2 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "material": { + "@id": "http://schema.org/material" + }, + "version": { + "@id": "http://schema.org/version" + }, + "size": { + "@id": "http://schema.org/size" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368426, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 26, + "_updated": true + }, + { + "_id": "preliminary-drawing-for-body-of-thought-no-i-bt-6.jsonld", + "@graph": [ + { + "@id": "spice:artefact/preliminary-drawing-for-body-of-thought-no-i-bt-6", + "@type": "schema:CreativeWork", + "description": "Preliminary drawing for Body of Thought No I (BT 6) is a 1988 work by Richard Deacon. ", + "source": "https://imma.ie/collection/preliminary-drawing-for-body-of-thought-no-i-bt-6/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/preliminary-drawing-for-body-of-thought-no-i-bt-6", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil on tracing paper", + "size": "29.5 x 21 cm", + "hasInventory": "L.2008.1.3.6" + }, + { + "@id": "spice:documentation/preliminary-drawing-for-body-of-thought-no-i-bt-6", + "@type": "schema:ImageObject", + "caption": "Richard Deacon, Preliminary drawing for Body of Thought No I (BT 6), 1988, Pencil on tracing paper, 29.5 x 21 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/3504.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368426, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 26, + "_updated": true + }, + { + "_id": "mould-for-the-bottom-set-of-false-teeth-on-a-glass-shelf-in-a-bunker-in-armagh-through-the-slit-three-british-helicopters-going-in.jsonld", + "@graph": [ + { + "@id": "spice:artefact/mould-for-the-bottom-set-of-false-teeth-on-a-glass-shelf-in-a-bunker-in-armagh-through-the-slit-three-british-helicopters-going-in", + "@type": "schema:CreativeWork", + "description": "Mould for the bottom set of false teeth on a glass shelf in a bunker in Armagh. Through the slit three British Helicopters going in. is a 1984 work by Terry Atkinson. ", + "source": "https://imma.ie/collection/mould-for-the-bottom-set-of-false-teeth-on-a-glass-shelf-in-a-bunker-in-armagh-through-the-slit-three-british-helicopters-going-in/", + "creditText": "IMMA Collection: Purchase, 1998", + "image": "spice:documentation/mould-for-the-bottom-set-of-false-teeth-on-a-glass-shelf-in-a-bunker-in-armagh-through-the-slit-three-british-helicopters-going-in", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pastel and pencil on paper", + "size": "45 x 42 cm Framed: 52 x 49 x 3.8 cm", + "hasInventory": "IMMA.816" + }, + { + "@id": "spice:documentation/mould-for-the-bottom-set-of-false-teeth-on-a-glass-shelf-in-a-bunker-in-armagh-through-the-slit-three-british-helicopters-going-in", + "@type": "schema:ImageObject", + "caption": "Terry Atkinson, Mould for the bottom set of false teeth on a glass shelf in a bunker in Armagh. Through the slit three British Helicopters going in., 1984, Pastel and pencil on paper, 45 x 42 cm Framed: 52 x 49 x 3.8 cm, Collection Irish Museum of Modern Art, Purchase, 1998 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/08/1096.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368426, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 26, + "_updated": true + }, + { + "_id": "beneath-the-bow.jsonld", + "@graph": [ + { + "@id": "spice:artefact/beneath-the-bow", + "@type": "schema:CreativeWork", + "description": "Gravity to Michael Warren is a simple fact of life, but the manner in which he defies it with his monumental sculptures is far from simple, in spite of their spare appearance. 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", + "source": "https://imma.ie/collection/lough-arrow-algae-iii/", + "creditText": "IMMA Collection: Donation, Maire and Maurice Foley, 2000", + "image": "spice:documentation/lough-arrow-algae-iii", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "97 x 102 cm", + "hasInventory": "IMMA.873 FD" + }, + { + "@id": "spice:documentation/lough-arrow-algae-iii", + "@type": "schema:ImageObject", + "caption": "Barrie Cooke, Lough Arrow Algae III, 1995, Oil on canvas, 97 x 102 cm, Collection Irish Museum of Modern Art, Donation, Maire and Maurice Foley, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/290.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368426, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 26, + "_updated": true + }, + { + "_id": "brain-and-miniature-electronic-device-on-a-table-in-preparation-for-a-lecture-in-a-bunker-in-armagh.jsonld", + "@graph": [ + { + "@id": "spice:artefact/brain-and-miniature-electronic-device-on-a-table-in-preparation-for-a-lecture-in-a-bunker-in-armagh", + "@type": "schema:CreativeWork", + "description": "Brain and miniature electronic device on a table in preparation for a lecture in a bunker in Armagh. is a 1985 work by Terry Atkinson. 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", + "source": "https://imma.ie/collection/la-vida-y-la-muerte-life-and-death/", + "creditText": "IMMA Collection: Diplomatic gift of the Federal Government of Mexico, 2011", + "image": "spice:documentation/la-vida-y-la-muerte-life-and-death", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Linocuts, diptych", + "size": "Sheet: 120 x 99.5 cm each Plate: 109 x 89 cm each", + "hasInventory": "IMMA.3749" + }, + { + "@id": "spice:documentation/la-vida-y-la-muerte-life-and-death", + "@type": "schema:ImageObject", + "caption": "René Derouin, “La Vida” y “La Muerte” (Life and Death), 2010, Linocuts, diptych, Sheet: 120 x 99.5 cm each Plate: 109 x 89 cm each, Collection Irish Museum of Modern Art, Diplomatic gift of the Federal Government of Mexico, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/6870.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368426, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 26, + "_updated": true + }, + { + "_id": "between-the-eyes-t32.jsonld", + "@graph": [ + { + "@id": "spice:artefact/between-the-eyes-t32", + "@type": "schema:CreativeWork", + "description": "Between the Eyes, T32 is a 1988 work by Richard Deacon. 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The work is typical of Lichtenstein’s output, characterised by a highly simplified colour scheme, stylised forms and black outlines.", + "source": "https://imma.ie/collection/bicentennial-print/", + "creditText": "IMMA Collection: The Novak/O'Doherty Collection at IMMA Gift, The American Ireland Fund, 2014", + "image": "spice:documentation/bicentennial-print", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Lithograph with silkscreen", + "size": "76 x 56.7 cm Framed: 88 x 67.5 cm", + "version": "Edition 106/200", + "hasInventory": "IMMA.3859" + }, + { + "@id": "spice:documentation/bicentennial-print", + "@type": "schema:ImageObject", + "caption": "Roy Lichtenstein, Bicentennial Print, 1975, Lithograph with silkscreen, 76 x 56.7 cm Framed: 88 x 67.5 cm, Collection Irish Museum of Modern Art, The Novak/O'Doherty Collection at IMMA Gift, The American Ireland Fund, 2014 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/5080.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "size": { + "@id": "http://schema.org/size" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368426, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 26, + "_updated": true + }, + { + "_id": "yeoman-yemen.jsonld", + "@graph": [ + { + "@id": "spice:artefact/yeoman-yemen", + "@type": "schema:CreativeWork", + "description": "Claire Halpin’s practice explores themes and concepts around contested territories and histories through painting, video and installation. 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"arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368426, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 26, + "_updated": true + }, + { + "_id": "breed-to-come.jsonld", + "@graph": [ + { + "@id": "spice:artefact/breed-to-come", + "@type": "schema:CreativeWork", + "description": "This work is part of a series called Fragments of a Lost Civilisation, which continues Lynch’s longstanding engagement with discourses on identity, appropriation and re-appropriation, hidden histories and queer culture. This series of cyanotypes prints engage with methodologies and approaches that respond to the history of mechanical reproduction, digital reproduction online, the persistent circulation of images in the public domain, all the while querying our relationship with the image, its consumption, distribution, reproduction, value and forcing (re)considerations of authenticity within art.   ", + "source": "https://imma.ie/collection/breed-to-come/", + "creditText": "IMMA Collection: Purchase, 2021, 2021", + "image": "spice:documentation/breed-to-come", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "cyanotype print", + "size": "84.1 x 59.4 cm", + "hasInventory": "IMMA.4245" + }, + { + "@id": "spice:documentation/breed-to-come", + "@type": "schema:ImageObject", + "caption": "Breda Lynch, Breed to Come, 2016, cyanotype print, 84.1 x 59.4 cm, Collection Irish Museum of Modern Art, Purchase, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9546.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368426, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 26, + "_updated": true + }, + { + "_id": "through-black.jsonld", + "@graph": [ + { + "@id": "spice:artefact/through-black", + "@type": "schema:CreativeWork", + "description": "Coleman has worked in a variety of styles, exploring the range of expression offered by colour and ground. He frequently cuts, stitches and joins his canvases, or combines canvas, plastic and leather to allow for different textures and effects, and paints and repaints surfaces, drawing a base colour through a series of layers to a differently coloured surface, making extensive use of the palette knife as well as the brush. Coleman likes to think of his paintings as embodying different energies – the energy of the process and the individual layers of pigment which are then stabilised or contained by the final layer of paint. He uses black very effectively over other pigments and on paper or canvas grounds that are almost sculptural in his manipulation of them, but has also experimented with other colours. ‘Through Black’, 1979, one of two paintings shown at the IELA in 1979 when Coleman won the Premier Award, is one of a number of paintings of the same title, painted over a period of years.", + "source": "https://imma.ie/collection/through-black/", + "creditText": "IMMA Collection: Purchase, 1997", + "image": "spice:documentation/through-black", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Mixed media", + "size": "Framed: 171.6 x 190 cm 150 x 173 cm", + "hasInventory": "IMMA.800" + }, + { + "@id": "spice:documentation/through-black", + "@type": "schema:ImageObject", + "caption": "Michael Coleman, Through Black, 1979, Mixed media, Framed: 171.6 x 190 cm 150 x 173 cm, Collection Irish Museum of Modern Art, Purchase, 1997 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/1131.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368425, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 25, + "_updated": true + }, + { + "_id": "skeleton-of-fish.jsonld", + "@graph": [ + { + "@id": "spice:artefact/skeleton-of-fish", + "@type": "schema:CreativeWork", + "description": "Skeleton of Fish is a 1986 work by John Bellany. 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", + "source": "https://imma.ie/collection/bella-in-her-pluto-t-shirt/", + "creditText": "IMMA Collection: On Loan, Private Collection, ", + "image": "spice:documentation/bella-in-her-pluto-t-shirt", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching", + "size": "Plate: 68 x 59.2 cm Sheet: 83.2 x 71.4 cm Framed: 91 x 80.5 x 2.5 cm", + "version": "Edition A/P 3/12", + "hasInventory": "EX.2016.1.45" + }, + { + "@id": "spice:documentation/bella-in-her-pluto-t-shirt", + "@type": "schema:ImageObject", + "caption": "Lucian Freud, Bella in her Pluto T-Shirt, 1995, Etching, Plate: 68 x 59.2 cm Sheet: 83.2 x 71.4 cm Framed: 91 x 80.5 x 2.5 cm, Collection Irish Museum of Modern Art, On Loan, Private Collection ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/05/7591.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "version": { + "@id": "http://schema.org/version" + }, + "material": { + "@id": "http://schema.org/material" + }, + "size": { + "@id": "http://schema.org/size" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368425, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 25, + "_updated": true + }, + { + "_id": "study-for-room.jsonld", + "@graph": [ + { + "@id": "spice:artefact/study-for-room", + "@type": "schema:CreativeWork", + "description": "Study for Room is a 1993 work by Rachel Whiteread. ", + "source": "https://imma.ie/collection/study-for-room/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/study-for-room", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Varnish and ink on graph paper", + "size": "72 x 50 cm", + "hasInventory": "L.1253.7 LW" + }, + { + "@id": "spice:documentation/study-for-room", + "@type": "schema:ImageObject", + "caption": "Rachel Whiteread, Study for Room, 1993, Varnish and ink on graph paper, 72 x 50 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368425, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 25, + "_updated": true + }, + { + "_id": "the-home-my-daddy-built.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-home-my-daddy-built", + "@type": "schema:CreativeWork", + "description": "The Home My Daddy Built is a 1975 work by Velox Ward. 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", + "source": "https://imma.ie/collection/ardglass/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004", + "image": "spice:documentation/ardglass", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Conte and wash on paper", + "size": "12.5 x 15 cm", + "hasInventory": "IMMA.1334 MCCL" + }, + { + "@id": "spice:documentation/ardglass", + "@type": "schema:ImageObject", + "caption": "Colin Middleton, Ardglass, 1957, Conte and wash on paper, 12.5 x 15 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368424, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 24, + "_updated": true + }, + { + "_id": "en-cada-piedra-hay-una-posibilidad.jsonld", + "@graph": [ + { + "@id": "spice:artefact/en-cada-piedra-hay-una-posibilidad", + "@type": "schema:CreativeWork", + "description": "En Cada Piedra hay una Posibilidad is a 2010 work by Per Anderson. ", + "source": "https://imma.ie/collection/en-cada-piedra-hay-una-posibilidad/", + "creditText": "IMMA Collection: Diplomatic gift of the Federal Government of Mexico, 2011", + "image": "spice:documentation/en-cada-piedra-hay-una-posibilidad", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Lithograph", + "size": "50 x 60 cm", + "hasInventory": "IMMA.3739" + }, + { + "@id": "spice:documentation/en-cada-piedra-hay-una-posibilidad", + "@type": "schema:ImageObject", + "caption": "Per Anderson, En Cada Piedra hay una Posibilidad, 2010, Lithograph, 50 x 60 cm, Collection Irish Museum of Modern Art, Diplomatic gift of the Federal Government of Mexico, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368424, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 24, + "_updated": true + }, + { + "_id": "safeway-gel-air-freshner-alpine-garden-detail.jsonld", + "@graph": [ + { + "@id": "spice:artefact/safeway-gel-air-freshner-alpine-garden-detail", + "@type": "schema:CreativeWork", + "description": "Safeway Gel Air Freshner, Alpine Garden (Detail) is a 1992 work by Craig Wood. 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Since its acquisition, the piece has been included in a number of exhibitions at IMMA as well as in external venues. The work is flexible, can be realised in a number of ways, in a variety of different media. 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", + "source": "https://imma.ie/collection/exchange/", + "creditText": "IMMA Collection: Donation, Maire and Maurice Foley, 2000", + "image": "spice:documentation/exchange", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "160 x 140 cm", + "hasInventory": "IMMA.1463 FD" + }, + { + "@id": "spice:documentation/exchange", + "@type": "schema:ImageObject", + "caption": "Felim Egan, Exchange, 1990, Oil on canvas, 160 x 140 cm, Collection Irish Museum of Modern Art, Donation, Maire and Maurice Foley, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368424, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 24, + "_updated": true + }, + { + "_id": "the-big-performance.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-big-performance", + "@type": "schema:CreativeWork", + "description": "The Big Performance is a 1985 work by Michael Cullen. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-74/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-74", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.074" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-74", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5718.jpg" + } + ], + "@context": { + "size": { + "@id": "http://schema.org/size" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368424, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 24, + "_updated": true + }, + { + "_id": "resurrection-would-unity-join-or-divide-us.jsonld", + "@graph": [ + { + "@id": "spice:artefact/resurrection-would-unity-join-or-divide-us", + "@type": "schema:CreativeWork", + "description": "Resurrection. Would Unity Join or Divide Us? is a 1972 work by Les Levine. ", + "source": "https://imma.ie/collection/resurrection-would-unity-join-or-divide-us/", + "creditText": "IMMA Collection: Donated by Amy Plumb Oppenheim in honor of Dennis Oppenheim, 2018", + "image": "spice:documentation/resurrection-would-unity-join-or-divide-us", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Photograph (Fuji Crystal)", + "size": "25 x 33 in", + "version": "Edition 2/3", + "hasInventory": "IMMA.4132.009" + }, + { + "@id": "spice:documentation/resurrection-would-unity-join-or-divide-us", + "@type": "schema:ImageObject", + "caption": "Les Levine, Resurrection. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-17/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-17", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.017" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-17", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5661.jpg" + } + ], + "@context": { + "creditText": { + "@id": "http://schema.org/creditText" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "size": { + "@id": "http://schema.org/size" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "material": { + "@id": "http://schema.org/material" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368424, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 24, + "_updated": true + }, + { + "_id": "people.jsonld", + "@graph": [ + { + "@id": "spice:artefact/people", + "@type": "schema:CreativeWork", + "description": "People is a 1959 work by Colin Middleton. 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", + "source": "https://imma.ie/collection/self-portrait-back-and-hands/", + "creditText": "IMMA Collection: The Novak/O'Doherty Collection at IMMA Gift, The American Ireland Fund, 2014", + "image": "spice:documentation/self-portrait-back-and-hands", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gelatin silver print on paper", + "size": "60.2 x 50.5 cm Framed: 72 x 61 cm", + "version": "A/P", + "hasInventory": "IMMA.3850" + }, + { + "@id": "spice:documentation/self-portrait-back-and-hands", + "@type": "schema:ImageObject", + "caption": "John Coplans, Self Portrait (Back and Hands), 1984, Gelatin silver print on paper, 60.2 x 50.5 cm Framed: 72 x 61 cm, Collection Irish Museum of Modern Art, The Novak/O'Doherty Collection at IMMA Gift, The American Ireland Fund, 2014 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/02/5072.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "size": { + "@id": "http://schema.org/size" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368424, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 24, + "_updated": true + }, + { + "_id": "liberty-on-the-barricades-after-delacroix.jsonld", + "@graph": [ + { + "@id": "spice:artefact/liberty-on-the-barricades-after-delacroix", + "@type": "schema:CreativeWork", + "description": "Robert Ballagh’s ‘Liberty on the Barricades (After Delacroix)’ is an interpretation of ‘Liberty Leading the People’ (1830), a painting by the French Romantic painter, Eugene Delacroix. 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Behind Liberty a mob of men surge forward and in the background the city is shrouded in smoke.", + "source": "https://imma.ie/collection/liberty-on-the-barricades-after-delacroix/", + "creditText": "IMMA Collection: Heritage Gift by Bank of Ireland, 1999", + "image": "spice:documentation/liberty-on-the-barricades-after-delacroix", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic on canvas", + "size": "183 x 244 cm", + "hasInventory": "IMMA.1260" + }, + { + "@id": "spice:documentation/liberty-on-the-barricades-after-delacroix", + "@type": "schema:ImageObject", + "caption": "Robert Ballagh, Liberty on the Barricades (After Delacroix), 1969, Acrylic on canvas, 183 x 244 cm, Collection Irish Museum of Modern Art, Heritage Gift by Bank of Ireland, 1999 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/818.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368424, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 24, + "_updated": true + }, + { + "_id": "the-sky-looks-down-on-almost-as-many-things-as-the-ceiling.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-sky-looks-down-on-almost-as-many-things-as-the-ceiling", + "@type": "schema:CreativeWork", + "description": "Frequently absorbed by language and literature, Aleana Egan’s practice also acts as a response to the material world of architecture and to the sphere of human interaction. Imagining shapes as traces and memories Egan develops her sculptures as an emotional record of a built world, with her work often described as a process of collection and inclusion. Operating as a pause, a noting and a generative mining of the experience of different mediums, the components of her works are chosen for both their aesthetic and structural qualities.", + "source": "https://imma.ie/collection/the-sky-looks-down-on-almost-as-many-things-as-the-ceiling/", + "creditText": "IMMA Collection: Donation, 2013", + "image": "spice:documentation/the-sky-looks-down-on-almost-as-many-things-as-the-ceiling", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Card, tape, filler, varnish, steel", + "size": "204 x 152 x 25 cm", + "hasInventory": "IMMA.3817" + }, + { + "@id": "spice:documentation/the-sky-looks-down-on-almost-as-many-things-as-the-ceiling", + "@type": "schema:ImageObject", + "caption": "Aleana Egan, The sky looks down on almost as many things as the ceiling, 2013, Card, tape, filler, varnish, steel, 204 x 152 x 25 cm, Collection Irish Museum of Modern Art, Donation, 2013 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/7217.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368424, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 24, + "_updated": true + }, + { + "_id": "using-the-camera-as-a-club-5.jsonld", + "@graph": [ + { + "@id": "spice:artefact/using-the-camera-as-a-club-5", + "@type": "schema:CreativeWork", + "description": "Using the Camera as a Club is a 1979 work by Les Levine. ", + "source": "https://imma.ie/collection/using-the-camera-as-a-club-5/", + "creditText": "IMMA Collection: Donated by the artist, 2010", + "image": "spice:documentation/using-the-camera-as-a-club-5", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etched on zinc; printed in sepia ink on buff German etching paper", + "size": "76.2 x 55.88 cm", + "version": "Edition AP 4/20 (bottom left corner)", + "hasInventory": "IMMA.3302.007" + }, + { + "@id": "spice:documentation/using-the-camera-as-a-club-5", + "@type": "schema:ImageObject", + "caption": "Les Levine, Using the Camera as a Club, 1979, Etched on zinc; printed in sepia ink on buff German etching paper, 76.2 x 55.88 cm, Collection Irish Museum of Modern Art, Donated by the artist, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections teamie.ie", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5468.jpg" + } + ], + "@context": { + "version": { + "@id": "http://schema.org/version" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368423, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 23, + "_updated": true + }, + { + "_id": "the-troubles-an-artists-document-of-ulster-66.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-troubles-an-artists-document-of-ulster-66", + "@type": "schema:CreativeWork", + "description": "During his prolific career Les Levine has produced major series of works about the manifold effects and functions of the media and information systems. ‘The Troubles: An Artist’s Document of Ulster’ is a suite of 80 cibachrome photographs, executed in 1972, and for which the artist coined the terms “media sculpture” and “media art”. Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-66/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-66", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.066" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-66", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5710.jpg" + } + ], + "@context": { + "material": { + "@id": "http://schema.org/material" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "size": { + "@id": "http://schema.org/size" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368423, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 23, + "_updated": true + }, + { + "_id": "between-the-eyes-t25b.jsonld", + "@graph": [ + { + "@id": "spice:artefact/between-the-eyes-t25b", + "@type": "schema:CreativeWork", + "description": "Between the Eyes, T25B is a 1988 work by Richard Deacon. ", + "source": "https://imma.ie/collection/between-the-eyes-t25b/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/between-the-eyes-t25b", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil on paper", + "size": "28 x 36.2 cm", + "hasInventory": "L.2008.1.2.47" + }, + { + "@id": "spice:documentation/between-the-eyes-t25b", + "@type": "schema:ImageObject", + "caption": "Richard Deacon, Between the Eyes, T25B, 1988, Pencil on paper, 28 x 36.2 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/6720.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368423, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 23, + "_updated": true + }, + { + "_id": "nu.jsonld", + "@graph": [ + { + "@id": "spice:artefact/nu", + "@type": "schema:CreativeWork", + "description": "Nu is a 1977 work by Antonio Joseph. ", + "source": "https://imma.ie/collection/nu/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/nu", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint", + "size": "76 x 56 cm", + "version": "Edition 93/150", + "hasInventory": "IMMA.937 MP" + }, + { + "@id": "spice:documentation/nu", + "@type": "schema:ImageObject", + "caption": "Antonio Joseph, Nu, 1977, Screenprint, 76 x 56 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "size": { + "@id": "http://schema.org/size" + }, + "version": { + "@id": "http://schema.org/version" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "material": { + "@id": "http://schema.org/material" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368423, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 23, + "_updated": true + }, + { + "_id": "fragments.jsonld", + "@graph": [ + { + "@id": "spice:artefact/fragments", + "@type": "schema:CreativeWork", + "description": "Fragments is a 1968 work by Betty Parsons. ", + "source": "https://imma.ie/collection/fragments/", + "creditText": "IMMA Collection: Donation, Novak/O'Doherty Collection, 2015", + "image": "spice:documentation/fragments", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gouche on cardboard", + "size": "32.6 x 24.7 cm Framed: 47.5 x 38.5 cm", + "hasInventory": "IMMA.3934" + }, + { + "@id": "spice:documentation/fragments", + "@type": "schema:ImageObject", + "caption": "Betty Parsons, Fragments, 1968, Gouche on cardboard, 32.6 x 24.7 cm Framed: 47.5 x 38.5 cm, Collection Irish Museum of Modern Art, Donation, Novak/O'Doherty Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/5103.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368423, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 23, + "_updated": true + }, + { + "_id": "strongbow.jsonld", + "@graph": [ + { + "@id": "spice:artefact/strongbow", + "@type": "schema:CreativeWork", + "description": "Strongbow is a 1978 work by James Coleman. ", + "source": "https://imma.ie/collection/strongbow/", + "creditText": "IMMA Collection: Purchase, 1991", + "image": "spice:documentation/strongbow", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Resin cast, plaster mould, Sony Art Couture monitor, audio equipment and speakers", + "hasInventory": "IMMA.2" + }, + { + "@id": "spice:documentation/strongbow", + "@type": "schema:ImageObject", + "caption": "James Coleman, Strongbow, 1978, Resin cast, plaster mould, Sony Art Couture monitor, audio equipment and speakers, Collection Irish Museum of Modern Art, Purchase, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/792.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368423, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 23, + "_updated": true + }, + { + "_id": "untitled-ref-8904.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-ref-8904", + "@type": "schema:CreativeWork", + "description": "Untitled (ref. 8904) is a 1988 work by Shirazeh Houshiary. ", + "source": "https://imma.ie/collection/untitled-ref-8904/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/untitled-ref-8904", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Mixed media on paper", + "size": "84 x 63 cm", + "hasInventory": "L.552 LW" + }, + { + "@id": "spice:documentation/untitled-ref-8904", + "@type": "schema:ImageObject", + "caption": "Shirazeh Houshiary, Untitled (ref. 8904), 1988, Mixed media on paper, 84 x 63 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368423, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 23, + "_updated": true + }, + { + "_id": "azul-en-trayectoria.jsonld", + "@graph": [ + { + "@id": "spice:artefact/azul-en-trayectoria", + "@type": "schema:CreativeWork", + "description": "Azul en Trayectoria is a 1972 work by Roberto Donís. ", + "source": "https://imma.ie/collection/azul-en-trayectoria/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/azul-en-trayectoria", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching", + "size": "75.5 x 56 cm / 56 x 75.5 cm", + "hasInventory": "IMMA.929 MP" + }, + { + "@id": "spice:documentation/azul-en-trayectoria", + "@type": "schema:ImageObject", + "caption": "Roberto Donís, Azul en Trayectoria, 1972, Etching, 75.5 x 56 cm / 56 x 75.5 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368423, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 23, + "_updated": true + }, + { + "_id": "dualidad-cosmica-r-ha.jsonld", + "@graph": [ + { + "@id": "spice:artefact/dualidad-cosmica-r-ha", + "@type": "schema:CreativeWork", + "description": "Dualidad Cósmica R. Ha is a 2010 work by Rubén Maya. ", + "source": "https://imma.ie/collection/dualidad-cosmica-r-ha/", + "creditText": "IMMA Collection: Diplomatic gift of the Federal Government of Mexico, 2011", + "image": "spice:documentation/dualidad-cosmica-r-ha", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching, aquatint", + "size": "Sheet: 60 x 50 cm Plate: 46 x 39 cm", + "hasInventory": "IMMA.3764" + }, + { + "@id": "spice:documentation/dualidad-cosmica-r-ha", + "@type": "schema:ImageObject", + "caption": "Rubén Maya, Dualidad Cósmica R. Ha, 2010, Etching, aquatint, Sheet: 60 x 50 cm Plate: 46 x 39 cm, Collection Irish Museum of Modern Art, Diplomatic gift of the Federal Government of Mexico, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368423, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 23, + "_updated": true + }, + { + "_id": "abstract-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/abstract-2", + "@type": "schema:CreativeWork", + "description": "Abstract is a 1929 work by Evie Hone. 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", + "source": "https://imma.ie/collection/4-p-i/", + "creditText": "IMMA Collection: Donation, Novak/O'Doherty Collection, 2015", + "image": "spice:documentation/4-p-i", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Books, four playing cards, metal screw", + "hasInventory": "IMMA.3898" + }, + { + "@id": "spice:documentation/4-p-i", + "@type": "schema:ImageObject", + "caption": "Varujan Boghosian, 4 P.I., 1975, Books, four playing cards, metal screw, Collection Irish Museum of Modern Art, Donation, Novak/O'Doherty Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5062.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368422, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 22, + "_updated": true + }, + { + "_id": "anna-petrovna-has-a-dream-v.jsonld", + "@graph": [ + { + "@id": "spice:artefact/anna-petrovna-has-a-dream-v", + "@type": "schema:CreativeWork", + "description": "Anna Petrovna Has a Dream, V is a 1972 work by Ilya Kabakov. 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", + "source": "https://imma.ie/collection/texturas-en-el-area/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/texturas-en-el-area", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching", + "size": "55.9 x 75.4 cm", + "version": "Edition 18/150", + "hasInventory": "IMMA.1048 MP" + }, + { + "@id": "spice:documentation/texturas-en-el-area", + "@type": "schema:ImageObject", + "caption": "Baruj Salinas, Texturas en el Area, 1984, Etching, 55.9 x 75.4 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "size": { + "@id": "http://schema.org/size" + }, + "version": { + "@id": "http://schema.org/version" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "material": { + "@id": "http://schema.org/material" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368422, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 22, + "_updated": true + }, + { + "_id": "habitation-extended-enclosure.jsonld", + "@graph": [ + { + "@id": "spice:artefact/habitation-extended-enclosure", + "@type": "schema:CreativeWork", + "description": "Habitation & Extended Enclosure is a 1995 work by Maria Simonds-Gooding. ", + "source": "https://imma.ie/collection/habitation-extended-enclosure/", + "creditText": "IMMA Collection: Purchase, 1995", + "image": "spice:documentation/habitation-extended-enclosure", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Plaster on board", + "size": "119 x 165 cm", + "hasInventory": "IMMA.806" + }, + { + "@id": "spice:documentation/habitation-extended-enclosure", + "@type": "schema:ImageObject", + "caption": "Maria Simonds-Gooding, Habitation & Extended Enclosure, 1995, Plaster on board, 119 x 165 cm, Collection Irish Museum of Modern Art, Purchase, 1995 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1115.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368422, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 22, + "_updated": true + }, + { + "_id": "jeune-fille.jsonld", + "@graph": [ + { + "@id": "spice:artefact/jeune-fille", + "@type": "schema:CreativeWork", + "description": "Jeune Fille is a 1977 work by Gina Pellón. ", + "source": "https://imma.ie/collection/jeune-fille/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/jeune-fille", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint", + "size": "74.8 x 56 cm", + "version": "Edition E.A.", + "hasInventory": "IMMA.924 MP" + }, + { + "@id": "spice:documentation/jeune-fille", + "@type": "schema:ImageObject", + "caption": "Gina Pellón, Jeune Fille, 1977, Screenprint, 74.8 x 56 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "material": { + "@id": "http://schema.org/material" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "size": { + "@id": "http://schema.org/size" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368422, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 22, + "_updated": true + }, + { + "_id": "attempt-to-raise-hell.jsonld", + "@graph": [ + { + "@id": "spice:artefact/attempt-to-raise-hell", + "@type": "schema:CreativeWork", + "description": "Dennis Oppenheim, one of the leading figures in the development of Conceptualism in the United States, had a solo exhibition, ‘Land and Body’ at IMMA in 2001. 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The title of his 1990 retrospective at PS1 in New York, ‘And The Mind Grew Fingers’, is highly descriptive of the kind of work with which he is associated.", + "source": "https://imma.ie/collection/attempt-to-raise-hell/", + "creditText": "IMMA Collection: Purchase, 2001", + "image": "spice:documentation/attempt-to-raise-hell", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Cast iron bell suspended from the ceiling, seated figure with coloured cast aluminium head and hands, cloth and felt suit, wooden base with timing mechanism", + "size": "182.8 x 182.8 x 121.9 cm", + "hasInventory": "IMMA.1349" + }, + { + "@id": "spice:documentation/attempt-to-raise-hell", + "@type": "schema:ImageObject", + "caption": "Dennis Oppenheim, Attempt to Raise Hell, 1974, Cast iron bell suspended from the ceiling, seated figure with coloured cast aluminium head and hands, cloth and felt suit, wooden base with timing mechanism, 182.8 x 182.8 x 121.9 cm, Collection Irish Museum of Modern Art, Purchase, 2001 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1501.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368422, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 22, + "_updated": true + }, + { + "_id": "the-troubles-an-artists-document-of-ulster-33.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-troubles-an-artists-document-of-ulster-33", + "@type": "schema:CreativeWork", + "description": "During his prolific career Les Levine has produced major series of works about the manifold effects and functions of the media and information systems. ‘The Troubles: An Artist’s Document of Ulster’ is a suite of 80 cibachrome photographs, executed in 1972, and for which the artist coined the terms “media sculpture” and “media art”. Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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The drawings are haunting and full of feelings of empathy for the individual depicted.", + "source": "https://imma.ie/collection/diario-popular-twelve-days-in-march-6/", + "creditText": "IMMA Collection: Heritage Gift Owen O'Brien, 2000", + "image": "spice:documentation/diario-popular-twelve-days-in-march-6", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "mixed media on paper", + "size": "50 x 70 cm", + "hasInventory": "IMMA.1316.005" + }, + { + "@id": "spice:documentation/diario-popular-twelve-days-in-march-6", + "@type": "schema:ImageObject", + "caption": "Brian Maguire, Diario Popular (Twelve Days in March), 1998, mixed media on paper, 50 x 70 cm, Collection Irish Museum of Modern Art, Heritage Gift Owen O'Brien, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/473.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368422, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 22, + "_updated": true + }, + { + "_id": "bethany-drawing-3.jsonld", + "@graph": [ + { + "@id": "spice:artefact/bethany-drawing-3", + "@type": "schema:CreativeWork", + "description": "Bethany Drawing is a 2004 work by Patrick Michael Fitzgerald. ", + "source": "https://imma.ie/collection/bethany-drawing-3/", + "creditText": "IMMA Collection: Purchase, 2005", + "image": "spice:documentation/bethany-drawing-3", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil and coloured pencil on paper", + "size": "46 x 38 cm", + "hasInventory": "IMMA.1822" + }, + { + "@id": "spice:documentation/bethany-drawing-3", + "@type": "schema:ImageObject", + "caption": "Patrick Michael Fitzgerald, Bethany Drawing, 2004, Pencil and coloured pencil on paper, 46 x 38 cm, Collection Irish Museum of Modern Art, Purchase, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1746.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368422, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 22, + "_updated": true + }, + { + "_id": "image-of-seamus-heaney-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/image-of-seamus-heaney-2", + "@type": "schema:CreativeWork", + "description": "Image of Seamus Heaney is a 1993 work by Louis le Brocquy. 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", + "source": "https://imma.ie/collection/untitled-doorknob/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/untitled-doorknob", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Correction fluid, ink and watercolour on graph paper", + "size": "45.5 x 30.5 cm", + "hasInventory": "L.1253.2LW" + }, + { + "@id": "spice:documentation/untitled-doorknob", + "@type": "schema:ImageObject", + "caption": "Rachel Whiteread, Untitled (Doorknob), 1993, Correction fluid, ink and watercolour on graph paper, 45.5 x 30.5 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368421, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 21, + "_updated": true + }, + { + "_id": "cast-paper-3-triptych.jsonld", + "@graph": [ + { + "@id": "spice:artefact/cast-paper-3-triptych", + "@type": "schema:CreativeWork", + "description": "Cast Paper 3. (triptych) is a 1986 work by Mary Farl Powers. ", + "source": "https://imma.ie/collection/cast-paper-3-triptych/", + "creditText": "IMMA Collection: Donation, Powers Family, 2009", + "image": "spice:documentation/cast-paper-3-triptych", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Cast paper with watercolour", + "size": "75 x 60 cm (each)", + "hasInventory": "IMMA.689" + }, + { + "@id": "spice:documentation/cast-paper-3-triptych", + "@type": "schema:ImageObject", + "caption": "Mary Farl Powers, Cast Paper 3. (triptych), 1986, Cast paper with watercolour, 75 x 60 cm (each), Collection Irish Museum of Modern Art, Donation, Powers Family, 2009 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368421, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 21, + "_updated": true + }, + { + "_id": "untitled-a-series-of-etchings-pub-paragonpress-series-of-15-etchings.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-a-series-of-etchings-pub-paragonpress-series-of-15-etchings", + "@type": "schema:CreativeWork", + "description": "Untitled (a series of etchings pub. 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ParagonPress) Series of 15 Etchings, 1994, Spit bite etching, 50 x 58 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1995 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/6159.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368421, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 21, + "_updated": true + }, + { + "_id": "boy.jsonld", + "@graph": [ + { + "@id": "spice:artefact/boy", + "@type": "schema:CreativeWork", + "description": "Boy is a 2008 work by Geraldine O'Neill. 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The dark tones of the lower section conjure ideas of the earth, the section that holds the ‘field’ together.", + "source": "https://imma.ie/collection/united-field-painting-i/", + "creditText": "IMMA Collection: Purchase, 2004", + "image": "spice:documentation/united-field-painting-i", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "230 x 380 cm", + "hasInventory": "IMMA.1761" + }, + { + "@id": "spice:documentation/united-field-painting-i", + "@type": "schema:ImageObject", + "caption": "John Noel Smith, United Field Painting I, 2002, Oil on canvas, 230 x 380 cm, Collection Irish Museum of Modern Art, Purchase, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1710.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368421, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 21, + "_updated": true + }, + { + "_id": "ii-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/ii-2", + "@type": "schema:CreativeWork", + "description": "II is a 1989 work by Mary Farl Powers. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-50/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-50", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.050" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-50", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5694.jpg" + } + ], + "@context": { + "version": { + "@id": "http://schema.org/version" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "size": { + "@id": "http://schema.org/size" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368421, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 21, + "_updated": true + }, + { + "_id": "swimmers-porchester-pool-london.jsonld", + "@graph": [ + { + "@id": "spice:artefact/swimmers-porchester-pool-london", + "@type": "schema:CreativeWork", + "description": "Swimmers, Porchester Pool, London is a 1988 work by Elinor Wiltshire. 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", + "source": "https://imma.ie/collection/no-12-from-i-modi/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 2000", + "image": "spice:documentation/no-12-from-i-modi", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Black and white photograph laminated onto aluminium", + "size": "115 x 232 cm", + "hasInventory": "L.629.3 LW" + }, + { + "@id": "spice:documentation/no-12-from-i-modi", + "@type": "schema:ImageObject", + "caption": "Hermione Wiltshire, No. 12 from ‘I Modi’, 1997, Black and white photograph laminated onto aluminium, 115 x 232 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368420, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 20, + "_updated": true + }, + { + "_id": "untitled-37.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-37", + "@type": "schema:CreativeWork", + "description": "Untitled is a 1996 work by William McKeown. 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", + "source": "https://imma.ie/collection/seconds/", + "creditText": "IMMA Collection: Heritage Gift, 2002", + "image": "spice:documentation/seconds", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Photos and text", + "hasInventory": "IMMA.2647" + }, + { + "@id": "spice:documentation/seconds", + "@type": "schema:ImageObject", + "caption": "Noel Sheridan, Seconds, 1971, Photos and text, Collection Irish Museum of Modern Art, Heritage Gift, 2002 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/3584.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368420, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 20, + "_updated": true + }, + { + "_id": "verge.jsonld", + "@graph": [ + { + "@id": "spice:artefact/verge", + "@type": "schema:CreativeWork", + "description": "Verge is a 1991 work by Michael Coleman. ", + "source": "https://imma.ie/collection/verge/", + "creditText": "IMMA Collection: Purchase, 1991", + "image": "spice:documentation/verge", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas and linen", + "size": "80 x 80 cm", + "hasInventory": "IMMA.3" + }, + { + "@id": "spice:documentation/verge", + "@type": "schema:ImageObject", + "caption": "Michael Coleman, Verge, 1991, Oil on canvas and linen, 80 x 80 cm, Collection Irish Museum of Modern Art, Purchase, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368420, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 20, + "_updated": true + }, + { + "_id": "domingo.jsonld", + "@graph": [ + { + "@id": "spice:artefact/domingo", + "@type": "schema:CreativeWork", + "description": "Domingo is a 2006 work by Patrick Michael Fitzgerald. ", + "source": "https://imma.ie/collection/domingo/", + "creditText": "IMMA Collection: Purchase, assisted by funding from Maire and Maurice Foley, 2008", + "image": "spice:documentation/domingo", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "125 x 105 cm", + "hasInventory": "IMMA.2845" + }, + { + "@id": "spice:documentation/domingo", + "@type": "schema:ImageObject", + "caption": "Patrick Michael Fitzgerald, Domingo, 2006, Oil on canvas, 125 x 105 cm, Collection Irish Museum of Modern Art, Purchase, assisted by funding from Maire and Maurice Foley, 2008 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/3861.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368420, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 20, + "_updated": true + }, + { + "_id": "studies-for-webs-backlight-series-v.jsonld", + "@graph": [ + { + "@id": "spice:artefact/studies-for-webs-backlight-series-v", + "@type": "schema:CreativeWork", + "description": "Studies for Webs (Backlight Series) V is a 1994 work by Avis Newman. ", + "source": "https://imma.ie/collection/studies-for-webs-backlight-series-v/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1995", + "image": "spice:documentation/studies-for-webs-backlight-series-v", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Ink, pigment, acrylic on paper", + "size": "78.8 x 51.3 cm", + "hasInventory": "L.716 LW" + }, + { + "@id": "spice:documentation/studies-for-webs-backlight-series-v", + "@type": "schema:ImageObject", + "caption": "Avis Newman, Studies for Webs (Backlight Series) V, 1994, Ink, pigment, acrylic on paper, 78.8 x 51.3 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1995 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368420, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 20, + "_updated": true + }, + { + "_id": "untitled-54.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-54", + "@type": "schema:CreativeWork", + "description": "Henry Bond’s print takes the form of a travel review of the resort of Monaco, it outlines the social landscape emphasising exclusivity and luxury, highlighting dress codes, pastimes and fine dining – all hinged on the natural amenity of views of the sea. A witty linguistic trick results when the artist’s surname and ‘Monte Carlo’ are combined to result in ‘Monte Carlo Bond’; a reference to a multiple of the same title produced in 1924 by Marcel Duchamp (1887–1968) with which Duchamp hoped to raise funds to break the bank of Monte Carlo. ", + "source": "https://imma.ie/collection/untitled-54/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/untitled-54", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Letterpress printed in black on white art paper", + "size": "47 x 61 cm", + "hasInventory": "L.1244.16 LW" + }, + { + "@id": "spice:documentation/untitled-54", + "@type": "schema:ImageObject", + "caption": "Henry Bond, Untitled, 1994, Letterpress printed in black on white art paper, 47 x 61 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/01/1567.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368420, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 20, + "_updated": true + }, + { + "_id": "between-the-eyes-t2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/between-the-eyes-t2", + "@type": "schema:CreativeWork", + "description": "Between the Eyes, T2 is a 1987 work by Richard Deacon. ", + "source": "https://imma.ie/collection/between-the-eyes-t2/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/between-the-eyes-t2", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil on double sided poster", + "size": "31 x 50 cm", + "hasInventory": "L.2008.1.2.2" + }, + { + "@id": "spice:documentation/between-the-eyes-t2", + "@type": "schema:ImageObject", + "caption": "Richard Deacon, Between the Eyes, T2, 1987, Pencil on double sided poster, 31 x 50 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/2741.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368420, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 20, + "_updated": true + }, + { + "_id": "blues-ii.jsonld", + "@graph": [ + { + "@id": "spice:artefact/blues-ii", + "@type": "schema:CreativeWork", + "description": "Blues II is a 1969 work by William Scott. 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This tribute to him was the result of a joint collaboration between Ballagh and the collector Gordon Lambert.", + "source": "https://imma.ie/collection/portrait-of-david-hendriks/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/portrait-of-david-hendriks", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic on canvas", + "size": "101.3 x 61 cm", + "hasInventory": "IMMA.125 GL" + }, + { + "@id": "spice:documentation/portrait-of-david-hendriks", + "@type": "schema:ImageObject", + "caption": "Robert Ballagh, Portrait of David Hendriks, 1972, Acrylic on canvas, 101.3 x 61 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/830.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368420, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 20, + "_updated": true + }, + { + "_id": "st-just-winter.jsonld", + "@graph": [ + { + "@id": "spice:artefact/st-just-winter", + "@type": "schema:CreativeWork", + "description": "St Just Winter is a 1962 work by Tony O'Malley. ", + "source": "https://imma.ie/collection/st-just-winter/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004", + "image": "spice:documentation/st-just-winter", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "71.1 x 91.4 cm", + "hasInventory": "IMMA.1419 MCCL" + }, + { + "@id": "spice:documentation/st-just-winter", + "@type": "schema:ImageObject", + "caption": "Tony O'Malley, St Just Winter, 1962, Oil on canvas, 71.1 x 91.4 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368420, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 20, + "_updated": true + }, + { + "_id": "seeker-at-the-door.jsonld", + "@graph": [ + { + "@id": "spice:artefact/seeker-at-the-door", + "@type": "schema:CreativeWork", + "description": "Seeker at the Door is a 1980 work by Helena Zak. ", + "source": "https://imma.ie/collection/seeker-at-the-door/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/seeker-at-the-door", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Clay and mirror in black wooden box, electric light", + "size": "54.5 x 54.5 x 12.6 cm", + "hasInventory": "IMMA.411 GL" + }, + { + "@id": "spice:documentation/seeker-at-the-door", + "@type": "schema:ImageObject", + "caption": "Helena Zak, Seeker at the Door, 1980, Clay and mirror in black wooden box, electric light, 54.5 x 54.5 x 12.6 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368420, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 20, + "_updated": true + }, + { + "_id": "the-troubles-an-artists-document-of-ulster-21.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-troubles-an-artists-document-of-ulster-21", + "@type": "schema:CreativeWork", + "description": "During his prolific career Les Levine has produced major series of works about the manifold effects and functions of the media and information systems. ‘The Troubles: An Artist’s Document of Ulster’ is a suite of 80 cibachrome photographs, executed in 1972, and for which the artist coined the terms “media sculpture” and “media art”. Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-21/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-21", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.021" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-21", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5665.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "material": { + "@id": "http://schema.org/material" + }, + "version": { + "@id": "http://schema.org/version" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "size": { + "@id": "http://schema.org/size" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368420, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 20, + "_updated": true + }, + { + "_id": "young-serbs-milan.jsonld", + "@graph": [ + { + "@id": "spice:artefact/young-serbs-milan", + "@type": "schema:CreativeWork", + "description": "young serbs (milan) is a 2001 work by Phil Collins. 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Flanagan, Cavan Triptych, 1967, Oil on board, 45.5 x 113.5 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368420, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 20, + "_updated": true + }, + { + "_id": "untitled-29.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-29", + "@type": "schema:CreativeWork", + "description": "Untitled is a 1997 work by Alberto Castro Leñero. 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It has a duration of 20 min. ", + "source": "https://imma.ie/collection/a-reflection-on-light/", + "image": "spice:documentation/a-reflection-on-light", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "HD video", + "version": "Edition 1/5", + "hasInventory": "IMMA.4080" + }, + { + "@id": "spice:documentation/a-reflection-on-light", + "@type": "schema:ImageObject", + "caption": "Grace Weir, A Reflection on Light, 2015, HD video, Duration: 20 min, Collection Irish Museum of Modern Art, 2017 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "version": { + "@id": "http://schema.org/version" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368420, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 20, + "_updated": true + }, + { + "_id": "hardwicke-crescent.jsonld", + "@graph": [ + { + "@id": "spice:artefact/hardwicke-crescent", + "@type": "schema:CreativeWork", + "description": "Hardwicke Crescent is a 1952 work by Nevill Johnson. ", + "source": "https://imma.ie/collection/hardwicke-crescent/", + "creditText": "IMMA Collection: Acquired with the assistance of the Friends of the National Collections of Ireland, 2010", + "image": "spice:documentation/hardwicke-crescent", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Selenium toned gelatin silver prints", + "size": "27 x 34 cm", + "version": "14/20. The edition is of twenty numbered sets of which this is no. 14 plus five artist's proofs. 50th anniversary edition", + "hasInventory": "IMMA.3220" + }, + { + "@id": "spice:documentation/hardwicke-crescent", + "@type": "schema:ImageObject", + "caption": "Nevill Johnson, Hardwicke Crescent, 1952, Selenium toned gelatin silver prints, 27 x 34 cm, Collection Irish Museum of Modern Art, Acquired with the assistance of the Friends of the National Collections of Ireland, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5352-scaled.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "material": { + "@id": "http://schema.org/material" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "size": { + "@id": "http://schema.org/size" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368420, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 20, + "_updated": true + }, + { + "_id": "little-orphan-annie-is-forty.jsonld", + "@graph": [ + { + "@id": "spice:artefact/little-orphan-annie-is-forty", + "@type": "schema:CreativeWork", + "description": "Little Orphan Annie is Forty is a 1965 work by Richard Merkin. 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", + "source": "https://imma.ie/collection/untitled-109/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/untitled-109", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Lithograph", + "size": "35.7 x 52.1 cm", + "hasInventory": "IMMA.389 GL" + }, + { + "@id": "spice:documentation/untitled-109", + "@type": "schema:ImageObject", + "caption": "Ian Sutherland, Untitled, 1972, Lithograph, 35.7 x 52.1 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368419, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 19, + "_updated": true + }, + { + "_id": "fragmens-sur-les-institutions-republicaines-iv.jsonld", + "@graph": [ + { + "@id": "spice:artefact/fragmens-sur-les-institutions-republicaines-iv", + "@type": "schema:CreativeWork", + "description": "Shane Cullen is an Irish artist whose largely text-based work deals with political issues, often specifically with official documents and symbols. ‘Fragmens Sur Les Institutions Republicaines IV’ was made over a period of four years and consists of 96 large styrofoam panels, each carrying transcriptions of the secret messages smuggled out of the H-Blocks in the Maze Prison in Northern Ireland during the period of the 1981 hunger strike by Republican prisoners. The subject matter is controversial and subversive but presented in a highly disciplined fashion that suggests historical, sculptural monuments. Each painted word is straight-jacketed into a typeface, which mimics official government documents. The piece has been widely shown – both as a work in progress, in various contexts, not least at the Irish exhibition at the Venice Biennale in 1995; and as a completed installation. More recently the artist was commissioned to create an artwork on the subject of the Good Friday Agreement, signed in Belfast in 1998.", + "source": "https://imma.ie/collection/fragmens-sur-les-institutions-republicaines-iv/", + "creditText": "IMMA Collection: Purchase, 2000", + "image": "spice:documentation/fragmens-sur-les-institutions-republicaines-iv", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Painted text; acyrlic on 96 styrofoam panels", + "size": "12 blocks of 8 panels, each block 251 x 480 x 6 cm", + "hasInventory": "IMMA.846" + }, + { + "@id": "spice:documentation/fragmens-sur-les-institutions-republicaines-iv", + "@type": "schema:ImageObject", + "caption": "Shane Cullen, Fragmens sur les Institutions Républicaines IV, 1993, Painted text; acyrlic on 96 styrofoam panels, 12 blocks of 8 panels, each block 251 x 480 x 6 cm, Collection Irish Museum of Modern Art, Purchase, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2021/11/1750.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368419, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 19, + "_updated": true + }, + { + "_id": "habitation-waste-inhabitants-waste.jsonld", + "@graph": [ + { + "@id": "spice:artefact/habitation-waste-inhabitants-waste", + "@type": "schema:CreativeWork", + "description": "Habitation Waste/Inhabitants Waste is a 1979 work by Sara Horgan. ", + "source": "https://imma.ie/collection/habitation-waste-inhabitants-waste/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/habitation-waste-inhabitants-waste", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Mixed media", + "size": "50.7 x 50.8 x 4.2 cm", + "hasInventory": "IMMA.253 GL" + }, + { + "@id": "spice:documentation/habitation-waste-inhabitants-waste", + "@type": "schema:ImageObject", + "caption": "Sara Horgan, Habitation Waste/Inhabitants Waste, 1979, Mixed media, 50.7 x 50.8 x 4.2 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368419, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 19, + "_updated": true + }, + { + "_id": "points-of-contact-transformation-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/points-of-contact-transformation-2", + "@type": "schema:CreativeWork", + "description": "Points of Contact Transformation 2 is a 1970 work by Victor Pasmore. 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", + "source": "https://imma.ie/collection/schizogenesis-5/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/schizogenesis-5", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Black satin construction", + "size": "201 x 79 cm", + "hasInventory": "IMMA.299 GL" + }, + { + "@id": "spice:documentation/schizogenesis-5", + "@type": "schema:ImageObject", + "caption": "Theo McNab, Schizogenesis 5, 1975, Black satin construction, 201 x 79 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1969.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368419, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 19, + "_updated": true + }, + { + "_id": "from-mechanism-of-meaning.jsonld", + "@graph": [ + { + "@id": "spice:artefact/from-mechanism-of-meaning", + "@type": "schema:CreativeWork", + "description": "from Mechanism of Meaning is a 1971 work by Shusaku Arakawa. ", + "source": "https://imma.ie/collection/from-mechanism-of-meaning/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/from-mechanism-of-meaning", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas, graphite and cards", + "size": "183.3 x 122.4 cm", + "hasInventory": "IMMA.105 GL" + }, + { + "@id": "spice:documentation/from-mechanism-of-meaning", + "@type": "schema:ImageObject", + "caption": "Shusaku Arakawa, from Mechanism of Meaning, 1971, Oil on canvas, graphite and cards, 183.3 x 122.4 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368419, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 19, + "_updated": true + }, + { + "_id": "glendowan-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/glendowan-2", + "@type": "schema:CreativeWork", + "description": "Glendowan is a 1959 work by Colin Middleton. ", + "source": "https://imma.ie/collection/glendowan-2/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004", + "image": "spice:documentation/glendowan-2", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Conte and wash on paper", + "size": "12 x 16 cm", + "hasInventory": "IMMA.1738.1" + }, + { + "@id": "spice:documentation/glendowan-2", + "@type": "schema:ImageObject", + "caption": "Colin Middleton, Glendowan, 1959, Conte and wash on paper, 12 x 16 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368419, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 19, + "_updated": true + }, + { + "_id": "return.jsonld", + "@graph": [ + { + "@id": "spice:artefact/return", + "@type": "schema:CreativeWork", + "description": "Return is a 1988 work by Antony Gormley. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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Wacker, Chicago is a 1987 work by Bob Thall. ", + "source": "https://imma.ie/collection/roof-of-35-e-wacker-chicago/", + "creditText": "IMMA Collection: Donation, David Kronn Collection, 2015", + "image": "spice:documentation/roof-of-35-e-wacker-chicago", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gelatin silver print", + "size": "43 x 34.3 cm", + "hasInventory": "IMMA.3985" + }, + { + "@id": "spice:documentation/roof-of-35-e-wacker-chicago", + "@type": "schema:ImageObject", + "caption": "Bob Thall, Roof of 35 E. Wacker, Chicago, 1987, Gelatin silver print, 43 x 34.3 cm, Collection Irish Museum of Modern Art, Donation, David Kronn Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368418, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 18, + "_updated": true + }, + { + "_id": "afghanistan.jsonld", + "@graph": [ + { + "@id": "spice:artefact/afghanistan", + "@type": "schema:CreativeWork", + "description": "Afghanistan is a 2001 work by Simon Norfolk. ", + "source": "https://imma.ie/collection/afghanistan/", + "creditText": "IMMA Collection: Donation, David Kronn Collection, 2015", + "image": "spice:documentation/afghanistan", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Chromogenic print from digital file", + "size": "Sheet: 26.6 x 35.4 cm", + "hasInventory": "IMMA.3977" + }, + { + "@id": "spice:documentation/afghanistan", + "@type": "schema:ImageObject", + "caption": "Simon Norfolk, Afghanistan, 2001, Chromogenic print from digital file, Sheet: 26.6 x 35.4 cm, Collection Irish Museum of Modern Art, Donation, David Kronn Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/7517.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368418, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 18, + "_updated": true + }, + { + "_id": "seer.jsonld", + "@graph": [ + { + "@id": "spice:artefact/seer", + "@type": "schema:CreativeWork", + "description": "Seer is a 1996 work by Martin Wedge. ", + "source": "https://imma.ie/collection/seer/", + "creditText": "IMMA Collection: Donation, Maire and Maurice Foley, 2000", + "image": "spice:documentation/seer", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "164 x 168 cm", + "hasInventory": "IMMA.1451 FD" + }, + { + "@id": "spice:documentation/seer", + "@type": "schema:ImageObject", + "caption": "Martin Wedge, Seer, 1996, Oil on canvas, 164 x 168 cm, Collection Irish Museum of Modern Art, Donation, Maire and Maurice Foley, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368418, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 18, + "_updated": true + }, + { + "_id": "the-kite-and-shadow.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-kite-and-shadow", + "@type": "schema:CreativeWork", + "description": "The Kite and Shadow is a 1977 work by Tony O'Malley. ", + "source": "https://imma.ie/collection/the-kite-and-shadow/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004", + "image": "spice:documentation/the-kite-and-shadow", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gouache and coloured chalks on paper", + "size": "52 x 26 cm", + "hasInventory": "IMMA.1371 MCCL" + }, + { + "@id": "spice:documentation/the-kite-and-shadow", + "@type": "schema:ImageObject", + "caption": "Tony O'Malley, The Kite and Shadow, 1977, Gouache and coloured chalks on paper, 52 x 26 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368418, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 18, + "_updated": true + }, + { + "_id": "untitled-corrections-d.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-corrections-d", + "@type": "schema:CreativeWork", + "description": "Untitled / Corrections D is a 2008 work by Iran do Espírito Santo. ", + "source": "https://imma.ie/collection/untitled-corrections-d/", + "creditText": "IMMA Collection: Purchase, 2007", + "image": "spice:documentation/untitled-corrections-d", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Granite", + "size": "Dimensions variable", + "hasInventory": "IMMA.2111" + }, + { + "@id": "spice:documentation/untitled-corrections-d", + "@type": "schema:ImageObject", + "caption": "Iran do Espírito Santo, Untitled / Corrections D, 2008, Granite, Dimensions variable, Collection Irish Museum of Modern Art, Purchase, 2007 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/63.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368418, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 18, + "_updated": true + }, + { + "_id": "untitled-117.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-117", + "@type": "schema:CreativeWork", + "description": "Hungarian artist Victor Vasarely was one of the leaders of the Op Art movement in Paris. 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", + "source": "https://imma.ie/collection/monumemto-a-un-fabricante-de-canones/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/monumemto-a-un-fabricante-de-canones", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint", + "size": "75 x 56 cm", + "version": "Edition 23/150", + "hasInventory": "IMMA.970 MP" + }, + { + "@id": "spice:documentation/monumemto-a-un-fabricante-de-canones", + "@type": "schema:ImageObject", + "caption": "José Bartolí, Monumemto a un Fabricante de Canones, 1976, Screenprint, 75 x 56 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "version": { + "@id": "http://schema.org/version" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "size": { + "@id": "http://schema.org/size" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368418, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 18, + "_updated": true + }, + { + "_id": "fourteen-points-of-entry-xiv.jsonld", + "@graph": [ + { + "@id": "spice:artefact/fourteen-points-of-entry-xiv", + "@type": "schema:CreativeWork", + "description": "Fourteen Points of Entry xiv is a 1990 work by Samuel Walsh. ", + "source": "https://imma.ie/collection/fourteen-points-of-entry-xiv/", + "creditText": "IMMA Collection: Purchase, 1991", + "image": "spice:documentation/fourteen-points-of-entry-xiv", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic and oil on paper", + "size": "76 x 56 cm", + "hasInventory": "IMMA.37.014" + }, + { + "@id": "spice:documentation/fourteen-points-of-entry-xiv", + "@type": "schema:ImageObject", + "caption": "Samuel Walsh, Fourteen Points of Entry xiv, 1990, Acrylic and oil on paper, 76 x 56 cm, Collection Irish Museum of Modern Art, Purchase, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/3412.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368418, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 18, + "_updated": true + }, + { + "_id": "take-away-irish-stew.jsonld", + "@graph": [ + { + "@id": "spice:artefact/take-away-irish-stew", + "@type": "schema:CreativeWork", + "description": "Take Away Irish Stew is a 1988 work by Charles Brady. 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", + "source": "https://imma.ie/collection/studies-for-webs-backlight-series-ix/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1995", + "image": "spice:documentation/studies-for-webs-backlight-series-ix", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Ink, pigment, acrylic on paper", + "size": "51 x 77 cm", + "hasInventory": "L.2008.1.21" + }, + { + "@id": "spice:documentation/studies-for-webs-backlight-series-ix", + "@type": "schema:ImageObject", + "caption": "Avis Newman, Studies for Webs (Backlight Series) IX, 1994, Ink, pigment, acrylic on paper, 51 x 77 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1995 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368418, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 18, + "_updated": true + }, + { + "_id": "between-the-eyes-t36.jsonld", + "@graph": [ + { + "@id": "spice:artefact/between-the-eyes-t36", + "@type": "schema:CreativeWork", + "description": "Between the Eyes, T36 is a 1989 work by Richard Deacon. 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reproduction, digital reproduction online, the persistent circulation of images in the public domain, all the while querying our relationship with the image, its consumption, distribution, reproduction, value and forcing (re)considerations of authenticity within art.   ", + "source": "https://imma.ie/collection/untitled-166/", + "creditText": "IMMA Collection: Purchase, 2021, 2021", + "image": "spice:documentation/untitled-166", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "cyanotype print", + "size": "84.1 x 59.4 cm", + "hasInventory": "IMMA.4246" + }, + { + "@id": "spice:documentation/untitled-166", + "@type": "schema:ImageObject", + "caption": "Breda Lynch, Untitled, 2016, cyanotype print, 84.1 x 59.4 cm, Collection Irish Museum of Modern Art, Purchase, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": 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", + "source": "https://imma.ie/collection/idyll-am-quai-hamburg/", + "creditText": "IMMA Collection: Donation, David Kronn Collection, 2015", + "image": "spice:documentation/idyll-am-quai-hamburg", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gelatin silver print", + "size": "22.2 x 16.5 cm", + "hasInventory": "IMMA.3969" + }, + { + "@id": "spice:documentation/idyll-am-quai-hamburg", + "@type": "schema:ImageObject", + "caption": "Alfred Ehrhardt, Idyll Am Quai, Hamburg, 1940, Gelatin silver print, 22.2 x 16.5 cm, Collection Irish Museum of Modern Art, Donation, David Kronn Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/7509.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368415, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 15, + "_updated": true + }, + { + "_id": "circus-series.jsonld", + "@graph": [ + { + "@id": "spice:artefact/circus-series", + "@type": "schema:CreativeWork", + "description": "Circus Series is a 1967 work by Cecil King. ", + "source": "https://imma.ie/collection/circus-series/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/circus-series", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pastel on paper", + "size": "23.9 x 33.5 cm (sight)", + "hasInventory": "IMMA.277 GL" + }, + { + "@id": "spice:documentation/circus-series", + "@type": "schema:ImageObject", + "caption": "Cecil King, Circus Series, 1967, Pastel on paper, 23.9 x 33.5 cm (sight), Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/2045.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368415, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 15, + "_updated": true + }, + { + "_id": "heinrich-hoerle-draws-hein-domgorgen.jsonld", + "@graph": [ + { + "@id": "spice:artefact/heinrich-hoerle-draws-hein-domgorgen", + "@type": "schema:CreativeWork", + "description": "Heinrich Hoerle Draws Hein Domgorgen is a 1932 work by August Sander. 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", + "source": "https://imma.ie/collection/irish-women-migrants/", + "creditText": "IMMA Collection: Donation, Maire and Maurice Foley, 2000", + "image": "spice:documentation/irish-women-migrants", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gouache, gold, on watercolour paper in box", + "size": "85 x 85 cm", + "hasInventory": "IMMA.903 FD" + }, + { + "@id": "spice:documentation/irish-women-migrants", + "@type": "schema:ImageObject", + "caption": "Geraldine O'Reilly, Irish Women Migrants, 1988, Gouache, gold, on watercolour paper in box, 85 x 85 cm, Collection Irish Museum of Modern Art, Donation, Maire and Maurice Foley, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/594.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368415, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 15, + "_updated": true + }, + { + "_id": "aperitif.jsonld", + "@graph": [ + { + "@id": "spice:artefact/aperitif", + "@type": "schema:CreativeWork", + "description": "Aperitif is a 1950 work by Henry Robertson Craig. ", + "source": "https://imma.ie/collection/aperitif/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/aperitif", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "Framed: 17.3 x 22.9 cm 13 x 18 cm", + "hasInventory": "IMMA.183 GL" + }, + { + "@id": "spice:documentation/aperitif", + "@type": "schema:ImageObject", + "caption": "Henry Robertson Craig, Aperitif, 1950, Oil on canvas, Framed: 17.3 x 22.9 cm 13 x 18 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368415, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 15, + "_updated": true + }, + { + "_id": "pink-office.jsonld", + "@graph": [ + { + "@id": "spice:artefact/pink-office", + "@type": "schema:CreativeWork", + "description": "Pink Office is a 1967 work by Noel Sheridan. ", + "source": "https://imma.ie/collection/pink-office/", + "creditText": "IMMA Collection: Heritage Gift, 2002", + "image": "spice:documentation/pink-office", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic", + "size": "92 x 124 cm", + "hasInventory": "IMMA.2640" + }, + { + "@id": "spice:documentation/pink-office", + "@type": "schema:ImageObject", + "caption": "Noel Sheridan, Pink Office, 1967, Acrylic, 92 x 124 cm, Collection Irish Museum of Modern Art, Heritage Gift, 2002 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/3575.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368415, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 15, + "_updated": true + }, + { + "_id": "as-was.jsonld", + "@graph": [ + { + "@id": "spice:artefact/as-was", + "@type": "schema:CreativeWork", + "description": "‘As Was’, which was painted in 1993, is reminiscent of an early Renaissance diptych in which a dialogue is set up between the canvas panel with its bold, horizontal stripes and the matt blue/brown of the metal one. Continuity and repetition are suggested through the use of similar insets of vertical stripes but their meaning is made subtly different by virtue of their contrasting surroundings. Light bounces off the painted metal but is quietly absorbed by the canvas panel. The crisp machine edge of the metal is challenged by the soft and often uneven edges of the painted stripes. The suggestion of a closed ‘frame’ of metal around the inset on the right is neutralized by the openness of the striped ground on the left. In line with the artist’s dislike for ‘closure’, nothing here is fixed.", + "source": "https://imma.ie/collection/as-was/", + "creditText": "IMMA Collection: Purchase, 1993", + "image": "spice:documentation/as-was", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas and steel", + "size": "212 x 305 cm", + "hasInventory": "IMMA.441" + }, + { + "@id": "spice:documentation/as-was", + "@type": "schema:ImageObject", + "caption": "Sean Scully, As Was, 1993, Oil on canvas and steel, 212 x 305 cm, Collection Irish Museum of Modern Art, Purchase, 1993 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368415, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 15, + "_updated": true + }, + { + "_id": "untitled-95.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-95", + "@type": "schema:CreativeWork", + "description": "Untitled is a 1976 work by Tony O'Malley. ", + "source": "https://imma.ie/collection/untitled-95/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004", + "image": "spice:documentation/untitled-95", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gouache and chalk on paper", + "size": "18 x 25.5 cm", + "hasInventory": "IMMA.1390 MCCL" + }, + { + "@id": "spice:documentation/untitled-95", + "@type": "schema:ImageObject", + "caption": "Tony O'Malley, Untitled, 1976, Gouache and chalk on paper, 18 x 25.5 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368415, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 15, + "_updated": true + }, + { + "_id": "sentinel-viii.jsonld", + "@graph": [ + { + "@id": "spice:artefact/sentinel-viii", + "@type": "schema:CreativeWork", + "description": "SENTINEL VIII is a 1999 work by Catherine Lee. ", + "source": "https://imma.ie/collection/sentinel-viii/", + "creditText": "IMMA Collection: Donation, Sean Scully, 2005", + "image": "spice:documentation/sentinel-viii", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Cast bronze with patination, freestanding w/stainless steel plate & rod", + "size": "243.84 x 114.3 x 20.32 cm", + "hasInventory": "IMMA.1780" + }, + { + "@id": "spice:documentation/sentinel-viii", + "@type": "schema:ImageObject", + "caption": "Catherine Lee, SENTINEL VIII, 1999, Cast bronze with patination, freestanding w/stainless steel plate & rod, 243.84 x 114.3 x 20.32 cm, Collection Irish Museum of Modern Art, Donation, Sean Scully, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1722.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368415, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 15, + "_updated": true + }, + { + "_id": "orla-and-john.jsonld", + "@graph": [ + { + "@id": "spice:artefact/orla-and-john", + "@type": "schema:CreativeWork", + "description": "Orla and John is a 1985 work by Gene Lambert. ", + "source": "https://imma.ie/collection/orla-and-john/", + "creditText": "IMMA Collection: Purchase, 1991", + "image": "spice:documentation/orla-and-john", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Black and white photograph", + "size": "33 x 24 cm", + "hasInventory": "IMMA.15.017" + }, + { + "@id": "spice:documentation/orla-and-john", + "@type": "schema:ImageObject", + "caption": "Gene Lambert, Orla and John, 1985, Black and white photograph, 33 x 24 cm, Collection Irish Museum of Modern Art, Purchase, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/735.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368415, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 15, + "_updated": true + }, + { + "_id": "still-room.jsonld", + "@graph": [ + { + "@id": "spice:artefact/still-room", + "@type": "schema:CreativeWork", + "description": "Still Room is a 2000 work by Dorothy Cross. ", + "source": "https://imma.ie/collection/still-room/", + "creditText": "IMMA Collection: Heritage Gift, Kerlin Gallery Collection, 2018, 2018", + "image": "spice:documentation/still-room", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "duratrans on laminated glass", + "size": "154 x 119 cm", + "version": "Edition 2/2", + "hasInventory": "IMMA.4052" + }, + { + "@id": "spice:documentation/still-room", + "@type": "schema:ImageObject", + "caption": "Dorothy Cross, Still Room, 2000, duratrans on laminated glass, 154 x 119 cm, Collection Irish Museum of Modern Art, Heritage Gift, Kerlin Gallery Collection, 2018, 2018 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9071.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368415, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 15, + "_updated": true + }, + { + "_id": "untitled-133.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-133", + "@type": "schema:CreativeWork", + "description": "From 1955-56 Souter stayed for some months in Italy, near Trieste and Milan. Living on very little, she used frugal yet innovative materials and techniques, painting with aluminium bicycle paint on newspaper and kraft paper. In this work and its accompanying Untitled work also currrently on show, the white paint is applied with directness and vigour in the manner of Jackson Pollack’s Action painting. Souter did not use an easel but placed her work on a table top and moved freely around it, pouring, dripping and spattering paint or brushing it on in loose strokes.", + "source": "https://imma.ie/collection/untitled-133/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/untitled-133", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gouache on newspaper", + "size": "Framed: 79.9 x 59.9 x 1.2 cm 59.6 x 42.5 cm", + "hasInventory": "IMMA.386 GL" + }, + { + "@id": "spice:documentation/untitled-133", + "@type": "schema:ImageObject", + "caption": "Camille Souter, Untitled, 1956, Gouache on newspaper, Framed: 79.9 x 59.9 x 1.2 cm 59.6 x 42.5 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/185.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368415, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 15, + "_updated": true + }, + { + "_id": "bird-with-a-worm.jsonld", + "@graph": [ + { + "@id": "spice:artefact/bird-with-a-worm", + "@type": "schema:CreativeWork", + "description": "While Hall painted a number of views of Achill Island and Connemara, dreamscapes including fish, birds and natural phenomena form the basis for most of the works by Hall in the IMMA Collection. In Dublin, Hall discovered a shop which sold unusual carved toys and birds from India and these influenced his style. In works such as Bird with a Worm, forms are abstracted and pattern-like in quality, with overlapping layers of colour in which shapes are outlined by lines incised in the colour.", + "source": "https://imma.ie/collection/bird-with-a-worm/", + "creditText": "IMMA Collection: Donation, Patrick Scott, 2013", + "image": "spice:documentation/bird-with-a-worm", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "26 x 36 cm", + "hasInventory": "IMMA.3839" + }, + { + "@id": "spice:documentation/bird-with-a-worm", + "@type": "schema:ImageObject", + "caption": "Kenneth Hall, Bird with a Worm, 1935, Oil on canvas, 26 x 36 cm, Collection Irish Museum of Modern Art, Donation, Patrick Scott, 2013 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/7181.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368415, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 15, + "_updated": true + }, + { + "_id": "head-of-a-girl.jsonld", + "@graph": [ + { + "@id": "spice:artefact/head-of-a-girl", + "@type": "schema:CreativeWork", + "description": "Head of a Girl is a 1975 work by Lucian Freud. 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Placed in improbable locations and situations, including on clothes hangers, sticking from letter boxes and rubbish bins, and as in this work, wrapped up as parcels, Hughes’s screenprinted and painted arcs contradict the rainbow’s naturally transient, fleeting state.", + "source": "https://imma.ie/collection/present-rainbow/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/present-rainbow", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gloss paint on hardboard, collage", + "size": "45.8 x 61.3 x 5 cm", + "hasInventory": "IMMA.255 GL" + }, + { + "@id": "spice:documentation/present-rainbow", + "@type": "schema:ImageObject", + "caption": "Patrick Hughes, “Present” Rainbow, 1978, Gloss paint on hardboard, collage, 45.8 x 61.3 x 5 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/817.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368415, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 15, + "_updated": true + }, + { + "_id": "one-way-of-containing-air.jsonld", + "@graph": [ + { + "@id": "spice:artefact/one-way-of-containing-air", + "@type": "schema:CreativeWork", + "description": "Co-founder of the National Sculpture Factory, Cork, Maud Cotter’s early reputation was established as a stained-glass artist. Cotter sought to redress the decorative and religious stereotypes that tended to preclude this medium’s acceptance as a fine art discipline. A visit to Iceland in 1991 precipitated a renewed interest in sculptural practice which she has pursued exclusively since then, working with such diverse media as steel, glass, perspex, cardboard, wax and latex.", + "source": "https://imma.ie/collection/one-way-of-containing-air/", + "creditText": "IMMA Collection: Purchase, 1998", + "image": "spice:documentation/one-way-of-containing-air", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Corrugated cardboard", + "size": "202 x 76 x 31 cm", + "hasInventory": "IMMA.761" + }, + { + "@id": "spice:documentation/one-way-of-containing-air", + "@type": "schema:ImageObject", + "caption": "Maud Cotter, One Way of Containing Air, 1998, Corrugated cardboard, 202 x 76 x 31 cm, Collection Irish Museum of Modern Art, Purchase, 1998 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/485.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368415, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 15, + "_updated": true + }, + { + "_id": "parodos.jsonld", + "@graph": [ + { + "@id": "spice:artefact/parodos", + "@type": "schema:CreativeWork", + "description": "The film installation ‘Parodos’ is drawn from Emoe’s larger project ‘Cult of Engagement’, commissioned by the Project Arts Centre in 2009, in which the artist deals with the dramatic tradition of Tragedy. ‘Parodos’ is the term used for the entrance song of the chorus introducing the event that is about to take place. The processional chorus in Emoe’s film is, however, silent – an absence suggesting the role of the viewer within this dynamic to imagine what unfolds.", + "source": "https://imma.ie/collection/parodos/", + "creditText": "IMMA Collection: Donation, 2010", + "image": "spice:documentation/parodos", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Video (colour, sound)", + "version": "Edition 1/5", + "hasInventory": "IMMA.3238.001" + }, + { + "@id": "spice:documentation/parodos", + "@type": "schema:ImageObject", + "caption": "Clodagh Emoe, Parodos, 2009, Video (colour, sound), Duration: 7 min loop, Collection Irish Museum of Modern Art, Donation, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5153.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368415, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 15, + "_updated": true + }, + { + "_id": "window-composition.jsonld", + "@graph": [ + { + "@id": "spice:artefact/window-composition", + "@type": "schema:CreativeWork", + "description": "Window Composition is a 1967 work by Noel Sheridan. ", + "source": "https://imma.ie/collection/window-composition/", + "creditText": "IMMA Collection: Heritage Gift, 2002", + "image": "spice:documentation/window-composition", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic", + "size": "56 x 56 cm", + "hasInventory": "IMMA.2639" + }, + { + "@id": "spice:documentation/window-composition", + "@type": "schema:ImageObject", + "caption": "Noel Sheridan, Window Composition, 1967, Acrylic, 56 x 56 cm, Collection Irish Museum of Modern Art, Heritage Gift, 2002 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368415, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 15, + "_updated": true + }, + { + "_id": "back-of-snowman.jsonld", + "@graph": [ + { + "@id": "spice:artefact/back-of-snowman", + "@type": "schema:CreativeWork", + "description": "Throughout his practice Hume has explored iconic images and shapes such as his series of paintings based on hospital doors, pop stars and supermodels. In ‘Back of Snowman’ Hume engages with perhaps one of the most familiar, accessible and recognizable sculptures, stirring the imagination and conjuring memories associated with youth, childhood and playfulness. Hume’s chosen medium for this traditionally temporary shape is bronze, its connotations of permanence and stability contrasting with the ephemeral nature of snow. Made first in clay and then cast in bronze, the surface of the metal has been polished rather than painted, as was the case with other snowmen in this series. An engagement with icons which have art-historical associations is also evident in Hume’s practice. ‘Back of Snowman’ recalls how Michaelangelo was commissioned to make only one sculpture during the reign of Piero de’ Medici, who on a childish whim after a heavy snowfall in January 1494, ordered a showman from the sculptor.", + "source": "https://imma.ie/collection/back-of-snowman/", + "creditText": "IMMA Collection: Purchase, 2005", + "image": "spice:documentation/back-of-snowman", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Bronze and crayon", + "size": "153 x 107 x 53 cm", + "hasInventory": "IMMA.1829" + }, + { + "@id": "spice:documentation/back-of-snowman", + "@type": "schema:ImageObject", + "caption": "Gary Hume, Back of Snowman, 2003, Bronze and crayon, 153 x 107 x 53 cm, Collection Irish Museum of Modern Art, Purchase, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1466.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368415, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 15, + "_updated": true + }, + { + "_id": "woman-carnmoon.jsonld", + "@graph": [ + { + "@id": "spice:artefact/woman-carnmoon", + "@type": "schema:CreativeWork", + "description": "Woman: Carnmoon is a 1958 work by Colin Middleton. ", + "source": "https://imma.ie/collection/woman-carnmoon/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2003", + "image": "spice:documentation/woman-carnmoon", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "76 x 61 cm", + "hasInventory": "IMMA.1123 MCCL" + }, + { + "@id": "spice:documentation/woman-carnmoon", + "@type": "schema:ImageObject", + "caption": "Colin Middleton, Woman: Carnmoon, 1958, Oil on canvas, 76 x 61 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2003 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1497.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368414, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 14, + "_updated": true + }, + { + "_id": "black-sea-inebolu.jsonld", + "@graph": [ + { + "@id": "spice:artefact/black-sea-inebolu", + "@type": "schema:CreativeWork", + "description": "Black Sea, Inebolu is a 1991 work by Hiroshi Sugimoto. ", + "source": "https://imma.ie/collection/black-sea-inebolu/", + "creditText": "IMMA Collection: Heritage Gift, Kerlin Gallery Collection, 2018, 2018", + "image": "spice:documentation/black-sea-inebolu", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "black and white photograph", + "size": "Framed: 65.7 x 83.5 x 3.4 cm", + "version": "Edition 11/25", + "hasInventory": "IMMA.4077" + }, + { + "@id": "spice:documentation/black-sea-inebolu", + "@type": "schema:ImageObject", + "caption": "Hiroshi Sugimoto, Black Sea, Inebolu, 1991, black and white photograph, Framed: 65.7 x 83.5 x 3.4 cm, Collection Irish Museum of Modern Art, Heritage Gift, Kerlin Gallery Collection, 2018, 2018 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9099.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "size": { + "@id": "http://schema.org/size" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368414, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 14, + "_updated": true + }, + { + "_id": "split-face-i.jsonld", + "@graph": [ + { + "@id": "spice:artefact/split-face-i", + "@type": "schema:CreativeWork", + "description": "Eithne Jordan has worked in several different modes of painting. Her early canvasses, during the late 1970s and early 1980s in Dublin and London, explored almost abstract relations of colour and form. In Berlin, from 1984 to 1989, she painted primitive human figures, faces, divided heads, recognisable icons of melancholy, emptied of love or drained by it. ‘Split Face 1’ is one of a series of powerful paintings of single or grouped faces, executed on a large scale and united by their shared misery. Dark pigments are applied fluidly to form untidy faces that engulf the tiny bodies that support them.", + "source": "https://imma.ie/collection/split-face-i/", + "creditText": "IMMA Collection: Donation, Maire and Maurice Foley, 2000", + "image": "spice:documentation/split-face-i", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "150 x 150 cm", + "hasInventory": "IMMA.1450 FD" + }, + { + "@id": "spice:documentation/split-face-i", + "@type": "schema:ImageObject", + "caption": "Eithne Jordan, Split Face I, 1998, Oil on canvas, 150 x 150 cm, Collection Irish Museum of Modern Art, Donation, Maire and Maurice Foley, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1500.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368414, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 14, + "_updated": true + }, + { + "_id": "habitation-1.jsonld", + "@graph": [ + { + "@id": "spice:artefact/habitation-1", + "@type": "schema:CreativeWork", + "description": "Habitation 1 is a 1970 work by Maria Simonds-Gooding. ", + "source": "https://imma.ie/collection/habitation-1/", + "creditText": "IMMA Collection: Heritage Gift, P.J. Carroll & Co. Ltd. Art Collection, 2005", + "image": "spice:documentation/habitation-1", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Plaster, collage and oil", + "size": "Framed: 120.8 x 161 cm 106.7 x 147.3 cm", + "hasInventory": "IMMA.1881" + }, + { + "@id": "spice:documentation/habitation-1", + "@type": "schema:ImageObject", + "caption": "Maria Simonds-Gooding, Habitation 1, 1970, Plaster, collage and oil, Framed: 120.8 x 161 cm 106.7 x 147.3 cm, Collection Irish Museum of Modern Art, Heritage Gift, P.J. Carroll & Co. Ltd. Art Collection, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1806.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368414, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 14, + "_updated": true + }, + { + "_id": "nude-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/nude-2", + "@type": "schema:CreativeWork", + "description": "Nude is a 1910 work by Edward Hopper. ", + "source": "https://imma.ie/collection/nude-2/", + "creditText": "IMMA Collection: The Novak/O'Doherty Collection at IMMA Donation, The American Ireland Fund, 2011", + "image": "spice:documentation/nude-2", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Charcoal on paper, double-sided", + "size": "29 x 45 cm Framed: 50 x 65 cm", + "hasInventory": "IMMA.2128" + }, + { + "@id": "spice:documentation/nude-2", + "@type": "schema:ImageObject", + "caption": "Edward Hopper, Nude, 1910, Charcoal on paper, double-sided, 29 x 45 cm Framed: 50 x 65 cm, Collection Irish Museum of Modern Art, The Novak/O'Doherty Collection at IMMA Donation, The American Ireland Fund, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/05/1841.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368414, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 14, + "_updated": true + }, + { + "_id": "the-would-bes.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-would-bes", + "@type": "schema:CreativeWork", + "description": "The Would-Be’s is a 1995 work by James Hanley. ", + "source": "https://imma.ie/collection/the-would-bes/", + "creditText": "IMMA Collection: Purchase, 1995", + "image": "spice:documentation/the-would-bes", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "112 x 84 cm (each)", + "hasInventory": "IMMA.469" + }, + { + "@id": "spice:documentation/the-would-bes", + "@type": "schema:ImageObject", + "caption": "James Hanley, The Would-Be’s, 1995, Oil on canvas, 112 x 84 cm (each), Collection Irish Museum of Modern Art, Purchase, 1995 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368414, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 14, + "_updated": true + }, + { + "_id": "entering-jerusalem-ii.jsonld", + "@graph": [ + { + "@id": "spice:artefact/entering-jerusalem-ii", + "@type": "schema:CreativeWork", + "description": "Entering Jerusalem II is a 1994 work by Hughie O'Donoghue. 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His ‘Head’ screen prints make good use of the medium to produce flat areas of pattern and colour which make up the features of these deranged faces.", + "source": "https://imma.ie/collection/head-4/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/head-4", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Silkscreen", + "size": "59.8 x 49.6 cm", + "version": "Edition 5/20", + "hasInventory": "IMMA.114 GL" + }, + { + "@id": "spice:documentation/head-4", + "@type": "schema:ImageObject", + "caption": "Enrico Baj, Head, 1970, Silkscreen, 59.8 x 49.6 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "size": { + "@id": "http://schema.org/size" + }, + "version": { + "@id": "http://schema.org/version" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368414, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 14, + "_updated": true + }, + { + "_id": "energisable-cubes.jsonld", + "@graph": [ + { + "@id": "spice:artefact/energisable-cubes", + "@type": "schema:CreativeWork", + "description": "Energisable Cubes is a 1971 work by James Coleman. ", + "source": "https://imma.ie/collection/energisable-cubes/", + "creditText": "IMMA Collection: Donation 2010, Bank of Ireland Art Collection, 2010", + "image": "spice:documentation/energisable-cubes", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Plastic foam cubes in perspex box, induced agitation", + "size": "17 x 13.5 x 12 cm", + "hasInventory": "IMMA.3287" + }, + { + "@id": "spice:documentation/energisable-cubes", + "@type": "schema:ImageObject", + "caption": "James Coleman, Energisable Cubes, 1971, Plastic foam cubes in perspex box, induced agitation, 17 x 13.5 x 12 cm, Collection Irish Museum of Modern Art, Donation 2010, Bank of Ireland Art Collection, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368414, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 14, + "_updated": true + }, + { + "_id": "7-7-91-in-memory-of-robin-walker.jsonld", + "@graph": [ + { + "@id": "spice:artefact/7-7-91-in-memory-of-robin-walker", + "@type": "schema:CreativeWork", + "description": "‘7.7.91 For Robin Walker’ is a drawing in pastel in keeping with the robust quality of Sean Scully’s larger canvases. In this work the artist has built up a velvety texture, where layers of chalky pigment are roughly applied with softened edges revealing the paper underneath. The tones of orange ochre, deep petrol blue, pinkish whites and charcoal create a soothing sense of order. Scully’s vertical stripes inset with boxes of horizontal stripes nestle comfortably without appearing static.", + "source": "https://imma.ie/collection/7-7-91-in-memory-of-robin-walker/", + "creditText": "IMMA Collection: Donated by the artist, 1991", + "image": "spice:documentation/7-7-91-in-memory-of-robin-walker", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pastel on paper", + "size": "101 x 152 cm", + "hasInventory": "IMMA.35" + }, + { + "@id": "spice:documentation/7-7-91-in-memory-of-robin-walker", + "@type": "schema:ImageObject", + "caption": "Sean Scully, 7/7/91 in Memory of Robin Walker, 1991, Pastel on paper, 101 x 152 cm, Collection Irish Museum of Modern Art, Donated by the artist, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/657.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368414, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 14, + "_updated": true + }, + { + "_id": "the-tain-cuchulainn-confronting-ferdia.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-tain-cuchulainn-confronting-ferdia", + "@type": "schema:CreativeWork", + "description": "The Táin. Cúchulainn confronting Ferdia is a 1969 work by Louis le Brocquy. ", + "source": "https://imma.ie/collection/the-tain-cuchulainn-confronting-ferdia/", + "creditText": "IMMA Collection: Heritage Gift by Brian Timmons, 2001", + "image": "spice:documentation/the-tain-cuchulainn-confronting-ferdia", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Aubusson Tapestry, Atelier René Duché, 1998", + "size": "184 x 129 cm", + "version": "edition 9", + "hasInventory": "IMMA.1587" + }, + { + "@id": "spice:documentation/the-tain-cuchulainn-confronting-ferdia", + "@type": "schema:ImageObject", + "caption": "Louis le Brocquy, The Táin. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-25/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-25", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.025" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-25", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5669.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "size": { + "@id": "http://schema.org/size" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368413, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 13, + "_updated": true + }, + { + "_id": "finn-maccool.jsonld", + "@graph": [ + { + "@id": "spice:artefact/finn-maccool", + "@type": "schema:CreativeWork", + "description": "Richard Hamilton, the father of British Pop, is best known for his famous collage ‘Just what is it that makes today’s homes so different, so appealing?’, (1956). 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In other prints from this series Hamilton reveals his personal identification with the character of Leopold Bloom.", + "source": "https://imma.ie/collection/finn-maccool/", + "creditText": "IMMA Collection: Purchase, 2003", + "image": "spice:documentation/finn-maccool", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Heliogravure, lift-ground spit-bite aquatint and engraving", + "size": "53.7 x 40.3 cm (plate), 76 x 56 cm (sheet)", + "version": "Edition 86/120", + "hasInventory": "IMMA.1661" + }, + { + "@id": "spice:documentation/finn-maccool", + "@type": "schema:ImageObject", + "caption": "Richard Hamilton, Finn MacCool, 1983, Heliogravure, lift-ground spit-bite aquatint and engraving, 53.7 x 40.3 cm (plate), 76 x 56 cm (sheet), Collection Irish Museum of Modern Art, Purchase, 2003 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "version": { + "@id": "http://schema.org/version" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "size": { + "@id": "http://schema.org/size" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368413, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 13, + "_updated": true + }, + { + "_id": "girl-at-piano.jsonld", + "@graph": [ + { + "@id": "spice:artefact/girl-at-piano", + "@type": "schema:CreativeWork", + "description": "Girl at Piano is a 1959 work by Colin Middleton. 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Although Atkinson left the group in 1974, the Greaser works represent a further development of the concern of expanding the borders of art by creating objects that challenge the borderline between painting and sculpture.", + "source": "https://imma.ie/collection/greaser-slat-v/", + "creditText": "IMMA Collection: Purchase, 1993", + "image": "spice:documentation/greaser-slat-v", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Hardboard, wood, grease, acrylic", + "size": "154.5 x 100 cm", + "hasInventory": "IMMA.430" + }, + { + "@id": "spice:documentation/greaser-slat-v", + "@type": "schema:ImageObject", + "caption": "Terry Atkinson, Greaser Slat V, 1990, Hardboard, wood, grease, acrylic, 154.5 x 100 cm, Collection Irish Museum of Modern Art, Purchase, 1993 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/634.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368413, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 13, + "_updated": true + }, + { + "_id": "drawing-3.jsonld", + "@graph": [ + { + "@id": "spice:artefact/drawing-3", + "@type": "schema:CreativeWork", + "description": "Drawing is a 1958 work by Noel Sheridan. 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Equally important is the framework within which his works are seen, be that a museum, café or domestic interior.", + "source": "https://imma.ie/collection/untitled-series-of-9-hanging-lamps/", + "creditText": "IMMA Collection: IMMA Editions, Donated by the artist, 2010", + "image": "spice:documentation/untitled-series-of-9-hanging-lamps", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Plexiglass with light fixtures and electrical wiring", + "size": "Height: 54 cm", + "version": "Edition 9/9. 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Connections such as this allowed much greater access to aspects of South African Life than would have been possible as an independent visitor.", + "source": "https://imma.ie/collection/south-africa-memory-series-no-1/", + "creditText": "IMMA Collection: Purchase, 1994", + "image": "spice:documentation/south-africa-memory-series-no-1", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Watercolour and wax crayon on paper", + "size": "90 x 91 cm", + "hasInventory": "IMMA.446" + }, + { + "@id": "spice:documentation/south-africa-memory-series-no-1", + "@type": "schema:ImageObject", + "caption": "Nick Miller, South Africa Memory Series, no. 1, 1991, Watercolour and wax crayon on paper, 90 x 91 cm, Collection Irish Museum of Modern Art, Purchase, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/482.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368413, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 13, + "_updated": true + }, + { + "_id": "parachute.jsonld", + "@graph": [ + { + "@id": "spice:artefact/parachute", + "@type": "schema:CreativeWork", + "description": "‘Parachute’ by Dorothy Cross is a comment on loss and remembrance. A gannet, its beak near the ground, hangs upside down from a parachute suspended from the ceiling. Through the recuperation of the remainders of natural physical surroundings – a washed up gannet on Ireland’s Atlantic coast, Cross’ work both returns its animal protagonist to its former existence and presents a composition pertaining contemporaneously to the incidental and the highly careful assemblage. If, however, Parachute evokes former selves, it also appears to stem from a highly subtle sense of loss, where the accident – the artwork, the gannet’s death – is both recalled and forever relinquished.", + "source": "https://imma.ie/collection/parachute/", + "creditText": "IMMA Collection: Purchase, 2005", + "image": "spice:documentation/parachute", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Parachute and gannet", + "size": "Dimensions variable", + "hasInventory": "IMMA.1898" + }, + { + "@id": "spice:documentation/parachute", + "@type": "schema:ImageObject", + "caption": "Dorothy Cross, Parachute, 2005, Parachute and gannet, Dimensions variable, Collection Irish Museum of Modern Art, Purchase, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/06/1762.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368413, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 13, + "_updated": true + }, + { + "_id": "petrolifero.jsonld", + "@graph": [ + { + "@id": "spice:artefact/petrolifero", + "@type": "schema:CreativeWork", + "description": "Petrolífero is a 1982 work by Carlos Nakatani. ", + "source": "https://imma.ie/collection/petrolifero/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/petrolifero", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Lithograph", + "size": "64.2 x 46.7 cm", + "version": "Edition 140/150", + "hasInventory": "IMMA.1039 MP" + }, + { + "@id": "spice:documentation/petrolifero", + "@type": "schema:ImageObject", + "caption": "Carlos Nakatani, Petrolífero, 1982, Lithograph, 64.2 x 46.7 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368413, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 13, + "_updated": true + }, + { + "_id": "rustle-night.jsonld", + "@graph": [ + { + "@id": "spice:artefact/rustle-night", + "@type": "schema:CreativeWork", + "description": "Rustle (Night) is a 2010 work by Patrick Michael Fitzgerald. ", + "source": "https://imma.ie/collection/rustle-night/", + "creditText": "IMMA Collection: Donation, 2011", + "image": "spice:documentation/rustle-night", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Coloured pencil on paper", + "size": "32.5 x 25 cm", + "hasInventory": "IMMA.3329" + }, + { + "@id": "spice:documentation/rustle-night", + "@type": "schema:ImageObject", + "caption": "Patrick Michael Fitzgerald, Rustle (Night), 2010, Coloured pencil on paper, 32.5 x 25 cm, Collection Irish Museum of Modern Art, Donation, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/5795.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368413, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 13, + "_updated": true + }, + { + "_id": "she-weeps-over-rahoon-from-pomes-penyeach.jsonld", + "@graph": [ + { + "@id": "spice:artefact/she-weeps-over-rahoon-from-pomes-penyeach", + "@type": "schema:CreativeWork", + "description": "She Weeps Over Rahoon from ‘Pomes Penyeach’ is a 1993 work by Sean Scully. ", + "source": "https://imma.ie/collection/she-weeps-over-rahoon-from-pomes-penyeach/", + "creditText": "IMMA Collection: Purchase, 2004", + "image": "spice:documentation/she-weeps-over-rahoon-from-pomes-penyeach", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching", + "size": "54 x 40 cm (sheet)", + "hasInventory": "IMMA.1643.011" + }, + { + "@id": "spice:documentation/she-weeps-over-rahoon-from-pomes-penyeach", + "@type": "schema:ImageObject", + "caption": "Sean Scully, She Weeps Over Rahoon from ‘Pomes Penyeach’, 1993, Etching, 54 x 40 cm (sheet), Collection Irish Museum of Modern Art, Purchase, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/3962.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368413, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 13, + "_updated": true + }, + { + "_id": "untitled-121.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-121", + "@type": "schema:CreativeWork", + "description": "Untitled is a 1960 work by Colin Middleton. ", + "source": "https://imma.ie/collection/untitled-121/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004", + "image": "spice:documentation/untitled-121", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Conte and wash on paper", + "size": "18 x 22 cm", + "hasInventory": "IMMA.1324 MCCL" + }, + { + "@id": "spice:documentation/untitled-121", + "@type": "schema:ImageObject", + "caption": "Colin Middleton, Untitled, 1960, Conte and wash on paper, 18 x 22 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368413, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 13, + "_updated": true + }, + { + "_id": "divis-flats.jsonld", + "@graph": [ + { + "@id": "spice:artefact/divis-flats", + "@type": "schema:CreativeWork", + "description": "Divis Flats is a 1986 work by Brian Maguire. ", + "source": "https://imma.ie/collection/divis-flats/", + "creditText": "IMMA Collection: Donation, Vincent & Noeleen Ferguson, 1996", + "image": "spice:documentation/divis-flats", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic on canvas", + "size": "180.4 x 124.5 cm", + "hasInventory": "IMMA.773" + }, + { + "@id": "spice:documentation/divis-flats", + "@type": "schema:ImageObject", + "caption": "Brian Maguire, Divis Flats, 1986, Acrylic on canvas, 180.4 x 124.5 cm, Collection Irish Museum of Modern Art, Donation, Vincent & Noeleen Ferguson, 1996 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/286.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368413, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 13, + "_updated": true + }, + { + "_id": "owl-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/owl-2", + "@type": "schema:CreativeWork", + "description": "Owl is a 1972 work by Edward McGuire. 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"material": { + "@id": "http://schema.org/material" + }, + "version": { + "@id": "http://schema.org/version" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": 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circulation of images in the public domain, all the while querying our relationship with the image, its consumption, distribution, reproduction, value and forcing (re)considerations of authenticity within art.   ", + "source": "https://imma.ie/collection/cake-bomb/", + "creditText": "IMMA Collection: Purchase, 2021, 2021", + "image": "spice:documentation/cake-bomb", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "cyanotype print", + "size": "59.4 x 84.1 cm", + "hasInventory": "IMMA.4239" + }, + { + "@id": "spice:documentation/cake-bomb", + "@type": "schema:ImageObject", + "caption": "Breda Lynch, Cake Bomb , 2016, cyanotype print, 59.4 x 84.1 cm, Collection Irish Museum of Modern Art, Purchase, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9540.jpg" + } + ], + "@context": { + "hasInventory": { 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response to the artists big sister who died of cervical cancer, alone, a thousand miles away from the family in 2004. 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", + "source": "https://imma.ie/collection/engine/", + "creditText": "IMMA Collection: Heritage Gift, Kerlin Gallery Collection, 2018, 2018", + "image": "spice:documentation/engine", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "183 x 244 x 4 cm", + "hasInventory": "IMMA.4055" + }, + { + "@id": "spice:documentation/engine", + "@type": "schema:ImageObject", + "caption": "Elizabeth Magill, Engine, 1989, Oil on canvas, 183 x 244 x 4 cm, Collection Irish Museum of Modern Art, Heritage Gift, Kerlin Gallery Collection, 2018, 2018 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368412, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 12, + "_updated": true + }, + { + "_id": "not-again.jsonld", + "@graph": [ + { + "@id": "spice:artefact/not-again", + "@type": "schema:CreativeWork", + "description": "Not Again is a 1979 work by Robert Ballagh. 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", + "source": "https://imma.ie/collection/morning/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004", + "image": "spice:documentation/morning", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on board", + "size": "60.9 x 121.9 cm", + "hasInventory": "IMMA.1431 MCCL" + }, + { + "@id": "spice:documentation/morning", + "@type": "schema:ImageObject", + "caption": "Tony O'Malley, Morning, 1963, Oil on board, 60.9 x 121.9 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368412, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 12, + "_updated": true + }, + { + "_id": "studio-winter.jsonld", + "@graph": [ + { + "@id": "spice:artefact/studio-winter", + "@type": "schema:CreativeWork", + "description": "Studio Winter is a 1981 work by Tony O'Malley. 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In Off to the West we note the distinctive use of techniques of frottage, folding the paper when the paint is beginning to congeal as it dries and pressing the image so", + "source": "https://imma.ie/collection/off-to-the-west/", + "creditText": "IMMA Collection: Heritage Gift by the Bank of Ireland from the Bank of Ireland collection, 2008", + "image": "spice:documentation/off-to-the-west", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on paper", + "size": "57 x 80 cm", + "hasInventory": "IMMA.2621" + }, + { + "@id": "spice:documentation/off-to-the-west", + "@type": "schema:ImageObject", + "caption": "Camille Souter, Off to the West, 1964, Oil on paper, 57 x 80 cm, Collection Irish Museum of Modern Art, Heritage Gift by the Bank of Ireland from the Bank of Ireland collection, 2008 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/3496.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368412, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 12, + "_updated": true + }, + { + "_id": "the-troubles-an-artists-document-of-ulster-58.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-troubles-an-artists-document-of-ulster-58", + "@type": "schema:CreativeWork", + "description": "During his prolific career Les Levine has produced major series of works about the manifold effects and functions of the media and information systems. ‘The Troubles: An Artist’s Document of Ulster’ is a suite of 80 cibachrome photographs, executed in 1972, and for which the artist coined the terms “media sculpture” and “media art”. Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-58/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-58", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.058" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-58", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5702.jpg" + } + ], + "@context": { + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "size": { + "@id": "http://schema.org/size" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368412, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 12, + "_updated": true + }, + { + "_id": "self-portrait-with-michael.jsonld", + "@graph": [ + { + "@id": "spice:artefact/self-portrait-with-michael", + "@type": "schema:CreativeWork", + "description": "Self Portrait with Michael is a 1928 work by Sean Keating. ", + "source": "https://imma.ie/collection/self-portrait-with-michael/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004", + "image": "spice:documentation/self-portrait-with-michael", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Charcoal", + "size": "55 x 46 cm", + "hasInventory": "IMMA.1192 MCCL" + }, + { + "@id": "spice:documentation/self-portrait-with-michael", + "@type": "schema:ImageObject", + "caption": "Sean Keating, Self Portrait with Michael, 1928, Charcoal, 55 x 46 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368412, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 12, + "_updated": true + }, + { + "_id": "woodpiece-1.jsonld", + "@graph": [ + { + "@id": "spice:artefact/woodpiece-1", + "@type": "schema:CreativeWork", + "description": "Woodpiece 1 is a 1978 work by Aileen MacKeogh. ", + "source": "https://imma.ie/collection/woodpiece-1/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/woodpiece-1", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Mixed media", + "size": "235 x 155 x 21 cm", + "hasInventory": "IMMA.295 GL" + }, + { + "@id": "spice:documentation/woodpiece-1", + "@type": "schema:ImageObject", + "caption": "Aileen MacKeogh, Woodpiece 1, 1978, Mixed media, 235 x 155 x 21 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368412, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 12, + "_updated": true + }, + { + "_id": "a-line-of-retreat.jsonld", + "@graph": [ + { + "@id": "spice:artefact/a-line-of-retreat", + "@type": "schema:CreativeWork", + "description": "A Line of Retreat is a 1998 work by Hughie O'Donoghue. ", + "source": "https://imma.ie/collection/a-line-of-retreat/", + "creditText": "IMMA Collection: Gift, The American Ireland Fund, 2010", + "image": "spice:documentation/a-line-of-retreat", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on linen canvas", + "size": "282 x 368 cm", + "hasInventory": "IMMA.3242" + }, + { + "@id": "spice:documentation/a-line-of-retreat", + "@type": "schema:ImageObject", + "caption": "Hughie O'Donoghue, A Line of Retreat, 1998, Oil on linen canvas, 282 x 368 cm, Collection Irish Museum of Modern Art, Gift, The American Ireland Fund, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1847.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368412, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 12, + "_updated": true + }, + { + "_id": "untitled-50.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-50", + "@type": "schema:CreativeWork", + "description": "Untitled is a 1994 work by Gary Hume. 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", + "source": "https://imma.ie/collection/fourteen-points-of-entry-ii/", + "creditText": "IMMA Collection: Purchase, 1991", + "image": "spice:documentation/fourteen-points-of-entry-ii", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic and oil on paper", + "size": "76 x 56 cm", + "hasInventory": "IMMA.37.002" + }, + { + "@id": "spice:documentation/fourteen-points-of-entry-ii", + "@type": "schema:ImageObject", + "caption": "Samuel Walsh, Fourteen Points of Entry ii, 1990, Acrylic and oil on paper, 76 x 56 cm, Collection Irish Museum of Modern Art, Purchase, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368411, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "bull.jsonld", + "@graph": [ + { + "@id": "spice:artefact/bull", + "@type": "schema:CreativeWork", + "description": "Bull is a 1984 work by John Behan. ", + "source": "https://imma.ie/collection/bull/", + "creditText": "IMMA Collection: Donation, Maire and Maurice Foley, 2017", + "image": "spice:documentation/bull", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Bronze, unique", + "size": "32 x 58 x 19 cm", + "hasInventory": "IMMA.4011" + }, + { + "@id": "spice:documentation/bull", + "@type": "schema:ImageObject", + "caption": "John Behan, Bull, 1984, Bronze, unique, 32 x 58 x 19 cm, Collection Irish Museum of Modern Art, Donation, Maire and Maurice Foley, 2017 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368411, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "eine-kleine-nacht-musick.jsonld", + "@graph": [ + { + "@id": "spice:artefact/eine-kleine-nacht-musick", + "@type": "schema:CreativeWork", + "description": "Eine Kleine Nacht Musick is a 1965 work by Joseph Cornell and Robert Cornell. ", + "source": "https://imma.ie/collection/eine-kleine-nacht-musick/", + "creditText": "IMMA Collection: The Novak/O'Doherty Collection at IMMA Gift, The American Ireland Fund, 2014", + "image": "spice:documentation/eine-kleine-nacht-musick", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Collage on Ingres paper laid on board", + "size": "30.5 x 22.9 cm", + "hasInventory": "IMMA.3852" + }, + { + "@id": "spice:documentation/eine-kleine-nacht-musick", + "@type": "schema:ImageObject", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/5073.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368411, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "self-portrait-with-blue-red-and-green.jsonld", + "@graph": [ + { + "@id": "spice:artefact/self-portrait-with-blue-red-and-green", + "@type": "schema:CreativeWork", + "description": "Self Portrait with Blue, Red and Green is a 2004 work by Brian Bourke. 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As viewers we are not excluded if we cannot be part of the actual event, the documentation allows the work to live on after the project has been completed.", + "source": "https://imma.ie/collection/wrapped-monument-to-vittorio-emanuele-project-for-piazza-del-duomo-milan/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/wrapped-monument-to-vittorio-emanuele-project-for-piazza-del-duomo-milan", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Lithograph with collage of fabric, twine, and staples", + "size": "71 x 56 cm", + "version": "Edition 29/75", + "hasInventory": "IMMA.154 GL" + }, + { + "@id": "spice:documentation/wrapped-monument-to-vittorio-emanuele-project-for-piazza-del-duomo-milan", + "@type": "schema:ImageObject", + "caption": "Christo, Wrapped Monument to Vittorio Emanuele, Project for Piazza del Duomo, Milan, 1975, Lithograph with collage of fabric, twine, and staples, 71 x 56 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "version": { + "@id": "http://schema.org/version" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368411, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "horseman.jsonld", + "@graph": [ + { + "@id": "spice:artefact/horseman", + "@type": "schema:CreativeWork", + "description": "Horseman is a 1974 work by Vivian E. Browne. ", + "source": "https://imma.ie/collection/horseman/", + "creditText": "IMMA Collection: Donation, Novak/O'Doherty Collection, 2015", + "image": "spice:documentation/horseman", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching with aquatint.", + "size": "76 x 56.2 cm", + "version": "Portfolio No: A/P X", + "hasInventory": "IMMA.3900" + }, + { + "@id": "spice:documentation/horseman", + "@type": "schema:ImageObject", + "caption": "Vivian E. Browne, Horseman, 1974, Etching with aquatint., 76 x 56.2 cm, Collection Irish Museum of Modern Art, Donation, Novak/O'Doherty Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/5098.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "version": { + "@id": "http://schema.org/version" + }, + "material": { + "@id": "http://schema.org/material" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368411, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "image-of-greece.jsonld", + "@graph": [ + { + "@id": "spice:artefact/image-of-greece", + "@type": "schema:CreativeWork", + "description": "Image of Greece is a 1974 work by Clifford Rainey. 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These paintings were also made by pouring paint over wetted canvas, with straight architectural lines created by using masking tape that was removed after the poured paint had settled. The dark colours of these works are not naturalistic, and their spaces are deep and ambiguous, though segmented or conceptualised by the vertical lines.", + "source": "https://imma.ie/collection/standing-stones/", + "creditText": "IMMA Collection: Heritage Gift, P.J. Carroll & Co. Ltd. Art Collection, 2005", + "image": "spice:documentation/standing-stones", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic on cotton duck", + "size": "162.56 x 96.52 cm each", + "hasInventory": "IMMA.1863" + }, + { + "@id": "spice:documentation/standing-stones", + "@type": "schema:ImageObject", + "caption": "Anne Madden, Standing Stones, 1978, Acrylic on cotton duck, 162.56 x 96.52 cm each, Collection Irish Museum of Modern Art, Heritage Gift, P.J. Carroll & Co. Ltd. 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Paper markers on the string demarcate lengths that correspond to the circumference of different rooms in the home, such as the kitchen and bedrooms, indexing the spatial logic of the house. ", + "source": "https://imma.ie/collection/setting-out-2/", + "creditText": "IMMA Collection: Purchase, 2020, 2020", + "image": "spice:documentation/setting-out-2", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Builders string, flathead screws, tape", + "size": "variable", + "hasInventory": "IMMA.4173" + }, + { + "@id": "spice:documentation/setting-out-2", + "@type": "schema:ImageObject", + "caption": "Anne Tallentire, Setting Out 2, 2020, Builders string, flathead screws, tape, variable, Collection Irish Museum of Modern Art, Purchase, 2020, 2020 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9467.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368411, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "amend.jsonld", + "@graph": [ + { + "@id": "spice:artefact/amend", + "@type": "schema:CreativeWork", + "description": "Amend is a solo performance (within a collective environment of artists working simultaneously), that orginally took place as part of RIGHT HERE RIGHT NOW project, at Kilmainham Gaol, organized by the Performance Collective, Dublin. 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In parts, deliberately recreating scenes from popular John Hinde postcards of Ireland in the 1960s and 1970s. Scenes of windy landscapes, neolithic portal dolmens and busy shopping centres are interspersed with tv adverts and snippets from the radio, creating a sense of realities in flux. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-29/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-29", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.029" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-29", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5673.jpg" + } + ], + "@context": { + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "size": { + "@id": "http://schema.org/size" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368410, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "my-studio.jsonld", + "@graph": [ + { + "@id": "spice:artefact/my-studio", + "@type": "schema:CreativeWork", + "description": "My Studio is a 1968 work by Brian Ferran. ", + "source": "https://imma.ie/collection/my-studio/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/my-studio", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil and collage on board", + "size": "153.6 x 123.5 cm", + "hasInventory": "IMMA.204 GL" + }, + { + "@id": "spice:documentation/my-studio", + "@type": "schema:ImageObject", + "caption": "Brian Ferran, My Studio, 1968, Oil and collage on board, 153.6 x 123.5 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1914.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368410, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "radio-garden.jsonld", + "@graph": [ + { + "@id": "spice:artefact/radio-garden", + "@type": "schema:CreativeWork", + "description": "Radio Garden is a 1991 work by William Furlong. ", + "source": "https://imma.ie/collection/radio-garden/", + "creditText": "IMMA Collection: Purchase, 1991", + "image": "spice:documentation/radio-garden", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil and watercolour on paper", + "size": "21 x 29.5 cm (each)", + "hasInventory": "IMMA.8" + }, + { + "@id": "spice:documentation/radio-garden", + "@type": "schema:ImageObject", + "caption": "William Furlong, Radio Garden, 1991, Pencil and watercolour on paper, 21 x 29.5 cm (each), Collection Irish Museum of Modern Art, Purchase, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/690.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368410, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "small-glass-labyrinth-bridgets-cross.jsonld", + "@graph": [ + { + "@id": "spice:artefact/small-glass-labyrinth-bridgets-cross", + "@type": "schema:CreativeWork", + "description": "The Labyrinth is an archetype in O’Doherty’s work, from his earliest mazes of 1967 to the current large-scale permanent Labyrinth under way on the Falls Road, Belfast. Labyrinths are also to be found in the games of chess which fascinated the artist since childhood. The moves of the chess pieces trace an invisible diagram that has a labyrinth-like quality. The artist’s familiarity with Joyce’s labyrinthine novels, Ulysses and Finnegans Wake, was another source. His early mazes were the first minimal labyrinths in Conceptual art. Derived in part from the swastika-like form of St Brigid’s cross, Small Glass Labyrinth (Brigid’s Cross), 1967, is painted on mirrored glass, where the mirror has been removed, leaving the track of the labyrinth. Reflective slivers which remain at the edges of the track glisten as the viewer moves around the piece. In 1967-68 O’Doherty created numerous versions of labyrinths such as Blue Labyrinth, 1968. The much larger, related Vertical Labyrinth, 1967, also in a St Brigid’s cross form, floats on a transparent sheet of glass, over a mirror, in which the track of the labyrinth echoes endlessly downwards. O’Doherty created a conceptual labyrinth, Labyrinth as a Straight Line, 1967, which indicates the right and left turns along the line with the letters R and L, which necessitate 90º turns, a mental exercise in which knowledge pre-empts experience. Performed blindfolded, on a raised line, a plank, the piece is memorydependent.", + "source": "https://imma.ie/collection/small-glass-labyrinth-bridgets-cross/", + "creditText": "IMMA Collection: Donation, Novak/O'Doherty Collection, 2015", + "image": "spice:documentation/small-glass-labyrinth-bridgets-cross", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Glass", + "size": "30.48 x 30.48 cm", + "hasInventory": "IMMA.3916" + }, + { + "@id": "spice:documentation/small-glass-labyrinth-bridgets-cross", + "@type": "schema:ImageObject", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/5203.jpg" + } + ], + "@context": { + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368410, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "uno-city.jsonld", + "@graph": [ + { + "@id": "spice:artefact/uno-city", + "@type": "schema:CreativeWork", + "description": "UNO City is a 1992 work by LANGLANDS & BELL. ", + "source": "https://imma.ie/collection/uno-city/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1995", + "image": "spice:documentation/uno-city", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Blind embossed print", + "size": "71 x 74 cm", + "hasInventory": "L.720.5 LW" + }, + { + "@id": "spice:documentation/uno-city", + "@type": "schema:ImageObject", + "caption": "LANGLANDS & BELL, UNO City, 1992, Blind embossed print, 71 x 74 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1995 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368410, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "grid-stack-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/grid-stack-2", + "@type": "schema:CreativeWork", + "description": "Grid Stack 2 is a 2007 work by Corban Walker. ", + "source": "https://imma.ie/collection/grid-stack-2/", + "creditText": "IMMA Collection: Purchase, 2007", + "image": "spice:documentation/grid-stack-2", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Clear float glass, Diamante glass", + "hasInventory": "IMMA.2114" + }, + { + "@id": "spice:documentation/grid-stack-2", + "@type": "schema:ImageObject", + "caption": "Corban Walker, Grid Stack 2, 2007, Clear float glass, Diamante glass, Collection Irish Museum of Modern Art, Purchase, 2007 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/79.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368410, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "esopo.jsonld", + "@graph": [ + { + "@id": "spice:artefact/esopo", + "@type": "schema:CreativeWork", + "description": "Esopo is a 1976 work by Lope Max Diaz Rivera. ", + "source": "https://imma.ie/collection/esopo/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/esopo", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint", + "size": "56.1 x 75.8 cm", + "version": "Edition 89/150", + "hasInventory": "IMMA.928 MP" + }, + { + "@id": "spice:documentation/esopo", + "@type": "schema:ImageObject", + "caption": "Lope Max Diaz Rivera, Esopo, 1976, Screenprint, 56.1 x 75.8 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1151.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368410, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "sanctuary-wastelands.jsonld", + "@graph": [ + { + "@id": "spice:artefact/sanctuary-wastelands", + "@type": "schema:CreativeWork", + "description": "Alanna O’Kelly’s piece ‘Sanctuary/Wasteland refers to Teampall Dumhach Mhor, or ‘Church of the Great Sandbank’ at Thallabhawn, County Mayo, which lies on the edge of an estuary between Mweelrea Mountain and the Atlantic Ocean. This site was a monastic settlement from the 6th century and a famine burial ground in the 19th century. Known as ‘The Sanctuary’ to 17th century mapmakers, it was referred to as ‘The Wastelands’ by local people in the 19th and early 20th centuries. Constant erosion is dissolving the site and the storms of recent years have reduced the mound to a third of its original mass. This dissolution is used as a metaphor for the resolution of the psychic conflicts of our history. O’Kelly employs a slow-moving vocabulary of film close-ups and an undercurrent of sombre sounds that reduce the famine’s emotional extremes – hope and despair, loss and recovery.", + "source": "https://imma.ie/collection/sanctuary-wastelands/", + "creditText": "IMMA Collection: Purchase, 1997", + "image": "spice:documentation/sanctuary-wastelands", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Video", + "hasInventory": "IMMA.745" + }, + { + "@id": "spice:documentation/sanctuary-wastelands", + "@type": "schema:ImageObject", + "caption": "Alanna O'Kelly, Sanctuary/Wastelands, 1994, Video, Dimensions variable, Collection Irish Museum of Modern Art, Purchase, 1997 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2021/11/1047-scaled.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368410, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "3-cokes-a-day-keeps-the-sun-from-your-bum-hippy-hippy-horay.jsonld", + "@graph": [ + { + "@id": "spice:artefact/3-cokes-a-day-keeps-the-sun-from-your-bum-hippy-hippy-horay", + "@type": "schema:CreativeWork", + "description": "3 Cokes a Day Keeps the Sun from your Bum, Hippy Hippy Horay is a 1974 work by Clifford Rainey. ", + "source": "https://imma.ie/collection/3-cokes-a-day-keeps-the-sun-from-your-bum-hippy-hippy-horay/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/3-cokes-a-day-keeps-the-sun-from-your-bum-hippy-hippy-horay", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Brass, etched glass, sand and tin mounted on marble", + "size": "44.2 x 27.9 x 28.1 cm", + "hasInventory": "IMMA.363 GL" + }, + { + "@id": "spice:documentation/3-cokes-a-day-keeps-the-sun-from-your-bum-hippy-hippy-horay", + "@type": "schema:ImageObject", + "caption": "Clifford Rainey, 3 Cokes a Day Keeps the Sun from your Bum, Hippy Hippy Horay, 1974, Brass, etched glass, sand and tin mounted on marble, 44.2 x 27.9 x 28.1 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368410, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "untitled-christmas-card-3.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-christmas-card-3", + "@type": "schema:CreativeWork", + "description": "Untitled – Christmas Card is a 1971 work by Mary Farl Powers. ", + "source": "https://imma.ie/collection/untitled-christmas-card-3/", + "creditText": "IMMA Collection: Donation, Powers Family, 2009", + "image": "spice:documentation/untitled-christmas-card-3", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Colour Etching", + "size": "8 x 12 cm", + "hasInventory": "IMMA.3211" + }, + { + "@id": "spice:documentation/untitled-christmas-card-3", + "@type": "schema:ImageObject", + "caption": "Mary Farl Powers, Untitled – Christmas Card, 1971, Colour Etching, 8 x 12 cm, Collection Irish Museum of Modern Art, Donation, Powers Family, 2009 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368410, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "wall-of-light-black.jsonld", + "@graph": [ + { + "@id": "spice:artefact/wall-of-light-black", + "@type": "schema:CreativeWork", + "description": "Wall of Light, Black is a 2000 work by Sean Scully. ", + "source": "https://imma.ie/collection/wall-of-light-black/", + "creditText": "IMMA Collection: Donation, IBRC, 2011", + "image": "spice:documentation/wall-of-light-black", + "maintainer": "https://w3id.org/spice/institute/imma", + "size": "Framed: 87 x 81.5 cm Sheet: 82.5x77 cm Plate: 44.5x54.5 cm", + "version": "Edition 30/40", + "hasInventory": "IMMA.3424" + }, + { + "@id": "spice:documentation/wall-of-light-black", + "@type": "schema:ImageObject", + "caption": "Sean Scully, Wall of Light, Black, 2000, Framed: 87 x 81.5 cm Sheet: 82.5x77 cm Plate: 44.5x54.5 cm, Collection Irish Museum of Modern Art, Donation, IBRC, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368410, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "open-drawing-primrose-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/open-drawing-primrose-2", + "@type": "schema:CreativeWork", + "description": "Open Drawing – Primrose # 2 is a 2003 work by William McKeown. ", + "source": "https://imma.ie/collection/open-drawing-primrose-2/", + "creditText": "IMMA Collection: Purchase, 2004", + "image": "spice:documentation/open-drawing-primrose-2", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Colouring pencil on paper", + "size": "28.5 x 26 cm", + "hasInventory": "IMMA.2867" + }, + { + "@id": "spice:documentation/open-drawing-primrose-2", + "@type": "schema:ImageObject", + "caption": "William McKeown, Open Drawing – Primrose # 2, 2003, Colouring pencil on paper, 28.5 x 26 cm, Collection Irish Museum of Modern Art, Purchase, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1826.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368410, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 10, + "_updated": true + }, + { + "_id": "art-must-be-beautiful-artist-must-be-beautiful.jsonld", + "@graph": [ + { + "@id": "spice:artefact/art-must-be-beautiful-artist-must-be-beautiful", + "@type": "schema:CreativeWork", + "description": "In her 1975 performance ‘Art Must Be Beautiful Artist Must Be Beautiful’ Marina Abramović positioned her head and shoulders in front of a camera. For over fifty minutes she brushed her hair with extreme force while continuously repeating the sentence “art must be beautiful artist must be beautiful”. 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The physical set up of the piece is crucial in that it directly mirrors that relationship and forces the viewer in the space to bridge that gap and move around and move between those polarities (of victim and perpetrator)’.", + "source": "https://imma.ie/collection/the-only-good-one-is-a-dead-one/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1995", + "image": "spice:documentation/the-only-good-one-is-a-dead-one", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Video projection", + "hasInventory": "L.593 LW" + }, + { + "@id": "spice:documentation/the-only-good-one-is-a-dead-one", + "@type": "schema:ImageObject", + "caption": "Willie Doherty, The Only Good One is a Dead One, 1993, Video projection, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1995 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368409, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 9, + "_updated": true + }, + { + "_id": "three-dimensional-piece.jsonld", + "@graph": [ + { + "@id": "spice:artefact/three-dimensional-piece", + "@type": "schema:CreativeWork", + "description": "Three Dimensional Piece is a 1977 work by David Crone. 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", + "source": "https://imma.ie/collection/untitled-74/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/untitled-74", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil on paper", + "size": "21 x 29.5 cm", + "hasInventory": "L.2008.1.23" + }, + { + "@id": "spice:documentation/untitled-74", + "@type": "schema:ImageObject", + "caption": "Richard Deacon, Untitled, 1987, Pencil on paper, 21 x 29.5 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368409, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 9, + "_updated": true + }, + { + "_id": "berlin-painting.jsonld", + "@graph": [ + { + "@id": "spice:artefact/berlin-painting", + "@type": "schema:CreativeWork", + "description": "Berlin Painting is a 1970 work by Cecil King. ", + "source": "https://imma.ie/collection/berlin-painting/", + "creditText": "IMMA Collection: Heritage Gift by Bank of Ireland, 1999", + "image": "spice:documentation/berlin-painting", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "228.1 x 142.4 cm", + "hasInventory": "IMMA.1271" + }, + { + "@id": "spice:documentation/berlin-painting", + "@type": "schema:ImageObject", + "caption": "Cecil King, Berlin Painting, 1970, Oil on canvas, 228.1 x 142.4 cm, Collection Irish Museum of Modern Art, Heritage Gift by Bank of Ireland, 1999 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368409, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 9, + "_updated": true + }, + { + "_id": "double-portrait.jsonld", + "@graph": [ + { + "@id": "spice:artefact/double-portrait", + "@type": "schema:CreativeWork", + "description": "Double Portrait is a 1985 work by Lucian Freud. It is not currently on display in IMMA. ", + "source": "https://imma.ie/collection/double-portrait/", + "creditText": "IMMA Collection: On Loan, Private Collection, ", + "image": "spice:documentation/double-portrait", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "78.7 x 88.9 cm Framed: 90 x 99 x 4 cm", + "hasInventory": "EX.2016.1.28" + }, + { + "@id": "spice:documentation/double-portrait", + "@type": "schema:ImageObject", + "caption": "Lucian Freud, Double Portrait, 1985, Oil on canvas, 78.7 x 88.9 cm Framed: 90 x 99 x 4 cm, Collection Irish Museum of Modern Art, On Loan, Private Collection ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/08/7574.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "schema": "http://schema.org/", + "arco-core": "https://w3id.org/arco/ontology/core/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368409, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 9, + "_updated": true + }, + { + "_id": "promise.jsonld", + "@graph": [ + { + "@id": "spice:artefact/promise", + "@type": "schema:CreativeWork", + "description": "This monumental display of ready-meal packaging, draws attention to our disposable consumer culture and manufactured ideas of freshness and naturalness. The garnish leaf pictured on each meal is cut from its box and folded to stand up in the centre of individual plant pots. These pots are then arranged according to garnish species and lit from above like a hothouse.", + "source": "https://imma.ie/collection/promise/", + "creditText": "IMMA Collection: Donation, June 2016", + "image": "spice:documentation/promise", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Ready-meal Packaging, Plant Pots, Wire, Wood, Lighting", + "hasInventory": "IMMA.4008" + }, + { + "@id": "spice:documentation/promise", + "@type": "schema:ImageObject", + "caption": "Caroline McCarthy, Promise, 2003, Ready-meal Packaging, Plant Pots, Wire, Wood, Lighting, Collection Irish Museum of Modern Art, Donation, June 2016 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/7807.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368409, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 9, + "_updated": true + }, + { + "_id": "the-troubles-an-artists-document-of-ulster-54.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-troubles-an-artists-document-of-ulster-54", + "@type": "schema:CreativeWork", + "description": "During his prolific career Les Levine has produced major series of works about the manifold effects and functions of the media and information systems. ‘The Troubles: An Artist’s Document of Ulster’ is a suite of 80 cibachrome photographs, executed in 1972, and for which the artist coined the terms “media sculpture” and “media art”. Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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These pocket paperbacks mushroomed in production in the early 40’s to late 60’s after the introduction and enforcement of the Hays production code in the American film industry in 1930 and parallel to the publishing of the Kinsey Report in the 40’s. Before the 60’s sexual revolution such paperbacks provided a peak into perceived scandalous, erotic encounters of the same sex. 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", + "source": "https://imma.ie/collection/goyas-gaia-4/", + "creditText": "IMMA Collection: Purchase, 2010", + "image": "spice:documentation/goyas-gaia-4", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic on board", + "size": "60.5 x 60.5 cm", + "hasInventory": "IMMA.3297" + }, + { + "@id": "spice:documentation/goyas-gaia-4", + "@type": "schema:ImageObject", + "caption": "Nevan Lahart, Goya’s Gaia #4, 2010, Acrylic on board, 60.5 x 60.5 cm, Collection Irish Museum of Modern Art, Purchase, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5549.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368408, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 8, + "_updated": true + }, + { + "_id": "shadows-portfolio.jsonld", + "@graph": [ + { + "@id": "spice:artefact/shadows-portfolio", + "@type": "schema:CreativeWork", + "description": "‘Shadows’ Portfolio is a 1986 work by Louis le Brocquy and The Dolmen Press. ", + "source": "https://imma.ie/collection/shadows-portfolio/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1995", + "image": "spice:documentation/shadows-portfolio", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Lithograph", + "size": "31.7 x 46.9 cm", + "hasInventory": "IMMA.594 GL" + }, + { + "@id": "spice:documentation/shadows-portfolio", + "@type": "schema:ImageObject", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/187.jpg" + } + ], + "@context": { + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368408, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 8, + "_updated": true + }, + { + "_id": "untitled-17.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-17", + "@type": "schema:CreativeWork", + "description": "Untitled is a 2003 work by Patrick Michael Fitzgerald. ", + "source": "https://imma.ie/collection/untitled-17/", + "creditText": "IMMA Collection: Purchase, 2005", + "image": "spice:documentation/untitled-17", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil and coloured pencil on paper", + "size": "29 x 23 cm", + "hasInventory": "IMMA.1806" + }, + { + "@id": "spice:documentation/untitled-17", + "@type": "schema:ImageObject", + "caption": "Patrick Michael Fitzgerald, Untitled, 2003, Pencil and coloured pencil on paper, 29 x 23 cm, Collection Irish Museum of Modern Art, Purchase, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1742.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368408, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 8, + "_updated": true + }, + { + "_id": "the-flying-komarov.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-flying-komarov", + "@type": "schema:CreativeWork", + "description": "The Flying Komarov is a 1972 work by Ilya Kabakov. 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Wishing to test the state of unconsciousness as part of performance, Abramović first took a pill usually prescribed for catatonia, a condition which causes extreme motor immobility. Reacting violently to the medication she experienced seizures and involuntary muscle movement. Though unable to control her body, Abramović remained lucid and could observe what was happening to her physically.", + "source": "https://imma.ie/collection/rhythm-2/", + "creditText": "IMMA Collection: Purchase, 1995", + "image": "spice:documentation/rhythm-2", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Framed black and white photographs (diptych) with framed letter press text panel", + "size": "Image framed (each) 100.3 x 75.6 cm Text framed 26 x 18.4 cm", + "version": "Edition 1/16, 3 AP's", + "hasInventory": "IMMA.475" + }, + { + "@id": "spice:documentation/rhythm-2", + "@type": "schema:ImageObject", + "caption": "Marina Abramović, Rhythm 2, 1974, Framed black and white photographs (diptych) with framed letter press text panel, Image framed (each) 100.3 x 75.6 cm Text framed 26 x 18.4 cm, Collection Irish Museum of Modern Art, Purchase, 1995 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/843.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "size": { + "@id": "http://schema.org/size" + }, + "version": { + "@id": "http://schema.org/version" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368408, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 8, + "_updated": true + }, + { + "_id": "diario-popular-twelve-days-in-march-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/diario-popular-twelve-days-in-march-2", + "@type": "schema:CreativeWork", + "description": "In São Paulo Maguire also worked on a series of drawings which involved a very different approach to that taken with the ‘Casa da Cultura’ series. Each day in São Paulo’s newspaper, The Diario Popular, photographs of convicted criminals or those wanted by the police appeared. Working from the grainy newspaper photographs, Maguire made drawings of those men. In contrast to the sketches he made of the children in the ‘Casa da Cultura’ series, with the works in ‘Diario Popular’ Maguire spent a long time looking, contemplating and trying to come to terms with the qualities of each man’s expression. The drawings are haunting and full of feelings of empathy for the individual depicted.", + "source": "https://imma.ie/collection/diario-popular-twelve-days-in-march-2/", + "creditText": "IMMA Collection: Heritage Gift Owen O'Brien, 2000", + "image": "spice:documentation/diario-popular-twelve-days-in-march-2", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Mixed media on paper", + "size": "50 x 69 cm", + "hasInventory": "IMMA.1316.001" + }, + { + "@id": "spice:documentation/diario-popular-twelve-days-in-march-2", + "@type": "schema:ImageObject", + "caption": "Brian Maguire, Diario Popular (Twelve Days in March), 1998, Mixed media on paper, 50 x 69 cm, Collection Irish Museum of Modern Art, Heritage Gift Owen O'Brien, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/469.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368408, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 8, + "_updated": true + }, + { + "_id": "nose-flattened.jsonld", + "@graph": [ + { + "@id": "spice:artefact/nose-flattened", + "@type": "schema:CreativeWork", + "description": "Nose Flattened… is a 1993 work by Barry Flanagan. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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Each day in São Paulo’s newspaper, The Diario Popular, photographs of convicted criminals or those wanted by the police appeared. Working from the grainy newspaper photographs, Maguire made drawings of those men. In contrast to the sketches he made of the children in the ‘Casa da Cultura’ series, with the works in ‘Diario Popular’ Maguire spent a long time looking, contemplating and trying to come to terms with the qualities of each man’s expression. The drawings are haunting and full of feelings of empathy for the individual depicted.", + "source": "https://imma.ie/collection/diario-popular-twelve-days-in-march-11/", + "creditText": "IMMA Collection: Heritage Gift Owen O'Brien, 2000", + "image": "spice:documentation/diario-popular-twelve-days-in-march-11", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "mixed media on paper", + "size": "50 x 71 cm", + "hasInventory": "IMMA.1316.010" + }, + { + "@id": "spice:documentation/diario-popular-twelve-days-in-march-11", + "@type": "schema:ImageObject", + "caption": "Brian Maguire, Diario Popular (Twelve Days in March), 1998, mixed media on paper, 50 x 71 cm, Collection Irish Museum of Modern Art, Heritage Gift Owen O'Brien, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/478.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368408, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 8, + "_updated": true + }, + { + "_id": "landscape-with-bat.jsonld", + "@graph": [ + { + "@id": "spice:artefact/landscape-with-bat", + "@type": "schema:CreativeWork", + "description": "Landscape with Bat is a 1980 work by Lucian Freud. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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The spaces can be individual shelters/dens or a large configuration of pieces to make one large space. Participants construct and inhabit an ever-changing moving installation. ", + "source": "https://imma.ie/collection/bolthole/", + "creditText": "IMMA Collection: Purchase, Hennessy Art Fund for IMMA Collection, 2016", + "image": "spice:documentation/bolthole", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Fabric, plastic, carpet and fasteners", + "hasInventory": "IMMA.4003" + }, + { + "@id": "spice:documentation/bolthole", + "@type": "schema:ImageObject", + "caption": "Rhona Byrne, Bolthole, 2012, Fabric, plastic, carpet and fasteners, Collection Irish Museum of Modern Art, Purchase, Hennessy Art Fund for IMMA Collection, 2016 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2021/09/8024-scaled.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368407, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 7, + "_updated": true + }, + { + "_id": "verge-2.jsonld", + "@graph": [ + { + "@id": "spice:artefact/verge-2", + "@type": "schema:CreativeWork", + "description": "Verge is a 1985 work by Cecil King. ", + "source": "https://imma.ie/collection/verge-2/", + "creditText": "IMMA Collection: Donation, Maire and Maurice Foley, 2000", + "image": "spice:documentation/verge-2", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on paper", + "size": "40 x 50 cm", + "hasInventory": "IMMA.890 FD" + }, + { + "@id": "spice:documentation/verge-2", + "@type": "schema:ImageObject", + "caption": "Cecil King, Verge, 1985, Oil on paper, 40 x 50 cm, Collection Irish Museum of Modern Art, Donation, Maire and Maurice Foley, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2019/10/1145.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368407, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 7, + "_updated": true + }, + { + "_id": "inis-toirr-aran-dance-exhibition-copy-colour-slides.jsonld", + "@graph": [ + { + "@id": "spice:artefact/inis-toirr-aran-dance-exhibition-copy-colour-slides", + "@type": "schema:CreativeWork", + "description": "Inis t’Oirr/Aran Dance – Exhibition Copy (colour slides) is a 1985 work by Pauline Cummins. It is not currently on display in IMMA. It is part of the IMMA Permanent Collection. ", + "source": "https://imma.ie/collection/inis-toirr-aran-dance-exhibition-copy-colour-slides/", + "creditText": "IMMA Collection: Purchase, 2000", + "image": "spice:documentation/inis-toirr-aran-dance-exhibition-copy-colour-slides", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Slides, sound", + "size": "Dimensions variable", + "hasInventory": "IMMA.1351.009" + }, + { + "@id": "spice:documentation/inis-toirr-aran-dance-exhibition-copy-colour-slides", + "@type": "schema:ImageObject", + "caption": "Pauline Cummins, Inis t’Oirr/Aran Dance – Exhibition Copy (colour slides), 1985, Slides, sound, Dimensions variable, Collection Irish Museum of Modern Art, Purchase, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "schema": "http://schema.org/", + "arco-core": "https://w3id.org/arco/ontology/core/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368407, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 7, + "_updated": true + }, + { + "_id": "the-chess-players.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-chess-players", + "@type": "schema:CreativeWork", + "description": "The Chess Players is a 1965 work by Marcel Duchamp. ", + "source": "https://imma.ie/collection/the-chess-players/", + "creditText": "IMMA Collection: The Novak/O'Doherty Collection at IMMA Donation, The American Ireland Fund, 2011", + "image": "spice:documentation/the-chess-players", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etching", + "size": "50.1 x 66 cm Framed: 65 x 77.3 cm", + "version": "4/50", + "hasInventory": "IMMA.2126" + }, + { + "@id": "spice:documentation/the-chess-players", + "@type": "schema:ImageObject", + "caption": "Marcel Duchamp, The Chess Players, 1965, Etching, 50.1 x 66 cm Framed: 65 x 77.3 cm, Collection Irish Museum of Modern Art, The Novak/O'Doherty Collection at IMMA Donation, The American Ireland Fund, 2011 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/2187.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "size": { + "@id": "http://schema.org/size" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "material": { + "@id": "http://schema.org/material" + }, + "version": { + "@id": "http://schema.org/version" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368407, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 7, + "_updated": true + }, + { + "_id": "sphere-trame.jsonld", + "@graph": [ + { + "@id": "spice:artefact/sphere-trame", + "@type": "schema:CreativeWork", + "description": "François Morellet was a prominent member of the Kinetic Art movement in the 1960s. He is best known for his sphere-frames, cellular spheres built up from metal rods set at right angles to each other. Morellet made these works in various sizes and materials, some as much as 1.8m in diameter. Hung as a mobile, ‘Sphère-Trame’ creates visual effects involving movement, exaggerated perspective and reflected light-patterns.", + "source": "https://imma.ie/collection/sphere-trame/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/sphere-trame", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Chromed steel rods", + "size": "60 x 60 x 60 cm", + "hasInventory": "IMMA.326 GL" + }, + { + "@id": "spice:documentation/sphere-trame", + "@type": "schema:ImageObject", + "caption": "François Morellet, Sphère-Trame, 1962, Chromed steel rods, 60 x 60 x 60 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1989.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368407, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 7, + "_updated": true + }, + { + "_id": "hottyhammyum.jsonld", + "@graph": [ + { + "@id": "spice:artefact/hottyhammyum", + "@type": "schema:CreativeWork", + "description": "Richard Gorman’s paintings tend to be large in scale and generally abstract. While the broad strokes of the brush and generous no-holds-barred attitude to the application of paint look deceptively frenzied in ‘Hottyhammyum’, in reality Gorman tends to work on paintings in rotation, leaving them aside for periods of reflection and then coming back to them. This painting is one of a number of Gorman’s works with a title taken from ‘Finnegan’s Wake’ by James Joyce. Gorman has stated that the titles have no meaning and chosen only because he liked them. Despite this the denseness of the novel is suitably evoked by the superficial randomness of the painting. More recent work by Gorman in the IMMA Collection eschews the gestural expressiveness of this painting in favour of quieter, more minimal strokes.", + "source": "https://imma.ie/collection/hottyhammyum/", + "creditText": "IMMA Collection: Purchase, assisted by funding from Maire and Maurice Foley, 1993", + "image": "spice:documentation/hottyhammyum", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on wood", + "size": "300 x 370 cm", + "hasInventory": "IMMA.442" + }, + { + "@id": "spice:documentation/hottyhammyum", + "@type": "schema:ImageObject", + "caption": "Richard Gorman, Hottyhammyum, 1989, Oil on wood, 300 x 370 cm, Collection Irish Museum of Modern Art, Purchase, assisted by funding from Maire and Maurice Foley, 1993 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/255.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368407, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 7, + "_updated": true + }, + { + "_id": "two-brothers-from-ulster.jsonld", + "@graph": [ + { + "@id": "spice:artefact/two-brothers-from-ulster", + "@type": "schema:CreativeWork", + "description": "Two Brothers from Ulster is a 2001 work by Lucian Freud. It is not currently on display in IMMA. It is part of the IMMA Permanent Collection. 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Although ‘Self’ is less controversial, it is equally punchy and blatantly pop in mood. The artist is absent but his presence and his interests are clearly indicated by the revealing combination of natty, man-about town tie and the lipstick smile. The use of silkscreen printing as a medium was very appealing to pop artists because of its association with advertising and commercial art.", + "source": "https://imma.ie/collection/self/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/self", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Silkscreen", + "size": "54.8 x 43.2 cm", + "version": "Edition 177/225", + "hasInventory": "IMMA.261 GL" + }, + { + "@id": "spice:documentation/self", + "@type": "schema:ImageObject", + "caption": "Allen Jones, Self, 1966, Silkscreen, 54.8 x 43.2 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/01/2055.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "size": { + "@id": "http://schema.org/size" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368407, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 7, + "_updated": true + }, + { + "_id": "sean-shannon-plays-with-toy-tommy-gun-made-by-his-father-while-interned.jsonld", + "@graph": [ + { + "@id": "spice:artefact/sean-shannon-plays-with-toy-tommy-gun-made-by-his-father-while-interned", + "@type": "schema:CreativeWork", + "description": "This group of works is one of two series entitled ‘The Troubles: An Artist’s Document of Ulster’. The first is a group of 80 cibachrome photographs produced by Levine in 1972 while this suite comprises 18 photo-etchings made in 1979 from photographs taken in 1972. Both bodies of work were donated to IMMA by the artist.", + "source": "https://imma.ie/collection/sean-shannon-plays-with-toy-tommy-gun-made-by-his-father-while-interned/", + "creditText": "IMMA Collection: Donated by the artist in memory of his sister June Levine, 2010", + "image": "spice:documentation/sean-shannon-plays-with-toy-tommy-gun-made-by-his-father-while-interned", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Etched on zinc; printed in black ink on white German etching paper", + "size": "55.9 x 76.2 cm", + "hasInventory": "IMMA.3303.001" + }, + { + "@id": "spice:documentation/sean-shannon-plays-with-toy-tommy-gun-made-by-his-father-while-interned", + "@type": "schema:ImageObject", + "caption": "Les Levine, Sean Shannon plays with toy tommy gun made by his father while interned, 1979, Etched on zinc; printed in black ink on white German etching paper, 55.9 x 76.2 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his sister June Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5588.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368407, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 7, + "_updated": true + }, + { + "_id": "red-folded-soaked-linen.jsonld", + "@graph": [ + { + "@id": "spice:artefact/red-folded-soaked-linen", + "@type": "schema:CreativeWork", + "description": "Red Folded/Soaked Linen is a 1970 work by Lennon. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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For le Parc a destabilizing and disorienting art could serve the revolutionary purpose of rendering society less apathetic and more open to change.", + "source": "https://imma.ie/collection/continuel-mobil-argent/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/continuel-mobil-argent", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Aluminium", + "size": "98.9 x 99.5 x 8.5 cm", + "hasInventory": "IMMA.350 GL" + }, + { + "@id": "spice:documentation/continuel-mobil-argent", + "@type": "schema:ImageObject", + "caption": "Julio Le Parc, Continuel-mobil Argent, 1967, Aluminium, 98.9 x 99.5 x 8.5 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/2004.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368407, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 7, + "_updated": true + }, + { + "_id": "perspectiva-para-un-abrazo.jsonld", + "@graph": [ + { + "@id": "spice:artefact/perspectiva-para-un-abrazo", + "@type": "schema:CreativeWork", + "description": "Perspectiva para un Abrazo is a 1976 work by Susy Iglicky. 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The time spent waiting is echoed in the time Winstanley has taken to paint in such refined and polished detail.", + "source": "https://imma.ie/collection/veil-11/", + "creditText": "IMMA Collection: Purchase, 2002", + "image": "spice:documentation/veil-11", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on linen", + "size": "200 x 185 cm", + "hasInventory": "IMMA.1523" + }, + { + "@id": "spice:documentation/veil-11", + "@type": "schema:ImageObject", + "caption": "Paul Winstanley, Veil 11, 2002, Oil on linen, 200 x 185 cm, Collection Irish Museum of Modern Art, Purchase, 2002 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/311.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368406, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 6, + "_updated": true + }, + { + "_id": "sprout.jsonld", + "@graph": [ + { + "@id": "spice:artefact/sprout", + "@type": "schema:CreativeWork", + "description": "Sprout is a 1981 work by Mary Farl Powers. 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Her tones are muted and mysterious and the layering of paint suggests depth and hidden riches. Although Souter’s work appears abstract it is firmly rooted in experience. Thus even the most random marks may indicate the direction of a bird or a plane in full flight.", + "source": "https://imma.ie/collection/old-wheel-gate-entrance-to-estate/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/old-wheel-gate-entrance-to-estate", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on paper", + "size": "Framed: 66.7 x 49.1 x 6.3 cm 50.4 x 32.8 cm", + "hasInventory": "IMMA.384 GL" + }, + { + "@id": "spice:documentation/old-wheel-gate-entrance-to-estate", + "@type": "schema:ImageObject", + "caption": "Camille Souter, Old Wheel Gate Entrance to Estate, 1967, Oil on paper, Framed: 66.7 x 49.1 x 6.3 cm 50.4 x 32.8 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/179.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368406, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 6, + "_updated": true + }, + { + "_id": "simulteneisme-et-plus-6-collages.jsonld", + "@graph": [ + { + "@id": "spice:artefact/simulteneisme-et-plus-6-collages", + "@type": "schema:CreativeWork", + "description": "Simulteneisme et Plus (6 Collages) is a 1972 work by Sean O'Flynn. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-70/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-70", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.070" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-70", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5714.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "version": { + "@id": "http://schema.org/version" + }, + "size": { + "@id": "http://schema.org/size" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368406, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 6, + "_updated": true + }, + { + "_id": "controlarms-campaign-dortmund-germany.jsonld", + "@graph": [ + { + "@id": "spice:artefact/controlarms-campaign-dortmund-germany", + "@type": "schema:CreativeWork", + "description": "”Controlarms” campaign, Dortmund, Germany is a 1989 work by Les Levine. 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Working in welded steel, Burke juxtaposed simple geometric shapes to form abstract compositions, and employed colour to soften and disguise unwanted elements of the metal.", + "source": "https://imma.ie/collection/and-if-because/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/and-if-because", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Painted steel", + "size": "182.6 x 140 x 43.9 cm", + "hasInventory": "IMMA.145 GL" + }, + { + "@id": "spice:documentation/and-if-because", + "@type": "schema:ImageObject", + "caption": "John Burke, And if Because, 1969, Painted steel, 182.6 x 140 x 43.9 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1887.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368406, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 6, + "_updated": true + }, + { + "_id": "considered-cruelties-iii.jsonld", + "@graph": [ + { + "@id": "spice:artefact/considered-cruelties-iii", + "@type": "schema:CreativeWork", + "description": "Considered Cruelties III is a 1992 work by Hughie O'Donoghue. 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Truck Tragedy” after Brecht’s “The street scene”. View from south east corner”. is a 2003 work by Gerard Byrne. ", + "source": "https://imma.ie/collection/b-q-e-truck-tragedy-after-brechts-the-street-scene-view-from-south-east-corner/", + "creditText": "IMMA Collection: Heritage Gift, Kerlin Gallery Collection, 2018, 2018", + "image": "spice:documentation/b-q-e-truck-tragedy-after-brechts-the-street-scene-view-from-south-east-corner", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Fuji crystal archive print", + "size": "53 x 63 cm Framed: 53.4 x 63.2 x 3.4 cm", + "version": "Edition 1/4", + "hasInventory": "IMMA.4067" + }, + { + "@id": "spice:documentation/b-q-e-truck-tragedy-after-brechts-the-street-scene-view-from-south-east-corner", + "@type": "schema:ImageObject", + "caption": "Gerard Byrne, “B.Q.E. Truck Tragedy” after Brecht’s “The street scene”. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-56/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-56", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.056" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-56", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5700.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "size": { + "@id": "http://schema.org/size" + }, + "version": { + "@id": "http://schema.org/version" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368405, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 5, + "_updated": true + }, + { + "_id": "sweeney.jsonld", + "@graph": [ + { + "@id": "spice:artefact/sweeney", + "@type": "schema:CreativeWork", + "description": "Sweeney is a 1988 work by Micheal Farrell. 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English, Display Case, 1997, Oil on panel, 62 x 125 cm, Collection Irish Museum of Modern Art, Donated, 1998 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1080.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368405, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 5, + "_updated": true + }, + { + "_id": "dissolving-beyond-the-worm-moon.jsonld", + "@graph": [ + { + "@id": "spice:artefact/dissolving-beyond-the-worm-moon", + "@type": "schema:CreativeWork", + "description": "Dissolving Beyond the Worm Moon was produced in relation to war, unrealized childhood fantasies, and representation within globalized media. The film imagines the traumatized body as a functioning time machine where gaps between timelines and glitches cause the present-day body to wane and is replaced by the body’s memory of past trauma. The film weaves a narrative from mental time travel, episodic future thinking (a projection of the self into the future to pre-experience an event), and PTSD. ", + "source": "https://imma.ie/collection/dissolving-beyond-the-worm-moon/", + "creditText": "IMMA Collection: Purchase, 2021, 2021", + "image": "spice:documentation/dissolving-beyond-the-worm-moon", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Video on Blu-ray", + "hasInventory": "IMMA.4192" + }, + { + "@id": "spice:documentation/dissolving-beyond-the-worm-moon", + "@type": "schema:ImageObject", + "caption": "Bassam Al-Sabah, Dissolving Beyond the Worm Moon, 2019, Video on Blu-ray, Duration: 18min.32 sec., Collection Irish Museum of Modern Art, Purchase, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368405, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 5, + "_updated": true + }, + { + "_id": "burren-series.jsonld", + "@graph": [ + { + "@id": "spice:artefact/burren-series", + "@type": "schema:CreativeWork", + "description": "Burren Series is a 1986 work by Helen Comerford. ", + "source": "https://imma.ie/collection/burren-series/", + "creditText": "IMMA Collection: Donation, Maire and Maurice Foley, 2000", + "image": "spice:documentation/burren-series", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Collage mixed media on paper", + "size": "66 x 55 cm", + "hasInventory": "IMMA.1456 FD" + }, + { + "@id": "spice:documentation/burren-series", + "@type": "schema:ImageObject", + "caption": "Helen Comerford, Burren Series, 1986, Collage mixed media on paper, 66 x 55 cm, Collection Irish Museum of Modern Art, Donation, Maire and Maurice Foley, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368404, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 4, + "_updated": true + }, + { + "_id": "senal-t.jsonld", + "@graph": [ + { + "@id": "spice:artefact/senal-t", + "@type": "schema:CreativeWork", + "description": "Señal T is a 1972 work by Vicente Rojo. ", + "source": "https://imma.ie/collection/senal-t/", + "creditText": "IMMA Collection: Donation, Smurfit: Cartón y Papel de México, 2000", + "image": "spice:documentation/senal-t", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Screenprint", + "size": "75 x 55 cm", + "hasInventory": "IMMA.957 MP" + }, + { + "@id": "spice:documentation/senal-t", + "@type": "schema:ImageObject", + "caption": "Vicente Rojo, Señal T, 1972, Screenprint, 75 x 55 cm, Collection Irish Museum of Modern Art, Donation, Smurfit: Cartón y Papel de México, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368404, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 4, + "_updated": true + }, + { + "_id": "the-troubles-an-artists-document-of-ulster-48.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-troubles-an-artists-document-of-ulster-48", + "@type": "schema:CreativeWork", + "description": "During his prolific career Les Levine has produced major series of works about the manifold effects and functions of the media and information systems. ‘The Troubles: An Artist’s Document of Ulster’ is a suite of 80 cibachrome photographs, executed in 1972, and for which the artist coined the terms “media sculpture” and “media art”. Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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The edition is of twenty numbered sets of which this is no. 14 plus five artist's proofs. 50th anniversary edition", + "hasInventory": "IMMA.3219" + }, + { + "@id": "spice:documentation/charlemont-mall-hallway", + "@type": "schema:ImageObject", + "caption": "Nevill Johnson, Charlemont Mall, Hallway, 1952, Selenium toned gelatin silver print, 34 x 27 cm, Collection Irish Museum of Modern Art, Acquired with the assistance of the Friends of the National Collections of Ireland, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5351-scaled.jpg" + } + ], + "@context": { + "version": { + "@id": "http://schema.org/version" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "material": { + "@id": "http://schema.org/material" + }, + "size": { + "@id": "http://schema.org/size" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368404, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 4, + "_updated": true + }, + { + "_id": "office-ii.jsonld", + "@graph": [ + { + "@id": "spice:artefact/office-ii", + "@type": "schema:CreativeWork", + "description": "Office II is a 1992 work by Fergus Martin. ", + "source": "https://imma.ie/collection/office-ii/", + "creditText": "IMMA Collection: Donation, Maire and Maurice Foley, 2000", + "image": "spice:documentation/office-ii", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil and acrylic on canvas", + "size": "61 x 61 cm", + "hasInventory": "IMMA.893 FD" + }, + { + "@id": "spice:documentation/office-ii", + "@type": "schema:ImageObject", + "caption": "Fergus Martin, Office II, 1992, Oil and acrylic on canvas, 61 x 61 cm, Collection Irish Museum of Modern Art, Donation, Maire and Maurice Foley, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/10/1146.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368404, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 4, + "_updated": true + }, + { + "_id": "norte-o-sur-o-este-u-oeste.jsonld", + "@graph": [ + { + "@id": "spice:artefact/norte-o-sur-o-este-u-oeste", + "@type": "schema:CreativeWork", + "description": "Norte, o Sur, o Este, u Oeste is a 1982 work by Hernán Braun. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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", + "source": "https://imma.ie/collection/once-upon-a-time-1/", + "creditText": "IMMA Collection: Donation, the artist, 2021, 2021", + "image": "spice:documentation/once-upon-a-time-1", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on Canvas.", + "size": "152 x 182 cm", + "hasInventory": "IMMA.4337" + }, + { + "@id": "spice:documentation/once-upon-a-time-1", + "@type": "schema:ImageObject", + "caption": "Patricia Hurl, Once Upon a time 1, 1986, Oil on Canvas., 152 x 182 cm, Collection Irish Museum of Modern Art, Donation, the artist, 2021, 2021 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368404, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 4, + "_updated": true + }, + { + "_id": "between-the-eyes-t4.jsonld", + "@graph": [ + { + "@id": "spice:artefact/between-the-eyes-t4", + "@type": "schema:CreativeWork", + "description": "Between the Eyes, T4 is a 1987 work by Richard Deacon. 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In this instance there is an almost surreal imagination at work in the presentation of the female body through the pages of an atlas.", + "source": "https://imma.ie/collection/body-maps-series/", + "creditText": "IMMA Collection: Donation, Vincent & Noeleen Ferguson, 1996", + "image": "spice:documentation/body-maps-series", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Mixed media on paper", + "size": "Dimensions variable", + "hasInventory": "IMMA.775" + }, + { + "@id": "spice:documentation/body-maps-series", + "@type": "schema:ImageObject", + "caption": "Kathy Prendergast, Body Maps Series, 1983, Mixed media on paper, Dimensions variable, Collection Irish Museum of Modern Art, Donation, Vincent & Noeleen Ferguson, 1996 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2021/03/1073.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368403, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 3, + "_updated": true + }, + { + "_id": "the-troubles-an-artists-document-of-ulster-44.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-troubles-an-artists-document-of-ulster-44", + "@type": "schema:CreativeWork", + "description": "During his prolific career Les Levine has produced major series of works about the manifold effects and functions of the media and information systems. ‘The Troubles: An Artist’s Document of Ulster’ is a suite of 80 cibachrome photographs, executed in 1972, and for which the artist coined the terms “media sculpture” and “media art”. Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-44/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-44", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.044" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-44", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5688.jpg" + } + ], + "@context": { + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "size": { + "@id": "http://schema.org/size" + }, + "version": { + "@id": "http://schema.org/version" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368403, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 3, + "_updated": true + }, + { + "_id": "abstract-composition.jsonld", + "@graph": [ + { + "@id": "spice:artefact/abstract-composition", + "@type": "schema:CreativeWork", + "description": "Abstract Composition is a 1922 work by Mainie Jellett. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. 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I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-72/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-72", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.072" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-72", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5716.jpg" + } + ], + "@context": { + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "version": { + "@id": "http://schema.org/version" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368401, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 1, + "_updated": true + }, + { + "_id": "untitled-from-london-portfolio.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-from-london-portfolio", + "@type": "schema:CreativeWork", + "description": "Untitled from ‘London Portfolio’ is a 1992 work by Damien Hirst. 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", + "source": "https://imma.ie/collection/pond-in-winter-physcianstown/", + "creditText": "IMMA Collection: Donation, Maire and Maurice Foley, 2000", + "image": "spice:documentation/pond-in-winter-physcianstown", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on Canvas", + "size": "91 x 122 cm Framed: 108 x 139 cm", + "hasInventory": "IMMA.1482 FD" + }, + { + "@id": "spice:documentation/pond-in-winter-physcianstown", + "@type": "schema:ImageObject", + "caption": "Tony O'Malley, Pond in Winter, Physcianstown, 1992, Oil on Canvas, 91 x 122 cm Framed: 108 x 139 cm, Collection Irish Museum of Modern Art, Donation, Maire and Maurice Foley, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368401, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 1, + "_updated": true + }, + { + "_id": "342-polka-dots.jsonld", + "@graph": [ + { + "@id": "spice:artefact/342-polka-dots", + "@type": "schema:CreativeWork", + "description": "342 Polka Dots is a 1989 work by Elizabeth Magill. ", + "source": "https://imma.ie/collection/342-polka-dots/", + "creditText": "IMMA Collection: Heritage Gift, Kerlin Gallery Collection, 2018, 2018", + "image": "spice:documentation/342-polka-dots", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "182.9 x 274.3 cm", + "hasInventory": "IMMA.4102" + }, + { + "@id": "spice:documentation/342-polka-dots", + "@type": "schema:ImageObject", + "caption": "Elizabeth Magill, 342 Polka Dots, 1989, Oil on canvas, 182.9 x 274.3 cm, Collection Irish Museum of Modern Art, Heritage Gift, Kerlin Gallery Collection, 2018, 2018 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368401, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 1, + "_updated": true + }, + { + "_id": "homage-a-david-tribute-to-jacques-louis-david.jsonld", + "@graph": [ + { + "@id": "spice:artefact/homage-a-david-tribute-to-jacques-louis-david", + "@type": "schema:CreativeWork", + "description": "Homage à David/ Tribute to Jacques Louis David is a 1970 work by Robert Ballagh. ", + "source": "https://imma.ie/collection/homage-a-david-tribute-to-jacques-louis-david/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/homage-a-david-tribute-to-jacques-louis-david", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic on canvas", + "size": "167.8 x 111.8 cm", + "hasInventory": "IMMA.130 GL" + }, + { + "@id": "spice:documentation/homage-a-david-tribute-to-jacques-louis-david", + "@type": "schema:ImageObject", + "caption": "Robert Ballagh, Homage à David/ Tribute to Jacques Louis David, 1970, Acrylic on canvas, 167.8 x 111.8 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368401, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 1, + "_updated": true + }, + { + "_id": "the-weather-i.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-weather-i", + "@type": "schema:CreativeWork", + "description": "The Weather I is a 1972 work by Mary Farl Powers. ", + "source": "https://imma.ie/collection/the-weather-i/", + "creditText": "IMMA Collection: Donation, Powers Family, 2009", + "image": "spice:documentation/the-weather-i", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Lithograph on paper", + "size": "37 x 48.5 cm", + "version": "Edition 3/10", + "hasInventory": "IMMA.654" + }, + { + "@id": "spice:documentation/the-weather-i", + "@type": "schema:ImageObject", + "caption": "Mary Farl Powers, The Weather I, 1972, Lithograph on paper, 37 x 48.5 cm, Collection Irish Museum of Modern Art, Donation, Powers Family, 2009 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/02/989.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "version": { + "@id": "http://schema.org/version" + }, + "size": { + "@id": "http://schema.org/size" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368401, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 1, + "_updated": true + }, + { + "_id": "monte-cassino-1944-monastery.jsonld", + "@graph": [ + { + "@id": "spice:artefact/monte-cassino-1944-monastery", + "@type": "schema:CreativeWork", + "description": "Monte Cassino 1944 Monastery is a 2004 work by Bart Michiels. 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", + "source": "https://imma.ie/collection/drawing/", + "creditText": "IMMA Collection: Donation, Joseph Masheck, 1991", + "image": "spice:documentation/drawing", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Ink on paper", + "size": "58.5 x 73.7 cm", + "hasInventory": "IMMA.87" + }, + { + "@id": "spice:documentation/drawing", + "@type": "schema:ImageObject", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/658.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368400, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 0, + "_updated": true + }, + { + "_id": "night-paths.jsonld", + "@graph": [ + { + "@id": "spice:artefact/night-paths", + "@type": "schema:CreativeWork", + "description": "Madden’s work abstract at first glance, but generally with a figurative element, regularly carries references to her Irish background as well as to a personal history of family loss. 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The paths referred to here, linking her house to her garden studio, are both inviting and intimidating by virtue of their association with cosmic forces.", + "source": "https://imma.ie/collection/night-paths/", + "creditText": "IMMA Collection: Donation, Vincent & Noeleen Ferguson, 1996", + "image": "spice:documentation/night-paths", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "195.7 x 292.1 cm", + "hasInventory": "IMMA.770" + }, + { + "@id": "spice:documentation/night-paths", + "@type": "schema:ImageObject", + "caption": "Anne Madden, Night Paths, 1988, Oil on canvas, 195.7 x 292.1 cm, Collection Irish Museum of Modern Art, Donation, Vincent & Noeleen Ferguson, 1996 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1071.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368400, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 0, + "_updated": true + }, + { + "_id": "witness.jsonld", + "@graph": [ + { + "@id": "spice:artefact/witness", + "@type": "schema:CreativeWork", + "description": "Witness is a 2004 work by Stephen Loughman. 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", + "source": "https://imma.ie/collection/an-samhradh/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004", + "image": "spice:documentation/an-samhradh", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gouache and charcoal on paper", + "size": "78 x 56 cm", + "hasInventory": "IMMA.1354 MCCL" + }, + { + "@id": "spice:documentation/an-samhradh", + "@type": "schema:ImageObject", + "caption": "Tony O'Malley, An Samhradh, 1979, Gouache and charcoal on paper, 78 x 56 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368400, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 0, + "_updated": true + }, + { + "_id": "the-joker-gorokhov-ii.jsonld", + "@graph": [ + { + "@id": "spice:artefact/the-joker-gorokhov-ii", + "@type": "schema:CreativeWork", + "description": "The Joker Gorokhov, II is a 1972 work by Ilya Kabakov. 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", + "source": "https://imma.ie/collection/untitled-68/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1996", + "image": "spice:documentation/untitled-68", + "maintainer": "https://w3id.org/spice/institute/imma", + "hasInventory": "L.1252.3 LW" + }, + { + "@id": "spice:documentation/untitled-68", + "@type": "schema:ImageObject", + "caption": "Alison Wilding, Untitled, 1988, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1996 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368400, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 0, + "_updated": true + }, + { + "_id": "diario-popular-twelve-days-in-march-13.jsonld", + "@graph": [ + { + "@id": "spice:artefact/diario-popular-twelve-days-in-march-13", + "@type": "schema:CreativeWork", + "description": "In São Paulo Maguire also worked on a series of drawings which involved a very different approach to that taken with the ‘Casa da Cultura’ series. 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The drawings are haunting and full of feelings of empathy for the individual depicted.", + "source": "https://imma.ie/collection/diario-popular-twelve-days-in-march-13/", + "creditText": "IMMA Collection: Heritage Gift Owen O'Brien, 2000", + "image": "spice:documentation/diario-popular-twelve-days-in-march-13", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "mixed media on paper", + "size": "50 x 70 cm", + "hasInventory": "IMMA.1316.012" + }, + { + "@id": "spice:documentation/diario-popular-twelve-days-in-march-13", + "@type": "schema:ImageObject", + "caption": "Brian Maguire, Diario Popular (Twelve Days in March), 1998, mixed media on paper, 50 x 70 cm, Collection Irish Museum of Modern Art, Heritage Gift Owen O'Brien, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368400, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 0, + "_updated": true + }, + { + "_id": "red-loop.jsonld", + "@graph": [ + { + "@id": "spice:artefact/red-loop", + "@type": "schema:CreativeWork", + "description": "Red Loop is a 1994 work by Alice Maher. ", + "source": "https://imma.ie/collection/red-loop/", + "creditText": "IMMA Collection: Donation, Maire and Maurice Foley, 2000", + "image": "spice:documentation/red-loop", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil and acrylic on paper", + "size": "90 x 80.2 cm Framed: 94 x 84.25 x 2 cm", + "hasInventory": "IMMA.1470 FD" + }, + { + "@id": "spice:documentation/red-loop", + "@type": "schema:ImageObject", + "caption": "Alice Maher, Red Loop, 1994, Oil and acrylic on paper, 90 x 80.2 cm Framed: 94 x 84.25 x 2 cm, Collection Irish Museum of Modern Art, Donation, Maire and Maurice Foley, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/03/1532-scaled.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368400, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 0, + "_updated": true + }, + { + "_id": "a-solitary-painter.jsonld", + "@graph": [ + { + "@id": "spice:artefact/a-solitary-painter", + "@type": "schema:CreativeWork", + "description": "A Solitary Painter is a 1997 work by Michael Cullen. ", + "source": "https://imma.ie/collection/a-solitary-painter/", + "creditText": "IMMA Collection: Donation, Maire and Maurice Foley, 2000", + "image": "spice:documentation/a-solitary-painter", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Watercolour on handmade paper", + "size": "30 x 50 cm", + "hasInventory": "IMMA.1460 FD" + }, + { + "@id": "spice:documentation/a-solitary-painter", + "@type": "schema:ImageObject", + "caption": "Michael Cullen, A Solitary Painter, 1997, Watercolour on handmade paper, 30 x 50 cm, Collection Irish Museum of Modern Art, Donation, Maire and Maurice Foley, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1523.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368400, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 0, + "_updated": true + }, + { + "_id": "vegetation-and-dwelling-place.jsonld", + "@graph": [ + { + "@id": "spice:artefact/vegetation-and-dwelling-place", + "@type": "schema:CreativeWork", + "description": "Vegetation and Dwelling Place is a 2003 work by Maria Simonds-Gooding. ", + "source": "https://imma.ie/collection/vegetation-and-dwelling-place/", + "creditText": "IMMA Collection: Donation, 2014", + "image": "spice:documentation/vegetation-and-dwelling-place", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Crushed clay, fresco pigment, plaster on board", + "size": "120 x 165 x 5 cm", + "hasInventory": "IMMA.3868" + }, + { + "@id": "spice:documentation/vegetation-and-dwelling-place", + "@type": "schema:ImageObject", + "caption": "Maria Simonds-Gooding, Vegetation and Dwelling Place, 2003, Crushed clay, fresco pigment, plaster on board, 120 x 165 x 5 cm, Collection Irish Museum of Modern Art, Donation, 2014 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/7392.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368400, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 0, + "_updated": true + }, + { + "_id": "untitled-19.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-19", + "@type": "schema:CreativeWork", + "description": "Untitled is a 2002 work by Makiko Nakamura. 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Murphy, 2008 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/1843.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368400, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 10, + "_timestamp_minute": 0, + "_timestamp_second": 0, + "_updated": true + }, + { + "_id": "eye.jsonld", + "@graph": [ + { + "@id": "spice:artefact/eye", + "@type": "schema:CreativeWork", + "description": "Eye is a 2000 work by Howard Hodgkin. 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During the 6 hour performance she remained passive in front of a table containing 72 substances and objects ranging from water, honey and sugar, to scissors, knives and a gun with one bullet. Audience members were free to interact with Abramović in whatever way they chose. She was fed, kissed, drawn on, stripped, cut and even made to aim the loaded gun at her own neck.", + "source": "https://imma.ie/collection/rhythm-0/", + "creditText": "IMMA Collection: Purchase, 1995", + "image": "spice:documentation/rhythm-0", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Framed black and white photograph with framed letter press text panel", + "size": "Image framed 98 x 100.3 cm Text framed 26 x 18.4 cm", + "version": "Edition 1/16, 3 AP's", + "hasInventory": "IMMA.477" + }, + { + "@id": "spice:documentation/rhythm-0", + "@type": "schema:ImageObject", + "caption": "Marina Abramović, Rhythm 0, 1974, Framed black and white photograph with framed letter press text panel, Image framed 98 x 100.3 cm Text framed 26 x 18.4 cm, Collection Irish Museum of Modern Art, Purchase, 1995 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/845.jpg" + } + ], + "@context": { + "creditText": { + "@id": "http://schema.org/creditText" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "version": { + "@id": "http://schema.org/version" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "material": { + "@id": "http://schema.org/material" + }, + "size": { + "@id": "http://schema.org/size" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368399, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 59, + "_updated": true + }, + { + "_id": "bird-against-the-window.jsonld", + "@graph": [ + { + "@id": "spice:artefact/bird-against-the-window", + "@type": "schema:CreativeWork", + "description": "Bird Against the Window is a 1963 work by Patrick Collins. 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Levine said of the series “The piece is extremely colourful. It deals with every aspect of the situation. It goes into Catholic homes, Protestant homes, churches, funerals, explosions…My approach was to take it from the human point of view, not the political. So in all cases, I tried to show the people involved and to evoke some state of mind that they were representing in the photo. I avoided taking sides or showing bias. I think the photos speak for themselves and tell their own extraordinary story.” ‘The Troubles: An Artist’s Document of Ulster’ was donated to IMMA by the artist, together with another series of the same name, in 2011.", + "source": "https://imma.ie/collection/the-troubles-an-artists-document-of-ulster-60/", + "creditText": "IMMA Collection: Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010", + "image": "spice:documentation/the-troubles-an-artists-document-of-ulster-60", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Archival cibachrome", + "size": "27.9 x 35.6 cm", + "version": "Edition 1/1", + "hasInventory": "IMMA.3305.060" + }, + { + "@id": "spice:documentation/the-troubles-an-artists-document-of-ulster-60", + "@type": "schema:ImageObject", + "caption": "Les Levine, The Troubles: an Artist’s Document of Ulster, 1972, Archival cibachrome, 27.9 x 35.6 cm, Collection Irish Museum of Modern Art, Donated by the artist in memory of his parents Muriel McMahon and Charles Levine, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5704.jpg" + } + ], + "@context": { + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "size": { + "@id": "http://schema.org/size" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "material": { + "@id": "http://schema.org/material" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368399, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 59, + "_updated": true + }, + { + "_id": "gold-drawing.jsonld", + "@graph": [ + { + "@id": "spice:artefact/gold-drawing", + "@type": "schema:CreativeWork", + "description": "Gold Drawing is a 1974 work by John Walker. 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", + "source": "https://imma.ie/collection/blue-still-life/", + "creditText": "IMMA Collection: Loan, George and Maura McClelland, 2008", + "image": "spice:documentation/blue-still-life", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "122 x 183 cm", + "hasInventory": "L.2008.6.1" + }, + { + "@id": "spice:documentation/blue-still-life", + "@type": "schema:ImageObject", + "caption": "William Scott, Blue Still Life, 1969, Oil on canvas, 122 x 183 cm, Collection Irish Museum of Modern Art, Loan, George and Maura McClelland, 2008 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/3570.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368399, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 59, + "_updated": true + }, + { + "_id": "resurrection-at-what-point-does-hate-turn-into-love.jsonld", + "@graph": [ + { + "@id": "spice:artefact/resurrection-at-what-point-does-hate-turn-into-love", + "@type": "schema:CreativeWork", + "description": "Resurrection. At What Point Does Hate Turn into Love? is a 1972 work by Les Levine. ", + "source": "https://imma.ie/collection/resurrection-at-what-point-does-hate-turn-into-love/", + "creditText": "IMMA Collection: Donated by Amy Plumb Oppenheim in honor of Dennis Oppenheim, 2018", + "image": "spice:documentation/resurrection-at-what-point-does-hate-turn-into-love", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Photograph (Fuji Crystal)", + "size": "25 x 33 in", + "version": "Edition 2/3", + "hasInventory": "IMMA.4132.012" + }, + { + "@id": "spice:documentation/resurrection-at-what-point-does-hate-turn-into-love", + "@type": "schema:ImageObject", + "caption": "Les Levine, Resurrection. At What Point Does Hate Turn into Love?, 1972, Photograph (Fuji Crystal), 25 x 33 in, Collection Irish Museum of Modern Art, Donated by Amy Plumb Oppenheim in honor of Dennis Oppenheim, 2018 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "size": { + "@id": "http://schema.org/size" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "material": { + "@id": "http://schema.org/material" + }, + "version": { + "@id": "http://schema.org/version" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368399, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 59, + "_updated": true + }, + { + "_id": "rock-drawings.jsonld", + "@graph": [ + { + "@id": "spice:artefact/rock-drawings", + "@type": "schema:CreativeWork", + "description": "Rock Drawings is a 1994 work by Richard Long. 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", + "source": "https://imma.ie/collection/blackbird-bird-table/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004", + "image": "spice:documentation/blackbird-bird-table", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Watercolour and gouache on paper", + "size": "20 x 30 cm", + "hasInventory": "IMMA.1388 MCCL" + }, + { + "@id": "spice:documentation/blackbird-bird-table", + "@type": "schema:ImageObject", + "caption": "Tony O'Malley, Blackbird (Bird Table), 1974, Watercolour and gouache on paper, 20 x 30 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368398, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 58, + "_updated": true + }, + { + "_id": "glass-fibre-form.jsonld", + "@graph": [ + { + "@id": "spice:artefact/glass-fibre-form", + "@type": "schema:CreativeWork", + "description": "Glass Fibre Form is a 1973 work by Deborah Brown. 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", + "source": "https://imma.ie/collection/between-the-eyes-t45/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/between-the-eyes-t45", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil and ink on tracing paper", + "size": "28.5 x 40.5 cm", + "hasInventory": "L.2008.1.2.45" + }, + { + "@id": "spice:documentation/between-the-eyes-t45", + "@type": "schema:ImageObject", + "caption": "Richard Deacon, Between the Eyes, T45, 1989, Pencil and ink on tracing paper, 28.5 x 40.5 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/2784.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368398, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 58, + "_updated": true + }, + { + "_id": "coastal-landscape.jsonld", + "@graph": [ + { + "@id": "spice:artefact/coastal-landscape", + "@type": "schema:CreativeWork", + "description": "Coastal Landscape is a 1968 work by Michael Scott. ", + "source": "https://imma.ie/collection/coastal-landscape/", + "creditText": "IMMA Collection: Heritage Gift, P.J. Carroll & Co. Ltd. Art Collection, 2005", + "image": "spice:documentation/coastal-landscape", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pen and ink on paper", + "size": "37.5 x 48.9 cm", + "hasInventory": "IMMA.1871" + }, + { + "@id": "spice:documentation/coastal-landscape", + "@type": "schema:ImageObject", + "caption": "Michael Scott, Coastal Landscape, 1968, Pen and ink on paper, 37.5 x 48.9 cm, Collection Irish Museum of Modern Art, Heritage Gift, P.J. Carroll & Co. Ltd. Art Collection, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368398, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 58, + "_updated": true + }, + { + "_id": "opus-iii-no-4.jsonld", + "@graph": [ + { + "@id": "spice:artefact/opus-iii-no-4", + "@type": "schema:CreativeWork", + "description": "Opus III, No. 4 is a 1938 work by Colin Middleton. ", + "source": "https://imma.ie/collection/opus-iii-no-4/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004", + "image": "spice:documentation/opus-iii-no-4", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "76 x 61 cm", + "hasInventory": "IMMA.1128 MCCL" + }, + { + "@id": "spice:documentation/opus-iii-no-4", + "@type": "schema:ImageObject", + "caption": "Colin Middleton, Opus III, No. 4, 1938, Oil on canvas, 76 x 61 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368398, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 58, + "_updated": true + }, + { + "_id": "brennus.jsonld", + "@graph": [ + { + "@id": "spice:artefact/brennus", + "@type": "schema:CreativeWork", + "description": "Brennus is a 1979 work by Sean Scully. 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", + "source": "https://imma.ie/collection/if-the-ground-should-open/", + "creditText": "IMMA Collection: Purchase, 2016 - Commissioned by IMMA as part of the 1916 programme, December 2016", + "image": "spice:documentation/if-the-ground-should-open", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "8 Channel HD video", + "hasInventory": "IMMA.4009" + }, + { + "@id": "spice:documentation/if-the-ground-should-open", + "@type": "schema:ImageObject", + "caption": "Jaki Irvine, If The Ground Should Open, 2016, 8 Channel HD video, Duration: 48 min, Collection Irish Museum of Modern Art, Purchase, 2016 - Commissioned by IMMA as part of the 1916 programme, December 2016 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368397, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 57, + "_updated": true + }, + { + "_id": "imago.jsonld", + "@graph": [ + { + "@id": "spice:artefact/imago", + "@type": "schema:CreativeWork", + "description": "Imago is a 1999 work by Andrew Folan. 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Hamilton), 2002, Oil on MDF, 38.5 x 58 cm, Collection Irish Museum of Modern Art, Purchase, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/5551.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368397, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 57, + "_updated": true + }, + { + "_id": "studies-for-webs-backlight-series-iv.jsonld", + "@graph": [ + { + "@id": "spice:artefact/studies-for-webs-backlight-series-iv", + "@type": "schema:CreativeWork", + "description": "Studies for Webs (Backlight Series) IV is a 1994 work by Avis Newman. 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", + "source": "https://imma.ie/collection/fourteen-points-of-entry-iii/", + "creditText": "IMMA Collection: Purchase, 1991", + "image": "spice:documentation/fourteen-points-of-entry-iii", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic and oil on paper", + "size": "76 x 56 cm", + "hasInventory": "IMMA.37.003" + }, + { + "@id": "spice:documentation/fourteen-points-of-entry-iii", + "@type": "schema:ImageObject", + "caption": "Samuel Walsh, Fourteen Points of Entry iii, 1990, Acrylic and oil on paper, 76 x 56 cm, Collection Irish Museum of Modern Art, Purchase, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368397, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 57, + "_updated": true + }, + { + "_id": "gorget.jsonld", + "@graph": [ + { + "@id": "spice:artefact/gorget", + "@type": "schema:CreativeWork", + "description": "Gorget is a 2005 work by Cecily Brennan. 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The work was originally made for a 2006 exhibition where artists were asked to respond to the Limerick City Gallery of Art (LCGA) collection. I was interested in the plaster cast copy busts that were no longer on public display. These once punctuated the book stacks when the collection was part of the Carnegie Library (which later became LCGA). The title incorporates two ways of not revealing the identity of the heads. Around the time of making this work, the Minister for Health used the phrase ‘information deficit’ to avoid providing specific answers about problems in the health service. This mildly garbled managementspeak provided excellent cover for ongoing political incompetence, and yet it seemed appropriate to how we deal with history. The ‘blending-in’ of the heads behind fake pine tree clusters comes from the telecoms industry where it is used to describe techniques for hiding or disguising infrastructure technology such as mobile phone masts, hidden within or as artificial trees in areas of environmental sensitivity. With everything hidden, there should be nothing on display but all these techniques fail, revealing more instead in the end.”*", + "source": "https://imma.ie/collection/information-deficit-blended-in-as-a-tree/", + "creditText": "IMMA Collection: Purchase, 2010", + "image": "spice:documentation/information-deficit-blended-in-as-a-tree", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Metal shelving, archival paper, toner, EVA glue, balsa wood, cocktail sticks, varnish, grate polish, framed c-print photograph, (papier-mâché made from pages of the Daily Telegraph)", + "size": "350 x 200 x 300 cm Framed: 35 x 50 x 4.4 cm", + "hasInventory": "IMMA.3310" + }, + { + "@id": "spice:documentation/information-deficit-blended-in-as-a-tree", + "@type": "schema:ImageObject", + "caption": "Alan Phelan, Information deficit blended-in as a tree, 2006, Metal shelving, archival paper, toner, EVA glue, balsa wood, cocktail sticks, varnish, grate polish, framed c-print photograph, (papier-mâché made from pages of the Daily Telegraph), 350 x 200 x 300 cm Framed: 35 x 50 x 4.4 cm, Collection Irish Museum of Modern Art, Purchase, 2010 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/5561.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368397, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 57, + "_updated": true + }, + { + "_id": "pink-abstract.jsonld", + "@graph": [ + { + "@id": "spice:artefact/pink-abstract", + "@type": "schema:CreativeWork", + "description": "Pink Abstract is a 1930 work by William Scott. 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", + "source": "https://imma.ie/collection/portrait-of-j-with-basque-hat/", + "creditText": "IMMA Collection: Loan, Maire and Maurice Foley, 2004", + "image": "spice:documentation/portrait-of-j-with-basque-hat", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on paper", + "size": "100 x 74 cm", + "hasInventory": "L.1739" + }, + { + "@id": "spice:documentation/portrait-of-j-with-basque-hat", + "@type": "schema:ImageObject", + "caption": "Brian Bourke, Portrait of J with Basque hat, 1982, Oil on paper, 100 x 74 cm, Collection Irish Museum of Modern Art, Loan, Maire and Maurice Foley, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368397, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 57, + "_updated": true + }, + { + "_id": "hasta-la-precaucion-deja-huellas.jsonld", + "@graph": [ + { + "@id": "spice:artefact/hasta-la-precaucion-deja-huellas", + "@type": "schema:CreativeWork", + "description": "Hasta la Precaución Deja Huellas is a 2010 work by Nicola López. 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+ "_updated": true + }, + { + "_id": "dogon-series-8.jsonld", + "@graph": [ + { + "@id": "spice:artefact/dogon-series-8", + "@type": "schema:CreativeWork", + "description": "One of the most distinctive voices of his generation, Michael Mulcahy is an inveterate traveller, creating highly abstracted paintings of the many remote places he has lived through an intense use of abstract form and sizzling colour.", + "source": "https://imma.ie/collection/dogon-series-8/", + "creditText": "IMMA Collection: Donation, Maire and Maurice Foley, 2000", + "image": "spice:documentation/dogon-series-8", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Acrylic oil and gold leaf on canvas", + "size": "198 x 229 cm", + "hasInventory": "IMMA.898 FD" + }, + { + "@id": "spice:documentation/dogon-series-8", + "@type": "schema:ImageObject", + "caption": "Michael Mulcahy, Dogon Series 8, 1988, Acrylic oil and gold leaf on canvas, 198 x 229 cm, Collection Irish Museum of Modern Art, 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{ + "@id": "spice:artefact/whos-afraid-of-green-white-and-orange", + "@type": "schema:CreativeWork", + "description": "”Who’s afraid of Green White and Orange” is a 2011 work by Les Levine. ", + "source": "https://imma.ie/collection/whos-afraid-of-green-white-and-orange/", + "creditText": "IMMA Collection: Donated by Barbara and Donald Seligman, 2014", + "image": "spice:documentation/whos-afraid-of-green-white-and-orange", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Fuji crystal metallic print", + "size": "60.96 x 91.44 cm", + "version": "Edition AP1", + "hasInventory": "IMMA.3830" + }, + { + "@id": "spice:documentation/whos-afraid-of-green-white-and-orange", + "@type": "schema:ImageObject", + "caption": "Les Levine, ”Who’s afraid of Green White and Orange”, 2011, Fuji crystal metallic print, 60.96 x 91.44 cm, Collection Irish Museum of Modern Art, Donated by Barbara and Donald Seligman, 2014 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/02/7229.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "size": { + "@id": "http://schema.org/size" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "version": { + "@id": "http://schema.org/version" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "material": { + "@id": "http://schema.org/material" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368397, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 57, + "_updated": true + }, + { + "_id": "three-steps-towards-the-sea.jsonld", + "@graph": [ + { + "@id": "spice:artefact/three-steps-towards-the-sea", + "@type": "schema:CreativeWork", + "description": "Three Steps Towards the Sea is a 1985 work by Edward Allington. ", + "source": "https://imma.ie/collection/three-steps-towards-the-sea/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/three-steps-towards-the-sea", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Leather bound book, wood, 3 bronze sculptures", + "size": "Dimensions variable", + "hasInventory": "L.534 LW" + }, + { + "@id": "spice:documentation/three-steps-towards-the-sea", + "@type": "schema:ImageObject", + "caption": "Edward Allington, Three Steps Towards the Sea, 1985, Leather bound book, wood, 3 bronze sculptures, Dimensions variable, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/930.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368397, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 57, + "_updated": true + }, + { + "_id": "kate-untitled.jsonld", + "@graph": [ + { + "@id": "spice:artefact/kate-untitled", + "@type": "schema:CreativeWork", + "description": "Kate (Untitled) is a 1961 work by Colin Middleton. 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", + "source": "https://imma.ie/collection/self-portrait/", + "creditText": "IMMA Collection: Donation, Novak/O'Doherty Collection, 2015", + "image": "spice:documentation/self-portrait", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Photograph engraved on silk tissue mounted on Hahnemuhle paper", + "size": "15.2 x 10.8 cm Framed: 58 x 48.5 cm", + "version": "Ed. 51/200", + "hasInventory": "IMMA.3905" + }, + { + "@id": "spice:documentation/self-portrait", + "@type": "schema:ImageObject", + "caption": "Chuck Close, Self Portrait, 1996, Photograph engraved on silk tissue mounted on Hahnemuhle paper, 15.2 x 10.8 cm Framed: 58 x 48.5 cm, Collection Irish Museum of Modern Art, Donation, Novak/O'Doherty Collection, 2015 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/5069.jpg" + } + ], + "@context": { + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "version": { + "@id": "http://schema.org/version" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368397, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 57, + "_updated": true + }, + { + "_id": "prim-proper.jsonld", + "@graph": [ + { + "@id": "spice:artefact/prim-proper", + "@type": "schema:CreativeWork", + "description": "This work is part of the Reminiscence series, which explores memory and representation. 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", + "source": "https://imma.ie/collection/letter-from-napoleon/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/letter-from-napoleon", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Watercolour and body colour on paper", + "size": "29.2 x 46.1 cm (sight)", + "hasInventory": "IMMA.266 GL" + }, + { + "@id": "spice:documentation/letter-from-napoleon", + "@type": "schema:ImageObject", + "caption": "John Kelly, Letter from Napoleon, 1978, Watercolour and body colour on paper, 29.2 x 46.1 cm (sight), Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368396, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 56, + "_updated": true + }, + { + "_id": "la-rencontre-3.jsonld", + "@graph": [ + { + "@id": "spice:artefact/la-rencontre-3", + "@type": "schema:CreativeWork", + "description": "La Rencontre is a 1991 work by Micheal Farrell. ", + "source": "https://imma.ie/collection/la-rencontre-3/", + "creditText": "IMMA Collection: Purchase, 1992", + "image": "spice:documentation/la-rencontre-3", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil on paper", + "size": "183 x 128 cm", + "hasInventory": "IMMA.95" + }, + { + "@id": "spice:documentation/la-rencontre-3", + "@type": "schema:ImageObject", + "caption": "Micheal Farrell, La Rencontre, 1991, Pencil on paper, 183 x 128 cm, Collection Irish Museum of Modern Art, Purchase, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368396, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 56, + "_updated": true + }, + { + "_id": "between-the-eyes-t26.jsonld", + "@graph": [ + { + "@id": "spice:artefact/between-the-eyes-t26", + "@type": "schema:CreativeWork", + "description": "Between the Eyes, T26 is a 1988 work by Richard Deacon. ", + "source": "https://imma.ie/collection/between-the-eyes-t26/", + "creditText": "IMMA Collection: Loan, Weltkunst Foundation, 1994", + "image": "spice:documentation/between-the-eyes-t26", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil and ink on tracing paper", + "size": "44 x 26 cm", + "hasInventory": "L.2008.1.2.26" + }, + { + "@id": "spice:documentation/between-the-eyes-t26", + "@type": "schema:ImageObject", + "caption": "Richard Deacon, Between the Eyes, T26, 1988, Pencil and ink on tracing paper, 44 x 26 cm, Collection Irish Museum of Modern Art, Loan, Weltkunst Foundation, 1994 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/2765.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368396, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 56, + "_updated": true + }, + { + "_id": "waves-pourrais-je-emporter-dans-lautre-monde-ce-que-jai-oublie-de-rever.jsonld", + "@graph": [ + { + "@id": "spice:artefact/waves-pourrais-je-emporter-dans-lautre-monde-ce-que-jai-oublie-de-rever", + "@type": "schema:CreativeWork", + "description": "A number of Marie-Jo Lafontaine’s monumental film installations deal with passion and violence. In ‘Waves…’, shot on the west coast of Ireland, Lafontaine shows the theatre of fury, power and passion in the natural world. The viewer is drawn into the work through Lafontaine’s use of sound, alternating between dramatic pieces of music that the artist distorts post-production, and mysterious otherworldly voices. The crescendos of the powerful and dramatic piece echo the tumultuous movements of the breaking waves, leaving the viewer with a sense of the incommensurable mystery and power of the ocean.", + "source": "https://imma.ie/collection/waves-pourrais-je-emporter-dans-lautre-monde-ce-que-jai-oublie-de-rever/", + "creditText": "IMMA Collection: Purchase, 1999", + "image": "spice:documentation/waves-pourrais-je-emporter-dans-lautre-monde-ce-que-jai-oublie-de-rever", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Video", + "hasInventory": "IMMA.848" + }, + { + "@id": "spice:documentation/waves-pourrais-je-emporter-dans-lautre-monde-ce-que-jai-oublie-de-rever", + "@type": "schema:ImageObject", + "caption": "Marie-Jo Lafontaine, Waves, “pourrais-je emporter dans l’autre monde ce que j’ai oublié de rêver?”, 1998, Video, Dimensions variable, Collection Irish Museum of Modern Art, Purchase, 1999 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368396, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 56, + "_updated": true + }, + { + "_id": "leopold-bloom-does-his-needs-in-the-morning.jsonld", + "@graph": [ + { + "@id": "spice:artefact/leopold-bloom-does-his-needs-in-the-morning", + "@type": "schema:CreativeWork", + "description": "Leopold Bloom Does his Needs in the Morning is a 1964 work by Ferenc Martyn. ", + "source": "https://imma.ie/collection/leopold-bloom-does-his-needs-in-the-morning/", + "creditText": "IMMA Collection: Donated, 1989", + "image": "spice:documentation/leopold-bloom-does-his-needs-in-the-morning", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "India Ink Wash Drawings", + "size": "59 x 44 cm", + "hasInventory": "IMMA.605" + }, + { + "@id": "spice:documentation/leopold-bloom-does-his-needs-in-the-morning", + "@type": "schema:ImageObject", + "caption": "Ferenc Martyn, Leopold Bloom Does his Needs in the Morning, 1964, India Ink Wash Drawings, 59 x 44 cm, Collection Irish Museum of Modern Art, Donated, 1989 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368396, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 56, + "_updated": true + }, + { + "_id": "birth-of-cuchulainn.jsonld", + "@graph": [ + { + "@id": "spice:artefact/birth-of-cuchulainn", + "@type": "schema:CreativeWork", + "description": "Birth of Cuchulainn is a 1967 work by Edward Delaney. 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It echoes another portrait, a small oil,Transitional Head, 1957, now in the National Portrait Gallery, Washington, and an earlier three-quarter-length painting, Portrait of the Artist as a Naked Young Man, painted in 1953 when the artist was still a student doctor in Dublin. In the early 1960s O’Doherty began to make his first Conceptual artworks. Perhaps this early drawing, presenting different views and fragments, foretells the figure of the artist and his tendency to slip behind a multiplicity of forms, of personae, where future portraits are brought to life in an embodiment of intertextuality. Throughout his subsequent career a number of self-portraits of the artist have emerged, implicit in a range of Conceptual artworks, the most tangible of which is the life-long project, The Transformation, Discontinuity, and Degeneration of the Image, begun in 1969.", + "source": "https://imma.ie/collection/self-portrait-2/", + "creditText": "IMMA Collection: Donation, Novak/O'Doherty Collection, 2015", + "image": "spice:documentation/self-portrait-2", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Pencil on paper", + "size": "35.5 x 27.5 cm Framed: 61 x 50.5 cm", + "hasInventory": "IMMA.3917" + }, + { + "@id": "spice:documentation/self-portrait-2", + "@type": "schema:ImageObject", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/5102.jpg" + } + ], + "@context": { + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368396, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 56, + "_updated": true + }, + { + "_id": "after-nature-ii.jsonld", + "@graph": [ + { + "@id": "spice:artefact/after-nature-ii", + "@type": "schema:CreativeWork", + "description": "North of the west and After Nature I, II & III were both created by Mark Garry for An Afterwards, a solo exhibition at Luan Gallery, Athlone (2017). The artist used the exhibition’s location, close to where he grew up, as the starting point to reflect upon a number of defining associative social, cultural and topographical characteristics of his upbringing. 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", + "source": "https://imma.ie/collection/masks/", + "creditText": "IMMA Collection: Donated, 1989", + "image": "spice:documentation/masks", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "India Ink Wash Drawings", + "size": "59 x 44 cm", + "hasInventory": "IMMA.615" + }, + { + "@id": "spice:documentation/masks", + "@type": "schema:ImageObject", + "caption": "Ferenc Martyn, Masks, 1964, India Ink Wash Drawings, 59 x 44 cm, Collection Irish Museum of Modern Art, Donated, 1989 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368395, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 55, + "_updated": true + }, + { + "_id": "hosting-of-the-tain.jsonld", + "@graph": [ + { + "@id": "spice:artefact/hosting-of-the-tain", + "@type": "schema:CreativeWork", + "description": "Hosting of the Táin is a 1969 work by Louis le Brocquy. 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Art Collection, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/02/1782.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368395, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 55, + "_updated": true + }, + { + "_id": "fruto-erotico.jsonld", + "@graph": [ + { + "@id": "spice:artefact/fruto-erotico", + "@type": "schema:CreativeWork", + "description": "Fruto Erótico is a 1978 work by Isabel Vázquez. 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The mystery of an action caught out of context and left undefined and ambiguous’.", + "source": "https://imma.ie/collection/intrusion/", + "creditText": "IMMA Collection: Heritage Gift, P.J. Carroll & Co. Ltd. Art Collection, 2005", + "image": "spice:documentation/intrusion", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "91.4 x 182.9 cm", + "hasInventory": "IMMA.1853" + }, + { + "@id": "spice:documentation/intrusion", + "@type": "schema:ImageObject", + "caption": "Martin Gale, Intrusion, 1973, Oil on canvas, 91.4 x 182.9 cm, Collection Irish Museum of Modern Art, Heritage Gift, P.J. Carroll & Co. Ltd. Art Collection, 2005 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1778.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368395, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 55, + "_updated": true + }, + { + "_id": "proposal-for-project-landing-area-at-imma.jsonld", + "@graph": [ + { + "@id": "spice:artefact/proposal-for-project-landing-area-at-imma", + "@type": "schema:CreativeWork", + "description": "Proposal for project landing area at IMMA is a 1993 work by Terry Atkinson. 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The skeleton of Megaceros Hibernicus, the largest deer of the species which flourished at the end of the last ice age, was recovered from the bog-lands of Ireland. For Cooke the elk represented a powerful symbol of pre-civilised consciousness. In Cooke’s painting the elk emerges from the gloomy bog-land with its enormous antlers treated like massive antennae transmitting, as it were, a message from the past. Yielded up by the bog, the elk demonstrates the process of perpetual interchange that occurs in the cycles of nature.", + "source": "https://imma.ie/collection/megaceros-hibernicus/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/megaceros-hibernicus", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "168.5 x 183 cm", + "hasInventory": "IMMA.173 GL" + }, + { + "@id": "spice:documentation/megaceros-hibernicus", + "@type": "schema:ImageObject", + "caption": "Barrie Cooke, Megaceros Hibernicus, 1983, Oil on canvas, 168.5 x 183 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/263.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368393, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 53, + "_updated": true + }, + { + "_id": "tarot-set.jsonld", + "@graph": [ + { + "@id": "spice:artefact/tarot-set", + "@type": "schema:CreativeWork", + "description": "This unique edition by Ulla von Brandenburg was created on the occasion of her first solo exhibition at IMMA in 2008. 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", + "source": "https://imma.ie/collection/young-serbs-vesna/", + "creditText": "IMMA Collection: Heritage Gift, Kerlin Gallery Collection, 2018, 2018", + "image": "spice:documentation/young-serbs-vesna", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Lightjet print reverse mounted on Diasec", + "size": "74 x 92 x 3 cm", + "hasInventory": "IMMA.4058" + }, + { + "@id": "spice:documentation/young-serbs-vesna", + "@type": "schema:ImageObject", + "caption": "Phil Collins, young serbs (vesna), 2001, Lightjet print reverse mounted on Diasec, 74 x 92 x 3 cm, Collection Irish Museum of Modern Art, Heritage Gift, Kerlin Gallery Collection, 2018, 2018 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9077.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368393, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 53, + "_updated": true + }, + { + "_id": "shakespeare-head.jsonld", + "@graph": [ + { + "@id": "spice:artefact/shakespeare-head", + "@type": "schema:CreativeWork", + "description": "Shakespeare Head is a 1983 work by Louis le Brocquy. ", + "source": "https://imma.ie/collection/shakespeare-head/", + "creditText": "IMMA Collection: Donation, Maire and Maurice Foley, 2000", + "image": "spice:documentation/shakespeare-head", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "80 x 80 cm", + "hasInventory": "IMMA.891 FD" + }, + { + "@id": "spice:documentation/shakespeare-head", + "@type": "schema:ImageObject", + "caption": "Louis le Brocquy, Shakespeare Head, 1983, Oil on canvas, 80 x 80 cm, Collection Irish Museum of Modern Art, Donation, Maire and Maurice Foley, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368393, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 53, + "_updated": true + }, + { + "_id": "landscape-co-down-1943.jsonld", + "@graph": [ + { + "@id": "spice:artefact/landscape-co-down-1943", + "@type": "schema:CreativeWork", + "description": "Landscape CO DOWN, 1943 is a 1943 work by Colin Middleton. ", + "source": "https://imma.ie/collection/landscape-co-down-1943/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2003", + "image": "spice:documentation/landscape-co-down-1943", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "50 x 60.5 cm", + "hasInventory": "IMMA.1152 MCCL" + }, + { + "@id": "spice:documentation/landscape-co-down-1943", + "@type": "schema:ImageObject", + "caption": "Colin Middleton, Landscape CO DOWN, 1943, 1943, Oil on canvas, 50 x 60.5 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2003 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368393, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 53, + "_updated": true + }, + { + "_id": "untitled-85.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-85", + "@type": "schema:CreativeWork", + "description": "Untitled is a 1980 work by Gene Lambert. ", + "source": "https://imma.ie/collection/untitled-85/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/untitled-85", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Art photograph (colour)", + "size": "26.9 x 30 cm", + "hasInventory": "IMMA.285 GL" + }, + { + "@id": "spice:documentation/untitled-85", + "@type": "schema:ImageObject", + "caption": "Gene Lambert, Untitled, 1980, Art photograph (colour), 26.9 x 30 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/01/719.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368393, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 53, + "_updated": true + }, + { + "_id": "freeing-the-body.jsonld", + "@graph": [ + { + "@id": "spice:artefact/freeing-the-body", + "@type": "schema:CreativeWork", + "description": "Freeing the Body is a 1975 work by Marina Abramović. 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", + "source": "https://imma.ie/collection/big-bowl-with-persimmons/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/big-bowl-with-persimmons", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on paper", + "size": "57 x 75 cm", + "hasInventory": "IMMA.249 GL" + }, + { + "@id": "spice:documentation/big-bowl-with-persimmons", + "@type": "schema:ImageObject", + "caption": "Patrick Hickey, Big Bowl with Persimmons, 1985, Oil on paper, 57 x 75 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368393, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 53, + "_updated": true + }, + { + "_id": "four-element-composition.jsonld", + "@graph": [ + { + "@id": "spice:artefact/four-element-composition", + "@type": "schema:CreativeWork", + "description": "Four Element Composition is a 1925 work by Mainie Jellett. ", + "source": "https://imma.ie/collection/four-element-composition/", + "creditText": "IMMA Collection: Donation, Maire and Maurice Foley, 2000", + "image": "spice:documentation/four-element-composition", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Gouache on paper", + "size": "28 x 21.5 cm", + "hasInventory": "IMMA.888 FD" + }, + { + "@id": "spice:documentation/four-element-composition", + "@type": "schema:ImageObject", + "caption": "Mainie Jellett, Four Element Composition, 1925, Gouache on paper, 28 x 21.5 cm, Collection Irish Museum of Modern Art, Donation, Maire and Maurice Foley, 2000 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2020/01/118.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368393, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 53, + "_updated": true + }, + { + "_id": "lover-snakes.jsonld", + "@graph": [ + { + "@id": "spice:artefact/lover-snakes", + "@type": "schema:CreativeWork", + "description": "Lover Snakes is a 1995 work by Dorothy Cross. ", + "source": "https://imma.ie/collection/lover-snakes/", + "creditText": "IMMA Collection: Heritage Gift, Kerlin Gallery Collection, 2018, 2018", + "image": "spice:documentation/lover-snakes", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Stuffed snakes and cast silver reliquaries containing snake hearts", + "size": "37 x 14 cm", + "hasInventory": "IMMA.4089" + }, + { + "@id": "spice:documentation/lover-snakes", + "@type": "schema:ImageObject", + "caption": "Dorothy Cross, Lover Snakes, 1995, Stuffed snakes and cast silver reliquaries containing snake hearts, 37 x 14 cm, Collection Irish Museum of Modern Art, Heritage Gift, Kerlin Gallery Collection, 2018, 2018 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/9114.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368393, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 53, + "_updated": true + }, + { + "_id": "new-york-city-mother-heater.jsonld", + "@graph": [ + { + "@id": "spice:artefact/new-york-city-mother-heater", + "@type": "schema:CreativeWork", + "description": "New York City (Mother Heater) is a 1993 work by Brian Maguire. 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", + "source": "https://imma.ie/collection/yellow-ribbon/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/yellow-ribbon", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "49.4 x 67.6 cm", + "hasInventory": "IMMA.247 GL" + }, + { + "@id": "spice:documentation/yellow-ribbon", + "@type": "schema:ImageObject", + "caption": "Patrick Hennessy, Yellow Ribbon, 1951, Oil on canvas, 49.4 x 67.6 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1935.jpg" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368392, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 52, + "_updated": true + }, + { + "_id": "he-searches-winter-the-windhover.jsonld", + "@graph": [ + { + "@id": "spice:artefact/he-searches-winter-the-windhover", + "@type": "schema:CreativeWork", + "description": "He Searches Winter – The Windhover is a 1965 work by Tony O'Malley. ", + "source": "https://imma.ie/collection/he-searches-winter-the-windhover/", + "creditText": "IMMA Collection: Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004", + "image": "spice:documentation/he-searches-winter-the-windhover", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on board", + "size": "60.96 x 121.92 cm Framed: 68.5 x 129.5 x 4 cm", + "hasInventory": "IMMA.1428 MCCL" + }, + { + "@id": "spice:documentation/he-searches-winter-the-windhover", + "@type": "schema:ImageObject", + "caption": "Tony O'Malley, He Searches Winter – The Windhover, 1965, Oil on board, 60.96 x 121.92 cm Framed: 68.5 x 129.5 x 4 cm, Collection Irish Museum of Modern Art, Heritage Gift from the McClelland Collection by Noel and Anne Marie Smyth, 2004 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma" + } + ], + "@context": { + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368392, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 52, + "_updated": true + }, + { + "_id": "pigeons.jsonld", + "@graph": [ + { + "@id": "spice:artefact/pigeons", + "@type": "schema:CreativeWork", + "description": "Pigeons is a 1941 work by Oskar Kokoschka. 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", + "source": "https://imma.ie/collection/performer-takes-a-turnthe-mathematician/", + "creditText": "IMMA Collection: Gordon Lambert Trust, 1992", + "image": "spice:documentation/performer-takes-a-turnthe-mathematician", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Oil on canvas", + "size": "171.6 x 179.1 cm", + "hasInventory": "IMMA.188 GL" + }, + { + "@id": "spice:documentation/performer-takes-a-turnthe-mathematician", + "@type": "schema:ImageObject", + "caption": "Michael Cullen, Performer Takes a Turn (The Mathematician), 1983, Oil on canvas, 171.6 x 179.1 cm, Collection Irish Museum of Modern Art, Gordon Lambert Trust, 1992 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/1903.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368391, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 51, + "_updated": true + }, + { + "_id": "untitled-zalla-3.jsonld", + "@graph": [ + { + "@id": "spice:artefact/untitled-zalla-3", + "@type": "schema:CreativeWork", + "description": "Untitled (Zalla) is a 2002 work by Patrick Michael Fitzgerald. 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The woman’s head is slightly cocked as she ponders the prints of female genitalia, which are fanned out on the wall like a peacock’s tail. The prints are physically linked to her body by 28 umbilical-like threads of paper, making direct reference to the female reproductive cycle. In Smith’s print work, the visceral is often counterbalanced by an impulse toward the refined and the decorative, seen here in the use of fine handmade paper and in the delicate lines of the drawn jewelry which adorns the figure.", + "source": "https://imma.ie/collection/peacock/", + "creditText": "IMMA Collection: Purchase, 1997", + "image": "spice:documentation/peacock", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Papier Mâché and Nepal paper with ink", + "size": "67.3 x 44.5 x 54.6 cm", + "hasInventory": "IMMA.784" + }, + { + "@id": "spice:documentation/peacock", + "@type": "schema:ImageObject", + "caption": "Kiki Smith, Peacock, 1994, Papier Mâché and Nepal paper with ink, 67.3 x 44.5 x 54.6 cm, Collection Irish Museum of Modern Art, Purchase, 1997 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2022/08/810.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368391, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 51, + "_updated": true + }, + { + "_id": "skull-drawing-self-portrait.jsonld", + "@graph": [ + { + "@id": "spice:artefact/skull-drawing-self-portrait", + "@type": "schema:CreativeWork", + "description": "Skull drawing – Self portrait is a 2002 work by Tom Molloy. 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An ambiguous mixture of sexual threat, excitement and death, the sharks depicted are the thirty species know to have attacked humans without provocation.", + "source": "https://imma.ie/collection/kitchen-table/", + "creditText": "IMMA Collection: Purchase, 1991", + "image": "spice:documentation/kitchen-table", + "maintainer": "https://w3id.org/spice/institute/imma", + "material": "Wood, enamel bowl, steel, glass test tube, fossilised sharks' teeth", + "size": "90 x 162 x 60 cm", + "hasInventory": "IMMA.4" + }, + { + "@id": "spice:documentation/kitchen-table", + "@type": "schema:ImageObject", + "caption": "Dorothy Cross, Kitchen Table, 1990, Wood, enamel bowl, steel, glass test tube, fossilised sharks' teeth, 90 x 162 x 60 cm, Collection Irish Museum of Modern Art, Purchase, 1991 ", + "copyrightNotice": "For copyright information, please contact the IMMA Collections team.", + "maintainer": "https://w3id.org/spice/institute/imma", + "url": "https://imma.ie/wp-content/uploads/2018/11/297.jpg" + } + ], + "@context": { + "hasInventory": { + "@id": "https://w3id.org/arco/ontology/context-description/hasInventory" + }, + "creditText": { + "@id": "http://schema.org/creditText" + }, + "size": { + "@id": "http://schema.org/size" + }, + "material": { + "@id": "http://schema.org/material" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "image": { + "@id": "http://schema.org/image", + "@type": "@id" + }, + "maintainer": { + "@id": "http://schema.org/maintainer", + "@type": "@id" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "copyrightNotice": { + "@id": "http://schema.org/copyrightNotice" + }, + "caption": { + "@id": "http://schema.org/caption" + }, + "url": { + "@id": "http://schema.org/url" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368391, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 51, + "_updated": true + }, + { + "_id": "study-for-the-back-of-my-hand-no-4-no-3.jsonld", + "@graph": [ + { + "@id": "spice:artefact/study-for-the-back-of-my-hand-no-4-no-3", + "@type": "schema:CreativeWork", + "description": "Study for The Back of My Hand No.4, No.3 is a 1986 work by Richard Deacon. 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Segal’s work has been exhibited worldwide, including major retrospectives at the Hirshhorn Museum and Sculpture Garden, Washington; Sidney Janis Gallery, New York; the Museo Arte Contemporanea di Roma and the State Hermitage Museum, St. Petersburg.", + "source": "https://imma.ie/artists/george-segal/", + "birthDate": "1924–2000", + "url": "https://imma.ie/artists/george-segal/", + "label": "George Segal" + }, + { + "@id": "spice:artefact/barbara-novak", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/segal-george", + "author": "spice:agent/segal-george", + "dateCreated": "1993", + "url": "https://imma.ie/collection/barbara-novak/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/barbara-novak", + "hasTitle": "Barbara Novak" + }, + { + "@id": "spice:artefact/untitled-seated-nude", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/segal-george", + "author": "spice:agent/segal-george", + "dateCreated": "1961", + "url": "https://imma.ie/collection/untitled-seated-nude/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/untitled-seated-nude", + "hasTitle": "Untitled (Seated Nude)" + }, + { + "@id": "spice:attribution/barbara-novak", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/segal-george" + }, + { + "@id": "spice:attribution/untitled-seated-nude", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/segal-george" + } + ], + "@context": { + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368388, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 48, + "_updated": true + }, + { + "_id": "lohan-mary.jsonld", + "@graph": [ + { + "@id": "spice:agent/lohan-mary", + "@type": "foaf:Person", + "description": "Irish landscape artist Mary Lohan studied painting at the National College of Art and Design. 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Arrangements of acrobatically stacked, bundled or tentatively balanced forms emerge from impermanent matter, reactivated through re-configuring and assimilating until something holds, suggesting architectural playgrounds, utopian visions or magical portals to an other world. She says that this habitual urge to collect and re-imagine matter ‘filters an external, over-stimulated and saturated world internally, trying to make sense of the chaos – these days increasingly so.", + "Suzanne O’Haire makes small sculptural assemblages from found objects, junk and castings from discarded packaging. Arrangements of acrobatically stacked, bundled or tentatively balanced forms emerge from impermanent matter, reactivated through re-configuring and assimilating until something holds, suggesting architectural playgrounds, utopian visions or magical portals to an other world." + ], + "source": "https://imma.ie/artists/suzanne-ohaire/", + "birthDate": "b.1968", + "url": "https://imma.ie/artists/suzanne-ohaire/", + "label": "Suzanne O’Haire", + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368388, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 48, + "_updated": true + }, + { + "_id": "martyn-ferenc.jsonld", + "@graph": [ + { + "@id": "spice:agent/martyn-ferenc", + "@type": "foaf:Person", + "description": "Hungarian painter and sculptor Ferenc Martyn lived in Paris from the 1920s. 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"description": [ + "Jesse Jones creates works that primarily take the form of film and video. She explores historical instances of communal culture that resonate with contemporary society and politics. Jones isolates forms and subjects, often through the use of Brechtian theatre techniques of estrangement, as a tool for both re-imagining and directly intervening in social discourse.", + "Jesse Jones studied sculpture at NCAD before completing an MA in visual arts practice at IADT in 2005. She teaches in Fine Art programmes at CIT Crawford College of Art & Design in Cork and has worked and exhibited extensively both at home and abroad. In 2017 Jones represented Ireland at the 57th Venice Biennale. Jones' work takes many forms; from gallery-based films, installations and sculpture, to large scale public events and performance. She has collaborated with diverse groups, from opera singers and marching bands to activists. Her practice largely aims to excavate the hidden meaning within our popular collective consciousness, and she explores how historical instances of communal culture may hold resonance in our current social and political experiences. Her practice also reflects and re-presents historical moments of collective resistance and dissent. 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Retrospectives of his work were held at the Douglas Hyde Gallery (1982) and Dublin City Gallery The Hugh Lane (2002) and a seminal 2014 exhibition ‘Patrick Scott: Image Space Light' which brought together the most comprehensive representation of this remarkable artist’s 75 year long career." + ], + "source": "https://imma.ie/artists/patrick-scott/", + "birthDate": "1921–2014", + "url": "https://imma.ie/artists/patrick-scott/", + "label": "Patrick Scott" + }, + { + "@id": "spice:artefact/arcady-4-1972", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/scott-patrick", + "author": "spice:agent/scott-patrick", + "dateCreated": "1974", + "url": "https://imma.ie/collection/arcady-4-1972/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/arcady-4-1972", + "hasTitle": "Arcady 4, 1972" + }, + { + "@id": "spice:artefact/autumnal-landscape", + "@type": [ + "schema:CreativeWork", + 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Corcoran’s current series of work re-addresses The Enquiry Series – painted in 2002 when subjects such as identity, national identity, colonialism and post-colonialism were explored in an art-historical and social context. Taking its title from Edmund Burke’s theories of the sublime The Enquiry Series followed the gaze of a young female (the artist’s elder daughter) viewing and finding her way through the historically and politically loaded paintings of the Milltown Rooms of The National Gallery of Ireland. The new series finds her daughter Thérèse, at a similar age, standing in front of the Vermeer exhibition at the NGI in the exuberance of the newly renovated building and the riot of colour, re-gilded frames and the new order of hanging. In both series rooms are explored where identity and nationality are addressed against a backdrop of Colonialism and the great beauty and complexities of European Art. Interestingly The Enquiry Series was painted just as the euro replaced our Irish coinage and the new series is painted in the looming approach of Brexit.", + "Painter Margaret Corcoran pushes the boundaries between past, present, personal and historical narratives. Corcoran’s current series of work re-addresses The Enquiry Series - painted in 2002 when subjects such as identity, national identity, colonialism and post-colonialism were explored in an art-historical and social context. " + ], + "source": "https://imma.ie/artists/margaret-corcoran/", + "birthDate": "b.1963", + "url": "https://imma.ie/artists/margaret-corcoran/", + "label": "Margaret Corcoran", + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368383, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 43, + "_updated": true + }, + { + "_id": "klien-michael.jsonld", + "@graph": [ + { + "@id": "spice:agent/klien-michael", + "@type": "foaf:Person", + "description": "Austrian artist and choreographer Michael Kliën was born in Hollbrunn and grew up in Vienna. 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He was a co-founder and Artistic Director of London based arts group, Barridale Operahouse, until 2000 and Artistic Director/CEO of Daghdha Dance Company until 2011.", + "source": "https://imma.ie/artists/michael-klien/", + "birthDate": "b.1973", + "url": "https://imma.ie/artists/michael-klien/", + "label": "Michael Kliën" + }, + { + "@id": "spice:artefact/slatterys-lamp-sediments-of-an-ordinary-mind", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/klien-michael", + "author": "spice:agent/klien-michael", + "dateCreated": "2004", + "url": "https://imma.ie/collection/slatterys-lamp-sediments-of-an-ordinary-mind/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/slatterys-lamp-sediments-of-an-ordinary-mind", + "hasTitle": "Slattery’s Lamp, Sediments of an Ordinary Mind" + }, + { + "@id": "spice:attribution/slatterys-lamp-sediments-of-an-ordinary-mind", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/klien-michael" + } + ], + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368383, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 43, + "_updated": true + }, + { + "_id": "stephens-amy.jsonld", + "@id": "spice:agent/stephens-amy", + "@type": "foaf:Person", + "description": "_:b0", + "source": "https://imma.ie/artists/amy-stephens/", + "url": "https://imma.ie/artists/amy-stephens/", + "label": "Amy Stephens", + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368383, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 43, + "_updated": true + }, + { + "_id": "king-philip.jsonld", + "@graph": [ + { + "@id": "spice:agent/king-philip", + "@type": "foaf:Person", + "description": "British sculptor Philip King PRA was born in French Tunisia. 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She studied in Paris before attending the Geneva Centre for Contemporary Engraving in 1973. 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In 2015, Cléa had a 4 month residency in Mexico which marked major turning point in her practice. She created a large scale experimental installation called Reconstructing Memory, which was exhibited in The Model Sligo (2015), Limerick City Gallery of Art, Limerick, Rochester Arts Centre USA and The Solomon, Dublin. (2016).  The process of her studio practice is multifaceted. This is demonstrated through painting, film, installation, sculpture, audio and writing, Fact and fiction. Her work becoming a construct rather than a deconstruct.", + "Cléa van der Grijn’s practice deals with unraveling the complexities associated around the culture of death and reconstructed memory, researching the myth of repressed memory. Re-imagining and process all become part her narrative, understanding the rational, social and emotional circumstances that become constructed around memory and time. 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Khan-Dossos is a visual artist working between London and Athens. Her interests include Orientalism in the digital realm, geometry as information and decoration, image calibration, and Aniconism in contemporary culture. She has developed a form of geometric abstraction that merges the traditional Aniconism of Islamic art with the algorithmic nature of the interconnected world we live in. This is not the formal abstraction we understand from the western history of art, but something essentially informational, and committed to investigation and communication.", + "Navine G. Khan-Dossos is a visual artist working between London and Athens. Her interests include Orientalism in the digital realm, geometry as information and decoration, image calibration, and Aniconism in contemporary culture." + ], + "source": "https://imma.ie/artists/navine-g-khan-dossos/", + "birthDate": "b.1982", + "url": "https://imma.ie/artists/navine-g-khan-dossos/", + "label": "Navine G. Khan-Dossos", + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368383, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 43, + "_updated": true + }, + { + "_id": "walshe-lorcan.jsonld", + "@graph": [ + { + "@id": "spice:agent/walshe-lorcan", + "@type": "foaf:Person", + "description": "Irish artist Lorcan Walshe (born 1952) attended Sligo School of Art, Sligo R.T.C. and the National College of Art and Design, Dublin. Walshe held his first solo exhibition in 1982 and has had numerous exhibitions since then, including at The Hunt Museum, Limerick, the National Museum of Ireland, Dublin and Axis Arts Centre Ballymun, Dublin. He won the Claremorris Open Exhibition in 1991 and 1992. Walshe’s work is included in numerous collections including that of IMMA, the Office of Public Works; the National Museum of Ireland; and Dublin City University.", + "source": "https://imma.ie/artists/lorcan-walshe/", + "birthDate": "b.1952", + "url": "https://imma.ie/artists/lorcan-walshe/", + "label": "Lorcan Walshe" + }, + { + "@id": "spice:artefact/no-16-jealousy-mask-from-the-mask-series", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/walshe-lorcan", + "author": "spice:agent/walshe-lorcan", + "dateCreated": "1983", + "url": "https://imma.ie/collection/no-16-jealousy-mask-from-the-mask-series/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/no-16-jealousy-mask-from-the-mask-series", + "hasTitle": "No 16 Jealousy Mask, from the Mask series" + }, + { + "@id": "spice:attribution/no-16-jealousy-mask-from-the-mask-series", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/walshe-lorcan" + } + ], + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368382, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 42, + "_updated": true + }, + { + "_id": "dib-roy.jsonld", + "@id": "spice:agent/dib-roy", + "@type": "foaf:Person", + "description": "(b. 1983, Lebanon) works and lives in Beirut. On both formal and conceptual levels, the artist and filmmaker challenges common notions of space and boundary, weaving together archival material, scripted text and hypothetical circumstances to chronicle the political narratives of our day.", + "source": "https://imma.ie/artists/roy-dib/", + "birthDate": "b.1984", + "url": "https://imma.ie/artists/roy-dib/", + "label": "Roy Dib", + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368382, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 42, + "_updated": true + }, + { + "_id": "wigram-max.jsonld", + "@graph": [ + { + "@id": "spice:agent/wigram-max", + "@type": "foaf:Person", + "description": "British artist and gallery owner Max Wigram (born 1966) was one of fifteen London artists to create work for ‘Other Men’s Flowers’ – a portfolio of text-based prints curated by Joshua Compston. Wigram’s contribution to the portfolio used both screen-printing and letterpress techniques. In 2003, he set up his own gallery, Max Wigram Gallery, representing emerging international artists.", + "source": "https://imma.ie/artists/max-wigram/", + "url": "https://imma.ie/artists/max-wigram/", + "label": "Max Wigram" + }, + { + "@id": "spice:artefact/untitled-44", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/wigram-max", + "author": "spice:agent/wigram-max", + "dateCreated": "1994", + "url": "https://imma.ie/collection/untitled-44/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/untitled-44", + "hasTitle": "Untitled" + }, + { + "@id": "spice:attribution/untitled-44", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/wigram-max" + } + ], + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368382, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 42, + "_updated": true + }, + { + "_id": "gaffney-kevin.jsonld", + "@graph": [ + { + "@id": "spice:agent/gaffney-kevin", + "@type": "foaf:Person", + "description": "Kevin Gaffney is a visual artist working in film and photography, living and working in Dublin. He graduated from the Royal College of Art's MA Photography & Moving Image in 2011, and received an Honorary Mention from the Startpoint Prize for Emerging Artists. He was awarded a Sky Academy Arts Scholarship for the development of a new body of work (2015); was an UNESCO-Aschberg laureate artist in residence at the National Museum of Modern and Contemporary Art’s Changdong Residency in South Korea (2014); and received a Film Project Award from the Arts Council of Ireland for the creation of a new film while artist in residence at the Taipei Artist Village, Taiwan (2014). His work has been shown in exhibitions and film festivals internationally, including: Out There, Thataway at CCA Derry~Londonderry (2015); the Alchemy Film & Moving Image Festival (Scotland, 2015); We at Catalyst Arts (Belfast, 2012); Abandon Normal Devices at Cornerhouse (Manchester, 2012); and solo exhibitions at the Linenhall Arts Centre (2015), the Contemporary Art Institute CAI02 (as part of the Sapporo International Art Festival, Japan, 2014); the Galway Arts Centre (2013); and RUA RED South Dublin Arts Centre (2011).", + "source": "https://imma.ie/artists/kevin-gaffney/", + "birthDate": "b.1987", + "url": "https://imma.ie/artists/kevin-gaffney/", + "label": "Kevin Gaffney" + }, + { + "@id": "spice:artefact/everything-disappears", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/gaffney-kevin", + "author": "spice:agent/gaffney-kevin", + "dateCreated": "2014", + "url": "https://imma.ie/collection/everything-disappears/", + 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While social and cultural issues were central concerns in his early work, more recently Hughes has moved towards an avoidance of the literal or directly referential in his paintings. Hughes has had many solo exhibitions in Ireland since 1989. He has completed residencies in New York, Nebraska and Canada, and has been involved in a number of international group shows.", + "source": "https://imma.ie/artists/ronnie-hughes/", + "birthDate": "b.1965", + "url": "https://imma.ie/artists/ronnie-hughes/", + "label": "Ronnie Hughes" + }, + { + "@id": "spice:artefact/espresso-mundo", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/hughes-ronnie", + "author": "spice:agent/hughes-ronnie", + "dateCreated": "1996", + "url": "https://imma.ie/collection/espresso-mundo/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/espresso-mundo", + "hasTitle": "Espresso Mundo" + }, + { + "@id": "spice:attribution/espresso-mundo", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/hughes-ronnie" + } + ], + "@context": { + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368377, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 37, + "_updated": true + }, + { + "_id": "madden-anne.jsonld", + "@graph": [ + { + "@id": "spice:agent/madden-anne", + "@type": "foaf:Person", + "description": "Irish artist Anne Madden spent her first years in Chile. 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"dc:description": "The interdisciplinary work of visual artist Tine Melzer primarily focuses on the coded nature of language and aims to deconstruct the fears and desires bound to its imagery.", + "source": "https://imma.ie/artists/tine-melzer/", + "url": "https://imma.ie/artists/tine-melzer/", + "label": "Tine Melzer", + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": 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He was selected by Lucy Lippard for an international show called ‘Divisions, Crossroads, Turns of Mind’ which toured Canada, the U.S.A and the Amos Anderson Museum, Helsinki. In 1997 he exhibited in ‘When Time Began to Rant and Rage’ touring the U.S.A and the Walker Gallery Liverpool. ‘Collected Histories of Northern Irish Art’ was another important show in which he participated at the Golden Thread Gallery Belfast. He has had solo shows in Belfast, Dublin, New York, Berlin, Galway, Sligo and Derry. His works hang in public and private collections throughout Ireland, the UK, the U.S.A and Germany. He is a member of the R.U.A and Aosdána. He lives and works in County Mayo Ireland", + "Dermot Seymour was born in 1956 in Belfast. He attended the University of Ulster where he received a BA in Art and Design in 1978 and an Advanced Diploma in Art and Design in 1981. 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He works conceptually with paint and painting in a bid to subvert its usual connotations, to problematize the medium.   Born in Bray in 1960, John Lalor attended Limerick School of Art.  He is an accomplished painter, sculptor, scenographer, filmmaker and writer.  He works between Ireland and Paris where he has been based since the late 1980s.  He has exhibited widely in France and Ireland. " + ], + "source": "https://imma.ie/artists/john-lalor/", + "url": "https://imma.ie/artists/john-lalor/", + "label": "John Lalor" + }, + { + "@id": "spice:artefact/moment-of-surrender-140-version-2-dream-home", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/lalor-john", + "author": "spice:agent/lalor-john", + "dateCreated": "2021", + "url": "https://imma.ie/collection/moment-of-surrender-140-version-2-dream-home/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/moment-of-surrender-140-version-2-dream-home", + "hasTitle": "MOMENT OF SURRENDER 140. 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His work has also been exhibited extensively, including solo exhibitions at the Fundacion Bilbao Arte, Bilbao; the lnstitut Valencia d'Art Modern; the Joseph Helman Gallery, New York, and the Denver Art Museum, Colorado.", + "source": "https://imma.ie/artists/charles-simonds/", + "birthDate": "b.1945", + "url": "https://imma.ie/artists/charles-simonds/", + "label": "Charles Simonds" + }, + { + "@id": "spice:artefact/the-burial-of-patrick-ireland-death-mask", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/simonds-charles", + "author": "spice:agent/simonds-charles", + "dateCreated": "2008", + "url": "https://imma.ie/collection/the-burial-of-patrick-ireland-death-mask/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/the-burial-of-patrick-ireland-death-mask", + "hasTitle": "The Burial of Patrick Ireland, Death Mask" + }, + { + "@id": "spice:attribution/the-burial-of-patrick-ireland-death-mask", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/simonds-charles" + } + ], + "@context": { + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368373, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 33, + "_updated": true + }, + { + "_id": "chadwick-helen.jsonld", + "@graph": [ + { + "@id": "spice:agent/chadwick-helen", + "@type": "foaf:Person", + "description": "British artist Helen Chadwick studied at Brighton Polytechnic and Chelsea School of Art, London. 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As well as staging exhibitions, events, workshops and engaging in research and experimental projects, Art Nomads aims to work as a capacity builder and advocate for artists from diverse and minority ethnic backgrounds in Ireland.", + "source": "https://imma.ie/artists/art-nomads/", + "url": "https://imma.ie/artists/art-nomads/", + "label": "Art Nomads", + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368372, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 32, + "_updated": true + }, + { + "_id": "do-espirito-santo-iran.jsonld", + "@graph": [ + { + "@id": "spice:agent/do-espirito-santo-iran", + "@type": "foaf:Person", + "description": "Brazilian artist Iran do Espírito Santo graduated from the Fundação Armando Alvares Penteado, São Paolo, in 1986. 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Based on her feelings of connection to, and solidarity with the Algerian war of independence, she began to resist the political implications of writing in French and shifted the focus of her creative expression to visual art; becoming a painter." + ], + "source": "https://imma.ie/artists/etel-adnan/", + "birthDate": "b.1925", + "url": "https://imma.ie/artists/etel-adnan/", + "label": "Etel Adnan" + }, + { + "@id": "spice:artefact/untitled-213", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/adnan-etel", + "author": "spice:agent/adnan-etel", + "dateCreated": "2013", + "url": "https://imma.ie/collection/untitled-213/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/untitled-213", + "hasTitle": "Untitled (#213)" + }, + { + "@id": "spice:attribution/untitled-213", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/adnan-etel" + } + ], + "@context": { + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368371, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 31, + "_updated": true + }, + { + "_id": "rojo-vicente.jsonld", + "@graph": [ + { + "@id": "spice:agent/rojo-vicente", + "@type": "foaf:Person", + "description": "Originally from Barcelona, Spain, Vincente Rojo studied Ceramics and Sculpture as a young teenager. 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Rajinder’s paintings and installations as well as photography, video and performance work explore ideas around the vulnerable body and its pain, interrogating the economies of power that deny it space and shape. 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She often collaborates with artists and non-artists who also live abroad to gather source materials and thoughts for the development of her work.  Carbajal believes that her investigations will be enriched dramatically through the sharing of different points of view on the same subject.", + "Based in the UK Lorena Carbajal is interested in investigating the notion of displacement, to examine the effects of bringing two cultures sometimes uncomfortably close together - where the uncertainty of incompatible codes, both linguistic and cultural emerges. 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The Ulster Museum holds a large collection of his work, from all periods of his career.", + "source": "https://imma.ie/artists/andrew-nicholl/", + "birthDate": "1804–1886", + "url": "https://imma.ie/artists/andrew-nicholl/", + "label": "Andrew Nicholl", + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368370, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 30, + "_updated": true + }, + { + "_id": "snow-michael.jsonld", + "@graph": [ + { + "@id": "spice:agent/snow-michael", + "@type": "foaf:Person", + "description": "Canadian artist and film maker Michael Snow (born 1929) studied at Upper Canada College and the Ontario College of Art. 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He has exhibited internationally including solo exhibitions at White Cube, London (2018); Barbican Art Gallery, London (2015); and Focal Point Gallery, Southend, UK (2013). Selected group exhibitions include Heide Museum of Modern Art, Melbourne (2018); Museum of Contemporary Art Chicago (2017); Zabludowicz Collection, London (2017); Eastside Projects, Birmingham, UK (2016); Fondazione Memmo, Rome (2015); Ujazdowski Castle Center for Contemporary Art, Warsaw (2013); and Museo d’Arte Contemporanea di Roma (2012). His performance projects include the Fiorucci Art Trust Volcano Extravaganza, Naples and Stromboli (2017); Palais de Tokyo, Paris (2015); Institute of Contemporary Arts, London (2014); Performa13, New York (2013); David Roberts Art Foundation, London (2012); The Tanks at Tate Modern, London in conjunction with the Chisenhale Gallery, London (2012); Royal Academy of Arts, London (2012); and Cell Project Space, London (2012).", + "Eddie Peake was born in London in 1981 where he continues to live and work. He has exhibited internationally including solo exhibitions at White Cube, London (2018); Barbican Art Gallery, London (2015); and Focal Point Gallery, Southend, UK (2013)." + ], + "source": "https://imma.ie/artists/eddie-peake/", + "birthDate": "b.1981", + "url": "https://imma.ie/artists/eddie-peake/", + "label": "Eddie Peake", + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368370, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 30, + "_updated": true + }, + { + "_id": "roeyer-mark.jsonld", + "@graph": [ + { + "@id": "spice:agent/roeyer-mark", + "@type": "foaf:Person", + "description": "American sculptor Mark Roeyer (born 1943) was born in Kansas City, Missouri. 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An interest in histories, authorship, storytelling and the excavation of lost, unheard and buried voices lead Cammock to map her own creative processes on to social and political situations. Cammock’s work draws on material from Nina Simone, Philip Larkin, James Baldwin, The Housemartins, Walter Benjamin, Franz Fanon and others to reveal the way in which we construct our own personal collage of influences and reference points to establish a sense of self, context and history.", + "Helen Cammock works across moving image, photography, writing, poetry, spoken word, song, performance, printmaking and installation. 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For instance, in times like the 17th century, with its preference for distinct orders and geometry, cutting trees into cubic shapes seemed like just the right thing to do, whereas in the 19th century, an upcoming passion for “chaos” and “earthiness” resulted in the planting of extensive pseudo-natural landscape garden areas. In this tradition, nowadays, concepts like “growth”, “efficiency”, “flexibility”, “innovation” and “creativity” provide, among others, the mainstream conceptual arsenal for mankind’s most recent endeavors to redesign the world. In their artistic research, the duo aims to detect this kind of concept-ridden thinking in historical and contemporary paradigmatic cases of “reality improvement”. In their works, which are mostly installative and sculptural, lately also increasingly performance- and interaction-based, they use the pieces of ideology they uncovered in their research as “crystallization seeds” for three-dimensional metaphors which, as a result, prevalently circle around themes like delusion, eagerness and failure.", + "When Matthias Böhler and Christian Orendt began their collaboration in 2007, they realized that they share a fascination for all kinds of attempts to bend reality into a shape that corresponds with the idea of perfection prevailing at a certain time or among a certain social group. 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Many of his works do not aim for a conventional narrative and are edited together with “collected songs and fragments of fragmented history”." + ], + "source": "https://imma.ie/artists/seamus-harahan/", + "url": "https://imma.ie/artists/seamus-harahan/", + "label": "Seamus Harahan", + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368366, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 26, + "_updated": true + }, + { + "_id": "pichl-andrea.jsonld", + "@id": "spice:agent/pichl-andrea", + "@type": "foaf:Person", + "description": "For a number of years Andrea Pichl has been observing the spread and creation of the major canons of architectural form of housing units in the East and West: such as Berlin, Tashkent, Paris, Tallinn or Zlin. These are places where people aimed to perfect the utopia of modernity, to alter the life of a majority of urban dwellers through their living conditions. Referring to such dogmas the architects of the new buildings were socially oriented to the future and the methods of design and construction sought to equalise and eliminate class distinctions. Through her art practice Pichl uses methods of analysis of the downfall of such noble programmes. Pichl is interested in places where she can visually catch the moment of distortion, places where the quantity of production leads to a drop in artistic forms where large-scale production leads to monotony. A new city is a promise which endeavors to visualise a more modern and improved society, Pichl focuses on these associated aspirations but she also looks at the realities of the built visions. “No matter if it’s the promise of a better life in social housing, socialist ideals or the wish for economic maximisation that give the impetus to plan a ‘new city’: stones, sand and lime are used everywhere, and only when taking a closer look can the differences in the architectural structures be discerned, in addition to their common features. Andrea Pichl works them out with artistic means and brings them together to form a typology of modernist architecture.” – Christine Heidemann, curator. 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Her sculptural arrangement ‘The Last Thing On Earth’ (2016) is framed by the proposition: What if this is the last thing, the final material to be pulled out of the ground, the final piece of stuff that has not already been purposed by humans. The ‘thing’ referred to here is a multi-sided marble object at the centre of the work, around which a constellation of other objects including a photographic backdrop, tripods and archaeological tools, mirrors, and an iPad are arranged.", + "Barbara Knezevic lives and works in Dublin. She attended Sydney College of the Arts (BA) and the National College of Art and Design, Dublin (MFA). Recent exhibitions include Oonagh Young Gallery, Dublin; The MAC, Belfast; Temple Bar Gallery + Studios, Dublin; EKKM, Tallinn; Gallery Augusta, Helsinki; Solstice Arts Centre, Navan; Tulca Festival of Visual Art, Galway; HIAP, Helsinki; The LAB, Dublin City Council; Project Arts Centre, Dublin; EVA International, Limerick." + ], + "source": "https://imma.ie/artists/barbara-knezevic/", + "url": "https://imma.ie/artists/barbara-knezevic/", + "label": "Barbara Knezevic" + }, + { + "@id": "spice:artefact/the-last-thing-on-earth", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/knezevic-barbara", + "author": "spice:agent/knezevic-barbara", + "dateCreated": "2016", + "url": "https://imma.ie/collection/the-last-thing-on-earth/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/the-last-thing-on-earth", + "hasTitle": "The Last Thing on Earth" + }, + { + "@id": 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She is a founder director of the national sculpture factory in Cork, a former member of the Arts Council of Ireland, a member of Aosdána, and of the RHA.", + "source": "https://imma.ie/artists/eilis-oconnell/", + "birthDate": "b.1953", + "url": "https://imma.ie/artists/eilis-oconnell/", + "label": "Eilis O’Connell" + }, + { + "@id": "spice:artefact/christmas-1981-for-gordon-lambert", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/oconnell-eilis", + "author": "spice:agent/oconnell-eilis", + "dateCreated": "1981", + "url": "https://imma.ie/collection/christmas-1981-for-gordon-lambert/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/christmas-1981-for-gordon-lambert", + "hasTitle": "Christmas 1981, for Gordon Lambert" + }, + { + "@id": "spice:artefact/column", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/oconnell-eilis", + 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Watchorn has been based on a working 98 acre dairy farm in rural Co. Carlow since graduating from the National College of Art and Design in 2014, with her studio situated within the main outbuildings.", + "Drawing on her upbringing, Katie’s practice primarily deals with illuminating the nuances and materiality of Irish rural farming, highlighting the process of contemporary and ancestral Irish life and tradition which is often understated and overlooked. " + ], + "source": "https://imma.ie/artists/katie-watchorn/", + "birthDate": "b.1992", + "url": "https://imma.ie/artists/katie-watchorn/", + "label": "Katie Watchorn", + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368365, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 25, + "_updated": true + }, + { + "_id": "johnston-sandra.jsonld", + "@graph": [ + { + "@id": "spice:agent/johnston-sandra", + "@type": "foaf:Person", + "description": [ + "Sandra Johnston’s artworks often involve exploring the aftermath of trauma through acts of commemoration that exist as forms of live testimony and empathetic receptiveness. Her performances are experiential in nature, based on improvisational processes that explore physical states of responsiveness, formed in relation to the actualities of specific situations and the moment of making. Actions are assembled using mainly found objects, each offering the Johnston different kinds of tactile stimulation, informing through memory and haptic perception – as opposed to conceptual devising. The performances are intended as propositions, whereby the audience observes the emergence of latent relationships between materials and gestures, offered as ‘provisional behaviors’ and existing unapologetically as irrational, incomplete and mutable encounters.", + "Sandra Johnston (Northern Ireland) has worked internationally since 1992, working predominantly in the areas of site-responsive performance and installation. Her actions have often involved exploring the aftermath of trauma through developing acts of commemoration as forms of testimony and empathetic encounter. Her practice-based investigation into issues of ‘trauma of place’ were extended as a PhD project entitled – Beyond Reasonable Doubt: An Investigation of Doubt, Risk and Testimony Through Performance Art Processes in Relation to Systems of Legal Justice published in 2013 with LIT (Berlin). She has been a co-founder and committee member of various artist-run collectives in Belfast, notably: CATALYST ARTS and BBEYOND. Some of her most recent performances and projects include: Here-to-Here, Notwithstanding, Fierce Festival 2019, Birmingham, UK (upcoming); The Biennial of Curitiba and p.ARTE Festival 2019 – Curitiba, Southern Brazil (upcoming); Asiatopia 20th Performance Festival, Bangkok Art and Culture Centre, Bangkok, Thailand (2018), Live Action 13, Gothenburg, Sweden (2018), Minimal, Poor, Present, as part of Glasgow International 2018, Scotland (2018), We Shout and Shout, But No One Listens: Art from Conflict Zones, CAMP/ Center for Art on Migration Politics, Copenhagen, Denmark (2017), Rise Up: Ending Racism, Poverty and War, part of Freedom City Newcastle upon Tyne, England (2017), Future Histories, Kilmainham Gaol, Dublin (2016), Border Crossings, SASA Gallery, Adelaide, Australia (2016), Lay Allude, with Alastair MacLennan, Bòlit Museum, Girona, Spain (2016), Tangible Live, EMMA Espoo Museum of Modern Art, Finland (2015), VIVA! Art Action, Montréal, Canada (2015)." + ], + "source": "https://imma.ie/artists/sandra-johnston/", + "birthDate": "b.1968", + "url": "https://imma.ie/artists/sandra-johnston/", + "label": "Sandra Johnston" + }, + { + "@id": "spice:artefact/amend", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/johnston-sandra", + "author": "spice:agent/johnston-sandra", + "dateCreated": "2010", + "url": "https://imma.ie/collection/amend/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/amend", + "hasTitle": "Amend" + }, + { + "@id": "spice:artefact/even-now", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/johnston-sandra", + "author": "spice:agent/johnston-sandra", + "dateCreated": "2012", + "url": "https://imma.ie/collection/even-now/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": 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Sligo. He is a native of Longford and he has also lived in the Liberties, in the heart of old Dublin. At present his home and studio are located in Kilmactranny, North Sligo, a small townland rich in legend and history and associated with the Tuatha de Danaan and Douglas Hyde, first President of Ireland and founder of the Gaelic League.", + "Shane Cullen is an Irish artist who lives and works in Co. Sligo. His work is characterised by a strong interest in politics, history and heritage. The representation of text and language has been consistent in his artwork to date. While some of his best known work is of a monumental scale (Fragmens sur Les Institutions IV, 1992-1996) and the Agreement (1998-2002)." + ], + "source": "https://imma.ie/artists/shane-cullen/", + "birthDate": "b.1957", + "url": "https://imma.ie/artists/shane-cullen/", + "label": "Shane Cullen" + }, + { + "@id": "spice:artefact/fragmens-sur-les-institutions-republicaines-iv", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/cullen-shane", + "author": "spice:agent/cullen-shane", + "dateCreated": "1993", + "url": "https://imma.ie/collection/fragmens-sur-les-institutions-republicaines-iv/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/fragmens-sur-les-institutions-republicaines-iv", + "hasTitle": "Fragmens sur les Institutions Républicaines IV" + }, + { + "@id": "spice:attribution/fragmens-sur-les-institutions-republicaines-iv", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/cullen-shane" + } + ], + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368364, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 24, + "_updated": true + }, + { + "_id": "obrien-abigail.jsonld", + "@graph": [ + { + "@id": "spice:agent/obrien-abigail", + "@type": "foaf:Person", + "description": "Irish artist Abigail O’Brien (born 1957) studied painting at the National College of Art and Design. 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She is a member and current secretary of the Royal Hibernian Academy.", + "source": "https://imma.ie/artists/abigail-obrien/", + "birthDate": "b.1957", + "url": "https://imma.ie/artists/abigail-obrien/", + "label": "Abigail O’Brien" + }, + { + "@id": "spice:artefact/red-ribbon", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/obrien-abigail", + "author": "spice:agent/obrien-abigail", + "dateCreated": "2003", + "url": "https://imma.ie/collection/red-ribbon/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/red-ribbon", + "hasTitle": "Red Ribbon" + }, + { + "@id": "spice:artefact/the-last-supper", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/obrien-abigail", + "author": "spice:agent/obrien-abigail", + "dateCreated": "1995", + "url": "https://imma.ie/collection/the-last-supper/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/the-last-supper", + "hasTitle": "The Last Supper" + }, + { + "@id": "spice:attribution/red-ribbon", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/obrien-abigail" + }, + { + "@id": "spice:attribution/the-last-supper", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/obrien-abigail" + } + ], + "@context": { + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368364, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 24, + "_updated": true + }, + { + "_id": "balakjian-marc.jsonld", + "@graph": [ + { + "@id": "spice:agent/balakjian-marc", + "@type": "foaf:Person", + "description": "Marc Balakjian grew up in Lebanon and moved to London to study architecture in 1966. 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He has exhibited worldwide in group and solo shows and his work is held in major public collections including the Victoria and Albert Museum, London; Bibliotheque Nationale, Paris and the National Gallery of Art, Washington.", + "source": "https://imma.ie/artists/marc-balakjian/", + "birthDate": "b.1940", + "url": "https://imma.ie/artists/marc-balakjian/", + "label": "Marc Balakjian" + }, + { + "@id": "spice:artefact/what-is-left-to-remember", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/balakjian-marc", + "author": "spice:agent/balakjian-marc", + "dateCreated": "1975", + "url": "https://imma.ie/collection/what-is-left-to-remember/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/what-is-left-to-remember", + "hasTitle": "What is Left to Remember" + }, + { + "@id": "spice:attribution/what-is-left-to-remember", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/balakjian-marc" + } + ], + "@context": { + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368364, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 24, + "_updated": true + }, + { + "_id": "karolini-joanna.jsonld", + "@id": "spice:agent/karolini-joanna", + "@type": "foaf:Person", + "description": "_:b0", + "dc:description": "Joanna Karolini’s work is dependant on the character and ambience of the spaces in which she works or the found materials she uses. 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Her installations are constructions of these nightly recordings. Often the descriptions of the dreams function as both work instructions and work titles. In the continuation of other artists and writers dealing with dream recollections, Breitenfellner uses her protocols to create condensed and distorted, often absurd or ironic representations of making and exhibiting art and being an artist. Her collages come about through play with printing over, cutting out, and turning around with the pitfalls of the unconscious.", + "Born in Kufstein, Austria Barbara Breitenfellner received a Master of Fine Art at Glasgow School of Art. She lives and works in Berlin. For seventeen years Breitenfellner has been jotting down art-related dreams. Her installations are constructions of these nightly recordings" + ], + "source": "https://imma.ie/artists/barbara-breitenfellner/", + "url": "https://imma.ie/artists/barbara-breitenfellner/", + "label": "Barbara Breitenfellner", + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368364, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 24, + "_updated": true + }, + { + "_id": "montague-sibyl.jsonld", + "@graph": [ + { + "@id": "spice:agent/montague-sibyl", + "@type": "foaf:Person", + "description": [ + "Sibyl Montague’s practice foregrounds the primacy of material and its ability to perform. Working with a range of sources; vegetable and digital matter and engaging strategies of appropriation, or the (dis)assemblage and hacking of commodity goods. Her work focuses on locating generative, dissident terms from which to approach material and democratise form.", + "Sibyl Montague's (Dublin, Ireland) practice includes sculpture, video and installation. A graduate of Chelsea College of Art and Design, London, Montague was artist in residence at Visual Contemporary, Carlow (2020) and recipient of the IMMA 1000 residency award at the Irish Museum of Modern Art, Dublin (2019). Recent solo presentations include SELF SOOTHERS, Visual Contemporary, Carlow (2020); Practice curated by Alice Butler, New Spaces, Derry (2018); Saplings, Pallas Projects, Dublin (2018); My Fears of Tomorrow are Melting Away, Cité Internationale des Arts, Paris (2018). Montague is co-founder of PLASTIK Festival of Artists’ Moving Image. Montague's practice explores concerns of form, usability, and the handheld, making work that considers how we regard, hold, and consume objects and experiences. Her work uses a wide range of sources that combine vegetable, used or ‘poor’ material, with the hacking and (dis)assemblage of commodity goods. 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Using both archival and filmed material, his films question our reading of the documentary form as a fixed representation of reality, opening up boundaries between the actual and the imagined, record and interpretation.", + "Duncan Campbell is best known for his films which focus on particular moments in history, and the people and objects at the centre of those histories. He uses archive material as a route to research subjects and histories that he feels are important. 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Recent work has included sculptural, material responses to how the camera mediates, encounters, and transforms built space and can question how we locate ourselves in it. Other work has explored how people use photography when improving their own lives in a world where desires are shaped by and affect, advertising and the photographic image.", + "Jan McCullough is interested in the role photography plays in the construction and expression of individual and collective identities in contemporary society." + ], + "source": "https://imma.ie/artists/jan-mccullough/", + "birthDate": "b.1991", + "url": "https://imma.ie/artists/jan-mccullough/", + "label": "Jan McCullough", + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368363, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 23, + "_updated": true + }, + { + "_id": "semmes-beverly.jsonld", + "@graph": [ + { + "@id": "spice:agent/semmes-beverly", + "@type": "foaf:Person", + "description": "American sculptor Beverly Semmes occupies a fault-line between fashion and art. 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She lives and works in Mexico City. Romero has received many international awards, including First Prize at the Cairo Biennial in 2006, and her work has been exhibited worldwide at institutions such as the Museo Nacional de Arte Reina Sofia in Madrid and the Museo del Barrio in New York. Her work is represented in the Daros Collection, Switzerland, LACMA Los Angeles and the Museum of Modern Art of Houston among others.", + "Betsabeé Romero studied at the Ecole des Beaux Arts in Paris and the National Autonomous University of Mexico. She lives and works in Mexico City. Romero draws on elements of popular culture and the traditions of Mexican art in her homeland and her practice is concerned with themes of memory, identity and human migration. Romero has received many international awards, including First Prize at the Cairo Biennial in 2006, and her work has been exhibited worldwide at institutions such as the Museo Nacional de Arte Reina Sofia in Madrid and the Museo del Barrio in New York. Her work is represented in the Daros Collection, Switzerland, LACMA Los Angeles and the Museum of Modern Art of Houston among others. " + ], + "source": "https://imma.ie/artists/betsabee-romero/", + "birthDate": "b.1963", + "url": "https://imma.ie/artists/betsabee-romero/", + "label": "Betsabeé Romero" + }, + { + "@id": "spice:artefact/amarillo-al-cubo", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/romero-betsabee", + "author": "spice:agent/romero-betsabee", + "dateCreated": "2010", + "url": "https://imma.ie/collection/amarillo-al-cubo/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/amarillo-al-cubo", + "hasTitle": "Amarillo al Cubo" + }, + { + "@id": "spice:artefact/geografias", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/romero-betsabee", + "author": "spice:agent/romero-betsabee", + "dateCreated": "2017", + "url": "https://imma.ie/collection/geografias/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/geografias", + "hasTitle": "Geografias" + }, + { + "@id": "spice:attribution/amarillo-al-cubo", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/romero-betsabee" + }, + { + "@id": "spice:attribution/geografias", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/romero-betsabee" + } + ], + "@context": { + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368363, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 23, + "_updated": true + }, + { + "_id": "albers-josef.jsonld", + "@graph": [ + { + "@id": "spice:agent/albers-josef", + "@type": "foaf:Person", + "description": "Born in Westphalia, Germany, the painter, printmaker and designer Josef Albers studied and taught at the Weimer Bauhaus. 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She looks at the urban environment and is drawn to anonymous spaces, factory roofs, subway tunnels and blank walls. Jordan was elected as a member of Aosdána in 1990. 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Her practice exchanges time with objects and materials, sometimes through repetitive and labour intensive ways of making. Time is somehow contained in the work, recalling handcrafts such as lace-making where stories, memories, daydreams and mundane thoughts are caught within the intricate pieces made.", + "Wrapping and unravelling, Anna Barham is drawn to using local/vernacular materials, not specialist or ‘separate’ materials but things that are common to our everyday experience – bought from a builders’ merchant, on a market stall or just found on the street." + ], + "source": "https://imma.ie/artists/anna-barham/", + "birthDate": "b.1974", + "url": "https://imma.ie/artists/anna-barham/", + "label": "Anna Barham", + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368360, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 20, + "_updated": true + }, + { + "_id": "siskind-aaron.jsonld", + "@graph": [ + { + "@id": "spice:agent/siskind-aaron", + "@type": "foaf:Person", + "description": "Aaron Siskind brought an abstract, formal approach to photography, inviting comparison with the Abstract Expressionist painters of the 1950s and 60s. 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Siskind eventually created an homage to his friend, who died in 1962, through a series of photographs focused on rough wall markings shot on another Mexican road trip in 1972. Siskind was influential as a photographer and a teacher; he joined the Institute of Design in Chicago in 1951 at the invitation of photographer Harry Callahan, and then also taught at the Rhode Island School of Design from 1971 – 1976. 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Powers was instrumental in establishing the Graphic Studio Gallery in 1983. She was a founding member of Aosdána and served as a director of the Graphic Studio for many years." + ], + "source": "https://imma.ie/artists/mary-farl-powers/", + "birthDate": "1948–1992", + "url": "https://imma.ie/artists/mary-farl-powers/", + "label": "Mary Farl Powers" + }, + { + "@id": "spice:artefact/3-2", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/powers-mary-farl", + "author": "spice:agent/powers-mary-farl", + "dateCreated": "1975", + "url": "https://imma.ie/collection/3-2/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/3-2", + "hasTitle": "“3”" + }, + { + "@id": "spice:artefact/babies-in-the-bed", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/powers-mary-farl", + "author": "spice:agent/powers-mary-farl", + "dateCreated": "1974", + "url": "https://imma.ie/collection/babies-in-the-bed/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/babies-in-the-bed", + "hasTitle": "Babies in the Bed" + }, + { + "@id": "spice:artefact/blue-spotted-torso", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/powers-mary-farl", + "author": "spice:agent/powers-mary-farl", + "dateCreated": "1977", + "url": "https://imma.ie/collection/blue-spotted-torso/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/blue-spotted-torso", + "hasTitle": "Blue Spotted Torso" + }, + { + "@id": "spice:artefact/boy-and-rabbit", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/powers-mary-farl", + "author": "spice:agent/powers-mary-farl", + "dateCreated": "1972", + "url": "https://imma.ie/collection/boy-and-rabbit/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/boy-and-rabbit", + "hasTitle": "Boy and Rabbit" + }, + { + "@id": "spice:artefact/cast-paper-15", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/powers-mary-farl", + "author": "spice:agent/powers-mary-farl", + "dateCreated": "1988", + "url": "https://imma.ie/collection/cast-paper-15/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/cast-paper-15", + "hasTitle": "Cast Paper 15" + }, + { + "@id": "spice:artefact/cast-paper-3-triptych", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/powers-mary-farl", + "author": "spice:agent/powers-mary-farl", + "dateCreated": "1986", + "url": "https://imma.ie/collection/cast-paper-3-triptych/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/cast-paper-3-triptych", + "hasTitle": "Cast Paper 3. 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Later in his career Griffiths revisited Vietnam and published two further books on the legacy of the war, 'Agent Orange' and 'Vietnam at Peace'.", + "source": "https://imma.ie/artists/philip-jones-griffiths/", + "birthDate": "1936–2008", + "url": "https://imma.ie/artists/philip-jones-griffiths/", + "label": "Philip Jones Griffiths" + }, + { + "@id": "spice:artefact/soldier-behind-shield-northern-ireland", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/jones-griffiths-philip", + "author": "spice:agent/jones-griffiths-philip", + "dateCreated": "1973", + "url": "https://imma.ie/collection/soldier-behind-shield-northern-ireland/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/soldier-behind-shield-northern-ireland", + "hasTitle": "Soldier Behind Shield, Northern Ireland" + }, + { + "@id": "spice:attribution/soldier-behind-shield-northern-ireland", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/jones-griffiths-philip" + } + ], + "@context": { + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368355, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 15, + "_updated": true + }, + { + "_id": "benglis-lynda.jsonld", + "@graph": [ + { + "@id": "spice:agent/benglis-lynda", + "@type": "foaf:Person", + "description": "American artist Lynda Benglis received her B.F.A. from Newcomb College, New Orleans, in 1964. 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Iten’s work is held in major public collections including that of Queen’s University, Belfast; the Ulster Museum, Belfast and Dublin City Gallery The Hugh Lane.", + "source": "https://imma.ie/artists/hans-iten/", + "birthDate": "1874–1930", + "url": "https://imma.ie/artists/hans-iten/", + "label": "Hans Iten", + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368353, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 13, + "_updated": true + }, + { + "_id": "king-cecil.jsonld", + "@graph": [ + { + "@id": "spice:agent/king-cecil", + "@type": "foaf:Person", + "description": "Self-taught Irish artist Cecil King was a successful businessman, who began to paint in his mid-30s. 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Hamilton's primarily site-based installation works often combine sound, text, video, photography, books and large quantities of collected materials. Her practice is time-based and process orientated, and engages with the way bodies of knowledge are generated, contained, perceived and absorbed. Hamilton has exhibited worldwide, including a large solo exhibition at IMMA in 2002. 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He studied at the National College of Art and Design between 1988 and 1991 and later received a PhD from the University of Ulster, Belfast. He has exhibited extensively in Ireland and internationally, including solo exhibitions in the Galway Arts Centre, Project Arts Centre, Dublin, and Glassbox, Paris. In 2005 McCrea was one of seven artists who represented Ireland at the Venice Biennale. He has also worked as a curator and was a guest curator at The Return, Goethe Institute, Dublin in 2003. He currently lectures in photography at Limerick School of Art & Design.", + "source": "https://imma.ie/artists/ronan-mccrea/", + "birthDate": "b.1969", + "url": "https://imma.ie/artists/ronan-mccrea/", + "label": "Ronan McCrea" + }, + { + "@id": "spice:artefact/medium-corporate-entities-version-iii", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/mccrea-ronan", + "author": "spice:agent/mccrea-ronan", + "dateCreated": "2008", + "url": "https://imma.ie/collection/medium-corporate-entities-version-iii/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/medium-corporate-entities-version-iii", + "hasTitle": "Medium (Corporate Entities) version III" + }, + { + "@id": "spice:attribution/medium-corporate-entities-version-iii", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/mccrea-ronan" + } + ], + "@context": { + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368351, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "brett-marie.jsonld", + "@graph": [ + { + "@id": "spice:agent/brett-marie", + "@type": "foaf:Person", + "description": [ + "Marie Brett produces artwork in response to culturally shunned human behaviours with particular interests in lived experience of loss and trauma. She makes filmic, audio-sculptural, and event based works, for gallery and flux-off-site locations. Her practice develops through socially engaged methods, particularly exploring an ethic and aesthetic relation to the politics of cultural production.", + "Marie Brett is a visual artist working in digital, sculptural and live events. Her practice often involves gathering people who’ve never been involved in art making before as central contributors. Recurrently she makes work exploring peoples’ significant lived-life experience, including trauma and issues of vulnerability, loss and social isolation; and her practice re-positions what can be socially hidden and is culturally shunned. Considered by many to be one of Ireland’s leading exponents in the field of inter-disciplinary and collaborative arts practice, she is a graduate of London University Goldsmiths College, and holds a 1st class Bachelors BA and a Masters MA visual arts degree, and has work held in national and international public art collections." + ], + "source": "https://imma.ie/artists/marie-brett/", + "url": "https://imma.ie/artists/marie-brett/", + "label": "Marie Brett" + }, + { + "@id": "spice:artefact/yes-but-do-you-care", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/brett-marie", + "author": "spice:agent/brett-marie", + "dateCreated": "2021", + "url": "https://imma.ie/collection/yes-but-do-you-care/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/yes-but-do-you-care", + "hasTitle": "Yes, But Do You Care?" + }, + { + "@id": "spice:attribution/yes-but-do-you-care", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/brett-marie" + } + ], + "@context": { + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368351, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "balkenhol-stephan.jsonld", + "@graph": [ + { + "@id": "spice:agent/balkenhol-stephan", + "@type": "foaf:Person", + "description": "German sculptor Stephan Balkenhol studied at the Hamburg School of Fine Arts, known for its Minimalist and Conceptualist profile. He went on to reject abstract formalism in favour of figurative sculpture. His large scale works are part of many public and private collections and he has exhibited widely, including a show at IMMA from 1991 to 1992.", + "source": "https://imma.ie/artists/stephan-balkenhol/", + "birthDate": "b.1957", + "url": "https://imma.ie/artists/stephan-balkenhol/", + "label": "Stephan Balkenhol" + }, + { + "@id": "spice:artefact/large-head", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/balkenhol-stephan", + "author": "spice:agent/balkenhol-stephan", + "dateCreated": "1991", + "url": "https://imma.ie/collection/large-head/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/large-head", + "hasTitle": "Large Head" + }, + { + "@id": "spice:attribution/large-head", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/balkenhol-stephan" + } + ], + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368351, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 11, + "_updated": true + }, + { + "_id": "ireland-patrick.jsonld", + "@graph": [ + { + "@id": "spice:agent/ireland-patrick", + "@type": "foaf:Person", + "description": [ + "During the Irish Exhibition of Living Art at the Project Arts Centre in 1972, Brian O’Doherty, in a performance before 30 invited witnesses and assisted by artists Robert Ballagh and Brian King, undertook to sign his artworks Patrick Ireland ‘until such time as the British military presence is removed from Northern Ireland and all citizens are granted their civil rights’. That commitment, often seen as controversial, was described by O’Doherty as ‘an expatriate’s gesture in response to Bloody Sunday in Derry’.", + "During the Irish Exhibition of Living Art in 1972, Brian O'Doherty, in a performance before 30 invited witnesses and assisted by artists Robert Ballagh and Brian King, undertook to sign his artworks Patrick Ireland 'until such time as the British military presence is removed from Northern Ireland'. After 36 years of making art as Patrick Ireland, O'Doherty reclaimed his birth name with the symbolic burial of his alter ego in the grounds of IMMA on the afternoon of Tuesday 20 May 2008." + ], + "source": "https://imma.ie/artists/patrick-ireland/", + "birthDate": "1972–2008", + "url": "https://imma.ie/artists/patrick-ireland/", + "label": "Patrick Ireland" + }, + { + "@id": "spice:artefact/barbara-i", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/ireland-patrick", + "author": "spice:agent/ireland-patrick", + "dateCreated": "1976", + "url": "https://imma.ie/collection/barbara-i/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/barbara-i", + "hasTitle": "Barbara I" + }, + { + "@id": "spice:artefact/documentation-of-performance-entitled-name-change", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/ireland-patrick", + "author": 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Questioning the relationship between humans and objects (both virtual and physical) his practice reflects upon the way in which cinematic images are indelibly embedded in our perception of history.", + "Short Description Patrick Hough predominantly uses digital media in order to investigate various historical and contemporary narratives and often uses props or artefacts to reference specific incidents from a range of cultural histories. Hough is on a Production Residency Partnership nominated by Askeaton Contemporary Arts and the Irish Architecture Archive . 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He developed a unique style based on the pouring of paint directly onto unprimed canvas and creating autonomous images that showed the influence of Pollock’s action painting methods. Throughout his career, Brooks held teaching posts at various art institutions in America. He was awarded a Guggenheim Fellowship in 1969.", + "source": "https://imma.ie/artists/james-brooks/", + "birthDate": "1906–1992", + "url": "https://imma.ie/artists/james-brooks/", + "label": "James Brooks" + }, + { + "@id": "spice:artefact/concord", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/brooks-james", + "author": "spice:agent/brooks-james", + "dateCreated": "1974", + "url": "https://imma.ie/collection/concord/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/concord", + "hasTitle": "Concord" + }, + { + "@id": "spice:attribution/concord", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/brooks-james" + } + ], + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368349, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 9, + "_updated": true + }, + { + "_id": "coyle-gary.jsonld", + "@graph": [ + { + "@id": "spice:agent/coyle-gary", + "@type": "foaf:Person", + "description": "Irish artist Gary Coyle studied at the National College of Art and Design, Dublin and the Royal College of Art, London. 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Solo exhibitions of his work have been held (amongst others) at the 56th Venice Biennale, The Cyprus Pavilion; Camden Arts Centre, London; Musée d’Orsay, Paris; Casa Luis Barragán, Mexico City; Moderna Museet, Stockholm; Kunsthalle Zürich; Casino Luxembourg; CCA Kitakyushu; Museum of Contemporary Art, St. Louis; Museum of Contemporary Art, Leipzig; Centre d’Art Contemporain de Brétigny; and at Point Center of Contemporary Art, Nicosia.", + "Christodoulos Panayiotou (1978, Limassol, Cyprus) wide-ranging research focuses on the identification and uncovering of hidden narratives in the visual records of history and time." + ], + "source": "https://imma.ie/artists/christodoulos-panayiotou/", + "birthDate": "b.1978", + "url": "https://imma.ie/artists/christodoulos-panayiotou/", + "label": "Christodoulos Panayiotou", + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368349, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 9, + "_updated": true + }, + { + "_id": "mcelroy-patrick.jsonld", + "@graph": [ + { + "@id": "spice:agent/mcelroy-patrick", + "@type": "foaf:Person", + "description": "Irish artist Patrick McElroy worked as a blacksmith before serving with the RAF during World War II. 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Sligo and The Church of Our Lady of Lourdes, Derry.", + "source": "https://imma.ie/artists/patrick-mcelroy/", + "birthDate": "1923–2008", + "url": "https://imma.ie/artists/patrick-mcelroy/", + "label": "Patrick McElroy" + }, + { + "@id": "spice:artefact/icarus", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/mcelroy-patrick", + "author": "spice:agent/mcelroy-patrick", + "dateCreated": "1965", + "url": "https://imma.ie/collection/icarus/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/icarus", + "hasTitle": "Icarus" + }, + { + "@id": "spice:attribution/icarus", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/mcelroy-patrick" + } + ], + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368349, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 9, + "_updated": true + }, + { + "_id": "lahart-nevan.jsonld", + "@graph": [ + { + "@id": "spice:agent/lahart-nevan", + "@type": "foaf:Person", + "description": "_:b0", + "dc:description": "Irish artist Nevan Lahart attended Limerick School of Art and Design and the National College of Art and Design. Working in a range of media, Lahart considers topics including the role of TV and the media, social and political perceptions, and the Museum as purveyor of artistic merit and classification. Lahart has exhibited nationally and internationally since 2000, including solo exhibitions at Temple Bar Gallery and Studios, Dublin; Steve Turner Contemporary, Los Angeles; Solus Nua, Washington DC and Catalyst Arts, Belfast. He participated in IMMA’s Artists’ Residency Programme in 2005.", + "source": "https://imma.ie/artists/nevan-lahart/", + "birthDate": "b.1973", + "url": "https://imma.ie/artists/nevan-lahart/", + "label": "Nevan Lahart" + }, + { + "@id": "spice:artefact/ch-17-pay-per-view-the-scrapings-of-the-palate", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/lahart-nevan", + "author": "spice:agent/lahart-nevan", + "dateCreated": "2002", + "url": "https://imma.ie/collection/ch-17-pay-per-view-the-scrapings-of-the-palate/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/ch-17-pay-per-view-the-scrapings-of-the-palate", + "hasTitle": "Ch.17: Pay Per View (the scraping’s of the palate)" + }, + { + "@id": "spice:artefact/ch-26-sub-commandant-marcos-the-friendly-terrorist-after-r-hamilton", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/lahart-nevan", + "author": "spice:agent/lahart-nevan", + "dateCreated": "2002", + "url": "https://imma.ie/collection/ch-26-sub-commandant-marcos-the-friendly-terrorist-after-r-hamilton/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/ch-26-sub-commandant-marcos-the-friendly-terrorist-after-r-hamilton", + "hasTitle": "Ch.26: Sub-Commandant Marcos, The Friendly Terrorist (after R. Hamilton)" + }, + { + "@id": "spice:artefact/ch-76-3-cheers-for-the-psalms-of-mordechai-vanunu-before-richard-hamilton", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/lahart-nevan", + "author": "spice:agent/lahart-nevan", + "dateCreated": "2007", + "url": "https://imma.ie/collection/ch-76-3-cheers-for-the-psalms-of-mordechai-vanunu-before-richard-hamilton/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/ch-76-3-cheers-for-the-psalms-of-mordechai-vanunu-before-richard-hamilton", + "hasTitle": "Ch.76: 3 Cheers for the Psalms of Mordechai Vanunu (before Richard Hamilton)" + }, + { + "@id": "spice:artefact/goyas-gaia-16", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/lahart-nevan", + "author": "spice:agent/lahart-nevan", + "dateCreated": "2010", + "url": "https://imma.ie/collection/goyas-gaia-16/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/goyas-gaia-16", + "hasTitle": "Goya’s Gaia #16" + }, + { + "@id": "spice:artefact/goyas-gaia-4", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/lahart-nevan", + "author": "spice:agent/lahart-nevan", + "dateCreated": "2010", + "url": "https://imma.ie/collection/goyas-gaia-4/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/goyas-gaia-4", + "hasTitle": "Goya’s Gaia #4" + }, + { + "@id": "spice:attribution/ch-17-pay-per-view-the-scrapings-of-the-palate", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/lahart-nevan" + }, + { + "@id": "spice:attribution/ch-26-sub-commandant-marcos-the-friendly-terrorist-after-r-hamilton", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/lahart-nevan" + }, + { + "@id": "spice:attribution/ch-76-3-cheers-for-the-psalms-of-mordechai-vanunu-before-richard-hamilton", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/lahart-nevan" + }, + { + "@id": "spice:attribution/goyas-gaia-16", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/lahart-nevan" + }, + { + "@id": "spice:attribution/goyas-gaia-4", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/lahart-nevan" + } + ], + "@context": { + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description", + "@type": "@id" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368349, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 9, + "_updated": true + }, + { + "_id": "tallentire-anne.jsonld", + "@graph": [ + { + "@id": "spice:agent/tallentire-anne", + "@type": "foaf:Person", + "description": [ + "Irish artist Anne Tallentire (born 1949) studied Fine Art Media at the Slade School of Art. Often documenting the actions of both herself and others, Tallentire’s work is concerned with interrogating the apparatus of mapping and naming, and the relationship between the specific and the general, social control and urban occupations.", + "Anne Tallentire is an artist, born in Northern Ireland who lives and works in London. In 1999 she represented Ireland at the Venice Biennale and in 2010 IMMA staged a major survey exhibition of her work entitled ‘This and other Things 1999 – 2010’.Anne co-organises Hmn a quarterly sound test bed centre with writer and curator Chris Fite Wassilak. Often documenting the actions of both herself and others, Tallentire’s work is concerned with interrogating the apparatus of mapping and naming, and the relationship between the specific and the general, social control and urban occupations. 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In performance he tests the materiality of his body, sometimes combining such action with spoken word." + ], + "source": "https://imma.ie/artists/fergus-byrne/", + "birthDate": "b.1974", + "url": "https://imma.ie/artists/fergus-byrne/", + "label": "Fergus Byrne", + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368349, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 9, + "_updated": true + }, + { + "_id": "ashur-michael.jsonld", + "@graph": [ + { + "@id": "spice:agent/ashur-michael", + "@type": "foaf:Person", + "description": "Irish painter Michael Ashur studied at the National College of Art and Design. 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His work is represented in many private collections in Ireland, England, Sweden and the US, as well as public collections such as Dublin City Gallery The Hugh Lane; the Arts Council and University College Dublin.", + "source": "https://imma.ie/artists/michael-ashur/", + "birthDate": "b.1950", + "url": "https://imma.ie/artists/michael-ashur/", + "label": "Michael Ashur" + }, + { + "@id": "spice:artefact/from-centarus-to-argos", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/ashur-michael", + "author": "spice:agent/ashur-michael", + "dateCreated": "1974", + "url": "https://imma.ie/collection/from-centarus-to-argos/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/from-centarus-to-argos", + "hasTitle": "From Centarus to Argos" + }, + { + "@id": "spice:attribution/from-centarus-to-argos", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/ashur-michael" + } + ], + "@context": { + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368349, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 9, + "_updated": true + }, + { + "_id": "hurl-patricia.jsonld", + "@graph": [ + { + "@id": "spice:agent/hurl-patricia", + "@type": "foaf:Person", + "description": [ + "Patricia Hurl was a lecturer in Fine Art Painting at the Dublin Institute of Technology and studied at the National College of Art and Design 1975 and at Dun Laoghaire School of Art and Design 1984. 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access to fantasy.  The alterations she imprints on the world around her are the result of uneasiness; feelings and ideas one may experience when trapped in the familiar setting of humdrum life. ", + "source": "https://imma.ie/artists/delphine-balley/", + "url": "https://imma.ie/artists/delphine-balley/", + "label": "Delphine Balley", + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description", + "@type": "@id" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": 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Fusing realism with a Surrealist subjectivity learned in Paris he painted human figures isolated in the landscape, male nudes and portraits of African men that puzzled Irish critics who branded him ‘something of an outsider'" + ], + "source": "https://imma.ie/artists/patrick-hennessy/", + "birthDate": "1915–1980", + "url": "https://imma.ie/artists/patrick-hennessy/", + "label": "Patrick Hennessy" + }, + { + "@id": "spice:artefact/boy-and-seagull", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/hennessy-patrick", + "author": "spice:agent/hennessy-patrick", + "dateCreated": "1949", + "url": "https://imma.ie/collection/boy-and-seagull/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/boy-and-seagull", + "hasTitle": "Boy and Seagull" + }, + { + "@id": "spice:artefact/yellow-ribbon", + "@type": [ + "schema:CreativeWork", + "arco:CulturalProperty" + ], + "creator": "spice:agent/hennessy-patrick", + "author": "spice:agent/hennessy-patrick", + "dateCreated": "1951", + "url": "https://imma.ie/collection/yellow-ribbon/", + "hasRelatedAgency": "https://w3id.org/spice/institute/imma", + "hasAuthorshipAttribution": "spice:attribution/yellow-ribbon", + "hasTitle": "Yellow Ribbon" + }, + { + "@id": "spice:attribution/boy-and-seagull", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/hennessy-patrick" + }, + { + "@id": "spice:attribution/yellow-ribbon", + "@type": "arco:AuthorshipAttribution", + "hasAttributedAuthor": "spice:agent/hennessy-patrick" + } + ], + "@context": { + "description": { + "@id": "http://purl.org/dc/elements/1.1/description" + }, + "birthDate": { + "@id": "http://schema.org/birthDate" + }, + "url": { + "@id": "http://schema.org/url" + }, + "source": { + "@id": "http://purl.org/dc/elements/1.1/source" + }, + "label": { + "@id": "http://www.w3.org/2000/01/rdf-schema#label" + }, + "hasAttributedAuthor": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAttributedAuthor", + "@type": "@id" + }, + "hasAuthorshipAttribution": { + "@id": "https://w3id.org/arco/ontology/context-description/hasAuthorshipAttribution", + "@type": "@id" + }, + "dateCreated": { + "@id": "http://schema.org/dateCreated" + }, + "author": { + "@id": "http://schema.org/author", + "@type": "@id" + }, + "hasTitle": { + "@id": "https://w3id.org/arco/ontology/context-description/hasTitle" + }, + "hasRelatedAgency": { + "@id": "https://w3id.org/arco/ontology/arco/hasRelatedAgency", + "@type": "@id" + }, + "creator": { + "@id": "http://purl.org/dc/elements/1.1/creator", + "@type": "@id" + }, + "arco-core": "https://w3id.org/arco/ontology/core/", + "schema": "http://schema.org/", + "dom": "https://html.spec.whatwg.org/#", + "owl": "http://www.w3.org/2002/07/owl#", + "spice": "https://w3id.org/spice/imma/", + "rdfs": "http://www.w3.org/2000/01/rdf-schema#", + "xhtml": "http://www.w3.org/1999/xhtml#", + "arco": "https://w3id.org/arco/ontology/arco/", + "fx": "http://sparql.xyz/facade-x/ns/", + "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", + "arco-cd": "https://w3id.org/arco/ontology/context-description/", + "foaf": "http://xmlns.com/foaf/0.1/", + "dc": "http://purl.org/dc/elements/1.1/" + }, + "_datasetid": "f9e601f0-06e6-4733-a791-ec42f3aab80e", + "_timestamp": 1662368347, + "_timestamp_year": 2022, + "_timestamp_month": 9, + "_timestamp_day": 5, + "_timestamp_hour": 9, + "_timestamp_minute": 59, + "_timestamp_second": 7, + "_updated": true + }, + { + "_id": "odea-mick.jsonld", + "@graph": [ + { + "@id": "spice:agent/odea-mick", + "@type": "foaf:Person", + "description": "Irish artist Mick O’Dea (born 1958) studied at the National College of Art and Design, Dublin, the University of Massachusetts and Winchester School of Art. 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